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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87A8CF it is the complementary color #785730. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87A8CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87A8CF shade: #8CA8CA, #9DBADD, #AECCF0, #BFDEFF and #D0F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87A8CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87A8CF shade: #87A8CF, #7696BC, #6584A9, #547296 and #436083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87A8CF shade: #87A8CF, #8794CF, #8D87CF, #A087CF and #B487CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87A8CF shade: #87A8CF, #8794CF and #8787CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87A8CF shade matches the following richer shades: #87A8CF, #79A7DD, #6BA6EA and #5EA4F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87A8CF shade: #87A8CF, #94A9C1, #A2AAB4, #B0ABA6 and #BDAC99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87A8CF shade: #87CFCF, #87BCCF, #87A8CF, #8795CF and #8B87CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87A8CF shade: #4C7DB8, #6992C3, #87A8CF, #A4BDDB and #C2D3E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87A8CF shade: #87A8CF, #BC87CF and #C5CF87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87A8CF shade: #87A8CF, #CF87A8 and #A8CF87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87A8CF shade: #87A8CF, #BC87CF, #CFAD87 and #9ACF87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87A8CF shade: #87A8CF, #CF87CD, #CFAD87 and #87CF89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 19 / 0 / 19

HEX #87A8CF

RGB 135 168 207

HSL 212.5, 0.43%, 0.67%

LAB 67.77, -1.82, -23.49

 

Complementary color

CMYK 0 / 28 / 60 / 53

HEX #785730

RGB 120 87 48

HSL 32.5, 0.43%, 0.33%

LAB 39.62, 8.9, 27.74

 

CMYK 31 / 17 / 0 / 21

HEX #8CA8CA

RGB 140 168 202

HSL 212.9, 0.37%, 0.67%

LAB 67.91, -1.66, -20.49

 

CMYK 29 / 16 / 0 / 13

HEX #9DBADD

RGB 157 186 221

HSL 212.81, 0.48%, 0.74%

LAB 74.51, -1.85, -20.75

 

CMYK 28 / 15 / 0 / 6

HEX #AECCF0

RGB 174 204 240

HSL 212.73, 0.69%, 0.81%

LAB 81, -2.02, -21.03

 

CMYK 25 / 13 / 0 / 0

HEX #BFDEFF

RGB 191 222 255

HSL 210.94, 1%, 0.87%

LAB 87.26, -3.09, -19.41

 

CMYK 18 / 6 / 0 / 0

HEX #D0F0FF

RGB 208 240 255

HSL 199.15, 1%, 0.91%

LAB 92.99, -7.3, -10.71

 

CMYK 35 / 19 / 0 / 19

HEX #87A8CF

RGB 135 168 207

HSL 212.5, 0.43%, 0.67%

LAB 67.77, -1.82, -23.49

 

CMYK 37 / 20 / 0 / 26

HEX #7696BC

RGB 118 150 188

HSL 212.57, 0.34%, 0.6%

LAB 61.04, -1.56, -23.28

 

CMYK 40 / 22 / 0 / 34

HEX #6584A9

RGB 101 132 169

HSL 212.65, 0.28%, 0.53%

LAB 54.17, -1.24, -23.11

 

CMYK 44 / 24 / 0 / 41

HEX #547296

RGB 84 114 150

HSL 212.73, 0.28%, 0.46%

LAB 47.13, -0.86, -22.96

 

CMYK 49 / 27 / 0 / 49

HEX #436083

RGB 67 96 131

HSL 212.81, 0.32%, 0.39%

LAB 39.91, -0.37, -22.84

 

CMYK 35 / 19 / 0 / 19

HEX #87A8CF

RGB 135 168 207

HSL 212.5, 0.43%, 0.67%

LAB 67.77, -1.82, -23.49

 

CMYK 35 / 29 / 0 / 19

HEX #8794CF

RGB 135 148 207

HSL 229.17, 0.43%, 0.67%

LAB 62.37, 9.47, -31.81

 

