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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8747E7 it is the complementary color #78B818. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8747E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8747E7 shade: #8C47E2, #9D59F5, #AE6BFF, #BF7DFF and #D08FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8747E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8747E7 shade: #8747E7, #7635D4, #6523C1, #5411AE and #43009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8747E7 shade: #8646E7, #B246E7, #DD46E7, #E746C5 and #E7469A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8747E7 shade: #8646E7, #5B46E7 and #4646E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8747E7 shade matches the following richer shades: #8646E7 and #8335F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8747E7 shade: #8646E7, #8A57D6, #8D68C5, #9079B4 and #948AA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8747E7 shade: #465BE7, #5B46E7, #8646E7, #B146E7 and #DC46E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8747E7 shade: #5C19C1, #6F21E2, #8646E7, #9E6AEC and #B68FF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8747E7 shade: #8747E7, #E74686 and #46E746

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8747E7 shade: #8747E7, #E78646 and #46E786

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8747E7 shade: #8747E7, #E74686, #A7E746 and #46E7A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8747E7 shade: #8747E7, #E74656, #A7E746 and #46E7D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 69 / 0 / 9

HEX #8747E7

RGB 135 71 231

HSL 264, 0.77%, 0.59%

LAB 46.21, 59.17, -71.06

 

Complementary color

CMYK 35 / 0 / 87 / 28

HEX #78B818

RGB 120 184 24

HSL 84, 0.77%, 0.41%

LAB 68.27, -42.66, 65.39

 

CMYK 38 / 69 / 0 / 11

HEX #8C47E2

RGB 140 71 226

HSL 266.71, 0.73%, 0.58%

LAB 46.41, 58.85, -67.88

 

CMYK 36 / 64 / 0 / 4

HEX #9D59F5

RGB 157 89 245

HSL 266.15, 0.89%, 0.65%

LAB 52.85, 58.04, -68.04

 

CMYK 32 / 58 / 0 / 0

HEX #AE6BFF

RGB 174 107 255

HSL 267.16, 1%, 0.71%

LAB 58.73, 54.96, -64.01

 

CMYK 25 / 51 / 0 / 0

HEX #BF7DFF

RGB 191 125 255

HSL 270.46, 1%, 0.75%

LAB 64.13, 49.63, -55.27

 

CMYK 18 / 44 / 0 / 0

HEX #D08FFF

RGB 208 143 255

HSL 274.82, 1%, 0.78%

LAB 69.66, 44.58, -46.41

 

CMYK 42 / 69 / 0 / 9

HEX #8747E7

RGB 135 71 231

HSL 264, 0.77%, 0.59%

LAB 46.21, 59.17, -71.06

 

CMYK 44 / 75 / 0 / 17

HEX #7635D4

RGB 118 53 212

HSL 264.53, 0.65%, 0.52%

LAB 39.83, 59.81, -70.7

 

CMYK 48 / 82 / 0 / 24

HEX #6523C1

RGB 101 35 193

HSL 265.06, 0.69%, 0.45%

LAB 33.6, 59.91, -69.94

 

CMYK 52 / 90 / 0 / 32

HEX #5411AE

RGB 84 17 174

HSL 265.61, 0.82%, 0.37%

LAB 27.69, 58.97, -68.48

 

CMYK 57 / 100 / 0 / 39

HEX #43009B

RGB 67 0 155

HSL 265.94, 1%, 0.3%

LAB 22.16, 56.73, -66.15

 

CMYK 42 / 70 / 0 / 9

HEX #8646E7

RGB 134 70 231

HSL 263.85, 0.77%, 0.59%

LAB 45.93, 59.47, -71.52

 

CMYK 23 / 70 / 0 / 9

HEX #B246E7

RGB 178 70 231

HSL 280.25, 0.77%, 0.59%

LAB 51.4, 67.78, -62.4

 

CMYK 4 / 70 / 0 / 9

HEX #DD46E7

RGB 221 70 231

HSL 296.27, 0.77%, 0.59%

LAB 57.58, 76.63, -52.15

 

CMYK 0 / 70 / 15 / 9

HEX #E746C5

RGB 231 70 197

HSL 312.67, 0.77%, 0.59%

LAB 57.46, 73.69, -32.95

 

CMYK 0 / 70 / 33 / 9

HEX #E7469A

RGB 231 70 154

HSL 328.7, 0.77%, 0.59%

LAB 55.79, 68.29, -10.55

 

CMYK 42 / 70 / 0 / 9

HEX #8646E7

RGB 134 70 231

HSL 263.85, 0.77%, 0.59%

LAB 45.93, 59.47, -71.52

 

CMYK 61 / 70 / 0 / 9

HEX #5B46E7

RGB 91 70 231

HSL 247.83, 0.77%, 0.59%

LAB 41.8, 52.77, -78.44

 

CMYK 70 / 70 / 0 / 9

HEX #4646E7

RGB 70 70 231

HSL 240, 0.77%, 0.59%

LAB 40.33, 50.26, -80.91

 

CMYK 42 / 70 / 0 / 9

HEX #8646E7

RGB 134 70 231

HSL 263.85, 0.77%, 0.59%

LAB 45.93, 59.47, -71.52

 

CMYK 47 / 79 / 0 / 3

HEX #8335F8

RGB 131 53 248

HSL 264, 0.93%, 0.59%

LAB 44.45, 70.47, -83.54

 

CMYK 42 / 70 / 0 / 9

HEX #8646E7

RGB 134 70 231

HSL 263.85, 0.77%, 0.59%

LAB 45.93, 59.47, -71.52

 

