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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #876FDB it is the complementary color #789024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #876FDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #876FDB shade: #8C6FD6, #9D81E9, #AE93FC, #BFA5FF and #D0B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #876FDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #876FDB shade: #876FDB, #765DC8, #654BB5, #5439A2 and #43278F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #876FDB shade: #8870DB, #A570DB, #C270DB, #DB70D8 and #DB70BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #876FDB shade: #8870DB and #7070DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #876FDB shade matches the following richer shades: #8870DB, #8062EA and #7853F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #876FDB shade: #8870DB, #907FCD, #988DBE, #A09CB0 and #A8AAA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #876FDB shade: #7092DB, #7076DB, #8770DB, #A470DB and #C170DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #876FDB shade: #5332C7, #6C4FD3, #8870DB, #A491E4 and #BFB2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #876FDB shade: #876FDB, #DB70AF and #84DB70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #876FDB shade: #876FDB, #DB8770 and #70DB87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #876FDB shade: #876FDB, #DB70AF, #C4DB70 and #70DB9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #876FDB shade: #876FDB, #DB708F, #C4DB70 and #70DBBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 49 / 0 / 14

HEX #876FDB

RGB 135 111 219

HSL 253.33, 0.6%, 0.65%

LAB 53.64, 34.36, -52.3

 

Complementary color

CMYK 17 / 0 / 75 / 44

HEX #789024

RGB 120 144 36

HSL 73.33, 0.6%, 0.35%

LAB 56.15, -23.68, 51.09

 

CMYK 35 / 48 / 0 / 16

HEX #8C6FD6

RGB 140 111 214

HSL 256.89, 0.56%, 0.64%

LAB 53.81, 34.28, -49.16

 

CMYK 33 / 45 / 0 / 9

HEX #9D81E9

RGB 157 129 233

HSL 256.15, 0.7%, 0.71%

LAB 60.56, 33.3, -49.01

 

CMYK 31 / 42 / 0 / 1

HEX #AE93FC

RGB 174 147 252

HSL 255.43, 0.95%, 0.78%

LAB 67.2, 32.41, -48.88

 

CMYK 25 / 35 / 0 / 0

HEX #BFA5FF

RGB 191 165 255

HSL 257.33, 1%, 0.82%

LAB 73.03, 27.78, -41.26

 

CMYK 18 / 28 / 0 / 0

HEX #D0B7FF

RGB 208 183 255

HSL 260.83, 1%, 0.86%

LAB 78.75, 22.87, -32.27

 

CMYK 38 / 49 / 0 / 14

HEX #876FDB

RGB 135 111 219

HSL 253.33, 0.6%, 0.65%

LAB 53.64, 34.36, -52.3

 

CMYK 41 / 54 / 0 / 22

HEX #765DC8

RGB 118 93 200

HSL 254.02, 0.49%, 0.57%

LAB 46.78, 35.52, -52.53

 

CMYK 44 / 59 / 0 / 29

HEX #654BB5

RGB 101 75 181

HSL 254.72, 0.42%, 0.5%

LAB 39.81, 36.81, -52.77

 

CMYK 48 / 65 / 0 / 36

HEX #5439A2

RGB 84 57 162

HSL 255.43, 0.48%, 0.43%

LAB 32.74, 38.2, -52.96

 

CMYK 53 / 73 / 0 / 44

HEX #43278F

RGB 67 39 143

HSL 256.15, 0.57%, 0.36%

LAB 25.65, 39.6, -53

 

CMYK 38 / 49 / 0 / 14

HEX #8870DB

RGB 136 112 219

HSL 253.46, 0.6%, 0.65%

LAB 53.96, 34.02, -51.78

 

CMYK 25 / 49 / 0 / 14

HEX #A570DB

RGB 165 112 219

HSL 269.72, 0.6%, 0.65%

LAB 56.78, 41.55, -47.11

 

CMYK 11 / 49 / 0 / 14

HEX #C270DB

RGB 194 112 219

HSL 285.98, 0.6%, 0.65%

LAB 60.04, 49.49, -41.75

 

CMYK 0 / 49 / 1 / 14

HEX #DB70D8

RGB 219 112 216

HSL 301.68, 0.6%, 0.65%

LAB 63.02, 55.93, -35.19

 

CMYK 0 / 49 / 15 / 14

HEX #DB70BB

RGB 219 112 187

HSL 317.94, 0.6%, 0.65%

LAB 61.86, 51.13, -20.61

 

CMYK 38 / 49 / 0 / 14

HEX #8870DB

RGB 136 112 219

HSL 253.46, 0.6%, 0.65%

LAB 53.96, 34.02, -51.78

 

CMYK 49 / 49 / 0 / 14

HEX #7070DB

RGB 112 112 219

HSL 240, 0.6%, 0.65%

LAB 52, 28.36, -55.02

 

CMYK 38 / 49 / 0 / 14

HEX #8870DB

RGB 136 112 219

HSL 253.46, 0.6%, 0.65%

LAB 53.96, 34.02, -51.78

 

CMYK 45 / 58 / 0 / 8

HEX #8062EA

RGB 128 98 234

HSL 253.24, 0.76%, 0.65%

LAB 51, 44.4, -65.02

 

CMYK 52 / 67 / 0 / 3

HEX #7853F8

RGB 120 83 248

HSL 253.45, 0.92%, 0.65%

LAB 48.21, 55.08, -77.42

 

CMYK 38 / 49 / 0 / 14

HEX #8870DB

RGB 136 112 219

HSL 253.46, 0.6%, 0.65%

LAB 53.96, 34.02, -51.78

 

