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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87D2E5 it is the complementary color #782D1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87D2E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87D2E5 shade: #8CD2E0, #9DE4F3, #AEF6FF, #BFFFFF and #D0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87D2E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87D2E5 shade: #87D2E5, #76C0D2, #65AEBF, #549CAC and #438A99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87D2E5 shade: #86D1E4, #86B8E4, #869EE4, #8786E4 and #A086E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87D2E5 shade: #86D1E4, #86B8E4, #869EE4 and #8686E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87D2E5 shade matches the following richer shades: #86D1E4, #7AD8F0 and #6EDFFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87D2E5 shade: #86D1E4, #92CAD8, #9EC3CC, #AABCC0 and #B6B5B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87D2E5 shade: #86E4C5, #86E4DE, #86D1E4, #86B8E4 and #869FE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87D2E5 shade: #42B8D6, #64C4DD, #86D1E4, #A8DEEC and #C9EBF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87D2E5 shade: #87D2E5, #AC86E4 and #E4D186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87D2E5 shade: #87D2E5, #E486D1 and #D1E486

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87D2E5 shade: #87D2E5, #AC86E4, #E49986 and #BFE486

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87D2E5 shade: #87D2E5, #C886E4, #E49986 and #A2E486

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 8 / 0 / 10

HEX #87D2E5

RGB 135 210 229

HSL 192.13, 0.64%, 0.71%

LAB 80.12, -18.43, -16.69

 

Complementary color

CMYK 0 / 63 / 78 / 53

HEX #782D1A

RGB 120 45 26

HSL 12.13, 0.64%, 0.29%

LAB 29.27, 31.66, 28.49

 

CMYK 38 / 6 / 0 / 12

HEX #8CD2E0

RGB 140 210 224

HSL 190, 0.58%, 0.71%

LAB 80.21, -18.42, -13.87

 

CMYK 35 / 6 / 0 / 5

HEX #9DE4F3

RGB 157 228 243

HSL 190.47, 0.78%, 0.78%

LAB 86.57, -18.42, -14.33

 

CMYK 32 / 4 / 0 / 0

HEX #AEF6FF

RGB 174 246 255

HSL 186.67, 1%, 0.84%

LAB 92.63, -20.04, -11.45

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 18 / 0 / 0 / 0

HEX #D0FFFF

RGB 208 255 255

HSL 180, 1%, 0.91%

LAB 96.88, -14.82, -4.95

 

CMYK 41 / 8 / 0 / 10

HEX #87D2E5

RGB 135 210 229

HSL 192.13, 0.64%, 0.71%

LAB 80.12, -18.43, -16.69

 

CMYK 44 / 9 / 0 / 18

HEX #76C0D2

RGB 118 192 210

HSL 191.74, 0.51%, 0.64%

LAB 73.68, -18.35, -16.25

 

CMYK 47 / 9 / 0 / 25

HEX #65AEBF

RGB 101 174 191

HSL 191.33, 0.41%, 0.57%

LAB 67.13, -18.23, -15.78

 

CMYK 51 / 9 / 0 / 33

HEX #549CAC

RGB 84 156 172

HSL 190.91, 0.35%, 0.5%

LAB 60.46, -18.04, -15.29

 

CMYK 56 / 10 / 0 / 40

HEX #438A99

RGB 67 138 153

HSL 190.47, 0.39%, 0.43%

LAB 53.68, -17.77, -14.77

 

CMYK 41 / 8 / 0 / 11

HEX #86D1E4

RGB 134 209 228

HSL 192.13, 0.64%, 0.71%

LAB 79.77, -18.43, -16.7

 

CMYK 41 / 19 / 0 / 11

HEX #86B8E4

RGB 134 184 228

HSL 208.09, 0.64%, 0.71%

LAB 72.86, -5.3, -27.2

 

CMYK 41 / 31 / 0 / 11

HEX #869EE4

RGB 134 158 228

HSL 224.68, 0.64%, 0.71%

LAB 65.84, 9.19, -38.05

 

