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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87DBF700 it is the complementary color #78240800. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87DBF700. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87DBF700 shade: #8CDBF200, #9DEDFF00, #AEFFFF00, #BFFFFF00 and #D0FFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87DBF700. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87DBF700 shade: #87DBF700, #76C9E400, #65B7D100, #54A5BE00 and #4393AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87DBF700 shade: #87DBF7, #87BDF7, #879FF7, #8E87F7 and #AC87F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87DBF700 shade: #87DBF7, #87BDF7, #879FF7 and #8787F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87DBF700 shade matches the following richer shades: #87DBF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87DBF700 shade: #87DBF7, #91D6ED, #9CD1E3, #A6CCD8 and #B0C7CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87DBF700 shade: #87F7D8, #87F7F5, #87DBF7, #87BDF7 and #879FF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87DBF700 shade: #3AC4F2, #60D0F5, #87DBF7, #AEE7FA and #D5F2FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87DBF700 shade: #87DBF7, #BA87F7 and #F7E787

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87DBF700 shade: #87DBF7, #F787DB and #DBF787

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87DBF700 shade: #87DBF7, #BA87F7, #F7A387 and #C5F787

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87DBF700 shade: #87DBF7, #DB87F7, #F7A387 and #A3F787

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #87DBF700

RGBA 135 219 247 0

HSLA 195, 0.88%, 0.75%, 0

LABA 83.19, -18.33, -21.63, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #78240800

RGBA 120 36 8 0

HSLA 15, 0.88%, 0.25%, 0

LABA 27.5, 35.41, 35.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8CDBF200

RGBA 140 219 242 0

HSLA 193.53, 0.8%, 0.75%, 0

LABA 83.26, -18.44, -18.86, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9DEDFF00

RGBA 157 237 255 0

HSLA 191.02, 1%, 0.81%, 0

LABA 89.37, -20, -16.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AEFFFF00

RGBA 174 255 255 0

HSLA 180, 1%, 0.84%, 0

LABA 95.05, -24.43, -7.86, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BFFFFF00

RGBA 191 255 255 0

HSLA 180, 1%, 0.87%, 0

LABA 95.92, -19.77, -6.48, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D0FFFF00

RGBA 208 255 255 0

HSLA 180, 1%, 0.91%, 0

LABA 96.88, -14.82, -4.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #87DBF700

RGBA 135 219 247 0

HSLA 195, 0.88%, 0.75%, 0

LABA 83.19, -18.33, -21.63, 0

 

CMYK 0 / 0 / 0 / 0

HEX #76C9E400

RGBA 118 201 228 0

HSLA 194.73, 0.67%, 0.68%, 0

LABA 76.82, -18.14, -21.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #65B7D100

RGBA 101 183 209 0

HSLA 194.44, 0.54%, 0.61%, 0

LABA 70.34, -17.89, -20.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #54A5BE00

RGBA 84 165 190 0

HSLA 194.15, 0.45%, 0.54%, 0

LABA 63.76, -17.56, -20.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4393AB00

RGBA 67 147 171 0

HSLA 193.85, 0.44%, 0.47%, 0

LABA 57.08, -17.1, -19.93, 0

 

CMYK 45 / 11 / 0 / 3

HEX #87DBF7

RGB 135 219 247

HSL 195, 0.88%, 0.75%

LAB 83.19, -18.33, -21.63

 

CMYK 45 / 23 / 0 / 3

HEX #87BDF7

RGB 135 189 247

HSL 211.07, 0.88%, 0.75%

LAB 74.99, -2.56, -34.19

 

CMYK 45 / 36 / 0 / 3

HEX #879FF7

RGB 135 159 247

HSL 227.14, 0.88%, 0.75%

LAB 67.02, 14.25, -46.62

 

CMYK 43 / 45 / 0 / 3

HEX #8E87F7

RGB 142 135 247

HSL 243.75, 0.88%, 0.75%

LAB 61.48, 29.84, -55.37

 

CMYK 30 / 45 / 0 / 3

HEX #AC87F7

RGB 172 135 247

HSL 259.82, 0.88%, 0.75%

LAB 64.01, 37.37, -51.19

 

CMYK 45 / 11 / 0 / 3

HEX #87DBF7

RGB 135 219 247

HSL 195, 0.88%, 0.75%

LAB 83.19, -18.33, -21.63

 

CMYK 45 / 23 / 0 / 3

HEX #87BDF7

RGB 135 189 247

HSL 211.07, 0.88%, 0.75%

LAB 74.99, -2.56, -34.19

 

CMYK 45 / 36 / 0 / 3

HEX #879FF7

RGB 135 159 247

HSL 227.14, 0.88%, 0.75%

LAB 67.02, 14.25, -46.62

 

CMYK 45 / 45 / 0 / 3

HEX #8787F7

RGB 135 135 247

HSL 240, 0.88%, 0.75%

LAB 60.95, 28.2, -56.24

 

CMYK 45 / 11 / 0 / 3

HEX #87DBF7

RGB 135 219 247

HSL 195, 0.88%, 0.75%

LAB 83.19, -18.33, -21.63

 

CMYK 45 / 11 / 0 / 3

HEX #87DBF7

RGB 135 219 247

HSL 195, 0.88%, 0.75%

LAB 83.19, -18.33, -21.63

 

CMYK 39 / 10 / 0 / 7

HEX #91D6ED

RGB 145 214 237

HSL 195, 0.72%, 0.75%

LAB 81.96, -15.92, -18.14

 

