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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87148B it is the complementary color #78EB74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87148B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87148B shade: #8C1486, #9D2699, #AE38AC, #BF4ABF and #D05CD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87148B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87148B shade: #87148B, #760278, #650065, #540052 and #43003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87148B shade: #86148A, #8A146E, #8A144E, #8A142E and #8A1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87148B shade: #86148A, #66148A, #46148A, #26148A and #14148A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87148B shade matches the following richer shades: #86148A and #920797

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87148B shade: #86148A, #7A217E, #6E2D71, #633A64 and #574757

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87148B shade: #45148A, #65148A, #84148A, #8A1471 and #8A1451

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87148B shade: #400942, #630F66, #86148A, #A919AE and #CC1ED3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87148B shade: #87148B, #8A2614 and #148A55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87148B shade: #87148B, #8A8414 and #148A84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87148B shade: #87148B, #8A2614, #1A8A14 and #14798A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87148B shade: #87148B, #8A4914, #1A8A14 and #14558A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 86 / 0 / 45

HEX #87148B

RGB 135 20 139

HSL 297.98, 0.75%, 0.31%

LAB 32.95, 58.61, -38.22

 

Complementary color

CMYK 49 / 0 / 51 / 8

HEX #78EB74

RGB 120 235 116

HSL 117.98, 0.75%, 0.69%

LAB 84.31, -55.81, 47.51

 

CMYK 0 / 86 / 4 / 45

HEX #8C1486

RGB 140 20 134

HSL 303, 0.75%, 0.31%

LAB 33.56, 58.79, -34.1

 

CMYK 0 / 76 / 3 / 38

HEX #9D2699

RGB 157 38 153

HSL 302.02, 0.61%, 0.38%

LAB 39.33, 60.6, -36.39

 

CMYK 0 / 68 / 1 / 32

HEX #AE38AC

RGB 174 56 172

HSL 301.02, 0.51%, 0.45%

LAB 45.37, 61.37, -38.03

 

CMYK 0 / 61 / 0 / 25

HEX #BF4ABF

RGB 191 74 191

HSL 300, 0.48%, 0.52%

LAB 51.54, 61.51, -39.23

 

CMYK 1 / 56 / 0 / 18

HEX #D05CD2

RGB 208 92 210

HSL 298.98, 0.57%, 0.59%

LAB 57.77, 61.27, -40.13

 

CMYK 3 / 86 / 0 / 45

HEX #87148B

RGB 135 20 139

HSL 297.98, 0.75%, 0.31%

LAB 32.95, 58.61, -38.22

 

CMYK 2 / 98 / 0 / 53

HEX #760278

RGB 118 2 120

HSL 298.98, 0.97%, 0.24%

LAB 27.44, 55.56, -35.3

 

CMYK 0 / 100 / 0 / 60

HEX #650065

RGB 101 0 101

HSL 300, 1%, 0.2%

LAB 22.68, 49.79, -30.83

 

CMYK 0 / 100 / 2 / 67

HEX #540052

RGB 84 0 82

HSL 301.43, 1%, 0.16%

LAB 17.89, 43.47, -26

 

CMYK 0 / 100 / 6 / 74

HEX #43003F

RGB 67 0 63

HSL 303.58, 1%, 0.13%

LAB 12.94, 36.93, -20.92

 

CMYK 3 / 86 / 0 / 46

HEX #86148A

RGB 134 20 138

HSL 297.97, 0.75%, 0.31%

LAB 32.71, 58.25, -38

 

CMYK 0 / 86 / 20 / 46

HEX #8A146E

RGB 138 20 110

HSL 314.24, 0.75%, 0.31%

LAB 31.87, 54.82, -21.65

 

CMYK 0 / 86 / 43 / 46

HEX #8A144E

RGB 138 20 78

HSL 330.51, 0.75%, 0.31%

LAB 30.53, 51.02, -2.89

 

CMYK 0 / 86 / 67 / 46

HEX #8A142E

RGB 138 20 46

HSL 346.78, 0.75%, 0.31%

LAB 29.67, 48.47, 17.2

 

CMYK 0 / 86 / 86 / 46

HEX #8A1414

RGB 138 20 20

HSL 0, 0.75%, 0.31%

LAB 29.3, 47.36, 33.11

 

CMYK 3 / 86 / 0 / 46

HEX #86148A

RGB 134 20 138

HSL 297.97, 0.75%, 0.31%

LAB 32.71, 58.25, -38

 

CMYK 26 / 86 / 0 / 46

HEX #66148A

RGB 102 20 138

HSL 281.69, 0.75%, 0.31%

LAB 27.19, 52.37, -47.18

 

CMYK 49 / 86 / 0 / 46

HEX #46148A

RGB 70 20 138

HSL 265.42, 0.75%, 0.31%

LAB 22.43, 47.48, -55.15

 

CMYK 72 / 86 / 0 / 46

HEX #26148A

RGB 38 20 138

HSL 249.15, 0.75%, 0.31%

LAB 19, 44.11, -60.93

 

CMYK 86 / 86 / 0 / 46

HEX #14148A

RGB 20 20 138

HSL 240, 0.75%, 0.31%

LAB 17.85, 43.02, -62.88

 

CMYK 3 / 86 / 0 / 46

HEX #86148A

RGB 134 20 138

HSL 297.97, 0.75%, 0.31%

LAB 32.71, 58.25, -38

 

CMYK 3 / 95 / 0 / 41

HEX #920797

RGB 146 7 151

HSL 297.92, 0.91%, 0.31%

LAB 35, 64.72, -42.21

 

