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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #879ECE it is the complementary color #786131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #879ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #879ECE shade: #8C9EC9, #9DB0DC, #AEC2EF, #BFD4FF and #D0E6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #879ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #879ECE shade: #879ECE, #768CBB, #657AA8, #546895 and #435682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #879ECE shade: #889ECE, #888BCE, #9788CE, #AA88CE and #BD88CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #879ECE shade: #889ECE, #888BCE and #8888CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #879ECE shade matches the following richer shades: #889ECE, #7A9ADC, #6C95E9 and #5F90F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #879ECE shade: #889ECE, #95A3C1, #A3A8B3, #B0ADA5 and #BEB298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #879ECE shade: #88C5CE, #88B2CE, #889FCE, #888CCE and #9688CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #879ECE shade: #4D6FB6, #6A87C2, #889ECE, #A5B6DA and #C2CEE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #879ECE shade: #879ECE, #C588CE and #BBCE88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #879ECE shade: #879ECE, #CE889F and #9FCE88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #879ECE shade: #879ECE, #C588CE, #CEB788 and #91CE88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #879ECE shade: #879ECE, #CE88C2, #CEB788 and #88CE93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 23 / 0 / 19

HEX #879ECE

RGB 135 158 206

HSL 220.56, 0.42%, 0.67%

LAB 65.01, 3.51, -27.17

 

Complementary color

CMYK 0 / 19 / 59 / 53

HEX #786131

RGB 120 97 49

HSL 40.56, 0.42%, 0.33%

LAB 42.41, 3.03, 30.51

 

CMYK 30 / 21 / 0 / 21

HEX #8C9EC9

RGB 140 158 201

HSL 222.3, 0.36%, 0.67%

LAB 65.16, 3.67, -24.13

 

CMYK 29 / 20 / 0 / 14

HEX #9DB0DC

RGB 157 176 220

HSL 221.9, 0.47%, 0.74%

LAB 71.82, 3.37, -24.32

 

CMYK 27 / 19 / 0 / 6

HEX #AEC2EF

RGB 174 194 239

HSL 221.54, 0.67%, 0.81%

LAB 78.35, 3.1, -24.52

 

CMYK 25 / 17 / 0 / 0

HEX #BFD4FF

RGB 191 212 255

HSL 220.31, 1%, 0.87%

LAB 84.68, 2.16, -23.32

 

CMYK 18 / 10 / 0 / 0

HEX #D0E6FF

RGB 208 230 255

HSL 211.91, 1%, 0.91%

LAB 90.42, -2.18, -14.54

 

CMYK 34 / 23 / 0 / 19

HEX #879ECE

RGB 135 158 206

HSL 220.56, 0.42%, 0.67%

LAB 65.01, 3.51, -27.17

 

CMYK 37 / 25 / 0 / 27

HEX #768CBB

RGB 118 140 187

HSL 220.87, 0.34%, 0.6%

LAB 58.22, 3.9, -27.06

 

CMYK 40 / 27 / 0 / 34

HEX #657AA8

RGB 101 122 168

HSL 221.19, 0.28%, 0.53%

LAB 51.28, 4.35, -26.99

 

CMYK 44 / 30 / 0 / 42

HEX #546895

RGB 84 104 149

HSL 221.54, 0.28%, 0.46%

LAB 44.17, 4.91, -26.96

 

CMYK 48 / 34 / 0 / 49

HEX #435682

RGB 67 86 130

HSL 221.9, 0.32%, 0.39%

LAB 36.86, 5.6, -27

 

CMYK 34 / 23 / 0 / 19

HEX #889ECE

RGB 136 158 206

HSL 221.14, 0.42%, 0.67%

LAB 65.08, 3.79, -27.06

 

CMYK 34 / 33 / 0 / 19

HEX #888BCE

RGB 136 139 206

HSL 237.43, 0.42%, 0.67%

LAB 60.03, 14.7, -34.88

 