CMYK 32 / 35 / 0 / 19

HEX #8D87CF

RGB 141 135 207

HSL 245, 0.43%, 0.67%

LAB 59.43, 18.71, -36.35

 

CMYK 23 / 35 / 0 / 19

HEX #A087CF

RGB 160 135 207

HSL 260.83, 0.43%, 0.67%

LAB 61.05, 24.29, -33.7

 

CMYK 13 / 35 / 0 / 19

HEX #B487CF

RGB 180 135 207

HSL 277.5, 0.43%, 0.67%

LAB 62.96, 30.41, -30.59

 

CMYK 35 / 19 / 0 / 19

HEX #87A8CF

RGB 135 168 207

HSL 212.5, 0.43%, 0.67%

LAB 67.77, -1.82, -23.49

 

CMYK 35 / 29 / 0 / 19

HEX #8794CF

RGB 135 148 207

HSL 229.17, 0.43%, 0.67%

LAB 62.37, 9.47, -31.81

 

CMYK 35 / 35 / 0 / 19

HEX #8787CF

RGB 135 135 207

HSL 240, 0.43%, 0.67%

LAB 58.96, 17.02, -37.12

 

CMYK 35 / 19 / 0 / 19

HEX #87A8CF

RGB 135 168 207

HSL 212.5, 0.43%, 0.67%

LAB 67.77, -1.82, -23.49

 

CMYK 45 / 24 / 0 / 13

HEX #79A7DD

RGB 121 167 221

HSL 212.4, 0.6%, 0.67%

LAB 67.22, -1.16, -32.12

 

CMYK 54 / 29 / 0 / 8

HEX #6BA6EA

RGB 107 166 234

HSL 212.13, 0.75%, 0.67%

LAB 66.78, 0.04, -40

 

CMYK 62 / 34 / 0 / 3

HEX #5EA4F8

RGB 94 164 248

HSL 212.73, 0.92%, 0.67%

LAB 66.3, 3.09, -48.46

 

CMYK 35 / 19 / 0 / 19

HEX #87A8CF

RGB 135 168 207

HSL 212.5, 0.43%, 0.67%

LAB 67.77, -1.82, -23.49

 

CMYK 23 / 12 / 0 / 24

HEX #94A9C1

RGB 148 169 193

HSL 212, 0.27%, 0.67%

LAB 68.4, -1.96, -14.71

 

CMYK 10 / 6 / 0 / 29

HEX #A2AAB4

RGB 162 170 180

HSL 213.33, 0.11%, 0.67%

LAB 69.27, -0.8, -6.11

 

CMYK 0 / 3 / 6 / 31

HEX #B0ABA6

RGB 176 171 166

HSL 30, 0.06%, 0.67%

LAB 70.25, 0.88, 3.2

 

CMYK 0 / 9 / 19 / 26

HEX #BDAC99

RGB 189 172 153

HSL 31.67, 0.21%, 0.67%

LAB 71.3, 3, 11.99

 

CMYK 35 / 0 / 0 / 19

HEX #87CFCF

RGB 135 207 207

HSL 180, 0.43%, 0.67%

LAB 78.63, -22.35, -7.14

 

CMYK 35 / 9 / 0 / 19

HEX #87BCCF

RGB 135 188 207

HSL 195.83, 0.43%, 0.67%

LAB 73.3, -12.62, -15.1

 

CMYK 35 / 19 / 0 / 19

HEX #87A8CF

RGB 135 168 207

HSL 212.5, 0.43%, 0.67%

LAB 67.77, -1.82, -23.49

 

CMYK 35 / 28 / 0 / 19

HEX #8795CF

RGB 135 149 207

HSL 228.33, 0.43%, 0.67%

LAB 62.63, 8.9, -31.39

 

CMYK 33 / 35 / 0 / 19

HEX #8B87CF

RGB 139 135 207

HSL 243.33, 0.43%, 0.67%

LAB 59.27, 18.15, -36.61

 

