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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #877EE54C it is the complementary color #78811A4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #877EE54C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #877EE54C shade: #8C7EE04C, #9D90F34C, #AEA2FF4C, #BFB4FF4C and #D0C6FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #877EE54C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #877EE54C shade: #877EE54C, #766CD24C, #655ABF4C, #5448AC4C and #4336994C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #877EE54C shade: #8980E5, #A480E5, #BF80E5, #DB80E5 and #E580D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #877EE54C shade: #8980E5 and #8080E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #877EE54C shade matches the following richer shades: #8980E5, #7F74F1 and #7467FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #877EE54C shade: #8980E5, #938CD9, #9D99CC, #A7A5C0 and #B2B2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #877EE54C shade: #80ADE5, #8093E5, #8880E5, #A380E5 and #BE80E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #877EE54C shade: #493CD7, #695EDE, #8980E5, #A9A2EC and #C9C4F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #877EE54C shade: #877EE5, #E580C8 and #A0E580

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #877EE54C shade: #877EE5, #E58880 and #80E588

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #877EE54C shade: #877EE5, #E580C8, #DDE580 and #80E59D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #877EE54C shade: #877EE5, #E580AA, #DDE580 and #80E5BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 13 / 0 / 3

HEX #877EE54C

RGBA 135 126 229 0.3

HSLA 245.24, 0.66%, 0.7%, 0.3

LABA 57.78, 28.35, -51.31, 0.3

 

Complementary color

CMYK 2 / 0 / 24 / 15

HEX #78811A4C

RGBA 120 129 26 0.3

HSLA 65.24, 0.66%, 0.3%, 0.3

LABA 51.57, -16.45, 50.24, 0.3

 

CMYK 11 / 13 / 0 / 4

HEX #8C7EE04C

RGBA 140 126 224 0.3

HSLA 248.57, 0.61%, 0.69%, 0.3

LABA 57.92, 28.23, -48.27, 0.3

 

CMYK 11 / 12 / 0 / 1

HEX #9D90F34C

RGBA 157 144 243 0.3

HSLA 247.88, 0.8%, 0.76%, 0.3

LABA 64.63, 27.31, -48.09, 0.3

 

CMYK 10 / 11 / 0 / 0

HEX #AEA2FF4C

RGBA 174 162 255 0.3

HSLA 247.74, 1%, 0.82%, 0.3

LABA 70.91, 24.73, -44.67, 0.3

 

CMYK 8 / 9 / 0 / 0

HEX #BFB4FF4C

RGBA 191 180 255 0.3

HSLA 248.8, 1%, 0.85%, 0.3

LABA 76.64, 19.49, -35.64, 0.3

 

CMYK 6 / 7 / 0 / 0

HEX #D0C6FF4C

RGBA 208 198 255 0.3

HSLA 250.53, 1%, 0.89%, 0.3

LABA 82.39, 14.74, -26.7, 0.3

 

CMYK 12 / 13 / 0 / 3

HEX #877EE54C

RGBA 135 126 229 0.3

HSLA 245.24, 0.66%, 0.7%, 0.3

LABA 57.78, 28.35, -51.31, 0.3

 

CMYK 13 / 15 / 0 / 5

HEX #766CD24C

RGBA 118 108 210 0.3

HSLA 245.88, 0.53%, 0.62%, 0.3

LABA 50.96, 29.47, -51.56, 0.3

 

CMYK 14 / 16 / 0 / 8

HEX #655ABF4C

RGBA 101 90 191 0.3

HSLA 246.53, 0.44%, 0.55%, 0.3

LABA 44, 30.75, -51.86, 0.3

 

CMYK 15 / 17 / 0 / 10

HEX #5448AC4C

RGBA 84 72 172 0.3

HSLA 247.2, 0.41%, 0.48%, 0.3

LABA 36.93, 32.23, -52.17, 0.3

 

