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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8727F4 it is the complementary color #78D80B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8727F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8727F4 shade: #8C27EF, #9D39FF, #AE4BFF, #BF5DFF and #D06FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8727F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8727F4 shade: #8727F4, #7615E1, #6503CE, #5400BB and #4300A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8727F4 shade: #8625F4, #BD25F4, #F425F2, #F425BA and #F42583

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8727F4 shade: #8625F4, #4E25F4 and #2525F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8727F4 shade matches the following richer shades: #8625F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8727F4 shade: #8625F4, #8738E1, #884ACE, #895DBC and #8A6FA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8727F4 shade: #2533F4, #4E25F4, #8525F4, #BC25F4 and #F425F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8727F4 shade: #5D0ABC, #710CE3, #8625F4, #9C4CF6 and #B173F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8727F4 shade: #8727F4, #F4256A and #25F433

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8727F4 shade: #8727F4, #F48525 and #25F485

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8727F4 shade: #8727F4, #F4256A, #93F425 and #25F4AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8727F4 shade: #8727F4, #F4252C, #93F425 and #25F4ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 84 / 0 / 4

HEX #8727F4

RGB 135 39 244

HSL 268.1, 0.9%, 0.55%

LAB 42.96, 74.72, -83.71

 

Complementary color

CMYK 44 / 0 / 95 / 15

HEX #78D80B

RGB 120 216 11

HSL 88.1, 0.9%, 0.45%

LAB 77.95, -55.82, 75.3

 

CMYK 41 / 84 / 0 / 6

HEX #8C27EF

RGB 140 39 239

HSL 270.3, 0.86%, 0.55%

LAB 43.15, 74.22, -80.56

 

CMYK 38 / 78 / 0 / 0

HEX #9D39FF

RGB 157 57 255

HSL 270.3, 1%, 0.61%

LAB 48.65, 74.22, -80.43

 

CMYK 32 / 71 / 0 / 0

HEX #AE4BFF

RGB 174 75 255

HSL 273, 1%, 0.65%

LAB 53.22, 70.04, -72.9

 

CMYK 25 / 64 / 0 / 0

HEX #BF5DFF

RGB 191 93 255

HSL 276.3, 1%, 0.68%

LAB 58.16, 65.54, -64.83

 

CMYK 18 / 56 / 0 / 0

HEX #D06FFF

RGB 208 111 255

HSL 280.42, 1%, 0.72%

LAB 63.34, 60.95, -56.41

 

CMYK 45 / 84 / 0 / 4

HEX #8727F4

RGB 135 39 244

HSL 268.1, 0.9%, 0.55%

LAB 42.96, 74.72, -83.71

 

CMYK 48 / 91 / 0 / 12

HEX #7615E1

RGB 118 21 225

HSL 268.53, 0.83%, 0.48%

LAB 37.52, 73.14, -81.96

 

CMYK 51 / 99 / 0 / 19

HEX #6503CE

RGB 101 3 206

HSL 268.97, 0.97%, 0.41%

LAB 32.45, 70.3, -79.44

 

CMYK 55 / 100 / 0 / 27

HEX #5400BB

RGB 84 0 187

HSL 266.95, 1%, 0.37%

LAB 28.04, 65.29, -75.65

 

CMYK 60 / 100 / 0 / 34

HEX #4300A8

RGB 67 0 168

HSL 263.93, 1%, 0.33%

LAB 23.74, 59.79, -71.46

 

CMYK 45 / 85 / 0 / 4

HEX #8625F4

RGB 134 37 244

HSL 268.12, 0.9%, 0.55%

LAB 42.65, 75.17, -84.24

 

CMYK 23 / 85 / 0 / 4

HEX #BD25F4

RGB 189 37 244

HSL 284.06, 0.9%, 0.55%

LAB 50.3, 82.48, -71.41

 

CMYK 0 / 85 / 1 / 4

HEX #F425F2

RGB 244 37 242

HSL 300.58, 0.9%, 0.55%

LAB 58.94, 91.07, -55.92

 

CMYK 0 / 85 / 24 / 4

HEX #F425BA

RGB 244 37 186

HSL 316.81, 0.9%, 0.55%

LAB 56.19, 83.76, -28.42

 

CMYK 0 / 85 / 46 / 4

HEX #F42583

RGB 244 37 131

HSL 332.75, 0.9%, 0.55%

LAB 54.23, 78.31, 1.06

 

CMYK 45 / 85 / 0 / 4

HEX #8625F4

RGB 134 37 244

HSL 268.12, 0.9%, 0.55%

LAB 42.65, 75.17, -84.24

 

CMYK 68 / 85 / 0 / 4

HEX #4E25F4

RGB 78 37 244

HSL 251.88, 0.9%, 0.55%

LAB 36.88, 70.11, -93.95

 

CMYK 85 / 85 / 0 / 4

HEX #2525F4

RGB 37 37 244

HSL 240, 0.9%, 0.55%

LAB 34.49, 68.17, -97.99

 

CMYK 45 / 85 / 0 / 4

HEX #8625F4

RGB 134 37 244

HSL 268.12, 0.9%, 0.55%

LAB 42.65, 75.17, -84.24

 

CMYK 45 / 85 / 0 / 4

HEX #8625F4

RGB 134 37 244

HSL 268.12, 0.9%, 0.55%

LAB 42.65, 75.17, -84.24

 

CMYK 40 / 75 / 0 / 12

HEX #8738E1

RGB 135 56 225

HSL 268.05, 0.74%, 0.55%

LAB 43.38, 64.38, -72.27

 

