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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #871D48 it is the complementary color #78E2B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #871D48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #871D48 shade: #8C1D43, #9D2F56, #AE4169, #BF537C and #D0658F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #871D48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #871D48 shade: #871D48, #760B35, #650022, #54000F and #430000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #871D48 shade: #871D48, #871D2B and #871D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #871D48 shade: #871D48, #871D64, #871D81, #701D87 and #531D87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #871D48 shade matches the following richer shades: #871D48, #940F45 and #A10243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #871D48 shade: #871D48, #792A4A, #6C374D, #5F444F and #525152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #871D48 shade: #871D81, #871D65, #871D49, #871D2C and #87291D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #871D48 shade: #430E23, #651535, #871D48, #A9245A and #CB2B6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #871D48 shade: #871D48, #87701D and #1D7387

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #871D48 shade: #871D48, #49871D and #1D4987

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #871D48 shade: #871D48, #87701D, #1D875A and #1D3487

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #871D48 shade: #871D48, #7E871D, #1D875A and #251D87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 47 / 47

HEX #871D48

RGB 135 29 72

HSL 335.66, 0.65%, 0.32%

LAB 30.63, 47.01, 1.16

 

Complementary color

CMYK 47 / 0 / 19 / 11

HEX #78E2B7

RGB 120 226 183

HSL 155.66, 0.65%, 0.68%

LAB 82.81, -40.62, 11.63

 

CMYK 0 / 79 / 52 / 45

HEX #8C1D43

RGB 140 29 67

HSL 339.46, 0.66%, 0.33%

LAB 31.48, 48.01, 5.82

 

CMYK 0 / 70 / 45 / 38

HEX #9D2F56

RGB 157 47 86

HSL 338.73, 0.54%, 0.4%

LAB 37.61, 48.4, 2.7

 

CMYK 0 / 63 / 40 / 32

HEX #AE4169

RGB 174 65 105

HSL 337.98, 0.46%, 0.47%

LAB 43.94, 48.13, 0.35

 

CMYK 0 / 57 / 35 / 25

HEX #BF537C

RGB 191 83 124

HSL 337.22, 0.46%, 0.54%

LAB 50.36, 47.53, -1.5

 

CMYK 0 / 51 / 31 / 18

HEX #D0658F

RGB 208 101 143

HSL 336.45, 0.53%, 0.61%

LAB 56.78, 46.78, -3.01

 

CMYK 0 / 79 / 47 / 47

HEX #871D48

RGB 135 29 72

HSL 335.66, 0.65%, 0.32%

LAB 30.63, 47.01, 1.16

 

CMYK 0 / 91 / 55 / 54

HEX #760B35

RGB 118 11 53

HSL 336.45, 0.83%, 0.25%

LAB 24.79, 45.42, 5.12

 

CMYK 0 / 100 / 66 / 60

HEX #650022

RGB 101 0 34

HSL 339.8, 1%, 0.2%

LAB 19.57, 41.9, 10.64

 

CMYK 0 / 100 / 82 / 67

HEX #54000F

RGB 84 0 15

HSL 349.29, 1%, 0.16%

LAB 15.06, 36.23, 17.02

 

CMYK 0 / 100 / 100 / 74

HEX #430000

RGB 67 0 0

HSL 0, 1%, 0.13%

LAB 10.51, 30.67, 16.57

 

CMYK 0 / 79 / 47 / 47

HEX #871D48

RGB 135 29 72

HSL 335.66, 0.65%, 0.32%

LAB 30.63, 47.01, 1.16

 

CMYK 0 / 79 / 68 / 47

HEX #871D2B

RGB 135 29 43

HSL 352.08, 0.65%, 0.32%

LAB 29.92, 44.74, 19.38

 

CMYK 0 / 79 / 79 / 47

HEX #871D1D

RGB 135 29 29

HSL 0, 0.65%, 0.32%

LAB 29.71, 44.05, 28.03

 

CMYK 0 / 79 / 47 / 47

HEX #871D48

RGB 135 29 72

HSL 335.66, 0.65%, 0.32%

LAB 30.63, 47.01, 1.16

 

CMYK 0 / 79 / 26 / 47

HEX #871D64

RGB 135 29 100

HSL 319.81, 0.65%, 0.32%

LAB 31.69, 50.26, -15.56

 

CMYK 0 / 79 / 4 / 47

HEX #871D81

RGB 135 29 129

HSL 303.4, 0.65%, 0.32%

LAB 33.17, 54.58, -31.66

 

CMYK 17 / 79 / 0 / 47

HEX #701D87

RGB 112 29 135

HSL 286.98, 0.65%, 0.32%

LAB 29.6, 50.73, -41.34

 

CMYK 39 / 79 / 0 / 47

HEX #531D87

RGB 83 29 135

HSL 270.57, 0.65%, 0.32%

LAB 25.16, 45.13, -48.74

 

CMYK 0 / 79 / 47 / 47

HEX #871D48

RGB 135 29 72

HSL 335.66, 0.65%, 0.32%

LAB 30.63, 47.01, 1.16

 

CMYK 0 / 90 / 53 / 42

HEX #940F45

RGB 148 15 69

HSL 335.64, 0.82%, 0.32%

LAB 31.96, 53.88, 5.39

 

CMYK 0 / 99 / 58 / 37

HEX #A10243

RGB 161 2 67

HSL 335.47, 0.98%, 0.32%

LAB 34.04, 58.86, 10.04

 

CMYK 0 / 79 / 47 / 47

HEX #871D48

RGB 135 29 72

HSL 335.66, 0.65%, 0.32%

LAB 30.63, 47.01, 1.16

 