CMYK 17 / 19 / 0 / 12

HEX #4336994C

RGBA 67 54 153 0.3

HSLA 247.88, 0.48%, 0.41%, 0.3

LABA 29.74, 33.93, -52.46, 0.3

 

CMYK 40 / 44 / 0 / 10

HEX #8980E5

RGB 137 128 229

HSL 245.35, 0.66%, 0.7%

LAB 58.43, 27.67, -50.27

 

CMYK 28 / 44 / 0 / 10

HEX #A480E5

RGB 164 128 229

HSL 261.39, 0.66%, 0.7%

LAB 60.77, 34.74, -46.41

 

CMYK 17 / 44 / 0 / 10

HEX #BF80E5

RGB 191 128 229

HSL 277.43, 0.66%, 0.7%

LAB 63.48, 42.26, -41.95

 

CMYK 4 / 44 / 0 / 10

HEX #DB80E5

RGB 219 128 229

HSL 294.06, 0.66%, 0.7%

LAB 66.64, 50.3, -36.79

 

CMYK 0 / 44 / 7 / 10

HEX #E580D4

RGB 229 128 212

HSL 310.1, 0.66%, 0.7%

LAB 67.16, 50.25, -26.44

 

CMYK 40 / 44 / 0 / 10

HEX #8980E5

RGB 137 128 229

HSL 245.35, 0.66%, 0.7%

LAB 58.43, 27.67, -50.27

 

CMYK 44 / 44 / 0 / 10

HEX #8080E5

RGB 128 128 229

HSL 240, 0.66%, 0.7%

LAB 57.74, 25.47, -51.41

 

CMYK 40 / 44 / 0 / 10

HEX #8980E5

RGB 137 128 229

HSL 245.35, 0.66%, 0.7%

LAB 58.43, 27.67, -50.27

 

CMYK 47 / 52 / 0 / 5

HEX #7F74F1

RGB 127 116 241

HSL 245.28, 0.82%, 0.7%

LAB 55.43, 35.8, -61.78

 

CMYK 54 / 59 / 0 / 0

HEX #7467FE

RGB 116 103 254

HSL 245.17, 0.99%, 0.7%

LAB 52.47, 45.06, -73.82

 

CMYK 40 / 44 / 0 / 10

HEX #8980E5

RGB 137 128 229

HSL 245.35, 0.66%, 0.7%

LAB 58.43, 27.67, -50.27

 

CMYK 32 / 35 / 0 / 15

HEX #938CD9

RGB 147 140 217

HSL 245.45, 0.5%, 0.7%

LAB 61.63, 20.11, -38.48

 

CMYK 23 / 25 / 0 / 20

HEX #9D99CC

RGB 157 153 204

HSL 244.71, 0.33%, 0.7%

LAB 65.21, 12.38, -25.62

 

CMYK 13 / 14 / 0 / 25

HEX #A7A5C0

RGB 167 165 192

HSL 244.44, 0.18%, 0.7%

LAB 68.7, 6.15, -13.56

 

CMYK 1 / 1 / 0 / 30

HEX #B2B2B3

RGB 178 178 179

HSL 240, 0.01%, 0.7%

LAB 72.6, 0.19, -0.52

 

CMYK 44 / 24 / 0 / 10

HEX #80ADE5

RGB 128 173 229

HSL 213.27, 0.66%, 0.7%

LAB 69.56, -0.51, -32.85

 

CMYK 44 / 36 / 0 / 10

HEX #8093E5

RGB 128 147 229

HSL 228.71, 0.66%, 0.7%

LAB 62.6, 14.3, -43.71

 

CMYK 41 / 44 / 0 / 10

HEX #8880E5

RGB 136 128 229

HSL 244.75, 0.66%, 0.7%

LAB 58.35, 27.42, -50.4

 

CMYK 29 / 44 / 0 / 10

HEX #A380E5

RGB 163 128 229

HSL 260.79, 0.66%, 0.7%

LAB 60.68, 34.47, -46.56

 

CMYK 17 / 44 / 0 / 10

HEX #BE80E5

RGB 190 128 229

HSL 276.83, 0.66%, 0.7%

LAB 63.38, 41.98, -42.13

 

