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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87CF28 it is the complementary color #7830D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87CF28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87CF28 shade: #8CCF23, #9DE136, #AEF349, #BFFF5C and #D0FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87CF28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87CF28 shade: #87CF28, #76BD15, #65AB02, #549900 and #438700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87CF28 shade: #86CE27, #B3CE27, #CEBC27, #CE8F27 and #CE6227

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87CF28 shade: #86CE27, #59CE27, #2CCE27, #27CE4F and #27CE7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87CF28 shade matches the following richer shades: #86CE27 and #89E113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87CF28 shade: #86CE27, #83BA3B, #80A64F, #7E9263 and #7B7E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87CF28 shade: #CEBA27, #B5CE27, #88CE27, #5CCE27 and #2FCE27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87CF28 shade: #59881A, #6FAB21, #86CE27, #9ADB43 and #ACE266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87CF28 shade: #87CF28, #27CE8E and #CE27CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87CF28 shade: #87CF28, #2788CE and #CE2788

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87CF28 shade: #87CF28, #27CE8E, #6D27CE and #CE2767

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87CF28 shade: #87CF28, #27CEC0, #6D27CE and #CE2735

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 81 / 19

HEX #87CF28

RGB 135 207 40

HSL 85.87, 0.68%, 0.48%

LAB 76.03, -46.36, 68.67

 

Complementary color

CMYK 44 / 78 / 0 / 16

HEX #7830D7

RGB 120 48 215

HSL 265.87, 0.68%, 0.52%

LAB 39.6, 62.93, -72.8

 

CMYK 32 / 0 / 83 / 19

HEX #8CCF23

RGB 140 207 35

HSL 83.37, 0.71%, 0.47%

LAB 76.27, -44.76, 70.25

 

CMYK 30 / 0 / 76 / 12

HEX #9DE136

RGB 157 225 54

HSL 83.86, 0.74%, 0.55%

LAB 82.53, -45.4, 71.07

 

CMYK 28 / 0 / 70 / 5

HEX #AEF349

RGB 174 243 73

HSL 84.35, 0.88%, 0.62%

LAB 88.72, -45.87, 71.13

 

CMYK 25 / 0 / 64 / 0

HEX #BFFF5C

RGB 191 255 92

HSL 83.56, 1%, 0.68%

LAB 93.18, -43.64, 68.95

 

CMYK 18 / 0 / 56 / 0

HEX #D0FF6F

RGB 208 255 111

HSL 79.58, 1%, 0.72%

LAB 94.35, -35.92, 62.7

 

CMYK 35 / 0 / 81 / 19

HEX #87CF28

RGB 135 207 40

HSL 85.87, 0.68%, 0.48%

LAB 76.03, -46.36, 68.67

 

CMYK 38 / 0 / 89 / 26

HEX #76BD15

RGB 118 189 21

HSL 85.36, 0.8%, 0.41%

LAB 69.68, -45.57, 67.12

 

CMYK 41 / 0 / 99 / 33

HEX #65AB02

RGB 101 171 2

HSL 84.85, 0.98%, 0.34%

LAB 63.26, -44.53, 64.26

 

CMYK 45 / 0 / 100 / 40

HEX #549900

RGB 84 153 0

HSL 87.06, 1%, 0.3%

LAB 56.75, -43.09, 59.12

 

CMYK 50 / 0 / 100 / 47

HEX #438700

RGB 67 135 0

HSL 90.22, 1%, 0.26%

LAB 50.12, -41.51, 53.62

 

CMYK 35 / 0 / 81 / 19

HEX #86CE27

RGB 134 206 39

HSL 85.87, 0.68%, 0.48%

LAB 75.67, -46.34, 68.59

 

CMYK 13 / 0 / 81 / 19

HEX #B3CE27

RGB 179 206 39

HSL 69.7, 0.68%, 0.48%

LAB 78.39, -28.97, 72.04

 

