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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87A8C8 it is the complementary color #785737. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87A8C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87A8C8 shade: #8CA8C3, #9DBAD6, #AECCE9, #BFDEFC and #D0F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87A8C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87A8C8 shade: #87A8C8, #7696B5, #6584A2, #54728F and #43607C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87A8C8 shade: #88A8C8, #8897C8, #8A88C8, #9B88C8 and #AC88C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87A8C8 shade: #88A8C8, #8897C8 and #8888C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87A8C8 shade matches the following richer shades: #88A8C8, #7AA9D6, #6CA9E4 and #5EA9F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87A8C8 shade: #88A8C8, #96A8BA, #A4A8AC, #B2A89E and #C0A790

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87A8C8 shade: #88C8C5, #88BAC8, #88A9C8, #8898C8 and #8988C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87A8C8 shade: #507FAE, #6B94BB, #88A8C8, #A4BDD5 and #C0D1E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87A8C8 shade: #87A8C8, #B488C8 and #C3C888

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87A8C8 shade: #87A8C8, #C888A9 and #A9C888

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87A8C8 shade: #87A8C8, #B488C8, #C8A788 and #9CC888

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87A8C8 shade: #87A8C8, #C788C8, #C8A788 and #89C888

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 16 / 0 / 22

HEX #87A8C8

RGB 135 168 200

HSL 209.54, 0.37%, 0.66%

LAB 67.52, -3.61, -20

 

Complementary color

CMYK 0 / 28 / 54 / 53

HEX #785737

RGB 120 87 55

HSL 29.54, 0.37%, 0.34%

LAB 39.72, 9.55, 23.84

 

CMYK 28 / 14 / 0 / 24

HEX #8CA8C3

RGB 140 168 195

HSL 209.45, 0.31%, 0.66%

LAB 67.67, -3.38, -16.98

 

CMYK 27 / 13 / 0 / 16

HEX #9DBAD6

RGB 157 186 214

HSL 209.47, 0.41%, 0.73%

LAB 74.28, -3.52, -17.3

 

CMYK 25 / 12 / 0 / 9

HEX #AECCE9

RGB 174 204 233

HSL 209.49, 0.57%, 0.8%

LAB 80.78, -3.65, -17.63

 

CMYK 24 / 12 / 0 / 1

HEX #BFDEFC

RGB 191 222 252

HSL 209.51, 0.91%, 0.87%

LAB 87.17, -3.77, -17.97

 

CMYK 18 / 6 / 0 / 0

HEX #D0F0FF

RGB 208 240 255

HSL 199.15, 1%, 0.91%

LAB 92.99, -7.3, -10.71

 

CMYK 33 / 16 / 0 / 22

HEX #87A8C8

RGB 135 168 200

HSL 209.54, 0.37%, 0.66%

LAB 67.52, -3.61, -20

 

CMYK 35 / 17 / 0 / 29

HEX #7696B5

RGB 118 150 181

HSL 209.52, 0.3%, 0.59%

LAB 60.78, -3.42, -19.73

 

CMYK 38 / 19 / 0 / 36

HEX #6584A2

RGB 101 132 162

HSL 209.51, 0.25%, 0.52%

LAB 53.9, -3.2, -19.48

 

CMYK 41 / 20 / 0 / 44

HEX #54728F

RGB 84 114 143

HSL 209.49, 0.26%, 0.45%

LAB 46.85, -2.92, -19.26

 

CMYK 46 / 23 / 0 / 51

HEX #43607C

RGB 67 96 124

HSL 209.47, 0.3%, 0.37%

LAB 39.6, -2.57, -19.06

 

CMYK 32 / 16 / 0 / 22

HEX #88A8C8

RGB 136 168 200

HSL 210, 0.37%, 0.66%

LAB 67.58, -3.33, -19.9

 

CMYK 32 / 25 / 0 / 22

HEX #8897C8

RGB 136 151 200

HSL 225.94, 0.37%, 0.66%

LAB 62.96, 6.21, -26.97

 