CMYK 41 / 41 / 0 / 11

HEX #8786E4

RGB 135 134 228

HSL 240.64, 0.64%, 0.71%

LAB 59.71, 23.37, -47.69

 

CMYK 30 / 41 / 0 / 11

HEX #A086E4

RGB 160 134 228

HSL 256.6, 0.64%, 0.71%

LAB 61.76, 29.99, -44.32

 

CMYK 41 / 8 / 0 / 11

HEX #86D1E4

RGB 134 209 228

HSL 192.13, 0.64%, 0.71%

LAB 79.77, -18.43, -16.7

 

CMYK 41 / 19 / 0 / 11

HEX #86B8E4

RGB 134 184 228

HSL 208.09, 0.64%, 0.71%

LAB 72.86, -5.3, -27.2

 

CMYK 41 / 31 / 0 / 11

HEX #869EE4

RGB 134 158 228

HSL 224.68, 0.64%, 0.71%

LAB 65.84, 9.19, -38.05

 

CMYK 41 / 41 / 0 / 11

HEX #8686E4

RGB 134 134 228

HSL 240, 0.64%, 0.71%

LAB 59.63, 23.12, -47.81

 

CMYK 41 / 8 / 0 / 11

HEX #86D1E4

RGB 134 209 228

HSL 192.13, 0.64%, 0.71%

LAB 79.77, -18.43, -16.7

 

CMYK 49 / 10 / 0 / 6

HEX #7AD8F0

RGB 122 216 240

HSL 192.2, 0.8%, 0.71%

LAB 81.59, -21.61, -20.4

 

CMYK 56 / 12 / 0 / 1

HEX #6EDFFC

RGB 110 223 252

HSL 192.25, 0.96%, 0.71%

LAB 83.5, -24.23, -23.89

 

CMYK 41 / 8 / 0 / 11

HEX #86D1E4

RGB 134 209 228

HSL 192.13, 0.64%, 0.71%

LAB 79.77, -18.43, -16.7

 

CMYK 32 / 6 / 0 / 15

HEX #92CAD8

RGB 146 202 216

HSL 192, 0.47%, 0.71%

LAB 78.06, -14.66, -12.77

 

CMYK 23 / 4 / 0 / 20

HEX #9EC3CC

RGB 158 195 204

HSL 191.74, 0.31%, 0.71%

LAB 76.47, -10.29, -8.59

 

CMYK 11 / 2 / 0 / 25

HEX #AABCC0

RGB 170 188 192

HSL 190.91, 0.15%, 0.71%

LAB 75.03, -5.34, -4.13

 

CMYK 0 / 1 / 1 / 29

HEX #B6B5B5

RGB 182 181 181

HSL 0, 0.01%, 0.71%

LAB 73.76, 0.36, 0.12

 

CMYK 41 / 0 / 14 / 11

HEX #86E4C5

RGB 134 228 197

HSL 160.21, 0.64%, 0.71%

LAB 84.27, -34.99, 6.42

 

CMYK 41 / 0 / 3 / 11

HEX #86E4DE

RGB 134 228 222

HSL 176.17, 0.64%, 0.71%

LAB 84.91, -29.29, -5.84

 

CMYK 41 / 8 / 0 / 11

HEX #86D1E4

RGB 134 209 228

HSL 192.13, 0.64%, 0.71%

LAB 79.77, -18.43, -16.7

 

CMYK 41 / 19 / 0 / 11

HEX #86B8E4

RGB 134 184 228

HSL 208.09, 0.64%, 0.71%

LAB 72.86, -5.3, -27.2

 

CMYK 41 / 30 / 0 / 11

HEX #869FE4

RGB 134 159 228

HSL 224.04, 0.64%, 0.71%

LAB 66.11, 8.62, -37.64

 

