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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #875810 it is the complementary color #78A7EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #875810. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #875810 shade: #8C580B, #9D6A1E, #AE7C31, #BF8E44 and #D0A057

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #875810. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #875810 shade: #875810, #764600, #653400, #542200 and #431000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #875810 shade: #895910, #893910, #891810 and #891010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #875810 shade: #895910, #897A10, #778910, #578910 and #368910

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #875810 shade matches the following richer shades: #895910 and #955C04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #875810 shade: #895910, #7D571C, #705429, #645135 and #574F42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #875810 shade: #891810, #893810, #895910, #897910 and #798910

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #875810 shade: #3F2907, #64410C, #895910, #AE7114 and #D38919

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #875810 shade: #875810, #288910 and #281089

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #875810 shade: #875810, #108959 and #591089

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #875810 shade: #875810, #288910, #104089 and #711089

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #875810 shade: #875810, #10891C, #104089 and #89107D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 88 / 47

HEX #875810

RGB 135 88 16

HSL 36.3, 0.79%, 0.3%

LAB 41.48, 13.59, 45.27

 

Complementary color

CMYK 50 / 30 / 0 / 6

HEX #78A7EF

RGB 120 167 239

HSL 216.3, 0.79%, 0.7%

LAB 67.92, 3.84, -40.91

 

CMYK 0 / 37 / 92 / 45

HEX #8C580B

RGB 140 88 11

HSL 35.81, 0.85%, 0.3%

LAB 42.12, 15.81, 47.55

 

CMYK 0 / 32 / 81 / 38

HEX #9D6A1E

RGB 157 106 30

HSL 35.91, 0.68%, 0.37%

LAB 48.97, 13.8, 47.81

 

CMYK 0 / 29 / 72 / 32

HEX #AE7C31

RGB 174 124 49

HSL 36, 0.56%, 0.44%

LAB 55.72, 12.14, 46.97

 

CMYK 0 / 26 / 64 / 25

HEX #BF8E44

RGB 191 142 68

HSL 36.1, 0.49%, 0.51%

LAB 62.37, 10.76, 45.73

 

CMYK 0 / 23 / 58 / 18

HEX #D0A057

RGB 208 160 87

HSL 36.2, 0.56%, 0.58%

LAB 68.92, 9.59, 44.37

 

CMYK 0 / 35 / 88 / 47

HEX #875810

RGB 135 88 16

HSL 36.3, 0.79%, 0.3%

LAB 41.48, 13.59, 45.27

 

CMYK 0 / 41 / 100 / 54

HEX #764600

RGB 118 70 0

HSL 35.59, 1%, 0.23%

LAB 34.46, 15.84, 44.03

 

CMYK 0 / 49 / 100 / 60

HEX #653400

RGB 101 52 0

HSL 30.89, 1%, 0.2%

LAB 27.36, 18.56, 37.73

 

CMYK 0 / 60 / 100 / 67

HEX #542200

RGB 84 34 0

HSL 24.29, 1%, 0.16%

LAB 20.16, 21.31, 29.58

 

CMYK 0 / 76 / 100 / 74

HEX #431000

RGB 67 16 0

HSL 14.33, 1%, 0.13%

LAB 13.01, 23.66, 20

 

CMYK 0 / 35 / 88 / 46

HEX #895910

RGB 137 89 16

HSL 36.2, 0.79%, 0.3%

LAB 42, 13.94, 45.81

 

CMYK 0 / 58 / 88 / 46

HEX #893910

RGB 137 57 16

HSL 20.33, 0.79%, 0.3%

LAB 34.56, 32, 39.63

 

CMYK 0 / 82 / 88 / 46

HEX #891810

RGB 137 24 16

HSL 3.97, 0.79%, 0.3%

LAB 29.44, 45.86, 35.31

 

CMYK 0 / 88 / 88 / 46

HEX #891010

RGB 137 16 16

HSL 0, 0.79%, 0.3%

LAB 28.71, 47.92, 34.69

 

CMYK 0 / 35 / 88 / 46

HEX #895910

RGB 137 89 16

HSL 36.2, 0.79%, 0.3%

LAB 42, 13.94, 45.81

 

CMYK 0 / 11 / 88 / 46

HEX #897A10

RGB 137 122 16

HSL 52.56, 0.79%, 0.3%

LAB 51.01, -5.08, 53.2

 

CMYK 13 / 0 / 88 / 46

HEX #778910

RGB 119 137 16

HSL 68.93, 0.79%, 0.3%

LAB 53.87, -21.41, 54.93

 

CMYK 36 / 0 / 88 / 46

HEX #578910

RGB 87 137 16

HSL 84.79, 0.79%, 0.3%

LAB 51.79, -34.77, 52.34

 

CMYK 61 / 0 / 88 / 46

HEX #368910

RGB 54 137 16

HSL 101.16, 0.79%, 0.3%

LAB 50.35, -45.62, 50.53

 

CMYK 0 / 35 / 88 / 46

HEX #895910

RGB 137 89 16

HSL 36.2, 0.79%, 0.3%

LAB 42, 13.94, 45.81

 

CMYK 0 / 38 / 97 / 42

HEX #955C04

RGB 149 92 4

HSL 36.41, 0.95%, 0.3%

LAB 44.31, 17.52, 51.46

 

CMYK 0 / 35 / 88 / 46

HEX #895910

RGB 137 89 16

HSL 36.2, 0.79%, 0.3%

LAB 42, 13.94, 45.81

 

