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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87B1D1 it is the complementary color #784E2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87B1D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87B1D1 shade: #8CB1CC, #9DC3DF, #AED5F2, #BFE7FF and #D0F9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87B1D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87B1D1 shade: #87B1D1, #769FBE, #658DAB, #547B98 and #436985

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87B1D1 shade: #85B0D1, #859CD1, #8587D1, #9785D1 and #AC85D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87B1D1 shade: #85B0D1, #859CD1, #8587D1 and #8585D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87B1D1 shade matches the following richer shades: #85B0D1, #77B2DE, #6AB4EC and #5CB5FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87B1D1 shade: #85B0D1, #93AEC3, #A0ACB5, #AEAAA8 and #BBA99A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87B1D1 shade: #85D1C8, #85C5D1, #85B1D1, #859DD1 and #8589D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87B1D1 shade: #4989BA, #679DC5, #85B0D1, #A3C3DC and #C1D7E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87B1D1 shade: #87B1D1, #B485D1 and #CFD185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87B1D1 shade: #87B1D1, #D185B1 and #B1D185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87B1D1 shade: #87B1D1, #B485D1, #D1A585 and #A2D185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87B1D1 shade: #87B1D1, #CA85D1, #D1A585 and #8BD185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 15 / 0 / 18

HEX #87B1D1

RGB 135 177 209

HSL 205.95, 0.45%, 0.67%

LAB 70.31, -6.23, -20.71

 

Complementary color

CMYK 0 / 35 / 62 / 53

HEX #784E2E

RGB 120 78 46

HSL 25.95, 0.45%, 0.33%

LAB 37.19, 14.14, 25.96

 

CMYK 31 / 13 / 0 / 20

HEX #8CB1CC

RGB 140 177 204

HSL 205.31, 0.39%, 0.67%

LAB 70.44, -6.08, -17.74

 

CMYK 30 / 13 / 0 / 13

HEX #9DC3DF

RGB 157 195 223

HSL 205.45, 0.51%, 0.75%

LAB 77, -6.19, -18.07

 

CMYK 28 / 12 / 0 / 5

HEX #AED5F2

RGB 174 213 242

HSL 205.59, 0.72%, 0.82%

LAB 83.44, -6.3, -18.41

 

CMYK 25 / 9 / 0 / 0

HEX #BFE7FF

RGB 191 231 255

HSL 202.5, 1%, 0.87%

LAB 89.6, -7.75, -15.88

 

CMYK 18 / 2 / 0 / 0

HEX #D0F9FF

RGB 208 249 255

HSL 187.66, 1%, 0.91%

LAB 95.32, -11.84, -7.25

 

CMYK 35 / 15 / 0 / 18

HEX #87B1D1

RGB 135 177 209

HSL 205.95, 0.45%, 0.67%

LAB 70.31, -6.23, -20.71

 

CMYK 38 / 16 / 0 / 25

HEX #769FBE

RGB 118 159 190

HSL 205.83, 0.36%, 0.6%

LAB 63.64, -6.05, -20.43

 

CMYK 41 / 18 / 0 / 33

HEX #658DAB

RGB 101 141 171

HSL 205.71, 0.29%, 0.53%

LAB 56.84, -5.84, -20.16

 

CMYK 45 / 19 / 0 / 40

HEX #547B98

RGB 84 123 152

HSL 205.59, 0.29%, 0.46%

LAB 49.88, -5.57, -19.91

 

CMYK 50 / 21 / 0 / 48

HEX #436985

RGB 67 105 133

HSL 205.45, 0.33%, 0.39%

LAB 42.75, -5.21, -19.67

 

CMYK 36 / 16 / 0 / 18

HEX #85B0D1

RGB 133 176 209

HSL 206.05, 0.45%, 0.67%

LAB 69.92, -6.24, -21.32

 

CMYK 36 / 25 / 0 / 18

HEX #859CD1

RGB 133 156 209

HSL 221.84, 0.45%, 0.67%

LAB 64.46, 4.87, -29.7

 