CMYK 27 / 34 / 0 / 19

HEX #9788CE

RGB 151 136 206

HSL 252.86, 0.42%, 0.67%

LAB 60.47, 20.78, -34.11

 

CMYK 17 / 34 / 0 / 19

HEX #AA88CE

RGB 170 136 206

HSL 269.14, 0.42%, 0.67%

LAB 62.18, 26.53, -31.32

 

CMYK 8 / 34 / 0 / 19

HEX #BD88CE

RGB 189 136 206

HSL 285.43, 0.42%, 0.67%

LAB 64.07, 32.47, -28.24

 

CMYK 34 / 23 / 0 / 19

HEX #889ECE

RGB 136 158 206

HSL 221.14, 0.42%, 0.67%

LAB 65.08, 3.79, -27.06

 

CMYK 34 / 33 / 0 / 19

HEX #888BCE

RGB 136 139 206

HSL 237.43, 0.42%, 0.67%

LAB 60.03, 14.7, -34.88

 

CMYK 34 / 34 / 0 / 19

HEX #8888CE

RGB 136 136 206

HSL 240, 0.42%, 0.67%

LAB 59.25, 16.45, -36.1

 

CMYK 34 / 23 / 0 / 19

HEX #889ECE

RGB 136 158 206

HSL 221.14, 0.42%, 0.67%

LAB 65.08, 3.79, -27.06

 

CMYK 45 / 30 / 0 / 14

HEX #7A9ADC

RGB 122 154 220

HSL 220.41, 0.58%, 0.67%

LAB 63.69, 6.17, -37.06

 

CMYK 54 / 36 / 0 / 9

HEX #6C95E9

RGB 108 149 233

HSL 220.32, 0.74%, 0.67%

LAB 62.14, 9.72, -46.74

 

CMYK 62 / 42 / 0 / 3

HEX #5F90F7

RGB 95 144 247

HSL 220.66, 0.9%, 0.67%

LAB 60.87, 14.63, -56.52

 

CMYK 34 / 23 / 0 / 19

HEX #889ECE

RGB 136 158 206

HSL 221.14, 0.42%, 0.67%

LAB 65.08, 3.79, -27.06

 

CMYK 23 / 16 / 0 / 24

HEX #95A3C1

RGB 149 163 193

HSL 220.91, 0.26%, 0.67%

LAB 66.85, 1.67, -17.05

 

CMYK 9 / 6 / 0 / 30

HEX #A3A8B3

RGB 163 168 179

HSL 221.25, 0.1%, 0.67%

LAB 68.78, 0.43, -6.27

 

CMYK 0 / 2 / 6 / 31

HEX #B0ADA5

RGB 176 173 165

HSL 43.64, 0.07%, 0.67%

LAB 70.76, -0.38, 4.48

 

CMYK 0 / 6 / 20 / 25

HEX #BEB298

RGB 190 178 152

HSL 41.05, 0.23%, 0.67%

LAB 72.93, -0, 14.84

 

CMYK 34 / 4 / 0 / 19

HEX #88C5CE

RGB 136 197 206

HSL 187.71, 0.42%, 0.67%

LAB 75.84, -17.26, -10.75

 

CMYK 34 / 14 / 0 / 19

HEX #88B2CE

RGB 136 178 206

HSL 204, 0.42%, 0.67%

LAB 70.55, -7.26, -18.71

 

CMYK 34 / 23 / 0 / 19

HEX #889FCE

RGB 136 159 206

HSL 220.29, 0.42%, 0.67%

LAB 65.35, 3.23, -26.64

 

CMYK 34 / 32 / 0 / 19

HEX #888CCE

RGB 136 140 206

HSL 236.57, 0.42%, 0.67%

LAB 60.29, 14.12, -34.47

 

CMYK 27 / 34 / 0 / 19

HEX #9688CE

RGB 150 136 206

HSL 252, 0.42%, 0.67%

LAB 60.38, 20.49, -34.25

 