CMYK 31 / 32 / 0 / 22

HEX #8A88C8

RGB 138 136 200

HSL 241.88, 0.37%, 0.66%

LAB 59.14, 15.45, -32.87

 

CMYK 23 / 32 / 0 / 22

HEX #9B88C8

RGB 155 136 200

HSL 257.81, 0.37%, 0.66%

LAB 60.56, 20.53, -30.56

 

CMYK 14 / 32 / 0 / 22

HEX #AC88C8

RGB 172 136 200

HSL 273.75, 0.37%, 0.66%

LAB 62.13, 25.83, -28.01

 

CMYK 32 / 16 / 0 / 22

HEX #88A8C8

RGB 136 168 200

HSL 210, 0.37%, 0.66%

LAB 67.58, -3.33, -19.9

 

CMYK 32 / 25 / 0 / 22

HEX #8897C8

RGB 136 151 200

HSL 225.94, 0.37%, 0.66%

LAB 62.96, 6.21, -26.97

 

CMYK 32 / 32 / 0 / 22

HEX #8888C8

RGB 136 136 200

HSL 240, 0.37%, 0.66%

LAB 58.99, 14.87, -33.13

 

CMYK 32 / 16 / 0 / 22

HEX #88A8C8

RGB 136 168 200

HSL 210, 0.37%, 0.66%

LAB 67.58, -3.33, -19.9

 

CMYK 43 / 21 / 0 / 16

HEX #7AA9D6

RGB 122 169 214

HSL 209.35, 0.53%, 0.66%

LAB 67.55, -3.99, -27.75

 

CMYK 53 / 26 / 0 / 11

HEX #6CA9E4

RGB 108 169 228

HSL 209.5, 0.69%, 0.66%

LAB 67.4, -3.25, -35.74

 

CMYK 61 / 30 / 0 / 5

HEX #5EA9F2

RGB 94 169 242

HSL 209.59, 0.85%, 0.66%

LAB 67.4, -1.69, -43.44

 

CMYK 32 / 16 / 0 / 22

HEX #88A8C8

RGB 136 168 200

HSL 210, 0.37%, 0.66%

LAB 67.58, -3.33, -19.9

 

CMYK 19 / 10 / 0 / 27

HEX #96A8BA

RGB 150 168 186

HSL 210, 0.21%, 0.66%

LAB 68.05, -2.38, -11.35

 

CMYK 5 / 2 / 0 / 33

HEX #A4A8AC

RGB 164 168 172

HSL 210, 0.05%, 0.66%

LAB 68.66, -0.63, -2.56

 

CMYK 0 / 6 / 11 / 30

HEX #B2A89E

RGB 178 168 158

HSL 30, 0.11%, 0.66%

LAB 69.43, 1.85, 6.44

 

CMYK 0 / 13 / 25 / 25

HEX #C0A790

RGB 192 167 144

HSL 28.75, 0.28%, 0.66%

LAB 70.08, 5.51, 15.25

HEX #C0A790

CMYK 32 / 0 / 1 / 22

HEX #88C8C5

RGB 136 200 197

HSL 177.19, 0.37%, 0.66%

LAB 76.42, -20.92, -5.01

 

CMYK 32 / 7 / 0 / 22

HEX #88BAC8

RGB 136 186 200

HSL 193.13, 0.37%, 0.66%

LAB 72.58, -13.01, -12.36

 

CMYK 32 / 16 / 0 / 22

HEX #88A9C8

RGB 136 169 200

HSL 209.06, 0.37%, 0.66%

LAB 67.86, -3.87, -19.48

 

CMYK 32 / 24 / 0 / 22

HEX #8898C8

RGB 136 152 200

HSL 225, 0.37%, 0.66%

LAB 63.23, 5.64, -26.56

 

CMYK 32 / 32 / 0 / 22

HEX #8988C8

RGB 137 136 200

HSL 240.94, 0.37%, 0.66%

LAB 59.06, 15.16, -33

 

