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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8768A7 it is the complementary color #789758. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8768A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8768A7 shade: #8C68A2, #9D7AB5, #AE8CC8, #BF9EDB and #D0B0EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8768A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8768A7 shade: #8768A7, #765694, #654481, #54326E and #43205B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8768A7 shade: #8768A6, #9768A6, #A668A4, #A66894 and #A66883

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8768A7 shade: #8768A6, #7668A6 and #6868A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8768A7 shade matches the following richer shades: #8768A6, #8655BA, #8641CD, #862EE0 and #851AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8768A7 shade: #8768A6, #877B93, #878F80, #88A26C and #88B659

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8768A7 shade: #686BA6, #7568A6, #8668A6, #9768A6 and #A668A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8768A7 shade: #5E4576, #725590, #8768A6, #9B82B6 and #B09CC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8768A7 shade: #8768A7, #A6687C and #68A66D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8768A7 shade: #8768A7, #A68668 and #68A686

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8768A7 shade: #8768A7, #A6687C, #88A668 and #68A693

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8768A7 shade: #8768A7, #A66869, #88A668 and #68A6A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 38 / 0 / 35

HEX #8768A7

RGB 135 104 167

HSL 269.52, 0.26%, 0.53%

LAB 49.3, 25.13, -29.26

 

Complementary color

CMYK 21 / 0 / 42 / 41

HEX #789758

RGB 120 151 88

HSL 89.52, 0.26%, 0.47%

LAB 58.82, -22.28, 29.69

 

CMYK 14 / 36 / 0 / 36

HEX #8C68A2

RGB 140 104 162

HSL 277.24, 0.24%, 0.52%

LAB 49.6, 25.57, -25.83

 

CMYK 13 / 33 / 0 / 29

HEX #9D7AB5

RGB 157 122 181

HSL 275.59, 0.29%, 0.59%

LAB 56.51, 24.86, -26.02

 

CMYK 13 / 30 / 0 / 22

HEX #AE8CC8

RGB 174 140 200

HSL 274, 0.35%, 0.67%

LAB 63.28, 24.2, -26.22

 

CMYK 13 / 28 / 0 / 14

HEX #BF9EDB

RGB 191 158 219

HSL 272.46, 0.46%, 0.74%

LAB 69.93, 23.61, -26.43

 

CMYK 13 / 26 / 0 / 7

HEX #D0B0EE

RGB 208 176 238

HSL 270.97, 0.65%, 0.81%

LAB 76.46, 23.05, -26.65

 

CMYK 19 / 38 / 0 / 35

HEX #8768A7

RGB 135 104 167

HSL 269.52, 0.26%, 0.53%

LAB 49.3, 25.13, -29.26

 

CMYK 20 / 42 / 0 / 42

HEX #765694

RGB 118 86 148

HSL 270.97, 0.26%, 0.46%

LAB 42.22, 25.94, -29.19

 

CMYK 22 / 47 / 0 / 49

HEX #654481

RGB 101 68 129

HSL 272.46, 0.31%, 0.39%

LAB 34.98, 26.83, -29.13

 

CMYK 24 / 55 / 0 / 57

HEX #54326E

RGB 84 50 110

HSL 274, 0.38%, 0.31%

LAB 27.55, 27.8, -29.05

 

CMYK 26 / 65 / 0 / 64

HEX #43205B

RGB 67 32 91

HSL 275.59, 0.48%, 0.24%

LAB 19.97, 28.73, -28.89

 

CMYK 19 / 37 / 0 / 35

HEX #8768A6

RGB 135 104 166

HSL 270, 0.26%, 0.53%

LAB 49.26, 24.89, -28.74

 

CMYK 9 / 37 / 0 / 35

HEX #9768A6

RGB 151 104 166

HSL 285.48, 0.26%, 0.53%

LAB 50.96, 30.01, -25.97

 

