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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #875B1C it is the complementary color #78A4E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #875B1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #875B1C shade: #8C5B17, #9D6D2A, #AE7F3D, #BF9150 and #D0A363

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #875B1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #875B1C shade: #875B1C, #764909, #653700, #542500 and #431300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #875B1C shade: #875B1C, #873E1C, #87211C and #871C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #875B1C shade: #875B1C, #87781C, #7A871C, #5D871C and #40871C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #875B1C shade matches the following richer shades: #875B1C, #955E0F and #A26001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #875B1C shade: #875B1C, #7A5929, #6D5636, #605443 and #535251

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #875B1C shade: #87211C, #873E1C, #875B1C, #87771C and #7B871C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #875B1C shade: #432D0E, #654415, #875B1C, #AA7223 and #CC892A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #875B1C shade: #875B1C, #33871C and #2F1C87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #875B1C shade: #875B1C, #1C875B and #5B1C87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #875B1C shade: #875B1C, #33871C, #1C4987 and #701C87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #875B1C shade: #875B1C, #1C8725, #1C4987 and #871C7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 79 / 47

HEX #875B1C

RGB 135 91 28

HSL 35.33, 0.66%, 0.32%

LAB 42.33, 12.26, 41.41

 

Complementary color

CMYK 47 / 28 / 0 / 11

HEX #78A4E3

RGB 120 164 227

HSL 215.33, 0.66%, 0.68%

LAB 66.59, 2.01, -36.41

 

CMYK 0 / 35 / 84 / 45

HEX #8C5B17

RGB 140 91 23

HSL 34.87, 0.72%, 0.32%

LAB 42.94, 14.39, 44.27

 

CMYK 0 / 31 / 73 / 38

HEX #9D6D2A

RGB 157 109 42

HSL 34.96, 0.58%, 0.39%

LAB 49.83, 12.63, 43.46

 

CMYK 0 / 27 / 65 / 32

HEX #AE7F3D

RGB 174 127 61

HSL 35.04, 0.48%, 0.46%

LAB 56.6, 11.18, 42.17

 

CMYK 0 / 24 / 58 / 25

HEX #BF9150

RGB 191 145 80

HSL 35.14, 0.46%, 0.53%

LAB 63.27, 9.97, 40.76

 

CMYK 0 / 22 / 52 / 18

HEX #D0A363

RGB 208 163 99

HSL 35.23, 0.54%, 0.6%

LAB 69.83, 8.95, 39.36

 

CMYK 0 / 33 / 79 / 47

HEX #875B1C

RGB 135 91 28

HSL 35.33, 0.66%, 0.32%

LAB 42.33, 12.26, 41.41

 

CMYK 0 / 38 / 92 / 54

HEX #764909

RGB 118 73 9

HSL 35.23, 0.86%, 0.25%

LAB 35.27, 14.27, 41.51

 

CMYK 0 / 46 / 100 / 60

HEX #653700

RGB 101 55 0

HSL 32.67, 1%, 0.2%

LAB 28.11, 16.75, 38.36

 

CMYK 0 / 56 / 100 / 67

HEX #542500

RGB 84 37 0

HSL 26.43, 1%, 0.16%

LAB 20.86, 19.53, 30.36

 

CMYK 0 / 72 / 100 / 74

HEX #431300

RGB 67 19 0

HSL 17.01, 1%, 0.13%

LAB 13.59, 22.11, 20.76

 

CMYK 0 / 33 / 79 / 47

HEX #875B1C

RGB 135 91 28

HSL 35.33, 0.66%, 0.32%

LAB 42.33, 12.26, 41.41

 

CMYK 0 / 54 / 79 / 47

HEX #873E1C

RGB 135 62 28

HSL 19.07, 0.66%, 0.32%

LAB 35.36, 28.92, 34.53

 

CMYK 0 / 76 / 79 / 47

HEX #87211C

RGB 135 33 28

HSL 2.8, 0.66%, 0.32%

LAB 30.21, 42.58, 29.18

 

CMYK 0 / 79 / 79 / 47

HEX #871C1C

RGB 135 28 28

HSL 0, 0.66%, 0.32%

LAB 29.58, 44.35, 28.5

 

CMYK 0 / 33 / 79 / 47

HEX #875B1C

RGB 135 91 28

HSL 35.33, 0.66%, 0.32%

LAB 42.33, 12.26, 41.41

 

CMYK 0 / 11 / 79 / 47

HEX #87781C

RGB 135 120 28

HSL 51.59, 0.66%, 0.32%

LAB 50.3, -4.5, 48.89

 

CMYK 10 / 0 / 79 / 47

HEX #7A871C

RGB 122 135 28

HSL 67.29, 0.66%, 0.32%

LAB 53.55, -18.61, 51.44

 

CMYK 31 / 0 / 79 / 47

HEX #5D871C

RGB 93 135 28

HSL 83.55, 0.66%, 0.32%

LAB 51.54, -30.97, 48.86

 

CMYK 53 / 0 / 79 / 47

HEX #40871C

RGB 64 135 28

HSL 99.81, 0.66%, 0.32%

LAB 50.1, -41.34, 46.98

 

CMYK 0 / 33 / 79 / 47

HEX #875B1C

RGB 135 91 28

HSL 35.33, 0.66%, 0.32%

LAB 42.33, 12.26, 41.41

 

CMYK 0 / 37 / 90 / 42

HEX #955E0F

RGB 149 94 15

HSL 35.37, 0.82%, 0.32%

LAB 44.84, 16.58, 49.07

 

CMYK 0 / 41 / 99 / 36

HEX #A26001

RGB 162 96 1

HSL 35.4, 0.99%, 0.32%

LAB 47.04, 21.09, 54.88

 