CMYK 0 / 30 / 78 / 51

HEX #7D571C

RGB 125 87 28

HSL 36.49, 0.63%, 0.3%

LAB 40.02, 9.91, 38.72

 

CMYK 0 / 25 / 63 / 56

HEX #705429

RGB 112 84 41

HSL 36.34, 0.46%, 0.3%

LAB 37.74, 6.36, 29.21

 

CMYK 0 / 19 / 47 / 61

HEX #645135

RGB 100 81 53

HSL 35.74, 0.31%, 0.3%

LAB 35.7, 3.71, 19.42

 

CMYK 0 / 9 / 24 / 66

HEX #574F42

RGB 87 79 66

HSL 37.14, 0.14%, 0.3%

LAB 34.01, 0.89, 8.89

 

CMYK 0 / 82 / 88 / 46

HEX #891810

RGB 137 24 16

HSL 3.97, 0.79%, 0.3%

LAB 29.44, 45.86, 35.31

 

CMYK 0 / 59 / 88 / 46

HEX #893810

RGB 137 56 16

HSL 19.83, 0.79%, 0.3%

LAB 34.36, 32.52, 39.46

 

CMYK 0 / 35 / 88 / 46

HEX #895910

RGB 137 89 16

HSL 36.2, 0.79%, 0.3%

LAB 42, 13.94, 45.81

 

CMYK 0 / 12 / 88 / 46

HEX #897910

RGB 137 121 16

HSL 52.07, 0.79%, 0.3%

LAB 50.72, -4.53, 52.97

 

CMYK 12 / 0 / 88 / 46

HEX #798910

RGB 121 137 16

HSL 67.93, 0.79%, 0.3%

LAB 54.02, -20.52, 55.12

 

CMYK 0 / 35 / 89 / 75

HEX #3F2907

RGB 63 41 7

HSL 36.43, 0.8%, 0.14%

LAB 18.62, 6.68, 24.06

 

CMYK 0 / 35 / 88 / 61

HEX #64410C

RGB 100 65 12

HSL 36.14, 0.79%, 0.22%

LAB 30.68, 10.47, 35.66

 

CMYK 0 / 35 / 88 / 46

HEX #895910

RGB 137 89 16

HSL 36.2, 0.79%, 0.3%

LAB 42, 13.94, 45.81

 

CMYK 0 / 35 / 89 / 32

HEX #AE7114

RGB 174 113 20

HSL 36.23, 0.79%, 0.38%

LAB 52.8, 17.23, 55.32

 

CMYK 0 / 35 / 88 / 17

HEX #D38919

RGB 211 137 25

HSL 36.13, 0.79%, 0.46%

LAB 63.19, 20.4, 64.14

 

CMYK 0 / 35 / 88 / 47

HEX #875810

RGB 135 88 16

HSL 36.3, 0.79%, 0.3%

LAB 41.48, 13.59, 45.27

 

CMYK 71 / 0 / 88 / 46

HEX #288910

RGB 40 137 16

HSL 108.1, 0.79%, 0.3%

LAB 49.95, -48.92, 50.03

 

CMYK 71 / 88 / 0 / 46

HEX #281089

RGB 40 16 137

HSL 251.9, 0.79%, 0.3%

LAB 18.49, 45.63, -61.15

 

CMYK 0 / 35 / 88 / 47

HEX #875810

RGB 135 88 16

HSL 36.3, 0.79%, 0.3%

LAB 41.48, 13.59, 45.27

 

CMYK 88 / 0 / 35 / 46

HEX #108959

RGB 16 137 89

HSL 156.2, 0.79%, 0.3%

LAB 50.36, -42.65, 17.25

 

CMYK 35 / 88 / 0 / 46

HEX #591089

RGB 89 16 137

HSL 276.2, 0.79%, 0.3%

LAB 24.64, 51.19, -50.8

 

CMYK 0 / 35 / 88 / 47

HEX #875810

RGB 135 88 16

HSL 36.3, 0.79%, 0.3%

LAB 41.48, 13.59, 45.27

 

CMYK 71 / 0 / 88 / 46

HEX #288910

RGB 40 137 16

HSL 108.1, 0.79%, 0.3%

LAB 49.95, -48.92, 50.03

 

CMYK 88 / 53 / 0 / 46

HEX #104089

RGB 16 64 137

HSL 216.2, 0.79%, 0.3%

LAB 28.34, 14.02, -45.04

 

CMYK 18 / 88 / 0 / 46

HEX #711089

RGB 113 16 137

HSL 288.1, 0.79%, 0.3%

LAB 28.61, 55.09, -44.16

 

CMYK 0 / 35 / 88 / 47

HEX #875810

RGB 135 88 16

HSL 36.3, 0.79%, 0.3%

LAB 41.48, 13.59, 45.27

 

CMYK 88 / 0 / 80 / 46

HEX #10891C

RGB 16 137 28

HSL 125.95, 0.79%, 0.3%

LAB 49.6, -51.79, 46.09

 

CMYK 88 / 53 / 0 / 46

HEX #104089

RGB 16 64 137

HSL 216.2, 0.79%, 0.3%

LAB 28.34, 14.02, -45.04

 

CMYK 0 / 88 / 9 / 46

HEX #89107D

RGB 137 16 125

HSL 305.95, 0.79%, 0.3%

LAB 32.19, 57.62, -30.67

 

Description

Color code: HEX #875810 | qconv.com Color code: HEX #875810 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 88 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 88 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 88 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 88% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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