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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8776C8 it is the complementary color #788937. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8776C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8776C8 shade: #8C76C3, #9D88D6, #AE9AE9, #BFACFC and #D0BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8776C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8776C8 shade: #8776C8, #7664B5, #6552A2, #54408F and #432E7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8776C8 shade: #8674C8, #9C74C8, #B374C8, #C874C6 and #C874B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8776C8 shade: #8674C8 and #7474C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8776C8 shade matches the following richer shades: #8674C8, #7D65D7, #7355E7 and #6A45F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8776C8 shade: #8674C8, #8F84B8, #9894A8, #A1A399 and #AAB389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8776C8 shade: #7490C8, #747AC8, #8574C8, #9B74C8 and #B274C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8776C8 shade: #5743A7, #6C57BC, #8674C8, #A092D4 and #B9AFDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8776C8 shade: #8776C8, #C874A6 and #85C874

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8776C8 shade: #8776C8, #C88574 and #74C885

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8776C8 shade: #8776C8, #C874A6, #B7C874 and #74C896

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8776C8 shade: #8776C8, #C8748D, #B7C874 and #74C8AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 41 / 0 / 22

HEX #8776C8

RGB 135 118 200

HSL 252.44, 0.43%, 0.62%

LAB 54.32, 25.15, -40.44

 

Complementary color

CMYK 12 / 0 / 60 / 46

HEX #788937

RGB 120 137 55

HSL 72.44, 0.43%, 0.38%

LAB 54.2, -18.77, 41

 

CMYK 28 / 39 / 0 / 24

HEX #8C76C3

RGB 140 118 195

HSL 257.14, 0.39%, 0.61%

LAB 54.52, 25.28, -37.24

 

CMYK 27 / 36 / 0 / 16

HEX #9D88D6

RGB 157 136 214

HSL 256.15, 0.49%, 0.69%

LAB 61.33, 24.52, -37.2

 

CMYK 25 / 34 / 0 / 9

HEX #AE9AE9

RGB 174 154 233

HSL 255.19, 0.64%, 0.76%

LAB 68.02, 23.83, -37.2

 

CMYK 24 / 32 / 0 / 1

HEX #BFACFC

RGB 191 172 252

HSL 254.25, 0.93%, 0.83%

LAB 74.58, 23.2, -37.23

 

CMYK 18 / 25 / 0 / 0

HEX #D0BEFF

RGB 208 190 255

HSL 256.62, 1%, 0.87%

LAB 80.44, 19.07, -29.68

 

CMYK 33 / 41 / 0 / 22

HEX #8776C8

RGB 135 118 200

HSL 252.44, 0.43%, 0.62%

LAB 54.32, 25.15, -40.44

 

CMYK 35 / 45 / 0 / 29

HEX #7664B5

RGB 118 100 181

HSL 253.33, 0.35%, 0.55%

LAB 47.37, 26.07, -40.59

 

CMYK 38 / 49 / 0 / 36

HEX #6552A2

RGB 101 82 162

HSL 254.25, 0.33%, 0.48%

LAB 40.26, 27.12, -40.78

 

CMYK 41 / 55 / 0 / 44

HEX #54408F

RGB 84 64 143

HSL 255.19, 0.38%, 0.41%

LAB 32.99, 28.33, -41.01

 

CMYK 46 / 63 / 0 / 51

HEX #432E7C

RGB 67 46 124

HSL 256.15, 0.46%, 0.33%

LAB 25.57, 29.7, -41.24

 

CMYK 33 / 42 / 0 / 22

HEX #8674C8

RGB 134 116 200

HSL 252.86, 0.43%, 0.62%

LAB 53.74, 26.05, -41.36

 

CMYK 22 / 42 / 0 / 22

HEX #9C74C8

RGB 156 116 200

HSL 268.57, 0.43%, 0.62%

LAB 55.82, 32.32, -37.95

 

CMYK 11 / 42 / 0 / 22

HEX #B374C8

RGB 179 116 200

HSL 285, 0.43%, 0.62%

LAB 58.27, 39.15, -33.94

 

CMYK 0 / 42 / 1 / 22

HEX #C874C6

RGB 200 116 198

HSL 301.43, 0.43%, 0.62%

LAB 60.65, 45.12, -28.92

 

CMYK 0 / 42 / 12 / 22

HEX #C874B0

RGB 200 116 176

HSL 317.14, 0.43%, 0.62%

LAB 59.8, 41.29, -17.69

 

CMYK 33 / 42 / 0 / 22

HEX #8674C8

RGB 134 116 200

HSL 252.86, 0.43%, 0.62%

LAB 53.74, 26.05, -41.36

 

CMYK 42 / 42 / 0 / 22

HEX #7474C8

RGB 116 116 200

HSL 240, 0.43%, 0.62%

LAB 52.26, 21.26, -43.8

 

CMYK 33 / 42 / 0 / 22

HEX #8674C8

RGB 134 116 200

HSL 252.86, 0.43%, 0.62%

LAB 53.74, 26.05, -41.36

 

CMYK 42 / 53 / 0 / 16

HEX #7D65D7

RGB 125 101 215

HSL 252.63, 0.59%, 0.62%

LAB 50.18, 36.68, -55.61

 

CMYK 50 / 63 / 0 / 9

HEX #7355E7

RGB 115 85 231

HSL 252.33, 0.75%, 0.62%

LAB 46.86, 48.32, -70.09

 

CMYK 57 / 72 / 0 / 3

HEX #6A45F7

RGB 106 69 247

HSL 252.47, 0.92%, 0.62%

LAB 44.28, 59.92, -83.34

 

