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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #874ABC it is the complementary color #78B543. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #874ABC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #874ABC shade: #8C4AB7, #9D5CCA, #AE6EDD, #BF80F0 and #D092FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #874ABC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #874ABC shade: #874ABC, #7638A9, #652696, #541483 and #430270

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #874ABC shade: #8649BC, #A549BC, #BC49B3, #BC4994 and #BC4975

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #874ABC shade: #8649BC, #6749BC and #4949BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #874ABC shade matches the following richer shades: #8649BC, #8834D0, #8920E4 and #8A0CF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #874ABC shade: #8649BC, #855DA7, #837193, #82857F and #80996B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #874ABC shade: #4949BC, #6749BC, #8649BC, #A549BC and #BC49B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #874ABC shade: #5C3082, #713BA0, #8649BC, #9A67C7 and #AE85D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #874ABC shade: #874ABC, #BC4967 and #49BC58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #874ABC shade: #874ABC, #BC8649 and #49BC86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #874ABC shade: #874ABC, #BC4967, #7EBC49 and #49BC9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #874ABC shade: #874ABC, #BC4C49, #7EBC49 and #49B8BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 61 / 0 / 26

HEX #874ABC

RGB 135 74 188

HSL 272.11, 0.46%, 0.51%

LAB 43.77, 47.11, -50.3

 

Complementary color

CMYK 34 / 0 / 63 / 29

HEX #78B543

RGB 120 181 67

HSL 92.11, 0.46%, 0.49%

LAB 67.61, -38.83, 50.43

 

CMYK 23 / 60 / 0 / 28

HEX #8C4AB7

RGB 140 74 183

HSL 276.33, 0.43%, 0.5%

LAB 44.08, 47.16, -46.85

 

CMYK 22 / 54 / 0 / 21

HEX #9D5CCA

RGB 157 92 202

HSL 275.45, 0.51%, 0.58%

LAB 50.79, 46.36, -47.03

 

CMYK 21 / 50 / 0 / 13

HEX #AE6EDD

RGB 174 110 221

HSL 274.59, 0.62%, 0.65%

LAB 57.44, 45.51, -47.15

 

CMYK 20 / 47 / 0 / 6

HEX #BF80F0

RGB 191 128 240

HSL 273.75, 0.79%, 0.72%

LAB 64, 44.66, -47.22

 

CMYK 18 / 43 / 0 / 0

HEX #D092FF

RGB 208 146 255

HSL 274.13, 1%, 0.79%

LAB 70.31, 42.97, -45.4

 

CMYK 28 / 61 / 0 / 26

HEX #874ABC

RGB 135 74 188

HSL 272.11, 0.46%, 0.51%

LAB 43.77, 47.11, -50.3

 

CMYK 30 / 67 / 0 / 34

HEX #7638A9

RGB 118 56 169

HSL 272.92, 0.5%, 0.44%

LAB 37.01, 47.85, -50.07

 

CMYK 33 / 75 / 0 / 41

HEX #652696

RGB 101 38 150

HSL 273.75, 0.6%, 0.37%

LAB 30.29, 48.23, -49.56

 

CMYK 36 / 85 / 0 / 49

HEX #541483

RGB 84 20 131

HSL 274.59, 0.74%, 0.3%

LAB 23.75, 47.81, -48.52

 

CMYK 40 / 98 / 0 / 56

HEX #430270

RGB 67 2 112

HSL 275.45, 0.96%, 0.22%

LAB 17.49, 46.2, -46.72

 

CMYK 29 / 61 / 0 / 26

HEX #8649BC

RGB 134 73 188

HSL 271.83, 0.46%, 0.51%

LAB 43.45, 47.39, -50.81

 

CMYK 12 / 61 / 0 / 26

HEX #A549BC

RGB 165 73 188

HSL 288, 0.46%, 0.51%

LAB 47.49, 54.93, -44.13

 

