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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #875B32 it is the complementary color #78A4CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #875B32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #875B32 shade: #8C5B2D, #9D6D40, #AE7F53, #BF9166 and #D0A379

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #875B32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #875B32 shade: #875B32, #76491F, #65370C, #542500 and #431300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #875B32 shade: #865A32, #864432 and #863232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #875B32 shade: #865A32, #867132, #848632, #6D8632 and #578632

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #875B32 shade matches the following richer shades: #865A32, #955A23, #A45914 and #B35905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #875B32 shade: #865A32, #775B40, #685B4F, #595C5E and #4B5C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #875B32 shade: #863237, #864232, #865932, #867032 and #868632

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #875B32 shade: #4A321B, #684626, #865A32, #A46F3D and #BD834D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #875B32 shade: #875B32, #4E8632 and #373286

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #875B32 shade: #875B32, #328659 and #593286

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #875B32 shade: #875B32, #4E8632, #325F86 and #6A3286

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #875B32 shade: #875B32, #348632, #325F86 and #833286

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 63 / 47

HEX #875B32

RGB 135 91 50

HSL 28.94, 0.46%, 0.36%

LAB 42.56, 13.58, 30.57

 

Complementary color

CMYK 41 / 20 / 0 / 20

HEX #78A4CD

RGB 120 164 205

HSL 208.94, 0.46%, 0.64%

LAB 65.71, -4.22, -25.61

 

CMYK 0 / 35 / 68 / 45

HEX #8C5B2D

RGB 140 91 45

HSL 29.05, 0.51%, 0.36%

LAB 43.13, 15.5, 34.12

 

CMYK 0 / 31 / 59 / 38

HEX #9D6D40

RGB 157 109 64

HSL 29.03, 0.42%, 0.43%

LAB 50.07, 14.09, 32.49

 

CMYK 0 / 27 / 52 / 32

HEX #AE7F53

RGB 174 127 83

HSL 29.01, 0.36%, 0.5%

LAB 56.88, 12.93, 30.93

 

CMYK 0 / 24 / 47 / 25

HEX #BF9166

RGB 191 145 102

HSL 28.99, 0.41%, 0.57%

LAB 63.58, 11.96, 29.49

 

CMYK 0 / 22 / 42 / 18

HEX #D0A379

RGB 208 163 121

HSL 28.97, 0.48%, 0.65%

LAB 70.17, 11.12, 28.16

 

CMYK 0 / 33 / 63 / 47

HEX #875B32

RGB 135 91 50

HSL 28.94, 0.46%, 0.36%

LAB 42.56, 13.58, 30.57

 

CMYK 0 / 38 / 74 / 54

HEX #76491F

RGB 118 73 31

HSL 28.97, 0.58%, 0.29%

LAB 35.43, 15.15, 32.24

 

CMYK 0 / 46 / 88 / 60

HEX #65370C

RGB 101 55 12

HSL 28.99, 0.79%, 0.22%

LAB 28.18, 17.12, 33.53

 

CMYK 0 / 56 / 100 / 67

HEX #542500

RGB 84 37 0

HSL 26.43, 1%, 0.16%

LAB 20.86, 19.53, 30.36

 

CMYK 0 / 72 / 100 / 74

HEX #431300

RGB 67 19 0

HSL 17.01, 1%, 0.13%

LAB 13.59, 22.11, 20.76

 

CMYK 0 / 33 / 63 / 47

HEX #865A32

RGB 134 90 50

HSL 28.57, 0.46%, 0.36%

LAB 42.17, 13.72, 30.08

 

CMYK 0 / 49 / 63 / 47

HEX #864432

RGB 134 68 50

HSL 12.86, 0.46%, 0.36%

LAB 36.8, 26.49, 23.57

 

CMYK 0 / 63 / 63 / 47

HEX #863232

RGB 134 50 50

HSL 0, 0.46%, 0.36%

LAB 33.09, 36.04, 18.87

 

CMYK 0 / 33 / 63 / 47

HEX #865A32

RGB 134 90 50

HSL 28.57, 0.46%, 0.36%

LAB 42.17, 13.72, 30.08

 

CMYK 0 / 16 / 63 / 47

HEX #867132

RGB 134 113 50

HSL 45, 0.46%, 0.36%

LAB 48.4, 0.29, 37.28

 

CMYK 1 / 0 / 63 / 47

HEX #848632

RGB 132 134 50

HSL 61.43, 0.46%, 0.36%

LAB 54.22, -12.32, 43.64

 

CMYK 19 / 0 / 63 / 47

HEX #6D8632

RGB 109 134 50

HSL 77.86, 0.46%, 0.36%

LAB 52.43, -22.34, 41.17

 

CMYK 35 / 0 / 63 / 47

HEX #578632

RGB 87 134 50

HSL 93.57, 0.46%, 0.36%

LAB 51.04, -31.16, 39.24

 

CMYK 0 / 33 / 63 / 47

HEX #865A32

RGB 134 90 50

HSL 28.57, 0.46%, 0.36%

LAB 42.17, 13.72, 30.08

 

CMYK 0 / 40 / 77 / 42

HEX #955A23

RGB 149 90 35

HSL 28.95, 0.62%, 0.36%

LAB 43.98, 19.57, 40.45

 

CMYK 0 / 46 / 88 / 36

HEX #A45914

RGB 164 89 20

HSL 28.75, 0.78%, 0.36%

LAB 45.75, 26.22, 49.09

 

CMYK 0 / 50 / 97 / 30

HEX #B35905

RGB 179 89 5

HSL 28.97, 0.95%, 0.36%

LAB 47.93, 32.32, 55.71

 