CMYK 36 / 35 / 0 / 18

HEX #8587D1

RGB 133 135 209

HSL 238.42, 0.45%, 0.67%

LAB 58.9, 17.01, -38.35

 

CMYK 28 / 36 / 0 / 18

HEX #9785D1

RGB 151 133 209

HSL 254.21, 0.45%, 0.67%

LAB 59.85, 23.26, -36.75

 

CMYK 18 / 36 / 0 / 18

HEX #AC85D1

RGB 172 133 209

HSL 270.79, 0.45%, 0.67%

LAB 61.78, 29.51, -33.6

 

CMYK 36 / 16 / 0 / 18

HEX #85B0D1

RGB 133 176 209

HSL 206.05, 0.45%, 0.67%

LAB 69.92, -6.24, -21.32

 

CMYK 36 / 25 / 0 / 18

HEX #859CD1

RGB 133 156 209

HSL 221.84, 0.45%, 0.67%

LAB 64.46, 4.87, -29.7

 

CMYK 36 / 35 / 0 / 18

HEX #8587D1

RGB 133 135 209

HSL 238.42, 0.45%, 0.67%

LAB 58.9, 17.01, -38.35

 

CMYK 36 / 36 / 0 / 18

HEX #8585D1

RGB 133 133 209

HSL 240, 0.45%, 0.67%

LAB 58.38, 18.18, -39.16

 

CMYK 36 / 16 / 0 / 18

HEX #85B0D1

RGB 133 176 209

HSL 206.05, 0.45%, 0.67%

LAB 69.92, -6.24, -21.32

 

CMYK 46 / 20 / 0 / 13

HEX #77B2DE

RGB 119 178 222

HSL 205.63, 0.61%, 0.67%

LAB 70.2, -7.42, -28.08

 

CMYK 55 / 24 / 0 / 7

HEX #6AB4EC

RGB 106 180 236

HSL 205.85, 0.77%, 0.67%

LAB 70.71, -7.33, -34.98

 

CMYK 63 / 28 / 0 / 2

HEX #5CB5FA

RGB 92 181 250

HSL 206.2, 0.94%, 0.67%

LAB 71.03, -6.15, -42.12

 

CMYK 36 / 16 / 0 / 18

HEX #85B0D1

RGB 133 176 209

HSL 206.05, 0.45%, 0.67%

LAB 69.92, -6.24, -21.32

 

CMYK 25 / 11 / 0 / 24

HEX #93AEC3

RGB 147 174 195

HSL 206.25, 0.29%, 0.67%

LAB 69.76, -4.53, -13.77

 

CMYK 12 / 5 / 0 / 29

HEX #A0ACB5

RGB 160 172 181

HSL 205.71, 0.12%, 0.67%

LAB 69.69, -2.35, -6.05

 

CMYK 0 / 2 / 3 / 32

HEX #AEAAA8

RGB 174 170 168

HSL 20, 0.04%, 0.67%

LAB 69.88, 1.06, 1.53

 

CMYK 0 / 10 / 18 / 27

HEX #BBA99A

RGB 187 169 154

HSL 27.27, 0.2%, 0.67%

LAB 70.37, 4.02, 10.1

 

CMYK 36 / 0 / 4 / 18

HEX #85D1C8

RGB 133 209 200

HSL 172.89, 0.45%, 0.67%

LAB 78.9, -25.52, -2.99

 

CMYK 36 / 6 / 0 / 18

HEX #85C5D1

RGB 133 197 209

HSL 189.47, 0.45%, 0.67%

LAB 75.78, -17.34, -12.48

 

CMYK 36 / 15 / 0 / 18

HEX #85B1D1

RGB 133 177 209

HSL 205.26, 0.45%, 0.67%

LAB 70.2, -6.79, -20.89

 

CMYK 36 / 25 / 0 / 18

HEX #859DD1

RGB 133 157 209

HSL 221.05, 0.45%, 0.67%

LAB 64.73, 4.31, -29.28

 

