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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8736F5 it is the complementary color #78C90A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8736F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8736F5 shade: #8C36F0, #9D48FF, #AE5AFF, #BF6CFF and #D07EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8736F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8736F5 shade: #8736F5, #7624E2, #6512CF, #5400BC and #4300A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8736F5 shade: #8837F6, #BB37F6, #EF37F6, #F637C9 and #F63796

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8736F5 shade: #8837F6, #5537F6 and #3737F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8736F5 shade matches the following richer shades: #8837F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8736F5 shade: #8837F6, #8B48E5, #8D59D4, #906AC3 and #927BB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8736F5 shade: #374EF6, #5437F6, #8737F6, #B937F6 and #EC37F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8736F5 shade: #5E0AD1, #7110F4, #8837F6, #9F5FF7 and #B786F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8736F5 shade: #8736F5, #F63780 and #37F63A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8736F5 shade: #8736F5, #F68737 and #37F687

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8736F5 shade: #8736F5, #F63780, #A6F637 and #37F6AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8736F5 shade: #8736F5, #F63747, #A6F637 and #37F6E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 78 / 0 / 4

HEX #8736F5

RGB 135 54 245

HSL 265.45, 0.91%, 0.59%

LAB 44.78, 69.9, -81.3

 

Complementary color

CMYK 40 / 0 / 95 / 21

HEX #78C90A

RGB 120 201 10

HSL 85.45, 0.91%, 0.41%

LAB 73.41, -49.99, 71.76

 

CMYK 42 / 78 / 0 / 6

HEX #8C36F0

RGB 140 54 240

HSL 267.74, 0.86%, 0.58%

LAB 44.95, 69.44, -78.18

 

CMYK 38 / 72 / 0 / 0

HEX #9D48FF

RGB 157 72 255

HSL 267.87, 1%, 0.64%

LAB 50.71, 68.32, -77.07

 

CMYK 32 / 65 / 0 / 0

HEX #AE5AFF

RGB 174 90 255

HSL 270.55, 1%, 0.68%

LAB 55.62, 63.37, -69.02

 

CMYK 25 / 58 / 0 / 0

HEX #BF6CFF

RGB 191 108 255

HSL 273.88, 1%, 0.71%

LAB 60.8, 58.37, -60.58

 

CMYK 18 / 51 / 0 / 0

HEX #D07EFF

RGB 208 126 255

HSL 278.14, 1%, 0.75%

LAB 66.18, 53.48, -51.91

 

CMYK 45 / 78 / 0 / 4

HEX #8736F5

RGB 135 54 245

HSL 265.45, 0.91%, 0.59%

LAB 44.78, 69.9, -81.3

 

CMYK 48 / 84 / 0 / 11

HEX #7624E2

RGB 118 36 226

HSL 265.89, 0.77%, 0.51%

LAB 38.91, 69.54, -80.26

 

CMYK 51 / 91 / 0 / 19

HEX #6512CF

RGB 101 18 207

HSL 266.35, 0.84%, 0.44%

LAB 33.36, 68.1, -78.53

 

CMYK 55 / 100 / 0 / 26

HEX #5400BC

RGB 84 0 188

HSL 266.81, 1%, 0.37%

LAB 28.16, 65.51, -76.05

 

CMYK 60 / 100 / 0 / 34

HEX #4300A9

RGB 67 0 169

HSL 263.79, 1%, 0.33%

LAB 23.86, 60.03, -71.86

 

CMYK 45 / 78 / 0 / 4

HEX #8837F6

RGB 136 55 246

HSL 265.45, 0.91%, 0.59%

LAB 45.11, 69.9, -81.31

 

CMYK 24 / 78 / 0 / 4

HEX #BB37F6

RGB 187 55 246

HSL 281.47, 0.91%, 0.59%

LAB 51.78, 77.77, -70.14

 

CMYK 3 / 78 / 0 / 4

HEX #EF37F6

RGB 239 55 246

HSL 297.8, 0.91%, 0.59%

LAB 59.65, 87, -57.07

 

CMYK 0 / 78 / 18 / 4

HEX #F637C9

RGB 246 55 201

HSL 314.14, 0.91%, 0.59%

LAB 58.55, 82.07, -33.36

 

CMYK 0 / 78 / 39 / 4

HEX #F63796

RGB 246 55 150

HSL 330.16, 0.91%, 0.59%

LAB 56.61, 76.36, -6.69

 

CMYK 45 / 78 / 0 / 4

HEX #8837F6

RGB 136 55 246

HSL 265.45, 0.91%, 0.59%

LAB 45.11, 69.9, -81.31

 

CMYK 65 / 78 / 0 / 4

HEX #5537F6

RGB 85 55 246

HSL 249.42, 0.91%, 0.59%

LAB 40.11, 63.96, -89.71

 

CMYK 78 / 78 / 0 / 4

HEX #3737F6

RGB 55 55 246

HSL 240, 0.91%, 0.59%

LAB 38.2, 61.68, -92.94

 

CMYK 45 / 78 / 0 / 4

HEX #8837F6

RGB 136 55 246

HSL 265.45, 0.91%, 0.59%

LAB 45.11, 69.9, -81.31

 

CMYK 45 / 78 / 0 / 4

HEX #8837F6

RGB 136 55 246

HSL 265.45, 0.91%, 0.59%

LAB 45.11, 69.9, -81.31

 

CMYK 39 / 69 / 0 / 10

HEX #8B48E5

RGB 139 72 229

HSL 265.61, 0.75%, 0.59%

LAB 46.69, 58.92, -69.13

 