CMYK 30 / 38 / 0 / 20

HEX #907FCD

RGB 144 127 205

HSL 253.08, 0.44%, 0.65%

LAB 57.57, 23.72, -38.11

 

CMYK 20 / 26 / 0 / 25

HEX #988DBE

RGB 152 141 190

HSL 253.47, 0.27%, 0.65%

LAB 61.17, 14.36, -24

 

CMYK 9 / 11 / 0 / 31

HEX #A09CB0

RGB 160 156 176

HSL 252, 0.11%, 0.65%

LAB 65.27, 5.42, -9.85

 

CMYK 1 / 0 / 5 / 33

HEX #A8AAA2

RGB 168 170 162

HSL 75, 0.04%, 0.65%

LAB 69.24, -2.2, 3.86

 

CMYK 49 / 33 / 0 / 14

HEX #7092DB

RGB 112 146 219

HSL 220.93, 0.6%, 0.65%

LAB 60.88, 8.07, -40.93

 

CMYK 49 / 46 / 0 / 14

HEX #7076DB

RGB 112 118 219

HSL 236.64, 0.6%, 0.65%

LAB 53.51, 24.74, -52.61

 

CMYK 38 / 49 / 0 / 14

HEX #8770DB

RGB 135 112 219

HSL 252.9, 0.6%, 0.65%

LAB 53.87, 33.77, -51.92

 

CMYK 25 / 49 / 0 / 14

HEX #A470DB

RGB 164 112 219

HSL 269.16, 0.6%, 0.65%

LAB 56.68, 41.28, -47.29

 

CMYK 12 / 49 / 0 / 14

HEX #C170DB

RGB 193 112 219

HSL 285.42, 0.6%, 0.65%

LAB 59.93, 49.21, -41.95

 

CMYK 58 / 75 / 0 / 22

HEX #5332C7

RGB 83 50 199

HSL 253.29, 0.6%, 0.49%

LAB 34.49, 52.69, -72.08

 

CMYK 49 / 63 / 0 / 17

HEX #6C4FD3

RGB 108 79 211

HSL 253.18, 0.6%, 0.57%

LAB 43.48, 44.62, -64.22

 

CMYK 38 / 49 / 0 / 14

HEX #8870DB

RGB 136 112 219

HSL 253.46, 0.6%, 0.65%

LAB 53.96, 34.02, -51.78

 

CMYK 28 / 36 / 0 / 11

HEX #A491E4

RGB 164 145 228

HSL 253.73, 0.61%, 0.73%

LAB 64.76, 24.83, -39.59

 

CMYK 19 / 25 / 0 / 7

HEX #BFB2EC

RGB 191 178 236

HSL 253.45, 0.6%, 0.81%

LAB 75.43, 16.25, -27.26

 

CMYK 38 / 49 / 0 / 14

HEX #876FDB

RGB 135 111 219

HSL 253.33, 0.6%, 0.65%

LAB 53.64, 34.36, -52.3

 

CMYK 0 / 49 / 20 / 14

HEX #DB70AF

RGB 219 112 175

HSL 324.67, 0.6%, 0.65%

LAB 61.43, 49.32, -14.41

 

CMYK 40 / 0 / 49 / 14

HEX #84DB70

RGB 132 219 112

HSL 108.79, 0.6%, 0.65%

LAB 80.03, -46.33, 44.28

 

CMYK 38 / 49 / 0 / 14

HEX #876FDB

RGB 135 111 219

HSL 253.33, 0.6%, 0.65%

LAB 53.64, 34.36, -52.3

 

CMYK 0 / 38 / 49 / 14

HEX #DB8770

RGB 219 135 112

HSL 12.9, 0.6%, 0.65%

LAB 64.61, 29.72, 25.95

 

CMYK 49 / 0 / 38 / 14

HEX #70DB87

RGB 112 219 135

HSL 132.9, 0.6%, 0.65%

LAB 79.53, -48.72, 32.04

 

CMYK 38 / 49 / 0 / 14

HEX #876FDB

RGB 135 111 219

HSL 253.33, 0.6%, 0.65%

LAB 53.64, 34.36, -52.3

 

CMYK 0 / 49 / 20 / 14

HEX #DB70AF

RGB 219 112 175

HSL 324.67, 0.6%, 0.65%

LAB 61.43, 49.32, -14.41

 

CMYK 11 / 0 / 49 / 14

HEX #C4DB70

RGB 196 219 112

HSL 72.9, 0.6%, 0.65%

LAB 83.74, -23.56, 49.65

 

CMYK 49 / 0 / 28 / 14

HEX #70DB9D

RGB 112 219 157

HSL 145.23, 0.6%, 0.65%

LAB 79.92, -44.79, 21.19

 

CMYK 38 / 49 / 0 / 14

HEX #876FDB

RGB 135 111 219

HSL 253.33, 0.6%, 0.65%

LAB 53.64, 34.36, -52.3

 

CMYK 0 / 49 / 35 / 14

HEX #DB708F

RGB 219 112 143

HSL 342.62, 0.6%, 0.65%

LAB 60.46, 45.04, 2.54

 

CMYK 11 / 0 / 49 / 14

HEX #C4DB70

RGB 196 219 112

HSL 72.9, 0.6%, 0.65%

LAB 83.74, -23.56, 49.65

 

CMYK 49 / 0 / 14 / 14

HEX #70DBBD

RGB 112 219 189

HSL 163.18, 0.6%, 0.65%

LAB 80.62, -38.05, 5.27

 

Description

Color code: HEX #876FDB | qconv.com Color code: HEX #876FDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 111 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 111 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 49 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 49% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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