CMYK 31 / 8 / 0 / 11

HEX #9CD1E3

RGB 156 209 227

HSL 195.21, 0.56%, 0.75%

LAB 80.86, -12.86, -14.41

 

CMYK 23 / 6 / 0 / 15

HEX #A6CCD8

RGB 166 204 216

HSL 194.4, 0.39%, 0.75%

LAB 79.76, -9.89, -10.11

 

CMYK 15 / 3 / 0 / 19

HEX #B0C7CE

RGB 176 199 206

HSL 194, 0.23%, 0.75%

LAB 78.77, -6.31, -6.13

 

CMYK 45 / 0 / 13 / 3

HEX #87F7D8

RGB 135 247 216

HSL 163.39, 0.88%, 0.75%

LAB 90.15, -39.26, 4.97

 

CMYK 45 / 0 / 1 / 3

HEX #87F7F5

RGB 135 247 245

HSL 178.93, 0.88%, 0.75%

LAB 90.9, -32.5, -9.02

 

CMYK 45 / 11 / 0 / 3

HEX #87DBF7

RGB 135 219 247

HSL 195, 0.88%, 0.75%

LAB 83.19, -18.33, -21.63

 

CMYK 45 / 23 / 0 / 3

HEX #87BDF7

RGB 135 189 247

HSL 211.07, 0.88%, 0.75%

LAB 74.99, -2.56, -34.19

 

CMYK 45 / 36 / 0 / 3

HEX #879FF7

RGB 135 159 247

HSL 227.14, 0.88%, 0.75%

LAB 67.02, 14.25, -46.62

 

CMYK 76 / 19 / 0 / 5

HEX #3AC4F2

RGB 58 196 242

HSL 195, 0.88%, 0.59%

LAB 74.06, -21.41, -33.16

 

CMYK 61 / 15 / 0 / 4

HEX #60D0F5

RGB 96 208 245

HSL 194.9, 0.88%, 0.67%

LAB 78.57, -21.26, -27.74

 

CMYK 45 / 11 / 0 / 3

HEX #87DBF7

RGB 135 219 247

HSL 195, 0.88%, 0.75%

LAB 83.19, -18.33, -21.63

 

CMYK 30 / 8 / 0 / 2

HEX #AEE7FA

RGB 174 231 250

HSL 195, 0.88%, 0.83%

LAB 88.47, -13.7, -15.06

 

CMYK 15 / 4 / 0 / 1

HEX #D5F2FC

RGB 213 242 252

HSL 195.38, 0.87%, 0.91%

LAB 93.74, -7.41, -8

 

CMYK 45 / 11 / 0 / 3

HEX #87DBF7

RGB 135 219 247

HSL 195, 0.88%, 0.75%

LAB 83.19, -18.33, -21.63

 

CMYK 25 / 45 / 0 / 3

HEX #BA87F7

RGB 186 135 247

HSL 267.32, 0.88%, 0.75%

LAB 65.34, 41.09, -49

 

CMYK 0 / 6 / 45 / 3

HEX #F7E787

RGB 247 231 135

HSL 51.43, 0.88%, 0.75%

LAB 91.09, -7.26, 48.48

 

CMYK 45 / 11 / 0 / 3

HEX #87DBF7

RGB 135 219 247

HSL 195, 0.88%, 0.75%

LAB 83.19, -18.33, -21.63

 

CMYK 0 / 45 / 11 / 3

HEX #F787DB

RGB 247 135 219

HSL 315, 0.88%, 0.75%

LAB 71.02, 53.37, -24.22

 

CMYK 11 / 0 / 45 / 3

HEX #DBF787

RGB 219 247 135

HSL 75, 0.88%, 0.75%

LAB 93.16, -25.86, 50.57

 

CMYK 45 / 11 / 0 / 3

HEX #87DBF7

RGB 135 219 247

HSL 195, 0.88%, 0.75%

LAB 83.19, -18.33, -21.63

 

CMYK 25 / 45 / 0 / 3

HEX #BA87F7

RGB 186 135 247

HSL 267.32, 0.88%, 0.75%

LAB 65.34, 41.09, -49

 

CMYK 0 / 34 / 45 / 3

HEX #F7A387

RGB 247 163 135

HSL 15, 0.88%, 0.75%

LAB 74.65, 28.02, 27.33

 

CMYK 20 / 0 / 45 / 3

HEX #C5F787

RGB 197 247 135

HSL 86.79, 0.88%, 0.75%

LAB 91.75, -33.95, 48.52

 

CMYK 45 / 11 / 0 / 3

HEX #87DBF7

RGB 135 219 247

HSL 195, 0.88%, 0.75%

LAB 83.19, -18.33, -21.63

 

CMYK 11 / 45 / 0 / 3

HEX #DB87F7

RGB 219 135 247

HSL 285, 0.88%, 0.75%

LAB 68.83, 50.18, -43.28

 

CMYK 0 / 34 / 45 / 3

HEX #F7A387

RGB 247 163 135

HSL 15, 0.88%, 0.75%

LAB 74.65, 28.02, 27.33

 

CMYK 34 / 0 / 45 / 3

HEX #A3F787

RGB 163 247 135

HSL 105, 0.88%, 0.75%

LAB 89.89, -45.54, 45.79

 

Description

Color code: HEX #87DBF700 | qconv.com Color code: HEX #87DBF700 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 219 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 219 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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