CMYK 33 / 58 / 0 / 17

HEX #8D59D4

RGB 141 89 212

HSL 265.37, 0.59%, 0.59%

LAB 48.96, 46.4, -55.78

 

CMYK 26 / 46 / 0 / 24

HEX #906AC3

RGB 144 106 195

HSL 265.62, 0.43%, 0.59%

LAB 52.04, 33.4, -41.13

 

CMYK 18 / 31 / 0 / 30

HEX #927BB2

RGB 146 123 178

HSL 265.09, 0.26%, 0.59%

LAB 55.57, 20.06, -25.83

 

CMYK 78 / 68 / 0 / 4

HEX #374EF6

RGB 55 78 246

HSL 232.77, 0.91%, 0.59%

LAB 42.63, 49.22, -85.61

 

CMYK 66 / 78 / 0 / 4

HEX #5437F6

RGB 84 55 246

HSL 249.11, 0.91%, 0.59%

LAB 40.03, 63.87, -89.84

 

CMYK 45 / 78 / 0 / 4

HEX #8737F6

RGB 135 55 246

HSL 265.13, 0.91%, 0.59%

LAB 44.99, 69.76, -81.5

 

CMYK 25 / 78 / 0 / 4

HEX #B937F6

RGB 185 55 246

HSL 280.84, 0.91%, 0.59%

LAB 51.5, 77.43, -70.62

 

CMYK 4 / 78 / 0 / 4

HEX #EC37F6

RGB 236 55 246

HSL 296.86, 0.91%, 0.59%

LAB 59.18, 86.45, -57.85

 

CMYK 55 / 95 / 0 / 18

HEX #5E0AD1

RGB 94 10 209

HSL 265.33, 0.91%, 0.43%

LAB 32.26, 69.4, -81.54

 

CMYK 54 / 93 / 0 / 4

HEX #7110F4

RGB 113 16 244

HSL 265.53, 0.91%, 0.51%

LAB 38.57, 77.81, -91.05

 

CMYK 45 / 78 / 0 / 4

HEX #8837F6

RGB 136 55 246

HSL 265.45, 0.91%, 0.59%

LAB 45.11, 69.9, -81.31

 

CMYK 36 / 62 / 0 / 3

HEX #9F5FF7

RGB 159 95 247

HSL 265.26, 0.9%, 0.67%

LAB 54.31, 55.92, -66.77

 

CMYK 27 / 46 / 0 / 2

HEX #B786F9

RGB 183 134 249

HSL 265.57, 0.91%, 0.75%

LAB 64.93, 41.31, -50.77

 

CMYK 45 / 78 / 0 / 4

HEX #8736F5

RGB 135 54 245

HSL 265.45, 0.91%, 0.59%

LAB 44.78, 69.9, -81.3

 

CMYK 0 / 78 / 48 / 4

HEX #F63780

RGB 246 55 128

HSL 337.07, 0.91%, 0.59%

LAB 55.97, 74.41, 5.41

 

CMYK 78 / 0 / 76 / 4

HEX #37F63A

RGB 55 246 58

HSL 120.94, 0.91%, 0.59%

LAB 85.52, -78.19, 71.55

 

CMYK 45 / 78 / 0 / 4

HEX #8736F5

RGB 135 54 245

HSL 265.45, 0.91%, 0.59%

LAB 44.78, 69.9, -81.3

 

CMYK 0 / 45 / 78 / 4

HEX #F68737

RGB 246 135 55

HSL 25.13, 0.91%, 0.59%

LAB 67.42, 36.81, 59.04

 

CMYK 78 / 0 / 45 / 4

HEX #37F687

RGB 55 246 135

HSL 145.13, 0.91%, 0.59%

LAB 86.24, -69.46, 40.48

 

CMYK 45 / 78 / 0 / 4

HEX #8736F5

RGB 135 54 245

HSL 265.45, 0.91%, 0.59%

LAB 44.78, 69.9, -81.3

 

CMYK 0 / 78 / 48 / 4

HEX #F63780

RGB 246 55 128

HSL 337.07, 0.91%, 0.59%

LAB 55.97, 74.41, 5.41

 

CMYK 33 / 0 / 78 / 4

HEX #A6F637

RGB 166 246 55

HSL 85.13, 0.91%, 0.59%

LAB 89.06, -50.92, 77.04

 

CMYK 78 / 0 / 30 / 4

HEX #37F6AD

RGB 55 246 173

HSL 157.07, 0.91%, 0.59%

LAB 86.87, -62.34, 22.26

 

CMYK 45 / 78 / 0 / 4

HEX #8736F5

RGB 135 54 245

HSL 265.45, 0.91%, 0.59%

LAB 44.78, 69.9, -81.3

 

CMYK 0 / 78 / 71 / 4

HEX #F63747

RGB 246 55 71

HSL 354.97, 0.91%, 0.59%

LAB 54.85, 70.91, 37.61

 

CMYK 33 / 0 / 78 / 4

HEX #A6F637

RGB 166 246 55

HSL 85.13, 0.91%, 0.59%

LAB 89.06, -50.92, 77.04

 

CMYK 78 / 0 / 7 / 4

HEX #37F6E6

RGB 55 246 230

HSL 174.97, 0.91%, 0.59%

LAB 88.18, -48.63, -5.45

 

Description

Color code: HEX #8736F5 | qconv.com Color code: HEX #8736F5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 54 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 54 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 78 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 78% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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