CMYK 0 / 65 / 39 / 53

HEX #792A4A

RGB 121 42 74

HSL 335.7, 0.48%, 0.32%

LAB 29.95, 37.58, -1.48

 

CMYK 0 / 49 / 29 / 58

HEX #6C374D

RGB 108 55 77

HSL 335.09, 0.33%, 0.32%

LAB 30.54, 26.38, -2.82

 

CMYK 0 / 28 / 17 / 63

HEX #5F444F

RGB 95 68 79

HSL 335.56, 0.17%, 0.32%

LAB 32.1, 13.57, -2

 

CMYK 0 / 1 / 0 / 68

HEX #525152

RGB 82 81 82

HSL 300, 0.01%, 0.32%

LAB 34.58, 0.62, -0.45

 

CMYK 0 / 79 / 4 / 47

HEX #871D81

RGB 135 29 129

HSL 303.4, 0.65%, 0.32%

LAB 33.17, 54.58, -31.66

 

CMYK 0 / 79 / 25 / 47

HEX #871D65

RGB 135 29 101

HSL 319.25, 0.65%, 0.32%

LAB 31.74, 50.39, -16.14

 

CMYK 0 / 79 / 46 / 47

HEX #871D49

RGB 135 29 73

HSL 335.09, 0.65%, 0.32%

LAB 30.67, 47.11, 0.54

 

CMYK 0 / 79 / 67 / 47

HEX #871D2C

RGB 135 29 44

HSL 351.51, 0.65%, 0.32%

LAB 29.94, 44.8, 18.75

 

CMYK 0 / 70 / 79 / 47

HEX #87291D

RGB 135 41 29

HSL 6.79, 0.65%, 0.32%

LAB 31.41, 39.37, 29.86

 

CMYK 0 / 79 / 48 / 74

HEX #430E23

RGB 67 14 35

HSL 336.23, 0.65%, 0.16%

LAB 13.4, 27.22, 0.15

 

CMYK 0 / 79 / 48 / 60

HEX #651535

RGB 101 21 53

HSL 336, 0.66%, 0.24%

LAB 22.16, 37.63, 0.87

 

CMYK 0 / 79 / 47 / 47

HEX #871D48

RGB 135 29 72

HSL 335.66, 0.65%, 0.32%

LAB 30.63, 47.01, 1.16

 

CMYK 0 / 79 / 47 / 34

HEX #A9245A

RGB 169 36 90

HSL 335.64, 0.65%, 0.4%

LAB 38.61, 56.13, 1.88

 

CMYK 0 / 79 / 47 / 20

HEX #CB2B6C

RGB 203 43 108

HSL 335.63, 0.65%, 0.48%

LAB 46.32, 64.86, 2.59

 

CMYK 0 / 79 / 47 / 47

HEX #871D48

RGB 135 29 72

HSL 335.66, 0.65%, 0.32%

LAB 30.63, 47.01, 1.16

 

CMYK 0 / 17 / 79 / 47

HEX #87701D

RGB 135 112 29

HSL 46.98, 0.65%, 0.32%

LAB 48.04, 0.08, 46.42

 

CMYK 79 / 15 / 0 / 47

HEX #1D7387

RGB 29 115 135

HSL 191.32, 0.65%, 0.32%

LAB 44.62, -17.55, -18.11

 

CMYK 0 / 79 / 47 / 47

HEX #871D48

RGB 135 29 72

HSL 335.66, 0.65%, 0.32%

LAB 30.63, 47.01, 1.16

 

CMYK 46 / 0 / 79 / 47

HEX #49871D

RGB 73 135 29

HSL 95.09, 0.65%, 0.32%

LAB 50.49, -38.35, 47.15

 

CMYK 79 / 46 / 0 / 47

HEX #1D4987

RGB 29 73 135

HSL 215.09, 0.65%, 0.32%

LAB 31.29, 8.33, -39.02

 

CMYK 0 / 79 / 47 / 47

HEX #871D48

RGB 135 29 72

HSL 335.66, 0.65%, 0.32%

LAB 30.63, 47.01, 1.16

 

CMYK 0 / 17 / 79 / 47

HEX #87701D

RGB 135 112 29

HSL 46.98, 0.65%, 0.32%

LAB 48.04, 0.08, 46.42

 

CMYK 79 / 0 / 33 / 47

HEX #1D875A

RGB 29 135 90

HSL 154.53, 0.65%, 0.32%

LAB 49.89, -40.23, 16.07

 

CMYK 79 / 61 / 0 / 47

HEX #1D3487

RGB 29 52 135

HSL 226.98, 0.65%, 0.32%

LAB 25.16, 22.87, -48.94

 

CMYK 0 / 79 / 47 / 47

HEX #871D48

RGB 135 29 72

HSL 335.66, 0.65%, 0.32%

LAB 30.63, 47.01, 1.16

 

CMYK 7 / 0 / 79 / 47

HEX #7E871D

RGB 126 135 29

HSL 65.09, 0.65%, 0.32%

LAB 53.87, -16.77, 51.53

 

CMYK 79 / 0 / 33 / 47

HEX #1D875A

RGB 29 135 90

HSL 154.53, 0.65%, 0.32%

LAB 49.89, -40.23, 16.07

 

CMYK 73 / 79 / 0 / 47

HEX #251D87

RGB 37 29 135

HSL 244.53, 0.65%, 0.32%

LAB 20.13, 38.55, -57.18

 

Description

Color code: HEX #871D48 | qconv.com Color code: HEX #871D48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 29 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 29 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 47 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 47% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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