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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #877014 it is the complementary color #788FEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #877014. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #877014 shade: #8C700F, #9D8222, #AE9435, #BFA648 and #D0B85B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #877014. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #877014 shade: #877014, #765E01, #654C00, #543A00 and #432800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #877014 shade: #856E14, #855014, #853114 and #851414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #877014 shade: #856E14, #7D8514, #5F8514, #408514 and #228514

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #877014 shade matches the following richer shades: #856E14 and #917608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #877014 shade: #856E14, #796720, #6C602D, #605839 and #545145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #877014 shade: #853214, #855014, #856E14, #7E8514 and #5F8514

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #877014 shade: #3D3309, #61510F, #856E14, #A98C19 and #CDAA1F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #877014 shade: #877014, #148514 and #411485

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #877014 shade: #877014, #14856E and #6E1485

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #877014 shade: #877014, #148514, #142B85 and #851485

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #877014 shade: #877014, #148536, #142B85 and #851463

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 85 / 47

HEX #877014

RGB 135 112 20

HSL 48, 0.74%, 0.3%

LAB 47.99, -0.27, 49.5

 

Complementary color

CMYK 49 / 39 / 0 / 8

HEX #788FEB

RGB 120 143 235

HSL 228, 0.74%, 0.7%

LAB 61.34, 16.51, -49.06

 

CMYK 0 / 20 / 89 / 45

HEX #8C700F

RGB 140 112 15

HSL 46.56, 0.81%, 0.3%

LAB 48.51, 1.97, 51.55

 

CMYK 0 / 17 / 78 / 38

HEX #9D8222

RGB 157 130 34

HSL 46.83, 0.64%, 0.37%

LAB 55.33, 0.36, 52.17

 

CMYK 0 / 15 / 70 / 32

HEX #AE9435

RGB 174 148 53

HSL 47.11, 0.53%, 0.45%

LAB 62.03, -0.93, 51.71

 

CMYK 0 / 13 / 62 / 25

HEX #BFA648

RGB 191 166 72

HSL 47.39, 0.48%, 0.52%

LAB 68.62, -2, 50.78

 

CMYK 0 / 12 / 56 / 18

HEX #D0B85B

RGB 208 184 91

HSL 47.69, 0.55%, 0.59%

LAB 75.11, -2.88, 49.65

 

CMYK 0 / 17 / 85 / 47

HEX #877014

RGB 135 112 20

HSL 48, 0.74%, 0.3%

LAB 47.99, -0.27, 49.5

 

CMYK 0 / 20 / 99 / 54

HEX #765E01

RGB 118 94 1

HSL 47.69, 0.98%, 0.23%

LAB 40.99, 1.5, 48.15

 

CMYK 0 / 25 / 100 / 60

HEX #654C00

RGB 101 76 0

HSL 45.15, 1%, 0.2%

LAB 33.85, 3.81, 42.54

 

CMYK 0 / 31 / 100 / 67

HEX #543A00

RGB 84 58 0

HSL 41.43, 1%, 0.16%

LAB 26.48, 6.34, 35.99

 

CMYK 0 / 40 / 100 / 74

HEX #432800

RGB 67 40 0

HSL 35.82, 1%, 0.13%

LAB 18.85, 9.09, 27.33

 

CMYK 0 / 17 / 85 / 48

HEX #856E14

RGB 133 110 20

HSL 47.79, 0.74%, 0.3%

LAB 47.22, -0.07, 48.76

 

CMYK 0 / 40 / 85 / 48

HEX #855014

RGB 133 80 20

HSL 31.86, 0.74%, 0.3%

LAB 39.2, 17.48, 41.76

 

CMYK 0 / 63 / 85 / 48

HEX #853114

RGB 133 49 20

HSL 15.4, 0.74%, 0.3%

LAB 32.33, 34.57, 35.56

 

CMYK 0 / 85 / 85 / 48

HEX #851414

RGB 133 20 20

HSL 0, 0.74%, 0.3%

LAB 28.21, 45.85, 31.71

 

CMYK 0 / 17 / 85 / 48

HEX #856E14

RGB 133 110 20

HSL 47.79, 0.74%, 0.3%

LAB 47.22, -0.07, 48.76

 

CMYK 6 / 0 / 85 / 48

HEX #7D8514

RGB 125 133 20

HSL 64.25, 0.74%, 0.3%

LAB 53.15, -16.51, 53.55

 

CMYK 29 / 0 / 85 / 48

HEX #5F8514

RGB 95 133 20

HSL 80.18, 0.74%, 0.3%

LAB 50.99, -29.6, 50.82

 

CMYK 52 / 0 / 85 / 48

HEX #408514

RGB 64 133 20

HSL 96.64, 0.74%, 0.3%

LAB 49.39, -40.98, 48.8

 

CMYK 74 / 0 / 85 / 48

HEX #228514

RGB 34 133 20

HSL 112.57, 0.74%, 0.3%

LAB 48.47, -48.53, 47.61

 

CMYK 0 / 17 / 85 / 48

HEX #856E14

RGB 133 110 20

HSL 47.79, 0.74%, 0.3%

LAB 47.22, -0.07, 48.76

 

CMYK 0 / 19 / 94 / 43

HEX #917608

RGB 145 118 8

HSL 48.18, 0.9%, 0.3%

LAB 50.68, 0.77, 54.99

 

CMYK 0 / 17 / 85 / 48

HEX #856E14

RGB 133 110 20

HSL 47.79, 0.74%, 0.3%

LAB 47.22, -0.07, 48.76

 

