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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87D02E it is the complementary color #782FD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87D02E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87D02E shade: #8CD029, #9DE23C, #AEF44F, #BFFF62 and #D0FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87D02E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87D02E shade: #87D02E, #76BE1B, #65AC08, #549A00 and #438800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87D02E shade: #88D12E, #B4D12E, #D1C32E, #D1972E and #D16B2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87D02E shade: #88D12E, #5CD12E, #30D12E, #2ED158 and #2ED184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87D02E shade matches the following richer shades: #88D12E, #8AE619 and #8CFA05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87D02E shade: #88D12E, #86BC43, #83A857, #81936C and #7F7F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87D02E shade: #D1C42E, #B3D12E, #88D12E, #5CD12E and #31D12E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87D02E shade: #5C8D1F, #72AF26, #88D12E, #9BD950 and #AEE072

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87D02E shade: #87D02E, #2ED198 and #D12EC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87D02E shade: #87D02E, #2E88D1 and #D12E88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87D02E shade: #87D02E, #2ED198, #772ED1 and #D12E67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87D02E shade: #87D02E, #2ED1C9, #772ED1 and #D12E36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 78 / 18

HEX #87D02E

RGB 135 208 46

HSL 87.04, 0.64%, 0.5%

LAB 76.35, -46.5, 67.27

 

Complementary color

CMYK 43 / 78 / 0 / 18

HEX #782FD1

RGB 120 47 209

HSL 267.04, 0.64%, 0.5%

LAB 38.95, 61.88, -70.41

 

CMYK 33 / 0 / 80 / 18

HEX #8CD029

RGB 140 208 41

HSL 84.43, 0.67%, 0.49%

LAB 76.59, -44.94, 69

 

CMYK 31 / 0 / 73 / 11

HEX #9DE23C

RGB 157 226 60

HSL 84.94, 0.74%, 0.56%

LAB 82.85, -45.51, 69.46

 

CMYK 29 / 0 / 68 / 4

HEX #AEF44F

RGB 174 244 79

HSL 85.45, 0.88%, 0.63%

LAB 89.05, -45.91, 69.29

 

CMYK 25 / 0 / 62 / 0

HEX #BFFF62

RGB 191 255 98

HSL 84.46, 1%, 0.69%

LAB 93.22, -43.19, 66.61

 

CMYK 18 / 0 / 54 / 0

HEX #D0FF75

RGB 208 255 117

HSL 80.43, 1%, 0.73%

LAB 94.4, -35.4, 60.14

 

CMYK 35 / 0 / 78 / 18

HEX #87D02E

RGB 135 208 46

HSL 87.04, 0.64%, 0.5%

LAB 76.35, -46.5, 67.27

 

CMYK 38 / 0 / 86 / 25

HEX #76BE1B

RGB 118 190 27

HSL 86.5, 0.75%, 0.43%

LAB 70.01, -45.8, 66.2

 

CMYK 41 / 0 / 95 / 33

HEX #65AC08

RGB 101 172 8

HSL 85.98, 0.91%, 0.35%

LAB 63.58, -44.82, 63.73

 

CMYK 45 / 0 / 100 / 40

HEX #549A00

RGB 84 154 0

HSL 87.27, 1%, 0.3%

LAB 57.07, -43.5, 59.37

 

CMYK 51 / 0 / 100 / 47

HEX #438800

RGB 67 136 0

HSL 90.44, 1%, 0.27%

LAB 50.45, -41.9, 53.88

 

CMYK 35 / 0 / 78 / 18

HEX #88D12E

RGB 136 209 46

HSL 86.87, 0.64%, 0.5%

LAB 76.7, -46.56, 67.61

 

CMYK 14 / 0 / 78 / 18

HEX #B4D12E

RGB 180 209 46

HSL 70.67, 0.64%, 0.5%

LAB 79.33, -29.71, 70.99

 

