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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87B00A it is the complementary color #784FF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87B00A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87B00A shade: #8CB005, #9DC218, #AED42B, #BFE63E and #D0F851

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87B00A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87B00A shade: #87B00A, #769E00, #658C00, #547A00 and #436800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87B00A shade: #85AE0A, #AEAA0A, #AE7E0A, #AE520A and #AE260A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87B00A shade: #85AE0A, #59AE0A, #2DAE0A, #0AAE13 and #0AAE3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87B00A shade matches the following richer shades: #85AE0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87B00A shade: #85AE0A, #7E9F19, #769028, #6F8137 and #677246

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87B00A shade: #AE7C0A, #AEA80A, #87AE0A, #5CAE0A and #30AE0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87B00A shade: #496006, #678708, #85AE0A, #A3D40C and #BCF219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87B00A shade: #87B00A, #0AAE51 and #920AAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87B00A shade: #87B00A, #0A87AE and #AE0A87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87B00A shade: #87B00A, #0AAE51, #300AAE and #AE0A67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87B00A shade: #87B00A, #0AAE82, #300AAE and #AE0A36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 94 / 31

HEX #87B00A

RGB 135 176 10

HSL 74.82, 0.89%, 0.36%

LAB 66.69, -33.64, 66.75

 

Complementary color

CMYK 51 / 68 / 0 / 4

HEX #784FF5

RGB 120 79 245

HSL 254.82, 0.89%, 0.64%

LAB 47.21, 56.34, -77.38

 

CMYK 20 / 0 / 97 / 31

HEX #8CB005

RGB 140 176 5

HSL 72.63, 0.94%, 0.35%

LAB 67, -31.68, 67.75

 

CMYK 19 / 0 / 88 / 24

HEX #9DC218

RGB 157 194 24

HSL 73.06, 0.78%, 0.43%

LAB 73.43, -32.76, 70.59

 

CMYK 18 / 0 / 80 / 17

HEX #AED42B

RGB 174 212 43

HSL 73.49, 0.66%, 0.5%

LAB 79.76, -33.64, 72.07

 

CMYK 17 / 0 / 73 / 10

HEX #BFE63E

RGB 191 230 62

HSL 73.93, 0.77%, 0.57%

LAB 86.02, -34.35, 72.56

 

CMYK 16 / 0 / 67 / 3

HEX #D0F851

RGB 208 248 81

HSL 74.37, 0.92%, 0.65%

LAB 92.19, -34.91, 72.42

 

CMYK 23 / 0 / 94 / 31

HEX #87B00A

RGB 135 176 10

HSL 74.82, 0.89%, 0.36%

LAB 66.69, -33.64, 66.75

 

CMYK 25 / 0 / 100 / 38

HEX #769E00

RGB 118 158 0

HSL 75.19, 1%, 0.31%

LAB 60.16, -32.4, 62.55

 

CMYK 28 / 0 / 100 / 45

HEX #658C00

RGB 101 140 0

HSL 76.71, 1%, 0.27%

LAB 53.52, -30.98, 57.02

 

CMYK 31 / 0 / 100 / 52

HEX #547A00

RGB 84 122 0

HSL 78.69, 1%, 0.24%

LAB 46.72, -29.54, 51.36

 

CMYK 36 / 0 / 100 / 59

HEX #436800

RGB 67 104 0

HSL 81.35, 1%, 0.2%

LAB 39.74, -28.06, 45.55

 

CMYK 24 / 0 / 94 / 32

HEX #85AE0A

RGB 133 174 10

HSL 75, 0.89%, 0.36%

LAB 65.97, -33.53, 66.13

 

CMYK 0 / 2 / 94 / 32

HEX #AEAA0A

RGB 174 170 10

HSL 58.54, 0.89%, 0.36%

LAB 67.85, -14.01, 68.9

 

CMYK 0 / 28 / 94 / 32

HEX #AE7E0A

RGB 174 126 10

HSL 42.44, 0.89%, 0.36%

LAB 56.03, 9.76, 60.04

 

CMYK 0 / 53 / 94 / 32

HEX #AE520A

RGB 174 82 10

HSL 26.34, 0.89%, 0.36%

LAB 45.71, 34, 52.67

 

CMYK 0 / 78 / 94 / 32

HEX #AE260A

RGB 174 38 10

HSL 10.24, 0.89%, 0.36%

LAB 38.56, 53.02, 47.94

 

CMYK 24 / 0 / 94 / 32

HEX #85AE0A

RGB 133 174 10

HSL 75, 0.89%, 0.36%

LAB 65.97, -33.53, 66.13

 

CMYK 49 / 0 / 94 / 32

HEX #59AE0A

RGB 89 174 10

HSL 91.1, 0.89%, 0.36%

LAB 63.69, -49.54, 63.34

 

CMYK 74 / 0 / 94 / 32

HEX #2DAE0A

RGB 45 174 10

HSL 107.2, 0.89%, 0.36%

LAB 62.38, -60.22, 61.73

 

CMYK 94 / 0 / 89 / 32

HEX #0AAE13

RGB 10 174 19

HSL 123.29, 0.89%, 0.36%

LAB 61.98, -63.68, 59.77

 

CMYK 94 / 0 / 64 / 32

HEX #0AAE3F

RGB 10 174 63

HSL 139.39, 0.89%, 0.36%

LAB 62.25, -60.3, 45.36

 

CMYK 24 / 0 / 94 / 32

HEX #85AE0A

RGB 133 174 10

HSL 75, 0.89%, 0.36%

LAB 65.97, -33.53, 66.13

 

CMYK 24 / 0 / 94 / 32

HEX #85AE0A

RGB 133 174 10

HSL 75, 0.89%, 0.36%

LAB 65.97, -33.53, 66.13

 

