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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87643D it is the complementary color #789BC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87643D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87643D shade: #8C6438, #9D764B, #AE885E, #BF9A71 and #D0AC84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87643D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87643D shade: #87643D, #76522A, #654017, #542E04 and #431C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87643D shade: #86633C, #864F3C and #863C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87643D shade: #86633C, #86773C, #81863C, #6D863C and #59863C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87643D shade matches the following richer shades: #86633C, #95642C, #A5651D and #B5650D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87643D shade: #86633C, #76624C, #66615B, #57606B and #47607B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87643D shade: #863C3D, #864E3C, #86623C, #86763C and #82863C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87643D shade: #4D3922, #694E2F, #86633C, #A27849 and #B78D5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87643D shade: #87643D, #51863C and #453C86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87643D shade: #87643D, #3C8662 and #623C86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87643D shade: #87643D, #51863C, #3C6086 and #713C86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87643D shade: #87643D, #3C863D, #3C6086 and #863C84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 55 / 47

HEX #87643D

RGB 135 100 61

HSL 31.62, 0.38%, 0.38%

LAB 45.08, 9.24, 27.47

 

Complementary color

CMYK 38 / 20 / 0 / 24

HEX #789BC2

RGB 120 155 194

HSL 211.62, 0.38%, 0.62%

LAB 62.79, -2.2, -23.97

 

CMYK 0 / 29 / 60 / 45

HEX #8C6438

RGB 140 100 56

HSL 31.43, 0.43%, 0.38%

LAB 45.6, 11.05, 31.02

 

CMYK 0 / 25 / 52 / 38

HEX #9D764B

RGB 157 118 75

HSL 31.46, 0.35%, 0.45%

LAB 52.55, 9.92, 29.48

 

CMYK 0 / 22 / 46 / 32

HEX #AE885E

RGB 174 136 94

HSL 31.5, 0.33%, 0.53%

LAB 59.36, 8.99, 28.05

 

CMYK 0 / 19 / 41 / 25

HEX #BF9A71

RGB 191 154 113

HSL 31.54, 0.38%, 0.6%

LAB 66.04, 8.2, 26.73

 

CMYK 0 / 17 / 37 / 18

HEX #D0AC84

RGB 208 172 132

HSL 31.58, 0.45%, 0.67%

LAB 72.62, 7.53, 25.5

 

CMYK 0 / 26 / 55 / 47

HEX #87643D

RGB 135 100 61

HSL 31.62, 0.38%, 0.38%

LAB 45.08, 9.24, 27.47

 

CMYK 0 / 31 / 64 / 54

HEX #76522A

RGB 118 82 42

HSL 31.58, 0.48%, 0.31%

LAB 37.94, 10.48, 29.07

 

CMYK 0 / 37 / 77 / 60

HEX #654017

RGB 101 64 23

HSL 31.54, 0.63%, 0.24%

LAB 30.63, 12.08, 30.64

 

CMYK 0 / 45 / 95 / 67

HEX #542E04

RGB 84 46 4

HSL 31.5, 0.91%, 0.17%

LAB 23.16, 14.14, 31.18

 

CMYK 0 / 58 / 100 / 74

HEX #431C00

RGB 67 28 0

HSL 25.07, 1%, 0.13%

LAB 15.61, 16.87, 23.39

 

CMYK 0 / 26 / 55 / 47

HEX #86633C

RGB 134 99 60

HSL 31.62, 0.38%, 0.38%

LAB 44.69, 9.28, 27.51

 

CMYK 0 / 41 / 55 / 47

HEX #864F3C

RGB 134 79 60

HSL 15.41, 0.38%, 0.38%

LAB 39.56, 21.04, 21.03

 

CMYK 0 / 55 / 55 / 47

HEX #863C3C

RGB 134 60 60

HSL 0, 0.38%, 0.38%

LAB 35.25, 31.73, 15.37

 

CMYK 0 / 26 / 55 / 47

HEX #86633C

RGB 134 99 60

HSL 31.62, 0.38%, 0.38%

LAB 44.69, 9.28, 27.51

 

CMYK 0 / 11 / 55 / 47

HEX #86773C

RGB 134 119 60

HSL 47.84, 0.38%, 0.38%

LAB 50.2, -2.3, 34.2

 

CMYK 4 / 0 / 55 / 47

HEX #81863C

RGB 129 134 60

HSL 64.05, 0.38%, 0.38%

LAB 54.07, -12.83, 38.61

 

CMYK 19 / 0 / 55 / 47

HEX #6D863C

RGB 109 134 60

HSL 80.27, 0.38%, 0.38%

LAB 52.54, -21.4, 36.44

 

CMYK 34 / 0 / 55 / 47

HEX #59863C

RGB 89 134 60

HSL 96.49, 0.38%, 0.38%

LAB 51.27, -29.32, 34.62

 

CMYK 0 / 26 / 55 / 47

HEX #86633C

RGB 134 99 60

HSL 31.62, 0.38%, 0.38%

LAB 44.69, 9.28, 27.51

 

CMYK 0 / 33 / 70 / 42

HEX #95642C

RGB 149 100 44

HSL 32, 0.54%, 0.38%

LAB 46.56, 14.29, 38.75

 

CMYK 0 / 39 / 82 / 35

HEX #A5651D

RGB 165 101 29

HSL 31.76, 0.7%, 0.38%

LAB 48.75, 20.21, 48.39

 

CMYK 0 / 44 / 93 / 29

HEX #B5650D

RGB 181 101 13

HSL 31.43, 0.87%, 0.38%

LAB 50.87, 26.82, 56.09

 