CMYK 0 / 33 / 63 / 47

HEX #865A32

RGB 134 90 50

HSL 28.57, 0.46%, 0.36%

LAB 42.17, 13.72, 30.08

 

CMYK 0 / 24 / 46 / 53

HEX #775B40

RGB 119 91 64

HSL 29.45, 0.3%, 0.36%

LAB 40.86, 7.66, 19.96

 

CMYK 0 / 13 / 24 / 59

HEX #685B4F

RGB 104 91 79

HSL 28.8, 0.14%, 0.36%

LAB 39.56, 3.14, 8.85

 

CMYK 5 / 2 / 0 / 63

HEX #595C5E

RGB 89 92 94

HSL 204, 0.03%, 0.36%

LAB 38.87, -0.74, -1.56

 

CMYK 31 / 16 / 0 / 57

HEX #4B5C6D

RGB 75 92 109

HSL 210, 0.18%, 0.36%

LAB 38.29, -2.08, -11.81

 

CMYK 0 / 63 / 59 / 47

HEX #863237

RGB 134 50 55

HSL 356.43, 0.46%, 0.36%

LAB 33.19, 36.43, 15.81

 

CMYK 0 / 51 / 63 / 47

HEX #864232

RGB 134 66 50

HSL 11.43, 0.46%, 0.36%

LAB 36.36, 27.61, 23.01

 

CMYK 0 / 34 / 63 / 47

HEX #865932

RGB 134 89 50

HSL 27.86, 0.46%, 0.36%

LAB 41.91, 14.31, 29.78

 

CMYK 0 / 16 / 63 / 47

HEX #867032

RGB 134 112 50

HSL 44.29, 0.46%, 0.36%

LAB 48.12, 0.86, 36.96

 

CMYK 0 / 0 / 63 / 47

HEX #868632

RGB 134 134 50

HSL 60, 0.46%, 0.36%

LAB 54.4, -11.42, 43.88

 

CMYK 0 / 32 / 64 / 71

HEX #4A321B

RGB 74 50 27

HSL 29.36, 0.47%, 0.2%

LAB 23.05, 7.9, 18.82

 

CMYK 0 / 33 / 63 / 59

HEX #684626

RGB 104 70 38

HSL 29.09, 0.46%, 0.28%

LAB 32.84, 10.86, 24.9

 

CMYK 0 / 33 / 63 / 47

HEX #865A32

RGB 134 90 50

HSL 28.57, 0.46%, 0.36%

LAB 42.17, 13.72, 30.08

 

CMYK 0 / 32 / 63 / 36

HEX #A46F3D

RGB 164 111 61

HSL 29.13, 0.46%, 0.44%

LAB 51.38, 15.8, 35.87

 

CMYK 0 / 31 / 59 / 26

HEX #BD834D

RGB 189 131 77

HSL 28.93, 0.46%, 0.52%

LAB 59.51, 16.61, 37.78

 

CMYK 0 / 33 / 63 / 47

HEX #875B32

RGB 135 91 50

HSL 28.94, 0.46%, 0.36%

LAB 42.56, 13.58, 30.57

 

CMYK 42 / 0 / 63 / 47

HEX #4E8632

RGB 78 134 50

HSL 100, 0.46%, 0.36%

LAB 50.57, -34.43, 38.58

 

CMYK 59 / 63 / 0 / 47

HEX #373286

RGB 55 50 134

HSL 243.57, 0.46%, 0.36%

LAB 26.2, 27.88, -46.55

 

CMYK 0 / 33 / 63 / 47

HEX #875B32

RGB 135 91 50

HSL 28.94, 0.46%, 0.36%

LAB 42.56, 13.58, 30.57

 

CMYK 63 / 0 / 34 / 47

HEX #328659

RGB 50 134 89

HSL 147.86, 0.46%, 0.36%

LAB 50.04, -36.32, 16.92

 

CMYK 34 / 63 / 0 / 47

HEX #593286

RGB 89 50 134

HSL 267.86, 0.46%, 0.36%

LAB 29.73, 35.45, -40.67

 

CMYK 0 / 33 / 63 / 47

HEX #875B32

RGB 135 91 50

HSL 28.94, 0.46%, 0.36%

LAB 42.56, 13.58, 30.57

 

CMYK 42 / 0 / 63 / 47

HEX #4E8632

RGB 78 134 50

HSL 100, 0.46%, 0.36%

LAB 50.57, -34.43, 38.58

 

CMYK 63 / 29 / 0 / 47

HEX #325F86

RGB 50 95 134

HSL 207.86, 0.46%, 0.36%

LAB 38.87, -2.77, -26.35

 

CMYK 21 / 63 / 0 / 47

HEX #6A3286

RGB 106 50 134

HSL 280, 0.46%, 0.36%

LAB 31.96, 39.77, -36.97

 

CMYK 0 / 33 / 63 / 47

HEX #875B32

RGB 135 91 50

HSL 28.94, 0.46%, 0.36%

LAB 42.56, 13.58, 30.57

 

CMYK 61 / 0 / 63 / 47

HEX #348632

RGB 52 134 50

HSL 118.57, 0.46%, 0.36%

LAB 49.51, -42.32, 37.09

 

CMYK 63 / 29 / 0 / 47

HEX #325F86

RGB 50 95 134

HSL 207.86, 0.46%, 0.36%

LAB 38.87, -2.77, -26.35

 

CMYK 2 / 63 / 0 / 47

HEX #833286

RGB 131 50 134

HSL 297.86, 0.46%, 0.36%

LAB 35.65, 46.39, -30.88

 

Description

Color code: HEX #875B32 | qconv.com Color code: HEX #875B32 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 91 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 91 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 63 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 63% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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