CMYK 3 / 86 / 0 / 46

HEX #86148A

RGB 134 20 138

HSL 297.97, 0.75%, 0.31%

LAB 32.71, 58.25, -38

 

CMYK 3 / 74 / 0 / 51

HEX #7A217E

RGB 122 33 126

HSL 297.42, 0.58%, 0.31%

LAB 31.19, 49.75, -33.06

 

CMYK 3 / 60 / 0 / 56

HEX #6E2D71

RGB 110 45 113

HSL 297.35, 0.43%, 0.31%

LAB 30.36, 38.93, -26.28

 

CMYK 1 / 42 / 0 / 61

HEX #633A64

RGB 99 58 100

HSL 298.57, 0.27%, 0.31%

LAB 30.88, 25.5, -17.3

 

CMYK 0 / 18 / 0 / 66

HEX #574757

RGB 87 71 87

HSL 300, 0.1%, 0.31%

LAB 32.3, 10.03, -6.93

 

CMYK 50 / 86 / 0 / 46

HEX #45148A

RGB 69 20 138

HSL 264.92, 0.75%, 0.31%

LAB 22.3, 47.35, -55.36

 

CMYK 27 / 86 / 0 / 46

HEX #65148A

RGB 101 20 138

HSL 281.19, 0.75%, 0.31%

LAB 27.02, 52.19, -47.45

 

CMYK 4 / 86 / 0 / 46

HEX #84148A

RGB 132 20 138

HSL 296.95, 0.75%, 0.31%

LAB 32.35, 57.86, -38.59

 

CMYK 0 / 86 / 18 / 46

HEX #8A1471

RGB 138 20 113

HSL 312.71, 0.75%, 0.31%

LAB 32.02, 55.23, -23.33

 

CMYK 0 / 86 / 41 / 46

HEX #8A1451

RGB 138 20 81

HSL 328.98, 0.75%, 0.31%

LAB 30.63, 51.32, -4.72

 

CMYK 3 / 86 / 0 / 74

HEX #400942

RGB 64 9 66

HSL 297.89, 0.76%, 0.15%

LAB 13.7, 33.35, -21.86

 

CMYK 3 / 85 / 0 / 60

HEX #630F66

RGB 99 15 102

HSL 297.93, 0.74%, 0.23%

LAB 23.52, 46.15, -30.16

 

CMYK 3 / 86 / 0 / 46

HEX #86148A

RGB 134 20 138

HSL 297.97, 0.75%, 0.31%

LAB 32.71, 58.25, -38

 

CMYK 3 / 86 / 0 / 32

HEX #A919AE

RGB 169 25 174

HSL 297.99, 0.75%, 0.39%

LAB 41.51, 69.67, -45.4

 

CMYK 3 / 86 / 0 / 17

HEX #CC1ED3

RGB 204 30 211

HSL 297.68, 0.75%, 0.47%

LAB 50.06, 80.75, -52.97

 

CMYK 3 / 86 / 0 / 45

HEX #87148B

RGB 135 20 139

HSL 297.98, 0.75%, 0.31%

LAB 32.95, 58.61, -38.22

 

CMYK 0 / 72 / 86 / 46

HEX #8A2614

RGB 138 38 20

HSL 9.15, 0.75%, 0.31%

LAB 31.44, 41.38, 35.09

 

CMYK 86 / 0 / 38 / 46

HEX #148A55

RGB 20 138 85

HSL 153.05, 0.75%, 0.31%

LAB 50.67, -43.57, 19.92

 

CMYK 3 / 86 / 0 / 45

HEX #87148B

RGB 135 20 139

HSL 297.98, 0.75%, 0.31%

LAB 32.95, 58.61, -38.22

 

CMYK 0 / 4 / 86 / 46

HEX #8A8414

RGB 138 132 20

HSL 56.95, 0.75%, 0.31%

LAB 53.98, -10.01, 54.7

 

CMYK 86 / 0 / 4 / 46

HEX #148A84

RGB 20 138 132

HSL 176.95, 0.75%, 0.31%

LAB 51.83, -31.22, -5.48

 

CMYK 3 / 86 / 0 / 45

HEX #87148B

RGB 135 20 139

HSL 297.98, 0.75%, 0.31%

LAB 32.95, 58.61, -38.22

 

CMYK 0 / 72 / 86 / 46

HEX #8A2614

RGB 138 38 20

HSL 9.15, 0.75%, 0.31%

LAB 31.44, 41.38, 35.09

 

CMYK 81 / 0 / 86 / 46

HEX #1A8A14

RGB 26 138 20

HSL 116.95, 0.75%, 0.31%

LAB 50.03, -51.45, 48.99

 

CMYK 86 / 12 / 0 / 46

HEX #14798A

RGB 20 121 138

HSL 188.64, 0.75%, 0.31%

LAB 46.52, -20.68, -16.99

 

CMYK 3 / 86 / 0 / 45

HEX #87148B

RGB 135 20 139

HSL 297.98, 0.75%, 0.31%

LAB 32.95, 58.61, -38.22

 

CMYK 0 / 47 / 86 / 46

HEX #8A4914

RGB 138 73 20

HSL 26.95, 0.75%, 0.31%

LAB 38.23, 23.79, 41.18

 

CMYK 81 / 0 / 86 / 46

HEX #1A8A14

RGB 26 138 20

HSL 116.95, 0.75%, 0.31%

LAB 50.03, -51.45, 48.99

 

CMYK 86 / 38 / 0 / 46

HEX #14558A

RGB 20 85 138

HSL 206.95, 0.75%, 0.31%

LAB 34.96, 0.58, -35.01

 

Description

Color code: HEX #87148B | qconv.com Color code: HEX #87148B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 20 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 20 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 86 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 86% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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