CMYK 0 / 37 / 1 / 35

HEX #A668A4

RGB 166 104 164

HSL 301.94, 0.26%, 0.53%

LAB 52.61, 34.49, -22.12

 

CMYK 0 / 37 / 11 / 35

HEX #A66894

RGB 166 104 148

HSL 317.42, 0.26%, 0.53%

LAB 52, 31.55, -13.67

 

CMYK 0 / 37 / 21 / 35

HEX #A66883

RGB 166 104 131

HSL 333.87, 0.26%, 0.53%

LAB 51.43, 28.72, -4.48

 

CMYK 19 / 37 / 0 / 35

HEX #8768A6

RGB 135 104 166

HSL 270, 0.26%, 0.53%

LAB 49.26, 24.89, -28.74

 

CMYK 29 / 37 / 0 / 35

HEX #7668A6

RGB 118 104 166

HSL 253.55, 0.26%, 0.53%

LAB 47.63, 19.64, -31.41

 

CMYK 37 / 37 / 0 / 35

HEX #6868A6

RGB 104 104 166

HSL 240, 0.26%, 0.53%

LAB 46.44, 15.53, -33.35

 

CMYK 19 / 37 / 0 / 35

HEX #8768A6

RGB 135 104 166

HSL 270, 0.26%, 0.53%

LAB 49.26, 24.89, -28.74

 

CMYK 28 / 54 / 0 / 27

HEX #8655BA

RGB 134 85 186

HSL 269.11, 0.42%, 0.53%

LAB 45.79, 40.41, -45.92

 

CMYK 35 / 68 / 0 / 20

HEX #8641CD

RGB 134 65 205

HSL 269.57, 0.58%, 0.53%

LAB 43.15, 55.46, -61.18

 

CMYK 40 / 79 / 0 / 12

HEX #862EE0

RGB 134 46 224

HSL 269.66, 0.74%, 0.53%

LAB 41.85, 67.82, -74.21

 

CMYK 45 / 89 / 0 / 4

HEX #851AF4

RGB 133 26 244

HSL 269.45, 0.91%, 0.53%

LAB 41.62, 77.74, -85.93

 

CMYK 19 / 37 / 0 / 35

HEX #8768A6

RGB 135 104 166

HSL 270, 0.26%, 0.53%

LAB 49.26, 24.89, -28.74

 

CMYK 8 / 16 / 0 / 42

HEX #877B93

RGB 135 123 147

HSL 270, 0.1%, 0.53%

LAB 53.41, 9.39, -11.28

 

CMYK 6 / 0 / 10 / 44

HEX #878F80

RGB 135 143 128

HSL 92, 0.06%, 0.53%

LAB 58.37, -5.82, 6.98

 

CMYK 16 / 0 / 33 / 36

HEX #88A26C

RGB 136 162 108

HSL 88.89, 0.23%, 0.53%

LAB 63.47, -18.9, 25.19

 

CMYK 25 / 0 / 51 / 29

HEX #88B659

RGB 136 182 89

HSL 89.68, 0.39%, 0.53%

LAB 69.05, -31.21, 42.1

 

CMYK 37 / 36 / 0 / 35

HEX #686BA6

RGB 104 107 166

HSL 237.1, 0.26%, 0.53%

LAB 47.25, 13.7, -32.08

 

CMYK 30 / 37 / 0 / 35

HEX #7568A6

RGB 117 104 166

HSL 252.58, 0.26%, 0.53%

LAB 47.54, 19.34, -31.55

 

CMYK 19 / 37 / 0 / 35

HEX #8668A6

RGB 134 104 166

HSL 269.03, 0.26%, 0.53%

LAB 49.16, 24.58, -28.91

 

CMYK 9 / 37 / 0 / 35

HEX #9768A6

RGB 151 104 166

HSL 285.48, 0.26%, 0.53%

LAB 50.96, 30.01, -25.97

 

CMYK 0 / 37 / 1 / 35

HEX #A668A5

RGB 166 104 165

HSL 300.97, 0.26%, 0.53%

LAB 52.65, 34.68, -22.64

 