CMYK 0 / 15 / 74 / 53

HEX #796720

RGB 121 103 32

HSL 47.87, 0.58%, 0.3%

LAB 44.05, -1.23, 40.8

 

CMYK 0 / 11 / 58 / 58

HEX #6C602D

RGB 108 96 45

HSL 48.57, 0.41%, 0.3%

LAB 40.81, -2.37, 30.48

 

CMYK 0 / 8 / 41 / 62

HEX #605839

RGB 96 88 57

HSL 47.69, 0.25%, 0.3%

LAB 37.41, -1.89, 19.17

 

CMYK 0 / 4 / 18 / 67

HEX #545145

RGB 84 81 69

HSL 48, 0.1%, 0.3%

LAB 34.39, -1.13, 7.5

 

CMYK 0 / 62 / 85 / 48

HEX #853214

RGB 133 50 20

HSL 15.93, 0.74%, 0.3%

LAB 32.52, 34.08, 35.74

 

CMYK 0 / 40 / 85 / 48

HEX #855014

RGB 133 80 20

HSL 31.86, 0.74%, 0.3%

LAB 39.2, 17.48, 41.76

 

CMYK 0 / 17 / 85 / 48

HEX #856E14

RGB 133 110 20

HSL 47.79, 0.74%, 0.3%

LAB 47.22, -0.07, 48.76

 

CMYK 5 / 0 / 85 / 48

HEX #7E8514

RGB 126 133 20

HSL 63.72, 0.74%, 0.3%

LAB 53.23, -16.06, 53.65

 

CMYK 29 / 0 / 85 / 48

HEX #5F8514

RGB 95 133 20

HSL 80.18, 0.74%, 0.3%

LAB 50.99, -29.6, 50.82

 

CMYK 0 / 16 / 85 / 76

HEX #3D3309

RGB 61 51 9

HSL 48.46, 0.74%, 0.14%

LAB 21.5, -0.92, 26.43

 

CMYK 0 / 16 / 85 / 62

HEX #61510F

RGB 97 81 15

HSL 48.29, 0.73%, 0.22%

LAB 34.92, -0.76, 38.15

 

CMYK 0 / 17 / 85 / 48

HEX #856E14

RGB 133 110 20

HSL 47.79, 0.74%, 0.3%

LAB 47.22, -0.07, 48.76

 

CMYK 0 / 17 / 85 / 34

HEX #A98C19

RGB 169 140 25

HSL 47.92, 0.74%, 0.38%

LAB 59.22, 0.02, 58.95

 

CMYK 0 / 17 / 85 / 20

HEX #CDAA1F

RGB 205 170 31

HSL 47.93, 0.74%, 0.46%

LAB 70.75, 0.14, 68.43

HEX #CDAA1F

CMYK 0 / 17 / 85 / 47

HEX #877014

RGB 135 112 20

HSL 48, 0.74%, 0.3%

LAB 47.99, -0.27, 49.5

 

CMYK 85 / 0 / 85 / 48

HEX #148514

RGB 20 133 20

HSL 120, 0.74%, 0.3%

LAB 48.23, -50.63, 47.3

 

CMYK 51 / 85 / 0 / 48

HEX #411485

RGB 65 20 133

HSL 263.89, 0.74%, 0.3%

LAB 21.27, 45.51, -53.94

 

CMYK 0 / 17 / 85 / 47

HEX #877014

RGB 135 112 20

HSL 48, 0.74%, 0.3%

LAB 47.99, -0.27, 49.5

 

CMYK 85 / 0 / 17 / 48

HEX #14856E

RGB 20 133 110

HSL 167.79, 0.74%, 0.3%

LAB 49.56, -35.34, 4.02

 

CMYK 17 / 85 / 0 / 48

HEX #6E1485

RGB 110 20 133

HSL 287.79, 0.74%, 0.3%

LAB 28.14, 52.78, -42.45

 

CMYK 0 / 17 / 85 / 47

HEX #877014

RGB 135 112 20

HSL 48, 0.74%, 0.3%

LAB 47.99, -0.27, 49.5

 

CMYK 85 / 0 / 85 / 48

HEX #148514

RGB 20 133 20

HSL 120, 0.74%, 0.3%

LAB 48.23, -50.63, 47.3

 

CMYK 85 / 68 / 0 / 48

HEX #142B85

RGB 20 43 133

HSL 227.79, 0.74%, 0.3%

LAB 22.2, 27.41, -52.55

 

CMYK 0 / 85 / 0 / 48

HEX #851485

RGB 133 20 133

HSL 300, 0.74%, 0.3%

LAB 32.21, 57.22, -35.69

 

CMYK 0 / 17 / 85 / 47

HEX #877014

RGB 135 112 20

HSL 48, 0.74%, 0.3%

LAB 47.99, -0.27, 49.5

 

CMYK 85 / 0 / 59 / 48

HEX #148536

RGB 20 133 54

HSL 138.05, 0.74%, 0.3%

LAB 48.5, -47.27, 33.79

 

CMYK 85 / 68 / 0 / 48

HEX #142B85

RGB 20 43 133

HSL 227.79, 0.74%, 0.3%

LAB 22.2, 27.41, -52.55

 

CMYK 0 / 85 / 26 / 48

HEX #851463

RGB 133 20 99

HSL 318.05, 0.74%, 0.3%

LAB 30.37, 52.18, -16.98

 

Description

Color code: HEX #877014 | qconv.com Color code: HEX #877014 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 112 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 112 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 85 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 85% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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