CMYK 33 / 42 / 0 / 22

HEX #8674C8

RGB 134 116 200

HSL 252.86, 0.43%, 0.62%

LAB 53.74, 26.05, -41.36

 

CMYK 22 / 28 / 0 / 28

HEX #8F84B8

RGB 143 132 184

HSL 252.69, 0.27%, 0.62%

LAB 57.85, 15.29, -25.77

 

CMYK 10 / 12 / 0 / 34

HEX #9894A8

RGB 152 148 168

HSL 252, 0.1%, 0.62%

LAB 62.24, 5.48, -9.94

 

CMYK 1 / 0 / 6 / 36

HEX #A1A399

RGB 161 163 153

HSL 72, 0.05%, 0.62%

LAB 66.57, -2.58, 4.93

 

CMYK 5 / 0 / 23 / 30

HEX #AAB389

RGB 170 179 137

HSL 72.86, 0.22%, 0.62%

LAB 71.28, -10.41, 20.44

 

CMYK 42 / 28 / 0 / 22

HEX #7490C8

RGB 116 144 200

HSL 220, 0.43%, 0.62%

LAB 59.73, 4.66, -32.07

 

CMYK 42 / 39 / 0 / 22

HEX #747AC8

RGB 116 122 200

HSL 235.71, 0.43%, 0.62%

LAB 53.82, 17.65, -41.34

 

CMYK 34 / 42 / 0 / 22

HEX #8574C8

RGB 133 116 200

HSL 252.14, 0.43%, 0.62%

LAB 53.65, 25.78, -41.51

 

CMYK 23 / 42 / 0 / 22

HEX #9B74C8

RGB 155 116 200

HSL 267.86, 0.43%, 0.62%

LAB 55.71, 32.03, -38.12

 

CMYK 11 / 42 / 0 / 22

HEX #B274C8

RGB 178 116 200

HSL 284.29, 0.43%, 0.62%

LAB 58.16, 38.85, -34.12

 

CMYK 48 / 60 / 0 / 35

HEX #5743A7

RGB 87 67 167

HSL 252, 0.43%, 0.46%

LAB 35.66, 34.38, -51.23

 

CMYK 43 / 54 / 0 / 26

HEX #6C57BC

RGB 108 87 188

HSL 252.48, 0.43%, 0.54%

LAB 43.71, 33.3, -50.56

 

CMYK 33 / 42 / 0 / 22

HEX #8674C8

RGB 134 116 200

HSL 252.86, 0.43%, 0.62%

LAB 53.74, 26.05, -41.36

 

CMYK 25 / 31 / 0 / 17

HEX #A092D4

RGB 160 146 212

HSL 252.73, 0.43%, 0.7%

LAB 63.99, 19.19, -31.94

 

CMYK 17 / 22 / 0 / 13

HEX #B9AFDF

RGB 185 175 223

HSL 252.5, 0.43%, 0.78%

LAB 73.74, 13.17, -22.83

 

CMYK 33 / 41 / 0 / 22

HEX #8776C8

RGB 135 118 200

HSL 252.44, 0.43%, 0.62%

LAB 54.32, 25.15, -40.44

 

CMYK 0 / 42 / 17 / 22

HEX #C874A6

RGB 200 116 166

HSL 324.29, 0.43%, 0.62%

LAB 59.46, 39.67, -12.47

 

CMYK 34 / 0 / 42 / 22

HEX #85C874

RGB 133 200 116

HSL 107.86, 0.43%, 0.62%

LAB 74.54, -37.16, 35.4

 

CMYK 33 / 41 / 0 / 22

HEX #8776C8

RGB 135 118 200

HSL 252.44, 0.43%, 0.62%

LAB 54.32, 25.15, -40.44

 

CMYK 0 / 34 / 42 / 22

HEX #C88574

RGB 200 133 116

HSL 12.14, 0.43%, 0.62%

LAB 61.93, 23.72, 19.7

 

CMYK 42 / 0 / 34 / 22

HEX #74C885

RGB 116 200 133

HSL 132.14, 0.43%, 0.62%

LAB 74.01, -39.8, 25.75

 

CMYK 33 / 41 / 0 / 22

HEX #8776C8

RGB 135 118 200

HSL 252.44, 0.43%, 0.62%

LAB 54.32, 25.15, -40.44

 

CMYK 0 / 42 / 17 / 22

HEX #C874A6

RGB 200 116 166

HSL 324.29, 0.43%, 0.62%

LAB 59.46, 39.67, -12.47

 

CMYK 9 / 0 / 42 / 22

HEX #B7C874

RGB 183 200 116

HSL 72.14, 0.43%, 0.62%

LAB 77.66, -18.88, 40

 

CMYK 42 / 0 / 25 / 22

HEX #74C896

RGB 116 200 150

HSL 144.29, 0.43%, 0.62%

LAB 74.33, -36.66, 17.18

 

CMYK 33 / 41 / 0 / 22

HEX #8776C8

RGB 135 118 200

HSL 252.44, 0.43%, 0.62%

LAB 54.32, 25.15, -40.44

 

CMYK 0 / 42 / 30 / 22

HEX #C8748D

RGB 200 116 141

HSL 342.14, 0.43%, 0.62%

LAB 58.69, 36.01, 0.82

 

CMYK 9 / 0 / 42 / 22

HEX #B7C874

RGB 183 200 116

HSL 72.14, 0.43%, 0.62%

LAB 77.66, -18.88, 40

 

CMYK 42 / 0 / 13 / 22

HEX #74C8AF

RGB 116 200 175

HSL 162.14, 0.43%, 0.62%

LAB 74.9, -31.4, 4.54

 

Description

Color code: HEX #8776C8 | qconv.com Color code: HEX #8776C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 118 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 118 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 41 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 41% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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