CMYK 20 / 42 / 0 / 54

HEX #5E4576

RGB 94 69 118

HSL 270.61, 0.26%, 0.37%

LAB 33.87, 21.22, -24.08

 

CMYK 21 / 41 / 0 / 44

HEX #725590

RGB 114 85 144

HSL 269.49, 0.26%, 0.45%

LAB 41.36, 24.3, -28.17

 

CMYK 19 / 37 / 0 / 35

HEX #8768A6

RGB 135 104 166

HSL 270, 0.26%, 0.53%

LAB 49.26, 24.89, -28.74

 

CMYK 15 / 29 / 0 / 29

HEX #9B82B6

RGB 155 130 182

HSL 268.85, 0.26%, 0.61%

LAB 58.33, 19.83, -23.8

 

CMYK 11 / 21 / 0 / 23

HEX #B09CC5

RGB 176 156 197

HSL 269.27, 0.26%, 0.69%

LAB 67.31, 15.21, -18.38

 

CMYK 19 / 38 / 0 / 35

HEX #8768A7

RGB 135 104 167

HSL 269.52, 0.26%, 0.53%

LAB 49.3, 25.13, -29.26

 

CMYK 0 / 37 / 25 / 35

HEX #A6687C

RGB 166 104 124

HSL 340.65, 0.26%, 0.53%

LAB 51.22, 27.64, -0.64

 

CMYK 37 / 0 / 34 / 35

HEX #68A66D

RGB 104 166 109

HSL 124.84, 0.26%, 0.53%

LAB 62.78, -32.07, 23.38

 

CMYK 19 / 38 / 0 / 35

HEX #8768A7

RGB 135 104 167

HSL 269.52, 0.26%, 0.53%

LAB 49.3, 25.13, -29.26

 

CMYK 0 / 19 / 37 / 35

HEX #A68668

RGB 166 134 104

HSL 29.03, 0.26%, 0.53%

LAB 58.19, 7.9, 20.77

 

CMYK 37 / 0 / 19 / 35

HEX #68A686

RGB 104 166 134

HSL 149.03, 0.26%, 0.53%

LAB 63.29, -27.29, 10.33

 

CMYK 19 / 38 / 0 / 35

HEX #8768A7

RGB 135 104 167

HSL 269.52, 0.26%, 0.53%

LAB 49.3, 25.13, -29.26

 

CMYK 0 / 37 / 25 / 35

HEX #A6687C

RGB 166 104 124

HSL 340.65, 0.26%, 0.53%

LAB 51.22, 27.64, -0.64

 

CMYK 18 / 0 / 37 / 35

HEX #88A668

RGB 136 166 104

HSL 89.03, 0.26%, 0.53%

LAB 64.57, -21.51, 28.78

 

CMYK 37 / 0 / 11 / 35

HEX #68A693

RGB 104 166 147

HSL 161.61, 0.26%, 0.53%

LAB 63.61, -24.45, 3.53

 

CMYK 19 / 38 / 0 / 35

HEX #8768A7

RGB 135 104 167

HSL 269.52, 0.26%, 0.53%

LAB 49.3, 25.13, -29.26

 

CMYK 0 / 37 / 37 / 35

HEX #A66869

RGB 166 104 105

HSL 359.03, 0.26%, 0.53%

LAB 50.72, 25.01, 9.91

 

CMYK 18 / 0 / 37 / 35

HEX #88A668

RGB 136 166 104

HSL 89.03, 0.26%, 0.53%

LAB 64.57, -21.51, 28.78

 

CMYK 37 / 0 / 1 / 35

HEX #68A6A5

RGB 104 166 165

HSL 179.03, 0.26%, 0.53%

LAB 64.11, -20.14, -5.81

 

Description

Color code: HEX #8768A7 | qconv.com Color code: HEX #8768A7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 104 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 104 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 38 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 38% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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