CMYK 34 / 64 / 0 / 19

HEX #884ACE

RGB 136 74 206

HSL 268.18, 0.57%, 0.55%

LAB 45.06, 51.69, -58.65

 

CMYK 27 / 51 / 0 / 26

HEX #895DBC

RGB 137 93 188

HSL 267.79, 0.41%, 0.55%

LAB 47.98, 37.19, -43.57

 

CMYK 18 / 34 / 0 / 34

HEX #8A6FA9

RGB 138 111 169

HSL 267.93, 0.25%, 0.55%

LAB 51.42, 22.43, -27.11

 

CMYK 85 / 79 / 0 / 4

HEX #2533F4

RGB 37 51 244

HSL 235.94, 0.9%, 0.55%

LAB 36.54, 62.12, -94.58

 

CMYK 68 / 85 / 0 / 4

HEX #4E25F4

RGB 78 37 244

HSL 251.88, 0.9%, 0.55%

LAB 36.88, 70.11, -93.95

 

CMYK 45 / 85 / 0 / 4

HEX #8525F4

RGB 133 37 244

HSL 267.83, 0.9%, 0.55%

LAB 42.52, 75.06, -84.44

 

CMYK 23 / 85 / 0 / 4

HEX #BC25F4

RGB 188 37 244

HSL 283.77, 0.9%, 0.55%

LAB 50.15, 82.33, -71.66

 

CMYK 0 / 85 / 0 / 4

HEX #F425F4

RGB 244 37 244

HSL 300, 0.9%, 0.55%

LAB 59.06, 91.36, -56.86

 

CMYK 51 / 95 / 0 / 26

HEX #5D0ABC

RGB 93 10 188

HSL 267.98, 0.9%, 0.39%

LAB 29.85, 64.53, -73.21

 

CMYK 50 / 95 / 0 / 11

HEX #710CE3

RGB 113 12 227

HSL 268.19, 0.9%, 0.47%

LAB 36.59, 74.65, -84.67

 

CMYK 45 / 85 / 0 / 4

HEX #8625F4

RGB 134 37 244

HSL 268.12, 0.9%, 0.55%

LAB 42.65, 75.17, -84.24

 

CMYK 37 / 69 / 0 / 4

HEX #9C4CF6

RGB 156 76 246

HSL 268.24, 0.9%, 0.63%

LAB 50.56, 64.28, -72.31

 

CMYK 29 / 54 / 0 / 3

HEX #B173F8

RGB 177 115 248

HSL 267.97, 0.9%, 0.71%

LAB 60.24, 49.82, -57.71

 

CMYK 45 / 84 / 0 / 4

HEX #8727F4

RGB 135 39 244

HSL 268.1, 0.9%, 0.55%

LAB 42.96, 74.72, -83.71

 

CMYK 0 / 85 / 57 / 4

HEX #F4256A

RGB 244 37 106

HSL 340, 0.9%, 0.55%

LAB 53.6, 76.48, 15.19

 

CMYK 85 / 0 / 79 / 4

HEX #25F433

RGB 37 244 51

HSL 124.06, 0.9%, 0.55%

LAB 84.66, -79.93, 72.68

 

CMYK 45 / 84 / 0 / 4

HEX #8727F4

RGB 135 39 244

HSL 268.1, 0.9%, 0.55%

LAB 42.96, 74.72, -83.71

 

CMYK 0 / 45 / 85 / 4

HEX #F48525

RGB 244 133 37

HSL 27.83, 0.9%, 0.55%

LAB 66.63, 36.49, 65.11

 

CMYK 85 / 0 / 45 / 4

HEX #25F485

RGB 37 244 133

HSL 147.83, 0.9%, 0.55%

LAB 85.4, -70.83, 40.33

 

CMYK 45 / 84 / 0 / 4

HEX #8727F4

RGB 135 39 244

HSL 268.1, 0.9%, 0.55%

LAB 42.96, 74.72, -83.71

 

CMYK 0 / 85 / 57 / 4

HEX #F4256A

RGB 244 37 106

HSL 340, 0.9%, 0.55%

LAB 53.6, 76.48, 15.19

 

CMYK 40 / 0 / 85 / 4

HEX #93F425

RGB 147 244 37

HSL 88.12, 0.9%, 0.55%

LAB 87.5, -57.26, 79.71

 

CMYK 85 / 0 / 28 / 4

HEX #25F4AF

RGB 37 244 175

HSL 160, 0.9%, 0.55%

LAB 86.1, -62.76, 20.14

 

CMYK 45 / 84 / 0 / 4

HEX #8727F4

RGB 135 39 244

HSL 268.1, 0.9%, 0.55%

LAB 42.96, 74.72, -83.71

 

CMYK 0 / 85 / 82 / 4

HEX #F4252C

RGB 244 37 44

HSL 357.97, 0.9%, 0.55%

LAB 52.66, 73.75, 49.96

 

CMYK 40 / 0 / 85 / 4

HEX #93F425

RGB 147 244 37

HSL 88.12, 0.9%, 0.55%

LAB 87.5, -57.26, 79.71

 

CMYK 85 / 0 / 3 / 4

HEX #25F4ED

RGB 37 244 237

HSL 177.97, 0.9%, 0.55%

LAB 87.59, -47.22, -10.01

 

Description

Color code: HEX #8727F4 | qconv.com Color code: HEX #8727F4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 39 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 39 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 84 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 84% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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