CMYK 69 / 14 / 0 / 16

HEX #42B8D6

RGB 66 184 214

HSL 192.16, 0.64%, 0.55%

LAB 69.68, -23.2, -24.67

 

CMYK 55 / 11 / 0 / 13

HEX #64C4DD

RGB 100 196 221

HSL 192.4, 0.64%, 0.63%

LAB 74.45, -21.38, -21.11

 

CMYK 41 / 8 / 0 / 11

HEX #86D1E4

RGB 134 209 228

HSL 192.13, 0.64%, 0.71%

LAB 79.77, -18.43, -16.7

 

CMYK 29 / 6 / 0 / 7

HEX #A8DEEC

RGB 168 222 236

HSL 192.35, 0.64%, 0.79%

LAB 85.31, -14.04, -12.45

 

CMYK 17 / 3 / 0 / 5

HEX #C9EBF3

RGB 201 235 243

HSL 191.43, 0.64%, 0.87%

LAB 90.92, -9.38, -7.58

 

CMYK 41 / 8 / 0 / 10

HEX #87D2E5

RGB 135 210 229

HSL 192.13, 0.64%, 0.71%

LAB 80.12, -18.43, -16.69

 

CMYK 25 / 41 / 0 / 11

HEX #AC86E4

RGB 172 134 228

HSL 264.26, 0.64%, 0.71%

LAB 62.86, 33.33, -42.51

 

CMYK 0 / 8 / 41 / 11

HEX #E4D186

RGB 228 209 134

HSL 47.87, 0.64%, 0.71%

LAB 83.87, -3.72, 39.55

 

CMYK 41 / 8 / 0 / 10

HEX #87D2E5

RGB 135 210 229

HSL 192.13, 0.64%, 0.71%

LAB 80.12, -18.43, -16.69

 

CMYK 0 / 41 / 8 / 11

HEX #E486D1

RGB 228 134 209

HSL 312.13, 0.64%, 0.71%

LAB 68.13, 46.39, -23.3

 

CMYK 8 / 0 / 41 / 11

HEX #D1E486

RGB 209 228 134

HSL 72.13, 0.64%, 0.71%

LAB 87.37, -20.63, 43.69

 

CMYK 41 / 8 / 0 / 10

HEX #87D2E5

RGB 135 210 229

HSL 192.13, 0.64%, 0.71%

LAB 80.12, -18.43, -16.69

 

CMYK 25 / 41 / 0 / 11

HEX #AC86E4

RGB 172 134 228

HSL 264.26, 0.64%, 0.71%

LAB 62.86, 33.33, -42.51

 

CMYK 0 / 33 / 41 / 11

HEX #E49986

RGB 228 153 134

HSL 12.13, 0.64%, 0.71%

LAB 70.17, 25.87, 21.46

 

CMYK 16 / 0 / 41 / 11

HEX #BFE486

RGB 191 228 134

HSL 83.62, 0.64%, 0.71%

LAB 86.15, -27.38, 41.89

 

CMYK 41 / 8 / 0 / 10

HEX #87D2E5

RGB 135 210 229

HSL 192.13, 0.64%, 0.71%

LAB 80.12, -18.43, -16.69

 

CMYK 12 / 41 / 0 / 11

HEX #C886E4

RGB 200 134 228

HSL 282.13, 0.64%, 0.71%

LAB 65.69, 41.42, -37.87

 

CMYK 0 / 33 / 41 / 11

HEX #E49986

RGB 228 153 134

HSL 12.13, 0.64%, 0.71%

LAB 70.17, 25.87, 21.46

 

CMYK 29 / 0 / 41 / 11

HEX #A2E486

RGB 162 228 134

HSL 102.13, 0.64%, 0.71%

LAB 84.43, -37.64, 39.35

 

Description

Color code: HEX #87D2E5 | qconv.com Color code: HEX #87D2E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 210 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 210 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 8 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 8% 0% 10% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

61% - 西東京市 伊東工務店 ito koumu...
Link: http://www.ito-koumu-ten.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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