CMYK 36 / 59 / 0 / 16

HEX #8A57D6

RGB 138 87 214

HSL 264.09, 0.61%, 0.59%

LAB 48.35, 47.3, -57.91

 

CMYK 28 / 47 / 0 / 23

HEX #8D68C5

RGB 141 104 197

HSL 263.87, 0.44%, 0.59%

LAB 51.38, 34.22, -43.34

 

CMYK 20 / 33 / 0 / 29

HEX #9079B4

RGB 144 121 180

HSL 263.39, 0.28%, 0.59%

LAB 54.97, 21.06, -27.93

 

CMYK 9 / 15 / 0 / 36

HEX #948AA3

RGB 148 138 163

HSL 264, 0.12%, 0.59%

LAB 59.08, 8.71, -11.87

 

CMYK 70 / 61 / 0 / 9

HEX #465BE7

RGB 70 91 231

HSL 232.17, 0.77%, 0.59%

LAB 45.02, 37.78, -73.23

 

CMYK 61 / 70 / 0 / 9

HEX #5B46E7

RGB 91 70 231

HSL 247.83, 0.77%, 0.59%

LAB 41.8, 52.77, -78.44

 

CMYK 42 / 70 / 0 / 9

HEX #8646E7

RGB 134 70 231

HSL 263.85, 0.77%, 0.59%

LAB 45.93, 59.47, -71.52

 

CMYK 23 / 70 / 0 / 9

HEX #B146E7

RGB 177 70 231

HSL 279.88, 0.77%, 0.59%

LAB 51.26, 67.58, -62.62

 

CMYK 5 / 70 / 0 / 9

HEX #DC46E7

RGB 220 70 231

HSL 295.9, 0.77%, 0.59%

LAB 57.43, 76.42, -52.4

 

CMYK 52 / 87 / 0 / 24

HEX #5C19C1

RGB 92 25 193

HSL 263.93, 0.77%, 0.43%

LAB 31.4, 62.18, -73.62

 

CMYK 51 / 85 / 0 / 11

HEX #6F21E2

RGB 111 33 226

HSL 264.25, 0.77%, 0.51%

LAB 37.77, 69.68, -82.16

 

CMYK 42 / 70 / 0 / 9

HEX #8646E7

RGB 134 70 231

HSL 263.85, 0.77%, 0.59%

LAB 45.93, 59.47, -71.52

 

CMYK 33 / 55 / 0 / 7

HEX #9E6AEC

RGB 158 106 236

HSL 264, 0.77%, 0.67%

LAB 55.72, 47.17, -58.39

 

CMYK 24 / 40 / 0 / 6

HEX #B68FF0

RGB 182 143 240

HSL 264.12, 0.76%, 0.75%

LAB 66.43, 33.94, -43.47

 

CMYK 42 / 69 / 0 / 9

HEX #8747E7

RGB 135 71 231

HSL 264, 0.77%, 0.59%

LAB 46.21, 59.17, -71.06

 

CMYK 0 / 70 / 42 / 9

HEX #E74686

RGB 231 70 134

HSL 336.15, 0.77%, 0.59%

LAB 55.17, 66.22, 0.34

 

CMYK 70 / 0 / 70 / 9

HEX #46E746

RGB 70 231 70

HSL 120, 0.77%, 0.59%

LAB 81.23, -70.53, 63.3

 

CMYK 42 / 69 / 0 / 9

HEX #8747E7

RGB 135 71 231

HSL 264, 0.77%, 0.59%

LAB 46.21, 59.17, -71.06

 

CMYK 0 / 42 / 70 / 9

HEX #E78646

RGB 231 134 70

HSL 23.85, 0.77%, 0.59%

LAB 65.34, 31.98, 49.4

 

CMYK 70 / 0 / 42 / 9

HEX #46E786

RGB 70 231 134

HSL 143.85, 0.77%, 0.59%

LAB 81.93, -62.37, 35.46

 

CMYK 42 / 69 / 0 / 9

HEX #8747E7

RGB 135 71 231

HSL 264, 0.77%, 0.59%

LAB 46.21, 59.17, -71.06

 

CMYK 0 / 70 / 42 / 9

HEX #E74686

RGB 231 70 134

HSL 336.15, 0.77%, 0.59%

LAB 55.17, 66.22, 0.34

 

CMYK 28 / 0 / 70 / 9

HEX #A7E746

RGB 167 231 70

HSL 83.85, 0.77%, 0.59%

LAB 84.9, -43.44, 68.22

 

CMYK 70 / 0 / 28 / 9

HEX #46E7A7

RGB 70 231 167

HSL 156.15, 0.77%, 0.59%

LAB 82.51, -56.02, 19.37

 

CMYK 42 / 69 / 0 / 9

HEX #8747E7

RGB 135 71 231

HSL 264, 0.77%, 0.59%

LAB 46.21, 59.17, -71.06

 

CMYK 0 / 70 / 63 / 9

HEX #E74656

RGB 231 70 86

HSL 354.04, 0.77%, 0.59%

LAB 54.07, 62.48, 27.33

 

CMYK 28 / 0 / 70 / 9

HEX #A7E746

RGB 167 231 70

HSL 83.85, 0.77%, 0.59%

LAB 84.9, -43.44, 68.22

 

CMYK 70 / 0 / 7 / 9

HEX #46E7D7

RGB 70 231 215

HSL 174.04, 0.77%, 0.59%

LAB 83.63, -44.52, -4.25

 

Description

Color code: HEX #8747E7 | qconv.com Color code: HEX #8747E7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 71 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 71 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 69 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 69% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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