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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87516E it is the complementary color #78AE91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87516E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87516E shade: #8C5169, #9D637C, #AE758F, #BF87A2 and #D099B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87516E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87516E shade: #87516E, #763F5B, #652D48, #541B35 and #430922

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87516E shade: #86506D, #86505F and #865050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87516E shade: #86506D, #86507C, #825086, #735086 and #655086

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87516E shade matches the following richer shades: #86506D, #973F6E, #A92E70, #BA1C71 and #CB0B72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87516E shade: #86506D, #75626C, #63736B, #528469 and #419668

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87516E shade: #815086, #86507C, #86506E, #86505F and #865051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87516E shade: #523143, #6C4158, #86506D, #A06082 and #AF7A96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87516E shade: #87516E, #867350 and #508386

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87516E shade: #87516E, #6E8650 and #506E86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87516E shade: #87516E, #867350, #508668 and #506386

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87516E shade: #87516E, #868350, #508668 and #505386

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 19 / 47

HEX #87516E

RGB 135 81 110

HSL 327.78, 0.25%, 0.42%

LAB 41.47, 26.9, -7.04

 

Complementary color

CMYK 31 / 0 / 17 / 32

HEX #78AE91

RGB 120 174 145

HSL 147.78, 0.25%, 0.58%

LAB 66.76, -24.04, 9.27

 

CMYK 0 / 42 / 25 / 45

HEX #8C5169

RGB 140 81 105

HSL 335.59, 0.27%, 0.43%

LAB 41.97, 27.97, -3.15

 

CMYK 0 / 37 / 21 / 38

HEX #9D637C

RGB 157 99 124

HSL 334.14, 0.23%, 0.5%

LAB 48.94, 27.09, -4.12

 

CMYK 0 / 33 / 18 / 32

HEX #AE758F

RGB 174 117 143

HSL 332.63, 0.26%, 0.57%

LAB 55.79, 26.29, -4.97

 

CMYK 0 / 29 / 15 / 25

HEX #BF87A2

RGB 191 135 162

HSL 331.07, 0.3%, 0.64%

LAB 62.52, 25.56, -5.73

 

CMYK 0 / 26 / 13 / 18

HEX #D099B5

RGB 208 153 181

HSL 329.45, 0.37%, 0.71%

LAB 69.13, 24.88, -6.42

 

CMYK 0 / 40 / 19 / 47

HEX #87516E

RGB 135 81 110

HSL 327.78, 0.25%, 0.42%

LAB 41.47, 26.9, -7.04

 

CMYK 0 / 47 / 23 / 54

HEX #763F5B

RGB 118 63 91

HSL 329.45, 0.3%, 0.35%

LAB 34.32, 27.78, -6.07

 

CMYK 0 / 55 / 29 / 60

HEX #652D48

RGB 101 45 72

HSL 331.07, 0.38%, 0.29%

LAB 27.05, 28.66, -4.83

 

CMYK 0 / 68 / 37 / 67

HEX #541B35

RGB 84 27 53

HSL 332.63, 0.51%, 0.22%

LAB 19.74, 29.33, -3.07

 

CMYK 0 / 87 / 49 / 74

HEX #430922

RGB 67 9 34

HSL 334.14, 0.76%, 0.15%

LAB 12.63, 29.16, -0.24

 

CMYK 0 / 40 / 19 / 47

HEX #86506D

RGB 134 80 109

HSL 327.78, 0.25%, 0.42%

LAB 41.07, 26.94, -7.03

 

CMYK 0 / 40 / 29 / 47

HEX #86505F

RGB 134 80 95

HSL 343.33, 0.25%, 0.42%

LAB 40.62, 24.71, 0.96

 

CMYK 0 / 40 / 40 / 47

HEX #865050

RGB 134 80 80

HSL 0, 0.25%, 0.42%

LAB 40.22, 22.65, 9.68

 

CMYK 0 / 40 / 19 / 47

HEX #86506D

RGB 134 80 109

HSL 327.78, 0.25%, 0.42%

LAB 41.07, 26.94, -7.03

 

CMYK 0 / 40 / 7 / 47

HEX #86507C

RGB 134 80 124

HSL 311.11, 0.25%, 0.42%

LAB 41.63, 29.61, -15.41

 

CMYK 3 / 40 / 0 / 47

HEX #825086

RGB 130 80 134

HSL 295.56, 0.25%, 0.42%

LAB 41.54, 30.22, -21.69

 

CMYK 14 / 40 / 0 / 47

HEX #735086

RGB 115 80 134

HSL 278.89, 0.25%, 0.42%

LAB 39.75, 25.25, -24.6

 

CMYK 25 / 40 / 0 / 47

HEX #655086

RGB 101 80 134

HSL 263.33, 0.25%, 0.42%

LAB 38.24, 20.72, -27.07

 

CMYK 0 / 40 / 19 / 47

HEX #86506D

RGB 134 80 109

HSL 327.78, 0.25%, 0.42%

LAB 41.07, 26.94, -7.03

 

CMYK 0 / 58 / 27 / 41

HEX #973F6E

RGB 151 63 110

HSL 327.95, 0.41%, 0.42%

LAB 40.02, 42.21, -8.99

 

CMYK 0 / 73 / 34 / 34

HEX #A92E70

RGB 169 46 112

HSL 327.8, 0.57%, 0.42%

LAB 40.51, 55.14, -9.19

 

CMYK 0 / 85 / 39 / 27

HEX #BA1C71

RGB 186 28 113

HSL 327.72, 0.74%, 0.42%

LAB 41.94, 64.72, -7.33

 

CMYK 0 / 95 / 44 / 20

HEX #CB0B72

RGB 203 11 114

HSL 327.81, 0.9%, 0.42%

LAB 44.45, 71.29, -3.87

 

