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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87962F it is the complementary color #7869D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87962F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87962F shade: #8C962A, #9DA83D, #AEBA50, #BFCC63 and #D0DE76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87962F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87962F shade: #87962F, #76841C, #657209, #546000 and #434E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87962F shade: #889730, #978A30, #976E30, #975330 and #973730

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87962F shade: #889730, #6C9730, #509730, #349730 and #309747

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87962F shade matches the following richer shades: #889730, #94A720 and #9FB710

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87962F shade: #889730, #7D8740, #717750, #666760 and #5A5770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87962F shade: #976E30, #978930, #899730, #6E9730 and #529730

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87962F shade: #50581C, #6C7826, #889730, #A4B73A and #B7C851

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87962F shade: #87962F, #309752 and #7C3097

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87962F shade: #87962F, #308997 and #973089

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87962F shade: #87962F, #309752, #3E3097 and #973075

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87962F shade: #87962F, #309771, #3E3097 and #973056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 69 / 41

HEX #87962F

RGB 135 150 47

HSL 68.74, 0.52%, 0.39%

LAB 59.13, -19.61, 50.17

 

Complementary color

CMYK 42 / 50 / 0 / 18

HEX #7869D0

RGB 120 105 208

HSL 248.74, 0.52%, 0.61%

LAB 50.28, 31.16, -51.5

 

CMYK 7 / 0 / 72 / 41

HEX #8C962A

RGB 140 150 42

HSL 65.56, 0.56%, 0.38%

LAB 59.48, -17.72, 52.62

 

CMYK 7 / 0 / 64 / 34

HEX #9DA83D

RGB 157 168 61

HSL 66.17, 0.47%, 0.45%

LAB 66.14, -18.43, 52.14

 

CMYK 6 / 0 / 57 / 27

HEX #AEBA50

RGB 174 186 80

HSL 66.79, 0.43%, 0.52%

LAB 72.69, -18.98, 51.27

 

CMYK 6 / 0 / 51 / 20

HEX #BFCC63

RGB 191 204 99

HSL 67.43, 0.51%, 0.59%

LAB 79.14, -19.41, 50.22

 

CMYK 6 / 0 / 47 / 13

HEX #D0DE76

RGB 208 222 118

HSL 68.08, 0.61%, 0.67%

LAB 85.48, -19.76, 49.1

 

CMYK 10 / 0 / 69 / 41

HEX #87962F

RGB 135 150 47

HSL 68.74, 0.52%, 0.39%

LAB 59.13, -19.61, 50.17

 

CMYK 11 / 0 / 79 / 48

HEX #76841C

RGB 118 132 28

HSL 68.08, 0.65%, 0.31%

LAB 52.33, -18.83, 50.21

 

CMYK 11 / 0 / 92 / 55

HEX #657209

RGB 101 114 9

HSL 67.43, 0.85%, 0.24%

LAB 45.39, -17.78, 48.87

 

CMYK 13 / 0 / 100 / 62

HEX #546000

RGB 84 96 0

HSL 67.5, 1%, 0.19%

LAB 38.29, -16.36, 44.97

 

CMYK 14 / 0 / 100 / 69

HEX #434E00

RGB 67 78 0

HSL 68.46, 1%, 0.15%

LAB 30.98, -14.66, 38.88

 

CMYK 10 / 0 / 68 / 41

HEX #889730

RGB 136 151 48

HSL 68.74, 0.52%, 0.39%

LAB 59.51, -19.62, 50.17

 

CMYK 0 / 9 / 68 / 41

HEX #978A30

RGB 151 138 48

HSL 52.43, 0.52%, 0.39%

LAB 57.05, -6.08, 48.03

 

CMYK 0 / 27 / 68 / 41

HEX #976E30

RGB 151 110 48

HSL 36.12, 0.52%, 0.39%

LAB 49.43, 9.67, 39.94

 

CMYK 0 / 45 / 68 / 41

HEX #975330

RGB 151 83 48

HSL 20.39, 0.52%, 0.39%

LAB 42.73, 25.14, 32.43

 

CMYK 0 / 64 / 68 / 41

HEX #973730

RGB 151 55 48

HSL 4.08, 0.52%, 0.39%

LAB 36.98, 39.81, 25.63

 

CMYK 10 / 0 / 68 / 41

HEX #889730

RGB 136 151 48

HSL 68.74, 0.52%, 0.39%

LAB 59.51, -19.62, 50.17

 

CMYK 28 / 0 / 68 / 41

HEX #6C9730

RGB 108 151 48

HSL 85.05, 0.52%, 0.39%

LAB 57.59, -31.23, 47.58

 

CMYK 47 / 0 / 68 / 41

HEX #509730

RGB 80 151 48

HSL 101.36, 0.52%, 0.39%

LAB 56.14, -41.3, 45.6

 

CMYK 66 / 0 / 68 / 41

HEX #349730

RGB 52 151 48

HSL 117.67, 0.52%, 0.39%

LAB 55.15, -48.96, 44.25

 

CMYK 68 / 0 / 53 / 41

HEX #309747

RGB 48 151 71

HSL 133.4, 0.52%, 0.39%

LAB 55.29, -46.93, 33.49

 

CMYK 10 / 0 / 68 / 41

HEX #889730

RGB 136 151 48

HSL 68.74, 0.52%, 0.39%

LAB 59.51, -19.62, 50.17

 

CMYK 11 / 0 / 81 / 35

HEX #94A720

RGB 148 167 32

HSL 68.44, 0.68%, 0.39%

LAB 64.99, -23.32, 61.27

 

CMYK 13 / 0 / 91 / 28

HEX #9FB710

RGB 159 183 16

HSL 68.62, 0.84%, 0.39%

LAB 70.37, -26.9, 69.54

 