CMYK 0 / 26 / 55 / 47

HEX #86633C

RGB 134 99 60

HSL 31.62, 0.38%, 0.38%

LAB 44.69, 9.28, 27.51

 

CMYK 0 / 17 / 36 / 54

HEX #76624C

RGB 118 98 76

HSL 31.43, 0.22%, 0.38%

LAB 42.93, 4.57, 15.54

 

CMYK 0 / 5 / 11 / 60

HEX #66615B

RGB 102 97 91

HSL 32.73, 0.06%, 0.38%

LAB 41.42, 0.81, 4.12

 

CMYK 19 / 10 / 0 / 58

HEX #57606B

RGB 87 96 107

HSL 213, 0.1%, 0.38%

LAB 40.33, -0.89, -7.42

 

CMYK 42 / 22 / 0 / 52

HEX #47607B

RGB 71 96 123

HSL 211.15, 0.27%, 0.38%

LAB 39.81, -1.73, -18.11

 

CMYK 0 / 55 / 54 / 47

HEX #863C3D

RGB 134 60 61

HSL 359.19, 0.38%, 0.38%

LAB 35.28, 31.82, 14.77

 

CMYK 0 / 42 / 55 / 47

HEX #864E3C

RGB 134 78 60

HSL 14.59, 0.38%, 0.38%

LAB 39.32, 21.62, 20.72

 

CMYK 0 / 27 / 55 / 47

HEX #86623C

RGB 134 98 60

HSL 30.81, 0.38%, 0.38%

LAB 44.42, 9.86, 27.18

 

CMYK 0 / 12 / 55 / 47

HEX #86763C

RGB 134 118 60

HSL 47.03, 0.38%, 0.38%

LAB 49.92, -1.73, 33.86

 

CMYK 3 / 0 / 55 / 47

HEX #82863C

RGB 130 134 60

HSL 63.24, 0.38%, 0.38%

LAB 54.16, -12.39, 38.73

 

CMYK 0 / 26 / 56 / 70

HEX #4D3922

RGB 77 57 34

HSL 32.09, 0.39%, 0.22%

LAB 25.62, 5.57, 17.69

 

CMYK 0 / 26 / 55 / 59

HEX #694E2F

RGB 105 78 47

HSL 32.07, 0.38%, 0.3%

LAB 35.32, 7.24, 22.65

 

CMYK 0 / 26 / 55 / 47

HEX #86633C

RGB 134 99 60

HSL 31.62, 0.38%, 0.38%

LAB 44.69, 9.28, 27.51

 

CMYK 0 / 26 / 55 / 36

HEX #A27849

RGB 162 120 73

HSL 31.69, 0.38%, 0.46%

LAB 53.6, 10.78, 32.01

 

CMYK 0 / 23 / 49 / 28

HEX #B78D5E

RGB 183 141 94

HSL 31.69, 0.38%, 0.54%

LAB 61.59, 10.01, 31.11

 

CMYK 0 / 26 / 55 / 47

HEX #87643D

RGB 135 100 61

HSL 31.62, 0.38%, 0.38%

LAB 45.08, 9.24, 27.47

 

CMYK 40 / 0 / 55 / 47

HEX #51863C

RGB 81 134 60

HSL 102.97, 0.38%, 0.38%

LAB 50.83, -32.23, 34

 

CMYK 49 / 55 / 0 / 47

HEX #453C86

RGB 69 60 134

HSL 247.3, 0.38%, 0.38%

LAB 29.96, 24.39, -40.41

 

CMYK 0 / 26 / 55 / 47

HEX #87643D

RGB 135 100 61

HSL 31.62, 0.38%, 0.38%

LAB 45.08, 9.24, 27.47

 

CMYK 55 / 0 / 27 / 47

HEX #3C8662

RGB 60 134 98

HSL 150.81, 0.38%, 0.38%

LAB 50.56, -32, 12.54

 

CMYK 27 / 55 / 0 / 47

HEX #623C86

RGB 98 60 134

HSL 270.81, 0.38%, 0.38%

LAB 33.03, 32.01, -35.33

 

CMYK 0 / 26 / 55 / 47

HEX #87643D

RGB 135 100 61

HSL 31.62, 0.38%, 0.38%

LAB 45.08, 9.24, 27.47

 

CMYK 40 / 0 / 55 / 47

HEX #51863C

RGB 81 134 60

HSL 102.97, 0.38%, 0.38%

LAB 50.83, -32.23, 34

 

CMYK 55 / 28 / 0 / 47

HEX #3C6086

RGB 60 96 134

HSL 210.81, 0.38%, 0.38%

LAB 39.66, -1.16, -25.08

 

CMYK 16 / 55 / 0 / 47

HEX #713C86

RGB 113 60 134

HSL 282.97, 0.38%, 0.38%

LAB 34.93, 36.28, -32.19

 

CMYK 0 / 26 / 55 / 47

HEX #87643D

RGB 135 100 61

HSL 31.62, 0.38%, 0.38%

LAB 45.08, 9.24, 27.47

 

CMYK 55 / 0 / 54 / 47

HEX #3C863D

RGB 60 134 61

HSL 120.81, 0.38%, 0.38%

LAB 49.92, -38.76, 32.16

 

CMYK 55 / 28 / 0 / 47

HEX #3C6086

RGB 60 96 134

HSL 210.81, 0.38%, 0.38%

LAB 39.66, -1.16, -25.08

 

CMYK 0 / 55 / 1 / 47

HEX #863C84

RGB 134 60 132

HSL 301.62, 0.38%, 0.38%

LAB 37.78, 42.01, -26.26

 

Description

Color code: HEX #87643D | qconv.com Color code: HEX #87643D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 100 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 100 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 55 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 55% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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