CMYK 0 / 40 / 19 / 47

HEX #86506D

RGB 134 80 109

HSL 327.78, 0.25%, 0.42%

LAB 41.07, 26.94, -7.03

 

CMYK 0 / 16 / 8 / 54

HEX #75626C

RGB 117 98 108

HSL 328.42, 0.09%, 0.42%

LAB 43.65, 9.49, -2.8

 

CMYK 14 / 0 / 7 / 55

HEX #63736B

RGB 99 115 107

HSL 150, 0.07%, 0.42%

LAB 46.94, -7.69, 2.41

 

CMYK 38 / 0 / 20 / 48

HEX #528469

RGB 82 132 105

HSL 147.6, 0.23%, 0.42%

LAB 51.06, -23.22, 9.33

 

CMYK 57 / 0 / 31 / 41

HEX #419668

RGB 65 150 104

HSL 147.53, 0.4%, 0.42%

LAB 56.02, -36.78, 16.71

 

CMYK 4 / 40 / 0 / 47

HEX #815086

RGB 129 80 134

HSL 294.44, 0.25%, 0.42%

LAB 41.42, 29.89, -21.89

 

CMYK 0 / 40 / 7 / 47

HEX #86507C

RGB 134 80 124

HSL 311.11, 0.25%, 0.42%

LAB 41.63, 29.61, -15.41

 

CMYK 0 / 40 / 18 / 47

HEX #86506E

RGB 134 80 110

HSL 326.67, 0.25%, 0.42%

LAB 41.11, 27.11, -7.6

 

CMYK 0 / 40 / 29 / 47

HEX #86505F

RGB 134 80 95

HSL 343.33, 0.25%, 0.42%

LAB 40.62, 24.71, 0.96

 

CMYK 0 / 40 / 40 / 47

HEX #865051

RGB 134 80 81

HSL 358.89, 0.25%, 0.42%

LAB 40.25, 22.78, 9.1

 

CMYK 0 / 40 / 18 / 68

HEX #523143

RGB 82 49 67

HSL 327.27, 0.25%, 0.26%

LAB 24.94, 18, -4.94

 

CMYK 0 / 40 / 19 / 58

HEX #6C4158

RGB 108 65 88

HSL 327.91, 0.25%, 0.34%

LAB 33.29, 22.28, -5.83

 

CMYK 0 / 40 / 19 / 47

HEX #86506D

RGB 134 80 109

HSL 327.78, 0.25%, 0.42%

LAB 41.07, 26.94, -7.03

 

CMYK 0 / 40 / 19 / 37

HEX #A06082

RGB 160 96 130

HSL 328.13, 0.25%, 0.5%

LAB 48.82, 30.85, -7.85

 

CMYK 0 / 30 / 14 / 31

HEX #AF7A96

RGB 175 122 150

HSL 328.3, 0.25%, 0.58%

LAB 57.3, 25.01, -6.77

 

CMYK 0 / 40 / 19 / 47

HEX #87516E

RGB 135 81 110

HSL 327.78, 0.25%, 0.42%

LAB 41.47, 26.9, -7.04

 

CMYK 0 / 14 / 40 / 47

HEX #867350

RGB 134 115 80

HSL 38.89, 0.25%, 0.42%

LAB 49.39, 2.13, 22.11

 

CMYK 40 / 2 / 0 / 47

HEX #508386

RGB 80 131 134

HSL 183.33, 0.25%, 0.42%

LAB 51.45, -16.23, -7.02

 

CMYK 0 / 40 / 19 / 47

HEX #87516E

RGB 135 81 110

HSL 327.78, 0.25%, 0.42%

LAB 41.47, 26.9, -7.04

 

CMYK 18 / 0 / 40 / 47

HEX #6E8650

RGB 110 134 80

HSL 86.67, 0.25%, 0.42%

LAB 52.89, -18.55, 26.29

 

CMYK 40 / 18 / 0 / 47

HEX #506E86

RGB 80 110 134

HSL 206.67, 0.25%, 0.42%

LAB 45.05, -4.31, -16.67

 

CMYK 0 / 40 / 19 / 47

HEX #87516E

RGB 135 81 110

HSL 327.78, 0.25%, 0.42%

LAB 41.47, 26.9, -7.04

 

CMYK 0 / 14 / 40 / 47

HEX #867350

RGB 134 115 80

HSL 38.89, 0.25%, 0.42%

LAB 49.39, 2.13, 22.11

 

CMYK 40 / 0 / 22 / 47

HEX #508668

RGB 80 134 104

HSL 146.67, 0.25%, 0.42%

LAB 51.56, -25.07, 10.6

 

CMYK 40 / 26 / 0 / 47

HEX #506386

RGB 80 99 134

HSL 218.89, 0.25%, 0.42%

LAB 41.77, 2.34, -21.72

 

CMYK 0 / 40 / 19 / 47

HEX #87516E

RGB 135 81 110

HSL 327.78, 0.25%, 0.42%

LAB 41.47, 26.9, -7.04

 

CMYK 0 / 2 / 40 / 47

HEX #868350

RGB 134 131 80

HSL 56.67, 0.25%, 0.42%

LAB 53.9, -6.92, 27.96

 

CMYK 40 / 0 / 22 / 47

HEX #508668

RGB 80 134 104

HSL 146.67, 0.25%, 0.42%

LAB 51.56, -25.07, 10.6

 

CMYK 40 / 38 / 0 / 47

HEX #505386

RGB 80 83 134

HSL 236.67, 0.25%, 0.42%

LAB 37.14, 12.41, -28.93

 

Description

Color code: HEX #87516E | qconv.com Color code: HEX #87516E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 81 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 81 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 19 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 19% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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