CMYK 66 / 72 / 0 / 16

HEX #493CD7

RGB 73 60 215

HSL 245.03, 0.66%, 0.54%

LAB 37.03, 51.07, -77.19

 

CMYK 53 / 58 / 0 / 13

HEX #695EDE

RGB 105 94 222

HSL 245.16, 0.66%, 0.62%

LAB 47.34, 38.61, -64.25

 

CMYK 40 / 44 / 0 / 10

HEX #8980E5

RGB 137 128 229

HSL 245.35, 0.66%, 0.7%

LAB 58.43, 27.67, -50.27

 

CMYK 28 / 31 / 0 / 7

HEX #A9A2EC

RGB 169 162 236

HSL 245.68, 0.66%, 0.78%

LAB 69.71, 18.61, -36.24

 

CMYK 17 / 19 / 0 / 5

HEX #C9C4F3

RGB 201 196 243

HSL 246.38, 0.66%, 0.86%

LAB 80.94, 11.07, -22.55

 

CMYK 41 / 45 / 0 / 10

HEX #877EE5

RGB 135 126 229

HSL 245.24, 0.66%, 0.7%

LAB 57.78, 28.35, -51.31

 

CMYK 0 / 44 / 13 / 10

HEX #E580C8

RGB 229 128 200

HSL 317.23, 0.66%, 0.7%

LAB 66.72, 48.29, -20.41

 

CMYK 30 / 0 / 44 / 10

HEX #A0E580

RGB 160 229 128

HSL 100.99, 0.66%, 0.7%

LAB 84.52, -39.54, 42.4

 

CMYK 41 / 45 / 0 / 10

HEX #877EE5

RGB 135 126 229

HSL 245.24, 0.66%, 0.7%

LAB 57.78, 28.35, -51.31

 

CMYK 0 / 41 / 44 / 10

HEX #E58880

RGB 229 136 128

HSL 4.75, 0.66%, 0.7%

LAB 66.39, 34.63, 19.63

 

CMYK 44 / 0 / 41 / 10

HEX #80E588

RGB 128 229 136

HSL 124.75, 0.66%, 0.7%

LAB 83.13, -48.37, 36.35

 

CMYK 41 / 45 / 0 / 10

HEX #877EE5

RGB 135 126 229

HSL 245.24, 0.66%, 0.7%

LAB 57.78, 28.35, -51.31

 

CMYK 0 / 44 / 13 / 10

HEX #E580C8

RGB 229 128 200

HSL 317.23, 0.66%, 0.7%

LAB 66.72, 48.29, -20.41

 

CMYK 3 / 0 / 44 / 10

HEX #DDE580

RGB 221 229 128

HSL 64.75, 0.66%, 0.7%

LAB 88.43, -17.13, 48.13

 

CMYK 44 / 0 / 31 / 10

HEX #80E59D

RGB 128 229 157

HSL 137.23, 0.66%, 0.7%

LAB 83.48, -44.91, 26.15

 

CMYK 41 / 45 / 0 / 10

HEX #877EE5

RGB 135 126 229

HSL 245.24, 0.66%, 0.7%

LAB 57.78, 28.35, -51.31

 

CMYK 0 / 44 / 26 / 10

HEX #E580AA

RGB 229 128 170

HSL 335.05, 0.66%, 0.7%

LAB 65.75, 43.83, -4.98

 

CMYK 3 / 0 / 44 / 10

HEX #DDE580

RGB 221 229 128

HSL 64.75, 0.66%, 0.7%

LAB 88.43, -17.13, 48.13

 

CMYK 44 / 0 / 18 / 10

HEX #80E5BB

RGB 128 229 187

HSL 155.05, 0.66%, 0.7%

LAB 84.08, -39.12, 11.37

 

Description

Color code: HEX #877EE54C | qconv.com Color code: HEX #877EE54C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 126 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 126 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 13 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 13% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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