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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87564F it is the complementary color #78A9B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87564F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87564F shade: #8C564A, #9D685D, #AE7A70, #BF8C83 and #D09E96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87564F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87564F shade: #87564F, #76443C, #653229, #542016 and #430E03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87564F shade: #87564F and #874F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87564F shade: #87564F, #87654F, #87744F, #87834F and #7C874F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87564F shade matches the following richer shades: #87564F, #98493E, #AA3C2D, #BB2F1B and #CC220A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87564F shade: #87564F, #766361, #647072, #537D83 and #428A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87564F shade: #874F66, #874F58, #87564F, #87654F and #87734F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87564F shade: #533531, #6D4640, #87564F, #A1675F and #B08079

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87564F shade: #87564F, #75874F and #4F5F87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87564F shade: #87564F, #4F8756 and #564F87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87564F shade: #87564F, #75874F, #4F8087 and #614F87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87564F shade: #87564F, #65874F, #4F8087 and #724F87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 41 / 47

HEX #87564F

RGB 135 86 79

HSL 7.5, 0.26%, 0.42%

LAB 41.8, 19.44, 12.51

 

Complementary color

CMYK 32 / 4 / 0 / 31

HEX #78A9B0

RGB 120 169 176

HSL 187.5, 0.26%, 0.58%

LAB 66.14, -14.49, -8.84

 

CMYK 0 / 39 / 47 / 45

HEX #8C564A

RGB 140 86 74

HSL 10.91, 0.31%, 0.42%

LAB 42.35, 20.96, 16.4

 

CMYK 0 / 34 / 41 / 38

HEX #9D685D

RGB 157 104 93

HSL 10.31, 0.26%, 0.49%

LAB 49.32, 19.89, 14.9

 

CMYK 0 / 30 / 36 / 32

HEX #AE7A70

RGB 174 122 112

HSL 9.68, 0.28%, 0.56%

LAB 56.18, 18.96, 13.59

 

CMYK 0 / 27 / 31 / 25

HEX #BF8C83

RGB 191 140 131

HSL 9, 0.32%, 0.63%

LAB 62.9, 18.15, 12.43

 

CMYK 0 / 24 / 28 / 18

HEX #D09E96

RGB 208 158 150

HSL 8.28, 0.38%, 0.7%

LAB 69.52, 17.43, 11.38

 

CMYK 0 / 36 / 41 / 47

HEX #87564F

RGB 135 86 79

HSL 7.5, 0.26%, 0.42%

LAB 41.8, 19.44, 12.51

 

CMYK 0 / 42 / 49 / 54

HEX #76443C

RGB 118 68 60

HSL 8.28, 0.33%, 0.35%

LAB 34.62, 20.59, 14.1

 

CMYK 0 / 50 / 59 / 60

HEX #653229

RGB 101 50 41

HSL 9, 0.42%, 0.28%

LAB 27.32, 21.94, 16.09

 

CMYK 0 / 62 / 74 / 67

HEX #542016

RGB 84 32 22

HSL 9.68, 0.58%, 0.21%

LAB 19.95, 23.46, 18.66

 

CMYK 0 / 79 / 96 / 74

HEX #430E03

RGB 67 14 3

HSL 10.31, 0.91%, 0.14%

LAB 12.7, 24.77, 18.35

 

CMYK 0 / 36 / 41 / 47

HEX #87564F

RGB 135 86 79

HSL 7.5, 0.26%, 0.42%

LAB 41.8, 19.44, 12.51

 

CMYK 0 / 41 / 41 / 47

HEX #874F4F

RGB 135 79 79

HSL 0, 0.26%, 0.42%

LAB 40.09, 23.52, 10.14

 

CMYK 0 / 36 / 41 / 47

HEX #87564F

RGB 135 86 79

HSL 7.5, 0.26%, 0.42%

LAB 41.8, 19.44, 12.51

 

CMYK 0 / 25 / 41 / 47

HEX #87654F

RGB 135 101 79

HSL 23.57, 0.26%, 0.42%

LAB 45.67, 10.6, 17.77

 

CMYK 0 / 14 / 41 / 47

HEX #87744F

RGB 135 116 79

HSL 39.64, 0.26%, 0.42%

LAB 49.75, 1.87, 23.18

 

CMYK 0 / 3 / 41 / 47

HEX #87834F

RGB 135 131 79

HSL 55.71, 0.26%, 0.42%

LAB 53.97, -6.61, 28.62

 

CMYK 8 / 0 / 41 / 47

HEX #7C874F

RGB 124 135 79

HSL 71.79, 0.26%, 0.42%

LAB 54.21, -13.47, 28.74

 

CMYK 0 / 36 / 41 / 47

HEX #87564F

RGB 135 86 79

HSL 7.5, 0.26%, 0.42%

LAB 41.8, 19.44, 12.51

 

CMYK 0 / 52 / 59 / 40

HEX #98493E

RGB 152 73 62

HSL 7.33, 0.42%, 0.42%

LAB 40.88, 32.07, 22.05

 

CMYK 0 / 65 / 74 / 33

HEX #AA3C2D

RGB 170 60 45

HSL 7.2, 0.58%, 0.42%

LAB 41.16, 44.24, 33.15

 

CMYK 0 / 75 / 86 / 27

HEX #BB2F1B

RGB 187 47 27

HSL 7.5, 0.75%, 0.42%

LAB 42.27, 54.46, 44.87

 

CMYK 0 / 83 / 95 / 20

HEX #CC220A

RGB 204 34 10

HSL 7.42, 0.91%, 0.42%

LAB 44.24, 62.96, 54.42

 