CMYK 10 / 0 / 68 / 41

HEX #889730

RGB 136 151 48

HSL 68.74, 0.52%, 0.39%

LAB 59.51, -19.62, 50.17

 

CMYK 7 / 0 / 53 / 47

HEX #7D8740

RGB 125 135 64

HSL 68.45, 0.36%, 0.39%

LAB 54.09, -14.73, 36.53

 

CMYK 5 / 0 / 33 / 53

HEX #717750

RGB 113 119 80

HSL 69.23, 0.2%, 0.39%

LAB 48.62, -9.19, 20.74

 

CMYK 1 / 0 / 7 / 60

HEX #666760

RGB 102 103 96

HSL 68.57, 0.04%, 0.39%

LAB 43.32, -1.8, 3.81

 

CMYK 20 / 22 / 0 / 56

HEX #5A5770

RGB 90 87 112

HSL 247.2, 0.13%, 0.39%

LAB 38.13, 6.98, -13.81

 

CMYK 0 / 27 / 68 / 41

HEX #976E30

RGB 151 110 48

HSL 36.12, 0.52%, 0.39%

LAB 49.43, 9.67, 39.94

 

CMYK 0 / 9 / 68 / 41

HEX #978930

RGB 151 137 48

HSL 51.84, 0.52%, 0.39%

LAB 56.77, -5.53, 47.74

 

CMYK 9 / 0 / 68 / 41

HEX #899730

RGB 137 151 48

HSL 68.16, 0.52%, 0.39%

LAB 59.58, -19.19, 50.27

 

CMYK 27 / 0 / 68 / 41

HEX #6E9730

RGB 110 151 48

HSL 83.88, 0.52%, 0.39%

LAB 57.71, -30.44, 47.75

 

CMYK 46 / 0 / 68 / 41

HEX #529730

RGB 82 151 48

HSL 100.19, 0.52%, 0.39%

LAB 56.23, -40.65, 45.73

 

CMYK 9 / 0 / 68 / 65

HEX #50581C

RGB 80 88 28

HSL 68, 0.52%, 0.23%

LAB 35.54, -12.48, 32.61

 

CMYK 10 / 0 / 68 / 53

HEX #6C7826

RGB 108 120 38

HSL 68.78, 0.52%, 0.31%

LAB 47.96, -16.42, 41.79

 

CMYK 10 / 0 / 68 / 41

HEX #889730

RGB 136 151 48

HSL 68.74, 0.52%, 0.39%

LAB 59.51, -19.62, 50.17

 

CMYK 10 / 0 / 68 / 28

HEX #A4B73A

RGB 164 183 58

HSL 69.12, 0.52%, 0.47%

LAB 70.92, -23.19, 58.48

 

CMYK 9 / 0 / 60 / 22

HEX #B7C851

RGB 183 200 81

HSL 68.57, 0.52%, 0.55%

LAB 77.26, -22.16, 56.1

 

CMYK 10 / 0 / 69 / 41

HEX #87962F

RGB 135 150 47

HSL 68.74, 0.52%, 0.39%

LAB 59.13, -19.61, 50.17

 

CMYK 68 / 0 / 46 / 41

HEX #309752

RGB 48 151 82

HSL 139.81, 0.52%, 0.39%

LAB 55.45, -45.13, 27.93

 

CMYK 18 / 68 / 0 / 41

HEX #7C3097

RGB 124 48 151

HSL 284.27, 0.52%, 0.39%

LAB 35.27, 48.95, -41.97

 

CMYK 10 / 0 / 69 / 41

HEX #87962F

RGB 135 150 47

HSL 68.74, 0.52%, 0.39%

LAB 59.13, -19.61, 50.17

 

CMYK 68 / 9 / 0 / 41

HEX #308997

RGB 48 137 151

HSL 188.16, 0.52%, 0.39%

LAB 52.68, -21.4, -15.19

 

CMYK 0 / 68 / 9 / 41

HEX #973089

RGB 151 48 137

HSL 308.16, 0.52%, 0.39%

LAB 38.72, 53.02, -27.67

 

CMYK 10 / 0 / 69 / 41

HEX #87962F

RGB 135 150 47

HSL 68.74, 0.52%, 0.39%

LAB 59.13, -19.61, 50.17

 

CMYK 68 / 0 / 46 / 41

HEX #309752

RGB 48 151 82

HSL 139.81, 0.52%, 0.39%

LAB 55.45, -45.13, 27.93

 

CMYK 59 / 68 / 0 / 41

HEX #3E3097

RGB 62 48 151

HSL 248.16, 0.52%, 0.39%

LAB 27.77, 36.06, -54.47

 

CMYK 0 / 68 / 23 / 41

HEX #973075

RGB 151 48 117

HSL 319.81, 0.52%, 0.39%

LAB 37.8, 49.97, -16.71

 

CMYK 10 / 0 / 69 / 41

HEX #87962F

RGB 135 150 47

HSL 68.74, 0.52%, 0.39%

LAB 59.13, -19.61, 50.17

 

CMYK 68 / 0 / 25 / 41

HEX #309771

RGB 48 151 113

HSL 157.86, 0.52%, 0.39%

LAB 56.04, -38.73, 11.59

 

CMYK 59 / 68 / 0 / 41

HEX #3E3097

RGB 62 48 151

HSL 248.16, 0.52%, 0.39%

LAB 27.77, 36.06, -54.47

 

CMYK 0 / 68 / 43 / 41

HEX #973056

RGB 151 48 86

HSL 337.86, 0.52%, 0.39%

LAB 36.68, 46.11, 1.21

 

Description

Color code: HEX #87962F | qconv.com Color code: HEX #87962F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 150 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 150 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 69 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 69% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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