CMYK 0 / 7 / 78 / 18

HEX #D1C32E

RGB 209 195 46

HSL 54.85, 0.64%, 0.5%

LAB 77.75, -10.66, 70.41

 

CMYK 0 / 28 / 78 / 18

HEX #D1972E

RGB 209 151 46

HSL 38.65, 0.64%, 0.5%

LAB 66.43, 12.56, 60.08

 

CMYK 0 / 49 / 78 / 18

HEX #D16B2E

RGB 209 107 46

HSL 22.45, 0.64%, 0.5%

LAB 56.36, 36.12, 50.46

 

CMYK 35 / 0 / 78 / 18

HEX #88D12E

RGB 136 209 46

HSL 86.87, 0.64%, 0.5%

LAB 76.7, -46.56, 67.61

 

CMYK 56 / 0 / 78 / 18

HEX #5CD12E

RGB 92 209 46

HSL 103.07, 0.64%, 0.5%

LAB 74.87, -60.16, 65.24

 

CMYK 77 / 0 / 78 / 18

HEX #30D12E

RGB 48 209 46

HSL 119.26, 0.64%, 0.5%

LAB 73.82, -68.9, 63.87

 

CMYK 78 / 0 / 58 / 18

HEX #2ED158

RGB 46 209 88

HSL 135.46, 0.64%, 0.5%

LAB 74.12, -65.16, 47.83

 

CMYK 78 / 0 / 37 / 18

HEX #2ED184

RGB 46 209 132

HSL 151.66, 0.64%, 0.5%

LAB 74.73, -58.02, 26.89

 

CMYK 35 / 0 / 78 / 18

HEX #88D12E

RGB 136 209 46

HSL 86.87, 0.64%, 0.5%

LAB 76.7, -46.56, 67.61

 

CMYK 40 / 0 / 89 / 10

HEX #8AE619

RGB 138 230 25

HSL 86.93, 0.8%, 0.5%

LAB 82.95, -55.11, 77.89

 

CMYK 44 / 0 / 98 / 2

HEX #8CFA05

RGB 140 250 5

HSL 86.94, 0.96%, 0.5%

LAB 88.9, -62.39, 84.86

 

CMYK 35 / 0 / 78 / 18

HEX #88D12E

RGB 136 209 46

HSL 86.87, 0.64%, 0.5%

LAB 76.7, -46.56, 67.61

 

CMYK 29 / 0 / 64 / 26

HEX #86BC43

RGB 134 188 67

HSL 86.78, 0.47%, 0.5%

LAB 70.48, -36.83, 53.78

 

CMYK 22 / 0 / 48 / 34

HEX #83A857

RGB 131 168 87

HSL 87.41, 0.32%, 0.5%

LAB 64.58, -26.61, 37.59

 

CMYK 12 / 0 / 27 / 42

HEX #81936C

RGB 129 147 108

HSL 87.69, 0.15%, 0.5%

LAB 58.62, -13.74, 18.57

 

CMYK 1 / 1 / 0 / 50

HEX #7F7F80

RGB 127 127 128

HSL 240, 0%, 0.5%

LAB 53.22, 0.2, -0.55

 

CMYK 0 / 6 / 78 / 18

HEX #D1C42E

RGB 209 196 46

HSL 55.21, 0.64%, 0.5%

LAB 78.01, -11.17, 70.65

 

CMYK 14 / 0 / 78 / 18

HEX #B3D12E

RGB 179 209 46

HSL 71.04, 0.64%, 0.5%

LAB 79.26, -30.12, 70.91

 

CMYK 35 / 0 / 78 / 18

HEX #88D12E

RGB 136 209 46

HSL 86.87, 0.64%, 0.5%

LAB 76.7, -46.56, 67.61

 

CMYK 56 / 0 / 78 / 18

HEX #5CD12E

RGB 92 209 46

HSL 103.07, 0.64%, 0.5%

LAB 74.87, -60.16, 65.24

 

CMYK 77 / 0 / 78 / 18

HEX #31D12E

RGB 49 209 46

HSL 118.9, 0.64%, 0.5%

LAB 73.84, -68.76, 63.89

 