CMYK 58 / 39 / 0 / 29

HEX #4D6FB6

RGB 77 111 182

HSL 220.57, 0.42%, 0.51%

LAB 47.4, 9.49, -41.31

 

CMYK 45 / 30 / 0 / 24

HEX #6A87C2

RGB 106 135 194

HSL 220.23, 0.42%, 0.59%

LAB 56.37, 5.58, -33.96

 

CMYK 34 / 23 / 0 / 19

HEX #889ECE

RGB 136 158 206

HSL 221.14, 0.42%, 0.67%

LAB 65.08, 3.79, -27.06

 

CMYK 24 / 17 / 0 / 15

HEX #A5B6DA

RGB 165 182 218

HSL 220.75, 0.42%, 0.75%

LAB 73.88, 2, -20.03

 

CMYK 16 / 10 / 0 / 10

HEX #C2CEE6

RGB 194 206 230

HSL 220, 0.42%, 0.83%

LAB 82.55, 0.76, -13.23

 

CMYK 34 / 23 / 0 / 19

HEX #879ECE

RGB 135 158 206

HSL 220.56, 0.42%, 0.67%

LAB 65.01, 3.51, -27.17

 

CMYK 4 / 34 / 0 / 19

HEX #C588CE

RGB 197 136 206

HSL 292.29, 0.42%, 0.67%

LAB 64.91, 35, -26.87

 

CMYK 9 / 0 / 34 / 19

HEX #BBCE88

RGB 187 206 136

HSL 76.29, 0.42%, 0.67%

LAB 79.89, -17.9, 32.75

 

CMYK 34 / 23 / 0 / 19

HEX #879ECE

RGB 135 158 206

HSL 220.56, 0.42%, 0.67%

LAB 65.01, 3.51, -27.17

 

CMYK 0 / 34 / 23 / 19

HEX #CE889F

RGB 206 136 159

HSL 340.29, 0.42%, 0.67%

LAB 64.35, 29.96, -1.13

 

CMYK 23 / 0 / 34 / 19

HEX #9FCE88

RGB 159 206 136

HSL 100.29, 0.42%, 0.67%

LAB 78.05, -28.16, 29.97

 

CMYK 34 / 23 / 0 / 19

HEX #879ECE

RGB 135 158 206

HSL 220.56, 0.42%, 0.67%

LAB 65.01, 3.51, -27.17

 

CMYK 4 / 34 / 0 / 19

HEX #C588CE

RGB 197 136 206

HSL 292.29, 0.42%, 0.67%

LAB 64.91, 35, -26.87

 

CMYK 0 / 11 / 34 / 19

HEX #CEB788

RGB 206 183 136

HSL 40.29, 0.42%, 0.67%

LAB 75.31, 1.35, 26.94

 

CMYK 30 / 0 / 34 / 19

HEX #91CE88

RGB 145 206 136

HSL 112.29, 0.42%, 0.67%

LAB 77.24, -32.96, 28.76

 

CMYK 34 / 23 / 0 / 19

HEX #879ECE

RGB 135 158 206

HSL 220.56, 0.42%, 0.67%

LAB 65.01, 3.51, -27.17

 

CMYK 0 / 34 / 6 / 19

HEX #CE88C2

RGB 206 136 194

HSL 310.29, 0.42%, 0.67%

LAB 65.46, 35.67, -19.23

 

CMYK 0 / 11 / 34 / 19

HEX #CEB788

RGB 206 183 136

HSL 40.29, 0.42%, 0.67%

LAB 75.31, 1.35, 26.94

 

CMYK 34 / 0 / 29 / 19

HEX #88CE93

RGB 136 206 147

HSL 129.43, 0.42%, 0.67%

LAB 76.97, -34.05, 22.56

 

Description

Color code: HEX #879ECE | qconv.com Color code: HEX #879ECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 158 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 158 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 23 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 23% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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