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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87AFD0 it is the complementary color #78502F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87AFD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87AFD0 shade: #8CAFCB, #9DC1DE, #AED3F1, #BFE5FF and #D0F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87AFD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87AFD0 shade: #87AFD0, #769DBD, #658BAA, #547997 and #436784

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87AFD0 shade: #86AED0, #869AD0, #8686D0, #9986D0 and #AD86D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87AFD0 shade: #86AED0, #869AD0 and #8686D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87AFD0 shade matches the following richer shades: #86AED0, #78B0DD, #6BB1EB and #5DB2F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87AFD0 shade: #86AED0, #93ADC2, #A1ACB5, #AFAAA7 and #BCA999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87AFD0 shade: #86D0CA, #86C2D0, #86AFD0, #869BD0 and #8687D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87AFD0 shade: #4A87B9, #689BC4, #86AED0, #A4C2DB and #C1D6E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87AFD0 shade: #87AFD0, #B686D0 and #CCD086

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87AFD0 shade: #87AFD0, #D086AF and #AFD086

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87AFD0 shade: #87AFD0, #B686D0, #D0A786 and #A0D086

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87AFD0 shade: #87AFD0, #CC86D0, #D0A786 and #8AD086

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 16 / 0 / 18

HEX #87AFD0

RGB 135 175 208

HSL 207.12, 0.44%, 0.67%

LAB 69.73, -5.4, -21.05

 

Complementary color

CMYK 0 / 33 / 61 / 53

HEX #78502F

RGB 120 80 47

HSL 27.12, 0.44%, 0.33%

LAB 37.73, 13.02, 26.03

 

CMYK 31 / 14 / 0 / 20

HEX #8CAFCB

RGB 140 175 203

HSL 206.67, 0.38%, 0.67%

LAB 69.86, -5.24, -18.08

 

CMYK 29 / 13 / 0 / 13

HEX #9DC1DE

RGB 157 193 222

HSL 206.77, 0.5%, 0.74%

LAB 76.43, -5.37, -18.4

 

CMYK 28 / 12 / 0 / 5

HEX #AED3F1

RGB 174 211 241

HSL 206.87, 0.71%, 0.81%

LAB 82.88, -5.48, -18.72

 

CMYK 25 / 10 / 0 / 0

HEX #BFE5FF

RGB 191 229 255

HSL 204.38, 1%, 0.87%

LAB 89.08, -6.72, -16.67

 

CMYK 18 / 3 / 0 / 0

HEX #D0F7FF

RGB 208 247 255

HSL 190.21, 1%, 0.91%

LAB 94.8, -10.84, -8.02

 

CMYK 35 / 16 / 0 / 18

HEX #87AFD0

RGB 135 175 208

HSL 207.12, 0.44%, 0.67%

LAB 69.73, -5.4, -21.05

 

CMYK 38 / 17 / 0 / 26

HEX #769DBD

RGB 118 157 189

HSL 207.04, 0.35%, 0.6%

LAB 63.04, -5.21, -20.78

 

CMYK 41 / 18 / 0 / 33

HEX #658BAA

RGB 101 139 170

HSL 206.96, 0.29%, 0.53%

LAB 56.22, -4.98, -20.53

 

CMYK 44 / 20 / 0 / 41

HEX #547997

RGB 84 121 151

HSL 206.87, 0.29%, 0.46%

LAB 49.25, -4.7, -20.29

 

CMYK 49 / 22 / 0 / 48

HEX #436784

RGB 67 103 132

HSL 206.77, 0.33%, 0.39%

LAB 42.09, -4.32, -20.08

 

CMYK 36 / 16 / 0 / 18

HEX #86AED0

RGB 134 174 208

HSL 207.57, 0.44%, 0.67%

LAB 69.39, -5.14, -21.57

 

CMYK 36 / 26 / 0 / 18

HEX #869AD0

RGB 134 154 208

HSL 223.78, 0.44%, 0.67%

LAB 63.94, 6.02, -29.93

 