CMYK 0 / 9 / 81 / 19

HEX #CEBC27

RGB 206 188 39

HSL 53.53, 0.68%, 0.48%

LAB 75.6, -8.6, 70.44

 

CMYK 0 / 31 / 81 / 19

HEX #CE8F27

RGB 206 143 39

HSL 37.37, 0.68%, 0.48%

LAB 64.09, 15.34, 60.35

 

CMYK 0 / 52 / 81 / 19

HEX #CE6227

RGB 206 98 39

HSL 21.2, 0.68%, 0.48%

LAB 54.03, 39.28, 51.21

 

CMYK 35 / 0 / 81 / 19

HEX #86CE27

RGB 134 206 39

HSL 85.87, 0.68%, 0.48%

LAB 75.67, -46.34, 68.59

 

CMYK 57 / 0 / 81 / 19

HEX #59CE27

RGB 89 206 39

HSL 102.04, 0.68%, 0.48%

LAB 73.81, -60.25, 66.21

 

CMYK 79 / 0 / 81 / 19

HEX #2CCE27

RGB 44 206 39

HSL 118.2, 0.68%, 0.48%

LAB 72.78, -68.94, 64.88

 

CMYK 81 / 0 / 62 / 19

HEX #27CE4F

RGB 39 206 79

HSL 134.37, 0.68%, 0.48%

LAB 72.98, -66.12, 50.52

 

CMYK 81 / 0 / 40 / 19

HEX #27CE7C

RGB 39 206 124

HSL 150.54, 0.68%, 0.48%

LAB 73.56, -59.22, 29.47

 

CMYK 35 / 0 / 81 / 19

HEX #86CE27

RGB 134 206 39

HSL 85.87, 0.68%, 0.48%

LAB 75.67, -46.34, 68.59

 

CMYK 39 / 0 / 92 / 12

HEX #89E113

RGB 137 225 19

HSL 85.63, 0.84%, 0.48%

LAB 81.41, -53.61, 77.48

 

CMYK 35 / 0 / 81 / 19

HEX #86CE27

RGB 134 206 39

HSL 85.87, 0.68%, 0.48%

LAB 75.67, -46.34, 68.59

 

CMYK 30 / 0 / 68 / 27

HEX #83BA3B

RGB 131 186 59

HSL 85.98, 0.52%, 0.48%

LAB 69.65, -37.66, 56.12

 

CMYK 23 / 0 / 52 / 35

HEX #80A64F

RGB 128 166 79

HSL 86.21, 0.36%, 0.48%

LAB 63.69, -27.7, 40.48

 

CMYK 14 / 0 / 32 / 43

HEX #7E9263

RGB 126 146 99

HSL 85.53, 0.19%, 0.48%

LAB 57.94, -15.77, 22.63

 

CMYK 2 / 0 / 6 / 51

HEX #7B7E76

RGB 123 126 118

HSL 82.5, 0.03%, 0.48%

LAB 52.33, -2.7, 3.96

 

CMYK 0 / 10 / 81 / 19

HEX #CEBA27

RGB 206 186 39

HSL 52.81, 0.68%, 0.48%

LAB 75.07, -7.57, 69.98

 

CMYK 12 / 0 / 81 / 19

HEX #B5CE27

RGB 181 206 39

HSL 68.98, 0.68%, 0.48%

LAB 78.53, -28.14, 72.21

 

CMYK 34 / 0 / 81 / 19

HEX #88CE27

RGB 136 206 39

HSL 85.15, 0.68%, 0.48%

LAB 75.78, -45.62, 68.72

 

CMYK 55 / 0 / 81 / 19

HEX #5CCE27

RGB 92 206 39

HSL 100.96, 0.68%, 0.48%

LAB 73.91, -59.47, 66.34

 

CMYK 77 / 0 / 81 / 19

HEX #2FCE27

RGB 47 206 39

HSL 117.13, 0.68%, 0.48%

LAB 72.82, -68.54, 64.93

 