CMYK 0 / 61 / 5 / 26

HEX #BC49B3

RGB 188 73 179

HSL 304.7, 0.46%, 0.51%

LAB 50.35, 59.15, -34.15

 

CMYK 0 / 61 / 21 / 26

HEX #BC4994

RGB 188 73 148

HSL 320.87, 0.46%, 0.51%

LAB 49, 54.36, -17.95

 

CMYK 0 / 61 / 38 / 26

HEX #BC4975

RGB 188 73 117

HSL 337.04, 0.46%, 0.51%

LAB 47.93, 50.38, -0.89

 

CMYK 29 / 61 / 0 / 26

HEX #8649BC

RGB 134 73 188

HSL 271.83, 0.46%, 0.51%

LAB 43.45, 47.39, -50.81

 

CMYK 45 / 61 / 0 / 26

HEX #6749BC

RGB 103 73 188

HSL 255.65, 0.46%, 0.51%

LAB 40.05, 40.42, -56.48

 

CMYK 61 / 61 / 0 / 26

HEX #4949BC

RGB 73 73 188

HSL 240, 0.46%, 0.51%

LAB 37.5, 34.74, -60.73

 

CMYK 29 / 61 / 0 / 26

HEX #8649BC

RGB 134 73 188

HSL 271.83, 0.46%, 0.51%

LAB 43.45, 47.39, -50.81

 

CMYK 35 / 75 / 0 / 18

HEX #8834D0

RGB 136 52 208

HSL 272.31, 0.62%, 0.51%

LAB 41.6, 62.24, -65.41

 

CMYK 40 / 86 / 0 / 11

HEX #8920E4

RGB 137 32 228

HSL 272.14, 0.78%, 0.51%

LAB 41.14, 73.36, -77.64

 

CMYK 44 / 95 / 0 / 3

HEX #8A0CF8

RGB 138 12 248

HSL 272.03, 0.94%, 0.51%

LAB 41.91, 81.3, -87.68

 

CMYK 29 / 61 / 0 / 26

HEX #8649BC

RGB 134 73 188

HSL 271.83, 0.46%, 0.51%

LAB 43.45, 47.39, -50.81

 

CMYK 20 / 44 / 0 / 35

HEX #855DA7

RGB 133 93 167

HSL 272.43, 0.3%, 0.51%

LAB 46.45, 30.97, -33.73

 

CMYK 11 / 23 / 0 / 42

HEX #837193

RGB 131 113 147

HSL 271.76, 0.14%, 0.51%

LAB 50.38, 13.87, -15.89

 

CMYK 2 / 0 / 5 / 48

HEX #82857F

RGB 130 133 127

HSL 90, 0.02%, 0.51%

LAB 55.13, -2.29, 2.84

 

CMYK 16 / 0 / 30 / 40

HEX #80996B

RGB 128 153 107

HSL 92.61, 0.18%, 0.51%

LAB 60.28, -17.45, 21.37

 

CMYK 61 / 61 / 0 / 26

HEX #4949BC

RGB 73 73 188

HSL 240, 0.46%, 0.51%

LAB 37.5, 34.74, -60.73

 

CMYK 45 / 61 / 0 / 26

HEX #6749BC

RGB 103 73 188

HSL 255.65, 0.46%, 0.51%

LAB 40.05, 40.42, -56.48

 

CMYK 29 / 61 / 0 / 26

HEX #8649BC

RGB 134 73 188

HSL 271.83, 0.46%, 0.51%

LAB 43.45, 47.39, -50.81

 

CMYK 12 / 61 / 0 / 26

HEX #A549BC

RGB 165 73 188

HSL 288, 0.46%, 0.51%

LAB 47.49, 54.93, -44.13

 

CMYK 0 / 61 / 4 / 26

HEX #BC49B4

RGB 188 73 180

HSL 304.17, 0.46%, 0.51%

LAB 50.4, 59.31, -34.66

 