CMYK 0 / 33 / 79 / 47

HEX #875B1C

RGB 135 91 28

HSL 35.33, 0.66%, 0.32%

LAB 42.33, 12.26, 41.41

 

CMYK 0 / 27 / 66 / 52

HEX #7A5929

RGB 122 89 41

HSL 35.56, 0.5%, 0.32%

LAB 40.32, 8.08, 32.47

 

CMYK 0 / 21 / 50 / 57

HEX #6D5636

RGB 109 86 54

HSL 34.91, 0.34%, 0.32%

LAB 38.15, 4.97, 22.17

 

CMYK 0 / 13 / 30 / 62

HEX #605443

RGB 96 84 67

HSL 35.17, 0.18%, 0.32%

LAB 36.43, 1.97, 11.76

 

CMYK 0 / 1 / 2 / 67

HEX #535251

RGB 83 82 81

HSL 30, 0.01%, 0.32%

LAB 34.94, 0.2, 0.72

 

CMYK 0 / 76 / 79 / 47

HEX #87211C

RGB 135 33 28

HSL 2.8, 0.66%, 0.32%

LAB 30.21, 42.58, 29.18

 

CMYK 0 / 54 / 79 / 47

HEX #873E1C

RGB 135 62 28

HSL 19.07, 0.66%, 0.32%

LAB 35.36, 28.92, 34.53

 

CMYK 0 / 33 / 79 / 47

HEX #875B1C

RGB 135 91 28

HSL 35.33, 0.66%, 0.32%

LAB 42.33, 12.26, 41.41

 

CMYK 0 / 12 / 79 / 47

HEX #87771C

RGB 135 119 28

HSL 51.03, 0.66%, 0.32%

LAB 50.01, -3.94, 48.63

 

CMYK 9 / 0 / 79 / 47

HEX #7B871C

RGB 123 135 28

HSL 66.73, 0.66%, 0.32%

LAB 53.62, -18.16, 51.55

 

CMYK 0 / 33 / 79 / 74

HEX #432D0E

RGB 67 45 14

HSL 35.09, 0.65%, 0.16%

LAB 20.45, 6.55, 23.26

 

CMYK 0 / 33 / 79 / 60

HEX #654415

RGB 101 68 21

HSL 35.25, 0.66%, 0.24%

LAB 31.7, 9.49, 32.73

 

CMYK 0 / 33 / 79 / 47

HEX #875B1C

RGB 135 91 28

HSL 35.33, 0.66%, 0.32%

LAB 42.33, 12.26, 41.41

 

CMYK 0 / 33 / 79 / 33

HEX #AA7223

RGB 170 114 35

HSL 35.11, 0.66%, 0.4%

LAB 52.62, 15.33, 49.79

 

CMYK 0 / 33 / 79 / 20

HEX #CC892A

RGB 204 137 42

HSL 35.19, 0.66%, 0.48%

LAB 62.42, 17.84, 57.65

 

CMYK 0 / 33 / 79 / 47

HEX #875B1C

RGB 135 91 28

HSL 35.33, 0.66%, 0.32%

LAB 42.33, 12.26, 41.41

 

CMYK 62 / 0 / 79 / 47

HEX #33871C

RGB 51 135 28

HSL 107.1, 0.66%, 0.32%

LAB 49.64, -45.01, 46.37

 

CMYK 65 / 79 / 0 / 47

HEX #2F1C87

RGB 47 28 135

HSL 250.65, 0.66%, 0.32%

LAB 20.77, 40.17, -56.1

 

CMYK 0 / 33 / 79 / 47

HEX #875B1C

RGB 135 91 28

HSL 35.33, 0.66%, 0.32%

LAB 42.33, 12.26, 41.41

 

CMYK 79 / 0 / 33 / 47

HEX #1C875B

RGB 28 135 91

HSL 155.33, 0.66%, 0.32%

LAB 49.89, -40.13, 15.5

 

CMYK 33 / 79 / 0 / 47

HEX #5B1C87

RGB 91 28 135

HSL 275.33, 0.66%, 0.32%

LAB 26.17, 47, -47.04

 

CMYK 0 / 33 / 79 / 47

HEX #875B1C

RGB 135 91 28

HSL 35.33, 0.66%, 0.32%

LAB 42.33, 12.26, 41.41

 

CMYK 62 / 0 / 79 / 47

HEX #33871C

RGB 51 135 28

HSL 107.1, 0.66%, 0.32%

LAB 49.64, -45.01, 46.37

 

CMYK 79 / 46 / 0 / 47

HEX #1C4987

RGB 28 73 135

HSL 214.77, 0.66%, 0.32%

LAB 31.26, 8.2, -39.08

 

CMYK 17 / 79 / 0 / 47

HEX #701C87

RGB 112 28 135

HSL 287.1, 0.66%, 0.32%

LAB 29.47, 51.08, -41.53

 

CMYK 0 / 33 / 79 / 47

HEX #875B1C

RGB 135 91 28

HSL 35.33, 0.66%, 0.32%

LAB 42.33, 12.26, 41.41

 

CMYK 79 / 0 / 73 / 47

HEX #1C8725

RGB 28 135 37

HSL 125.05, 0.66%, 0.32%

LAB 49.14, -48.93, 42.31

 

CMYK 79 / 46 / 0 / 47

HEX #1C4987

RGB 28 73 135

HSL 214.77, 0.66%, 0.32%

LAB 31.26, 8.2, -39.08

 

CMYK 0 / 79 / 7 / 47

HEX #871C7E

RGB 135 28 126

HSL 305.05, 0.66%, 0.32%

LAB 32.89, 54.4, -30.21

 

Description

Color code: HEX #875B1C | qconv.com Color code: HEX #875B1C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 91 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 91 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 79 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 79% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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