CMYK 36 / 36 / 0 / 18

HEX #8686D0

RGB 134 134 208

HSL 240, 0.44%, 0.67%

LAB 58.67, 17.6, -38.14

 

CMYK 26 / 36 / 0 / 18

HEX #9986D0

RGB 153 134 208

HSL 255.41, 0.44%, 0.67%

LAB 60.23, 23.02, -35.59

 

CMYK 17 / 36 / 0 / 18

HEX #AD86D0

RGB 173 134 208

HSL 271.62, 0.44%, 0.67%

LAB 62.07, 29.03, -32.58

 

CMYK 36 / 16 / 0 / 18

HEX #86AED0

RGB 134 174 208

HSL 207.57, 0.44%, 0.67%

LAB 69.39, -5.14, -21.57

 

CMYK 36 / 26 / 0 / 18

HEX #869AD0

RGB 134 154 208

HSL 223.78, 0.44%, 0.67%

LAB 63.94, 6.02, -29.93

 

CMYK 36 / 36 / 0 / 18

HEX #8686D0

RGB 134 134 208

HSL 240, 0.44%, 0.67%

LAB 58.67, 17.6, -38.14

 

CMYK 36 / 16 / 0 / 18

HEX #86AED0

RGB 134 174 208

HSL 207.57, 0.44%, 0.67%

LAB 69.39, -5.14, -21.57

 

CMYK 46 / 20 / 0 / 13

HEX #78B0DD

RGB 120 176 221

HSL 206.73, 0.6%, 0.67%

LAB 69.66, -6.37, -28.37

 

CMYK 54 / 25 / 0 / 8

HEX #6BB1EB

RGB 107 177 235

HSL 207.19, 0.76%, 0.67%

LAB 69.87, -5.78, -35.73

 

CMYK 63 / 29 / 0 / 2

HEX #5DB2F9

RGB 93 178 249

HSL 207.31, 0.93%, 0.67%

LAB 70.18, -4.64, -42.9

 

CMYK 36 / 16 / 0 / 18

HEX #86AED0

RGB 134 174 208

HSL 207.57, 0.44%, 0.67%

LAB 69.39, -5.14, -21.57

 

CMYK 24 / 11 / 0 / 24

HEX #93ADC2

RGB 147 173 194

HSL 206.81, 0.28%, 0.67%

LAB 69.46, -4.22, -13.68

 

CMYK 11 / 5 / 0 / 29

HEX #A1ACB5

RGB 161 172 181

HSL 207, 0.12%, 0.67%

LAB 69.77, -2.02, -5.94

 

CMYK 0 / 3 / 5 / 31

HEX #AFAAA7

RGB 175 170 167

HSL 22.5, 0.05%, 0.67%

LAB 69.93, 1.24, 2.17

 

CMYK 0 / 10 / 19 / 26

HEX #BCA999

RGB 188 169 153

HSL 27.43, 0.21%, 0.67%

LAB 70.43, 4.24, 10.75

 

CMYK 36 / 0 / 3 / 18

HEX #86D0CA

RGB 134 208 202

HSL 175.14, 0.44%, 0.67%

LAB 78.72, -24.3, -4.33

 

CMYK 36 / 7 / 0 / 18

HEX #86C2D0

RGB 134 194 208

HSL 191.35, 0.44%, 0.67%

LAB 74.95, -15.77, -13.16

 

CMYK 36 / 16 / 0 / 18

HEX #86AFD0

RGB 134 175 208

HSL 206.76, 0.44%, 0.67%

LAB 69.67, -5.68, -21.15

 

CMYK 36 / 25 / 0 / 18

HEX #869BD0

RGB 134 155 208

HSL 222.97, 0.44%, 0.67%

LAB 64.21, 5.45, -29.51

 

CMYK 36 / 35 / 0 / 18

HEX #8687D0

RGB 134 135 208

HSL 239.19, 0.44%, 0.67%

LAB 58.93, 17.01, -37.74

 