CMYK 35 / 0 / 78 / 45

HEX #5C8D1F

RGB 92 141 31

HSL 86.73, 0.64%, 0.34%

LAB 53.41, -33.96, 49.6

 

CMYK 35 / 0 / 78 / 31

HEX #72AF26

RGB 114 175 38

HSL 86.72, 0.64%, 0.42%

LAB 65.26, -40.41, 58.94

 

CMYK 35 / 0 / 78 / 18

HEX #88D12E

RGB 136 209 46

HSL 86.87, 0.64%, 0.5%

LAB 76.7, -46.56, 67.61

 

CMYK 29 / 0 / 63 / 15

HEX #9BD950

RGB 155 217 80

HSL 87.15, 0.64%, 0.58%

LAB 80.28, -40.99, 59.31

 

CMYK 22 / 0 / 49 / 12

HEX #AEE072

RGB 174 224 114

HSL 87.27, 0.64%, 0.66%

LAB 83.72, -34.01, 48.33

 

CMYK 35 / 0 / 78 / 18

HEX #87D02E

RGB 135 208 46

HSL 87.04, 0.64%, 0.5%

LAB 76.35, -46.5, 67.27

 

CMYK 78 / 0 / 27 / 18

HEX #2ED198

RGB 46 209 152

HSL 159.02, 0.64%, 0.5%

LAB 75.11, -53.81, 16.89

 

CMYK 0 / 78 / 4 / 18

HEX #D12EC9

RGB 209 46 201

HSL 302.94, 0.64%, 0.5%

LAB 51.53, 76.68, -44.83

 

CMYK 35 / 0 / 78 / 18

HEX #87D02E

RGB 135 208 46

HSL 87.04, 0.64%, 0.5%

LAB 76.35, -46.5, 67.27

 

CMYK 78 / 35 / 0 / 18

HEX #2E88D1

RGB 46 136 209

HSL 206.87, 0.64%, 0.5%

LAB 54.86, -1.06, -45.01

 

CMYK 0 / 78 / 35 / 18

HEX #D12E88

RGB 209 46 136

HSL 326.87, 0.64%, 0.5%

LAB 48.62, 68.27, -10.99

 

CMYK 35 / 0 / 78 / 18

HEX #87D02E

RGB 135 208 46

HSL 87.04, 0.64%, 0.5%

LAB 76.35, -46.5, 67.27

 

CMYK 78 / 0 / 27 / 18

HEX #2ED198

RGB 46 209 152

HSL 159.02, 0.64%, 0.5%

LAB 75.11, -53.81, 16.89

 

CMYK 43 / 78 / 0 / 18

HEX #772ED1

RGB 119 46 209

HSL 266.87, 0.64%, 0.5%

LAB 38.69, 62.13, -70.84

 

CMYK 0 / 78 / 51 / 18

HEX #D12E67

RGB 209 46 103

HSL 339.02, 0.64%, 0.5%

LAB 47.61, 65.19, 7.66

 

CMYK 35 / 0 / 78 / 18

HEX #87D02E

RGB 135 208 46

HSL 87.04, 0.64%, 0.5%

LAB 76.35, -46.5, 67.27

 

CMYK 78 / 0 / 4 / 18

HEX #2ED1C9

RGB 46 209 201

HSL 177.06, 0.64%, 0.5%

LAB 76.31, -41.34, -7.65

 

CMYK 43 / 78 / 0 / 18

HEX #772ED1

RGB 119 46 209

HSL 266.87, 0.64%, 0.5%

LAB 38.69, 62.13, -70.84

 

CMYK 0 / 78 / 74 / 18

HEX #D12E36

RGB 209 46 54

HSL 357.06, 0.64%, 0.5%

LAB 46.68, 62.28, 36.15

 

Description

Color code: HEX #87D02E | qconv.com Color code: HEX #87D02E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 208 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 208 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 78 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 78% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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