CMYK 36 / 34 / 0 / 18

HEX #8589D1

RGB 133 137 209

HSL 236.84, 0.45%, 0.67%

LAB 59.42, 15.84, -37.54

 

CMYK 61 / 26 / 0 / 27

HEX #4989BA

RGB 73 137 186

HSL 206.02, 0.45%, 0.51%

LAB 54.92, -5.57, -31.8

 

CMYK 48 / 20 / 0 / 23

HEX #679DC5

RGB 103 157 197

HSL 205.53, 0.45%, 0.59%

LAB 62.53, -6.89, -26.12

 

CMYK 36 / 16 / 0 / 18

HEX #85B0D1

RGB 133 176 209

HSL 206.05, 0.45%, 0.67%

LAB 69.92, -6.24, -21.32

 

CMYK 26 / 11 / 0 / 14

HEX #A3C3DC

RGB 163 195 220

HSL 206.32, 0.45%, 0.75%

LAB 77.27, -5.14, -16

 

CMYK 16 / 7 / 0 / 9

HEX #C1D7E7

RGB 193 215 231

HSL 205.26, 0.44%, 0.83%

LAB 84.85, -4.07, -10.34

 

CMYK 35 / 15 / 0 / 18

HEX #87B1D1

RGB 135 177 209

HSL 205.95, 0.45%, 0.67%

LAB 70.31, -6.23, -20.71

 

CMYK 14 / 36 / 0 / 18

HEX #B485D1

RGB 180 133 209

HSL 277.11, 0.45%, 0.67%

LAB 62.58, 31.96, -32.3

 

CMYK 1 / 0 / 36 / 18

HEX #CFD185

RGB 207 209 133

HSL 61.58, 0.45%, 0.67%

LAB 82.14, -12.09, 37.5

 

CMYK 35 / 15 / 0 / 18

HEX #87B1D1

RGB 135 177 209

HSL 205.95, 0.45%, 0.67%

LAB 70.31, -6.23, -20.71

 

CMYK 0 / 36 / 15 / 18

HEX #D185B1

RGB 209 133 177

HSL 325.26, 0.45%, 0.67%

LAB 64.57, 35.42, -10.96

 

CMYK 15 / 0 / 36 / 18

HEX #B1D185

RGB 177 209 133

HSL 85.26, 0.45%, 0.67%

LAB 79.98, -23.52, 34.27

 

CMYK 35 / 15 / 0 / 18

HEX #87B1D1

RGB 135 177 209

HSL 205.95, 0.45%, 0.67%

LAB 70.31, -6.23, -20.71

 

CMYK 14 / 36 / 0 / 18

HEX #B485D1

RGB 180 133 209

HSL 277.11, 0.45%, 0.67%

LAB 62.58, 31.96, -32.3

 

CMYK 0 / 21 / 36 / 18

HEX #D1A585

RGB 209 165 133

HSL 25.26, 0.45%, 0.67%

LAB 70.98, 11.82, 22.77

 

CMYK 22 / 0 / 36 / 18

HEX #A2D185

RGB 162 209 133

HSL 97.11, 0.45%, 0.67%

LAB 79.03, -28.96, 32.85

 

CMYK 35 / 15 / 0 / 18

HEX #87B1D1

RGB 135 177 209

HSL 205.95, 0.45%, 0.67%

LAB 70.31, -6.23, -20.71

 

CMYK 3 / 36 / 0 / 18

HEX #CA85D1

RGB 202 133 209

HSL 294.47, 0.45%, 0.67%

LAB 64.91, 38.78, -28.5

 

CMYK 0 / 21 / 36 / 18

HEX #D1A585

RGB 209 165 133

HSL 25.26, 0.45%, 0.67%

LAB 70.98, 11.82, 22.77

 

CMYK 33 / 0 / 36 / 18

HEX #8BD185

RGB 139 209 133

HSL 115.26, 0.45%, 0.67%

LAB 77.75, -36.77, 30.93

 

Description

Color code: HEX #87B1D1 | qconv.com Color code: HEX #87B1D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 177 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 177 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 15 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 15% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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