CMYK 60 / 27 / 0 / 27

HEX #4A87B9

RGB 74 135 185

HSL 207.03, 0.44%, 0.51%

LAB 54.33, -4.54, -32.15

 

CMYK 47 / 21 / 0 / 23

HEX #689BC4

RGB 104 155 196

HSL 206.74, 0.44%, 0.59%

LAB 61.97, -5.82, -26.41

 

CMYK 36 / 16 / 0 / 18

HEX #86AED0

RGB 134 174 208

HSL 207.57, 0.44%, 0.67%

LAB 69.39, -5.14, -21.57

 

CMYK 25 / 11 / 0 / 14

HEX #A4C2DB

RGB 164 194 219

HSL 207.27, 0.43%, 0.75%

LAB 77.04, -4.54, -15.81

 

CMYK 16 / 7 / 0 / 9

HEX #C1D6E7

RGB 193 214 231

HSL 206.84, 0.44%, 0.83%

LAB 84.59, -3.55, -10.73

 

CMYK 35 / 16 / 0 / 18

HEX #87AFD0

RGB 135 175 208

HSL 207.12, 0.44%, 0.67%

LAB 69.73, -5.4, -21.05

 

CMYK 13 / 36 / 0 / 18

HEX #B686D0

RGB 182 134 208

HSL 278.92, 0.44%, 0.67%

LAB 62.97, 31.8, -31.12

 

CMYK 2 / 0 / 36 / 18

HEX #CCD086

RGB 204 208 134

HSL 63.24, 0.44%, 0.67%

LAB 81.66, -12.63, 36.32

 

CMYK 35 / 16 / 0 / 18

HEX #87AFD0

RGB 135 175 208

HSL 207.12, 0.44%, 0.67%

LAB 69.73, -5.4, -21.05

 

CMYK 0 / 36 / 16 / 18

HEX #D086AF

RGB 208 134 175

HSL 326.76, 0.44%, 0.67%

LAB 64.61, 34.22, -9.78

 

CMYK 16 / 0 / 36 / 18

HEX #AFD086

RGB 175 208 134

HSL 86.76, 0.44%, 0.67%

LAB 79.58, -23.64, 33.22

 

CMYK 35 / 16 / 0 / 18

HEX #87AFD0

RGB 135 175 208

HSL 207.12, 0.44%, 0.67%

LAB 69.73, -5.4, -21.05

 

CMYK 13 / 36 / 0 / 18

HEX #B686D0

RGB 182 134 208

HSL 278.92, 0.44%, 0.67%

LAB 62.97, 31.8, -31.12

 

CMYK 0 / 20 / 36 / 18

HEX #D0A786

RGB 208 167 134

HSL 26.76, 0.44%, 0.67%

LAB 71.4, 10.47, 22.77

 

CMYK 23 / 0 / 36 / 18

HEX #A0D086

RGB 160 208 134

HSL 98.92, 0.44%, 0.67%

LAB 78.64, -29.05, 31.8

 

CMYK 35 / 16 / 0 / 18

HEX #87AFD0

RGB 135 175 208

HSL 207.12, 0.44%, 0.67%

LAB 69.73, -5.4, -21.05

 

CMYK 2 / 36 / 0 / 18

HEX #CC86D0

RGB 204 134 208

HSL 296.76, 0.44%, 0.67%

LAB 65.31, 38.67, -27.31

 

CMYK 0 / 20 / 36 / 18

HEX #D0A786

RGB 208 167 134

HSL 26.76, 0.44%, 0.67%

LAB 71.4, 10.47, 22.77

 

CMYK 34 / 0 / 36 / 18

HEX #8AD086

RGB 138 208 134

HSL 116.76, 0.44%, 0.67%

LAB 77.42, -36.48, 29.97

 

Description

Color code: HEX #87AFD0 | qconv.com Color code: HEX #87AFD0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 175 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 175 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 16 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 16% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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