CMYK 0 / 36 / 41 / 47

HEX #87564F

RGB 135 86 79

HSL 7.5, 0.26%, 0.42%

LAB 41.8, 19.44, 12.51

 

CMYK 0 / 16 / 18 / 54

HEX #766361

RGB 118 99 97

HSL 5.71, 0.1%, 0.42%

LAB 43.71, 7.26, 3.97

 

CMYK 12 / 2 / 0 / 55

HEX #647072

RGB 100 112 114

HSL 188.57, 0.07%, 0.42%

LAB 46.33, -4.05, -2.65

 

CMYK 37 / 5 / 0 / 49

HEX #537D83

RGB 83 125 131

HSL 187.5, 0.22%, 0.42%

LAB 49.67, -12.88, -7.9

 

CMYK 56 / 7 / 0 / 42

HEX #428A95

RGB 66 138 149

HSL 187.95, 0.39%, 0.42%

LAB 53.5, -19.18, -12.73

 

CMYK 0 / 41 / 24 / 47

HEX #874F66

RGB 135 79 102

HSL 335.36, 0.26%, 0.42%

LAB 40.74, 26.75, -3.19

 

CMYK 0 / 41 / 35 / 47

HEX #874F58

RGB 135 79 88

HSL 350.36, 0.26%, 0.42%

LAB 40.32, 24.69, 4.89

 

CMYK 0 / 36 / 41 / 47

HEX #87564F

RGB 135 86 79

HSL 7.5, 0.26%, 0.42%

LAB 41.8, 19.44, 12.51

 

CMYK 0 / 25 / 41 / 47

HEX #87654F

RGB 135 101 79

HSL 23.57, 0.26%, 0.42%

LAB 45.67, 10.6, 17.77

 

CMYK 0 / 15 / 41 / 47

HEX #87734F

RGB 135 115 79

HSL 38.57, 0.26%, 0.42%

LAB 49.47, 2.44, 22.81

 

CMYK 0 / 36 / 41 / 67

HEX #533531

RGB 83 53 49

HSL 7.06, 0.26%, 0.26%

LAB 25.58, 12.91, 8.04

 

CMYK 0 / 36 / 41 / 57

HEX #6D4640

RGB 109 70 64

HSL 8, 0.26%, 0.34%

LAB 33.99, 15.95, 10.51

 

CMYK 0 / 36 / 41 / 47

HEX #87564F

RGB 135 86 79

HSL 7.5, 0.26%, 0.42%

LAB 41.8, 19.44, 12.51

 

CMYK 0 / 36 / 41 / 37

HEX #A1675F

RGB 161 103 95

HSL 7.27, 0.26%, 0.5%

LAB 49.62, 22.34, 14.2

 

CMYK 0 / 27 / 31 / 31

HEX #B08079

RGB 176 128 121

HSL 7.64, 0.26%, 0.58%

LAB 58.08, 17.57, 11.11

 

CMYK 0 / 36 / 41 / 47

HEX #87564F

RGB 135 86 79

HSL 7.5, 0.26%, 0.42%

LAB 41.8, 19.44, 12.51

 

CMYK 13 / 0 / 41 / 47

HEX #75874F

RGB 117 135 79

HSL 79.29, 0.26%, 0.42%

LAB 53.68, -16.38, 27.95

 

CMYK 41 / 30 / 0 / 47

HEX #4F5F87

RGB 79 95 135

HSL 222.86, 0.26%, 0.42%

LAB 40.57, 4.83, -24.19

 

CMYK 0 / 36 / 41 / 47

HEX #87564F

RGB 135 86 79

HSL 7.5, 0.26%, 0.42%

LAB 41.8, 19.44, 12.51

 

CMYK 41 / 0 / 36 / 47

HEX #4F8756

RGB 79 135 86

HSL 127.5, 0.26%, 0.42%

LAB 51.45, -29.43, 20.72

 

CMYK 36 / 41 / 0 / 47

HEX #564F87

RGB 86 79 135

HSL 247.5, 0.26%, 0.42%

LAB 36.59, 17.02, -30.37

 

CMYK 0 / 36 / 41 / 47

HEX #87564F

RGB 135 86 79

HSL 7.5, 0.26%, 0.42%

LAB 41.8, 19.44, 12.51

 

CMYK 13 / 0 / 41 / 47

HEX #75874F

RGB 117 135 79

HSL 79.29, 0.26%, 0.42%

LAB 53.68, -16.38, 27.95

 

CMYK 41 / 5 / 0 / 47

HEX #4F8087

RGB 79 128 135

HSL 187.5, 0.26%, 0.42%

LAB 50.51, -14.6, -9.01

 

CMYK 28 / 41 / 0 / 47

HEX #614F87

RGB 97 79 135

HSL 259.29, 0.26%, 0.42%

LAB 37.63, 20.35, -28.67

 

CMYK 0 / 36 / 41 / 47

HEX #87564F

RGB 135 86 79

HSL 7.5, 0.26%, 0.42%

LAB 41.8, 19.44, 12.51

 

CMYK 25 / 0 / 41 / 47

HEX #65874F

RGB 101 135 79

HSL 96.43, 0.26%, 0.42%

LAB 52.57, -22.75, 26.31

 

CMYK 41 / 5 / 0 / 47

HEX #4F8087

RGB 79 128 135

HSL 187.5, 0.26%, 0.42%

LAB 50.51, -14.6, -9.01

 

CMYK 16 / 41 / 0 / 47

HEX #724F87

RGB 114 79 135

HSL 277.5, 0.26%, 0.42%

LAB 39.44, 25.76, -25.7

 

Description

Color code: HEX #87564F | qconv.com Color code: HEX #87564F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 86 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 86 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 41 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 41% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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