CMYK 29 / 63 / 0 / 49

HEX #5C3082

RGB 92 48 130

HSL 272.2, 0.46%, 0.35%

LAB 29.41, 36.29, -38.66

 

CMYK 29 / 63 / 0 / 37

HEX #713BA0

RGB 113 59 160

HSL 272.08, 0.46%, 0.43%

LAB 36.32, 42.98, -45.81

 

CMYK 29 / 61 / 0 / 26

HEX #8649BC

RGB 134 73 188

HSL 271.83, 0.46%, 0.51%

LAB 43.45, 47.39, -50.81

 

CMYK 23 / 48 / 0 / 22

HEX #9A67C7

RGB 154 103 199

HSL 271.88, 0.46%, 0.59%

LAB 52.61, 38.86, -42.44

 

CMYK 17 / 37 / 0 / 18

HEX #AE85D2

RGB 174 133 210

HSL 271.95, 0.46%, 0.67%

LAB 62.02, 30.34, -33.77

 

CMYK 28 / 61 / 0 / 26

HEX #874ABC

RGB 135 74 188

HSL 272.11, 0.46%, 0.51%

LAB 43.77, 47.11, -50.3

 

CMYK 0 / 61 / 45 / 26

HEX #BC4967

RGB 188 73 103

HSL 344.35, 0.46%, 0.51%

LAB 47.54, 48.89, 7.05

 

CMYK 61 / 0 / 53 / 26

HEX #49BC58

RGB 73 188 88

HSL 127.83, 0.46%, 0.51%

LAB 68.09, -53.17, 40.77

 

CMYK 28 / 61 / 0 / 26

HEX #874ABC

RGB 135 74 188

HSL 272.11, 0.46%, 0.51%

LAB 43.77, 47.11, -50.3

 

CMYK 0 / 29 / 61 / 26

HEX #BC8649

RGB 188 134 73

HSL 31.83, 0.46%, 0.51%

LAB 60.09, 14.22, 40.52

 

CMYK 61 / 0 / 29 / 26

HEX #49BC86

RGB 73 188 134

HSL 151.83, 0.46%, 0.51%

LAB 68.83, -45.13, 17.9

 

CMYK 28 / 61 / 0 / 26

HEX #874ABC

RGB 135 74 188

HSL 272.11, 0.46%, 0.51%

LAB 43.77, 47.11, -50.3

 

CMYK 0 / 61 / 45 / 26

HEX #BC4967

RGB 188 73 103

HSL 344.35, 0.46%, 0.51%

LAB 47.54, 48.89, 7.05

 

CMYK 33 / 0 / 61 / 26

HEX #7EBC49

RGB 126 188 73

HSL 92.35, 0.46%, 0.51%

LAB 70.09, -39.24, 50.64

 

CMYK 61 / 0 / 16 / 26

HEX #49BC9D

RGB 73 188 157

HSL 163.83, 0.46%, 0.51%

LAB 69.34, -39.9, 6.11

 

CMYK 28 / 61 / 0 / 26

HEX #874ABC

RGB 135 74 188

HSL 272.11, 0.46%, 0.51%

LAB 43.77, 47.11, -50.3

 

CMYK 0 / 60 / 61 / 26

HEX #BC4C49

RGB 188 76 73

HSL 1.57, 0.46%, 0.51%

LAB 47.42, 44.96, 25

 

CMYK 33 / 0 / 61 / 26

HEX #7EBC49

RGB 126 188 73

HSL 92.35, 0.46%, 0.51%

LAB 70.09, -39.24, 50.64

 

CMYK 61 / 2 / 0 / 26

HEX #49B8BC

RGB 73 184 188

HSL 182.09, 0.46%, 0.51%

LAB 68.99, -29.86, -11.43

 

Description

Color code: HEX #874ABC | qconv.com Color code: HEX #874ABC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 74 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 74 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 61 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 61% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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