CMYK 21 / 0 / 84 / 38

HEX #7E9F19

RGB 126 159 25

HSL 74.78, 0.73%, 0.36%

LAB 61.05, -28.98, 59.09

 

CMYK 18 / 0 / 72 / 44

HEX #769028

RGB 118 144 40

HSL 75, 0.57%, 0.36%

LAB 56.04, -24.3, 49.43

 

CMYK 14 / 0 / 57 / 49

HEX #6F8137

RGB 111 129 55

HSL 74.59, 0.4%, 0.36%

LAB 51.1, -18.46, 37.31

 

CMYK 10 / 0 / 39 / 55

HEX #677246

RGB 103 114 70

HSL 75, 0.24%, 0.36%

LAB 46.12, -12.05, 23.03

 

CMYK 0 / 29 / 94 / 32

HEX #AE7C0A

RGB 174 124 10

HSL 41.71, 0.89%, 0.36%

LAB 55.52, 10.88, 59.67

 

CMYK 0 / 3 / 94 / 32

HEX #AEA80A

RGB 174 168 10

HSL 57.8, 0.89%, 0.36%

LAB 67.3, -12.97, 68.48

 

CMYK 22 / 0 / 94 / 32

HEX #87AE0A

RGB 135 174 10

HSL 74.27, 0.89%, 0.36%

LAB 66.09, -32.71, 66.28

 

CMYK 47 / 0 / 94 / 32

HEX #5CAE0A

RGB 92 174 10

HSL 90, 0.89%, 0.36%

LAB 63.81, -48.59, 63.49

 

CMYK 72 / 0 / 94 / 32

HEX #30AE0A

RGB 48 174 10

HSL 106.1, 0.89%, 0.36%

LAB 62.44, -59.7, 61.81

 

CMYK 24 / 0 / 94 / 62

HEX #496006

RGB 73 96 6

HSL 75.33, 0.88%, 0.2%

LAB 37.47, -21.27, 42.25

 

CMYK 24 / 0 / 94 / 47

HEX #678708

RGB 103 135 8

HSL 75.12, 0.89%, 0.28%

LAB 52.1, -27.57, 54.55

 

CMYK 24 / 0 / 94 / 32

HEX #85AE0A

RGB 133 174 10

HSL 75, 0.89%, 0.36%

LAB 65.97, -33.53, 66.13

 

CMYK 23 / 0 / 94 / 17

HEX #A3D40C

RGB 163 212 12

HSL 74.7, 0.89%, 0.44%

LAB 78.98, -38.78, 76.95

 

CMYK 22 / 0 / 90 / 5

HEX #BCF219

RGB 188 242 25

HSL 74.93, 0.89%, 0.52%

LAB 89.05, -42.11, 83.97

 

CMYK 23 / 0 / 94 / 31

HEX #87B00A

RGB 135 176 10

HSL 74.82, 0.89%, 0.36%

LAB 66.69, -33.64, 66.75

 

CMYK 94 / 0 / 53 / 32

HEX #0AAE51

RGB 10 174 81

HSL 145.98, 0.89%, 0.36%

LAB 62.45, -57.84, 37.1

 

CMYK 16 / 94 / 0 / 32

HEX #920AAE

RGB 146 10 174

HSL 289.76, 0.89%, 0.36%

LAB 36.71, 68.2, -53.33

 

CMYK 23 / 0 / 94 / 31

HEX #87B00A

RGB 135 176 10

HSL 74.82, 0.89%, 0.36%

LAB 66.69, -33.64, 66.75

 

CMYK 94 / 22 / 0 / 32

HEX #0A87AE

RGB 10 135 174

HSL 194.27, 0.89%, 0.36%

LAB 52.34, -16.05, -29.05

 

CMYK 0 / 94 / 22 / 32

HEX #AE0A87

RGB 174 10 135

HSL 314.27, 0.89%, 0.36%

LAB 39.52, 67.39, -24.89

 

CMYK 23 / 0 / 94 / 31

HEX #87B00A

RGB 135 176 10

HSL 74.82, 0.89%, 0.36%

LAB 66.69, -33.64, 66.75

 

CMYK 94 / 0 / 53 / 32

HEX #0AAE51

RGB 10 174 81

HSL 145.98, 0.89%, 0.36%

LAB 62.45, -57.84, 37.1

 

CMYK 72 / 94 / 0 / 32

HEX #300AAE

RGB 48 10 174

HSL 253.9, 0.89%, 0.36%

LAB 23.34, 58.04, -75.79

 

CMYK 0 / 94 / 41 / 32

HEX #AE0A67

RGB 174 10 103

HSL 325.98, 0.89%, 0.36%

LAB 38.19, 63.88, -6.9

 

CMYK 23 / 0 / 94 / 31

HEX #87B00A

RGB 135 176 10

HSL 74.82, 0.89%, 0.36%

LAB 66.69, -33.64, 66.75

 

CMYK 94 / 0 / 25 / 32

HEX #0AAE82

RGB 10 174 130

HSL 163.9, 0.89%, 0.36%

LAB 63.3, -47.98, 12.22

 

CMYK 72 / 94 / 0 / 32

HEX #300AAE

RGB 48 10 174

HSL 253.9, 0.89%, 0.36%

LAB 23.34, 58.04, -75.79

 

CMYK 0 / 94 / 69 / 32

HEX #AE0A36

RGB 174 10 54

HSL 343.9, 0.89%, 0.36%

LAB 36.9, 60.35, 22.78

 

Description

Color code: HEX #87B00A | qconv.com Color code: HEX #87B00A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 176 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 176 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 94 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 94% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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