CMYK 35 / 0 / 81 / 47

HEX #59881A

RGB 89 136 26

HSL 85.64, 0.68%, 0.32%

LAB 51.62, -33.11, 49.5

 

CMYK 35 / 0 / 81 / 33

HEX #6FAB21

RGB 111 171 33

HSL 86.09, 0.68%, 0.4%

LAB 63.85, -40.03, 59.08

 

CMYK 35 / 0 / 81 / 19

HEX #86CE27

RGB 134 206 39

HSL 85.87, 0.68%, 0.48%

LAB 75.67, -46.34, 68.59

 

CMYK 30 / 0 / 69 / 14

HEX #9ADB43

RGB 154 219 67

HSL 85.66, 0.68%, 0.56%

LAB 80.7, -43.17, 64.83

 

CMYK 24 / 0 / 55 / 11

HEX #ACE266

RGB 172 226 102

HSL 86.13, 0.68%, 0.64%

LAB 84.03, -36.88, 54.24

 

CMYK 35 / 0 / 81 / 19

HEX #87CF28

RGB 135 207 40

HSL 85.87, 0.68%, 0.48%

LAB 76.03, -46.36, 68.67

 

CMYK 81 / 0 / 31 / 19

HEX #27CE8E

RGB 39 206 142

HSL 157.01, 0.68%, 0.48%

LAB 73.89, -55.58, 20.49

 

CMYK 0 / 81 / 1 / 19

HEX #CE27CB

RGB 206 39 203

HSL 301.08, 0.68%, 0.48%

LAB 50.55, 78.08, -47.56

 

CMYK 35 / 0 / 81 / 19

HEX #87CF28

RGB 135 207 40

HSL 85.87, 0.68%, 0.48%

LAB 76.03, -46.36, 68.67

 

CMYK 81 / 34 / 0 / 19

HEX #2788CE

RGB 39 136 206

HSL 205.15, 0.68%, 0.48%

LAB 54.55, -2.87, -43.81

 

CMYK 0 / 81 / 34 / 19

HEX #CE2788

RGB 206 39 136

HSL 325.15, 0.68%, 0.48%

LAB 47.43, 69.36, -12.83

 

CMYK 35 / 0 / 81 / 19

HEX #87CF28

RGB 135 207 40

HSL 85.87, 0.68%, 0.48%

LAB 76.03, -46.36, 68.67

 

CMYK 81 / 0 / 31 / 19

HEX #27CE8E

RGB 39 206 142

HSL 157.01, 0.68%, 0.48%

LAB 73.89, -55.58, 20.49

 

CMYK 47 / 81 / 0 / 19

HEX #6D27CE

RGB 109 39 206

HSL 265.15, 0.68%, 0.48%

LAB 36.29, 62.67, -73.09

 

CMYK 0 / 81 / 50 / 19

HEX #CE2767

RGB 206 39 103

HSL 337.01, 0.68%, 0.48%

LAB 46.38, 66.27, 5.83

 

CMYK 35 / 0 / 81 / 19

HEX #87CF28

RGB 135 207 40

HSL 85.87, 0.68%, 0.48%

LAB 76.03, -46.36, 68.67

 

CMYK 81 / 0 / 7 / 19

HEX #27CEC0

RGB 39 206 192

HSL 174.97, 0.68%, 0.48%

LAB 75.06, -43.16, -4.65

 

CMYK 47 / 81 / 0 / 19

HEX #6D27CE

RGB 109 39 206

HSL 265.15, 0.68%, 0.48%

LAB 36.29, 62.67, -73.09

 

CMYK 0 / 81 / 74 / 19

HEX #CE2735

RGB 206 39 53

HSL 354.97, 0.68%, 0.48%

LAB 45.4, 63.3, 35.13

 

Description

Color code: HEX #87CF28 | qconv.com Color code: HEX #87CF28 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 207 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 207 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 81 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 81% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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