CMYK 59 / 32 / 0 / 28

HEX #4C7DB8

RGB 76 125 184

HSL 212.78, 0.43%, 0.51%

LAB 51.46, 1.42, -36.06

 

CMYK 46 / 25 / 0 / 24

HEX #6992C3

RGB 105 146 195

HSL 212.67, 0.43%, 0.59%

LAB 59.44, -0.77, -29.77

 

CMYK 35 / 19 / 0 / 19

HEX #87A8CF

RGB 135 168 207

HSL 212.5, 0.43%, 0.67%

LAB 67.77, -1.82, -23.49

 

CMYK 25 / 14 / 0 / 14

HEX #A4BDDB

RGB 164 189 219

HSL 212.73, 0.43%, 0.75%

LAB 75.7, -1.87, -17.83

 

CMYK 16 / 9 / 0 / 9

HEX #C2D3E7

RGB 194 211 231

HSL 212.43, 0.44%, 0.83%

LAB 83.88, -1.66, -11.78

 

CMYK 35 / 19 / 0 / 19

HEX #87A8CF

RGB 135 168 207

HSL 212.5, 0.43%, 0.67%

LAB 67.77, -1.82, -23.49

 

CMYK 9 / 35 / 0 / 19

HEX #BC87CF

RGB 188 135 207

HSL 284.17, 0.43%, 0.67%

LAB 63.77, 32.91, -29.26

 

CMYK 5 / 0 / 35 / 19

HEX #C5CF87

RGB 197 207 135

HSL 68.33, 0.43%, 0.67%

LAB 80.87, -14.71, 34.69

 

CMYK 35 / 19 / 0 / 19

HEX #87A8CF

RGB 135 168 207

HSL 212.5, 0.43%, 0.67%

LAB 67.77, -1.82, -23.49

 

CMYK 0 / 35 / 19 / 19

HEX #CF87A8

RGB 207 135 168

HSL 332.5, 0.43%, 0.67%

LAB 64.5, 32.23, -5.99

 

CMYK 19 / 0 / 35 / 19

HEX #A8CF87

RGB 168 207 135

HSL 92.5, 0.43%, 0.67%

LAB 78.87, -25.57, 31.68

 

CMYK 35 / 19 / 0 / 19

HEX #87A8CF

RGB 135 168 207

HSL 212.5, 0.43%, 0.67%

LAB 67.77, -1.82, -23.49

 

CMYK 9 / 35 / 0 / 19

HEX #BC87CF

RGB 188 135 207

HSL 284.17, 0.43%, 0.67%

LAB 63.77, 32.91, -29.26

 

CMYK 0 / 16 / 35 / 19

HEX #CFAD87

RGB 207 173 135

HSL 31.67, 0.43%, 0.67%

LAB 72.83, 6.96, 24.15

 

CMYK 26 / 0 / 35 / 19

HEX #9ACF87

RGB 154 207 135

HSL 104.17, 0.43%, 0.67%

LAB 78.02, -30.52, 30.4

 

CMYK 35 / 19 / 0 / 19

HEX #87A8CF

RGB 135 168 207

HSL 212.5, 0.43%, 0.67%

LAB 67.77, -1.82, -23.49

 

CMYK 0 / 35 / 1 / 19

HEX #CF87CD

RGB 207 135 205

HSL 301.67, 0.43%, 0.67%

LAB 65.75, 38.53, -24.93

 

CMYK 0 / 16 / 35 / 19

HEX #CFAD87

RGB 207 173 135

HSL 31.67, 0.43%, 0.67%

LAB 72.83, 6.96, 24.15

 

CMYK 35 / 0 / 34 / 19

HEX #87CF89

RGB 135 207 137

HSL 121.67, 0.43%, 0.67%

LAB 77.03, -36.5, 27.87

 

Description

Color code: HEX #87A8CF | qconv.com Color code: HEX #87A8CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 168 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 168 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 19 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 19% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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