CMYK 54 / 27 / 0 / 32

HEX #507FAE

RGB 80 127 174

HSL 210, 0.37%, 0.5%

LAB 51.77, -2.15, -29.8

 

CMYK 43 / 21 / 0 / 27

HEX #6B94BB

RGB 107 148 187

HSL 209.25, 0.37%, 0.58%

LAB 59.79, -3.69, -24.69

 

CMYK 32 / 16 / 0 / 22

HEX #88A8C8

RGB 136 168 200

HSL 210, 0.37%, 0.66%

LAB 67.58, -3.33, -19.9

 

CMYK 23 / 11 / 0 / 16

HEX #A4BDD5

RGB 164 189 213

HSL 209.39, 0.37%, 0.74%

LAB 75.51, -3.25, -14.86

 

CMYK 15 / 8 / 0 / 11

HEX #C0D1E2

RGB 192 209 226

HSL 210, 0.37%, 0.82%

LAB 83.07, -2.29, -10.34

 

CMYK 33 / 16 / 0 / 22

HEX #87A8C8

RGB 135 168 200

HSL 209.54, 0.37%, 0.66%

LAB 67.52, -3.61, -20

 

CMYK 10 / 32 / 0 / 22

HEX #B488C8

RGB 180 136 200

HSL 281.25, 0.37%, 0.66%

LAB 62.91, 28.37, -26.73

 

CMYK 3 / 0 / 32 / 22

HEX #C3C888

RGB 195 200 136

HSL 64.69, 0.37%, 0.66%

LAB 78.86, -11.81, 31.5

 

CMYK 33 / 16 / 0 / 22

HEX #87A8C8

RGB 135 168 200

HSL 209.54, 0.37%, 0.66%

LAB 67.52, -3.61, -20

 

CMYK 0 / 32 / 16 / 22

HEX #C888A9

RGB 200 136 169

HSL 329.06, 0.37%, 0.66%

LAB 63.96, 29.37, -7.45

 

CMYK 16 / 0 / 32 / 22

HEX #A9C888

RGB 169 200 136

HSL 89.06, 0.37%, 0.66%

LAB 76.99, -21.63, 28.69

 

CMYK 33 / 16 / 0 / 22

HEX #87A8C8

RGB 135 168 200

HSL 209.54, 0.37%, 0.66%

LAB 67.52, -3.61, -20

 

CMYK 10 / 32 / 0 / 22

HEX #B488C8

RGB 180 136 200

HSL 281.25, 0.37%, 0.66%

LAB 62.91, 28.37, -26.73

 

CMYK 0 / 17 / 32 / 22

HEX #C8A788

RGB 200 167 136

HSL 29.06, 0.37%, 0.66%

LAB 70.66, 7.55, 20.55

 

CMYK 22 / 0 / 32 / 22

HEX #9CC888

RGB 156 200 136

HSL 101.25, 0.37%, 0.66%

LAB 76.16, -26.32, 27.43

 

CMYK 33 / 16 / 0 / 22

HEX #87A8C8

RGB 135 168 200

HSL 209.54, 0.37%, 0.66%

LAB 67.52, -3.61, -20

 

CMYK 0 / 32 / 0 / 22

HEX #C788C8

RGB 199 136 200

HSL 299.06, 0.37%, 0.66%

LAB 64.9, 34.48, -23.51

 

CMYK 0 / 17 / 32 / 22

HEX #C8A788

RGB 200 167 136

HSL 29.06, 0.37%, 0.66%

LAB 70.66, 7.55, 20.55

 

CMYK 32 / 0 / 32 / 22

HEX #89C888

RGB 137 200 136

HSL 119.06, 0.37%, 0.66%

LAB 75.08, -32.79, 25.79

 

Description

Color code: HEX #87A8C8 | qconv.com Color code: HEX #87A8C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 168 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 168 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 16 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 16% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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