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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #871051 it is the complementary color #78EFAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #871051. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #871051 shade: #8C104C, #9D225F, #AE3472, #BF4685 and #D05898

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #871051. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #871051 shade: #871051, #76003E, #65002B, #540018 and #430005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #871051 shade: #891052, #891031, #891011 and #891010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #871051 shade: #891052, #891073, #7F1089, #5E1089 and #3D1089

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #871051 shade matches the following richer shades: #891052 and #950453

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #871051 shade: #891052, #7D1C51, #702950, #64354F and #57424E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #871051 shade: #7F1089, #891073, #891053, #891032 and #891012

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #871051 shade: #3F0726, #640C3C, #891052, #AE1468 and #D3197E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #871051 shade: #871051, #895F10 and #108389

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #871051 shade: #871051, #538910 and #105389

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #871051 shade: #871051, #895F10, #108946 and #103A89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #871051 shade: #871051, #898310, #108946 and #101689

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 40 / 47

HEX #871051

RGB 135 16 81

HSL 327.23, 0.79%, 0.3%

LAB 29.7, 51.46, -6.18

 

Complementary color

CMYK 50 / 0 / 27 / 6

HEX #78EFAE

RGB 120 239 174

HSL 147.23, 0.79%, 0.7%

LAB 86.4, -48.08, 21.34

 

CMYK 0 / 89 / 46 / 45

HEX #8C104C

RGB 140 16 76

HSL 330.97, 0.79%, 0.31%

LAB 30.56, 52.24, -1.47

 

CMYK 0 / 78 / 39 / 38

HEX #9D225F

RGB 157 34 95

HSL 330.24, 0.64%, 0.37%

LAB 36.25, 53.95, -5.05

 

CMYK 0 / 70 / 34 / 32

HEX #AE3472

RGB 174 52 114

HSL 329.51, 0.54%, 0.44%

LAB 42.26, 54.57, -7.71

 

CMYK 0 / 63 / 30 / 25

HEX #BF4685

RGB 191 70 133

HSL 328.76, 0.49%, 0.51%

LAB 48.45, 54.54, -9.74

 

CMYK 0 / 58 / 27 / 18

HEX #D05898

RGB 208 88 152

HSL 328, 0.56%, 0.58%

LAB 54.72, 54.15, -11.36

 

CMYK 0 / 88 / 40 / 47

HEX #871051

RGB 135 16 81

HSL 327.23, 0.79%, 0.3%

LAB 29.7, 51.46, -6.18

 

CMYK 0 / 100 / 47 / 54

HEX #76003E

RGB 118 0 62

HSL 328.47, 1%, 0.23%

LAB 24.32, 48.4, -1.76

 

CMYK 0 / 100 / 57 / 60

HEX #65002B

RGB 101 0 43

HSL 334.46, 1%, 0.2%

LAB 19.81, 42.54, 4.53

 

CMYK 0 / 100 / 71 / 67

HEX #540018

RGB 84 0 24

HSL 342.86, 1%, 0.16%

LAB 15.23, 36.69, 11.41

 

CMYK 0 / 100 / 93 / 74

HEX #430005

RGB 67 0 5

HSL 355.52, 1%, 0.13%

LAB 10.59, 30.89, 14.64

 

CMYK 0 / 88 / 40 / 46

HEX #891052

RGB 137 16 82

HSL 327.27, 0.79%, 0.3%

LAB 30.15, 52.07, -6.12

 

CMYK 0 / 88 / 64 / 46

HEX #891031

RGB 137 16 49

HSL 343.64, 0.79%, 0.3%

LAB 29.19, 49.31, 14.53

 

CMYK 0 / 88 / 88 / 46

HEX #891011

RGB 137 16 17

HSL 359.5, 0.79%, 0.3%

LAB 28.72, 47.94, 34.17

 

CMYK 0 / 88 / 88 / 46

HEX #891010

RGB 137 16 16

HSL 0, 0.79%, 0.3%

LAB 28.71, 47.92, 34.69

 

CMYK 0 / 88 / 40 / 46

HEX #891052

RGB 137 16 82

HSL 327.27, 0.79%, 0.3%

LAB 30.15, 52.07, -6.12

 

CMYK 0 / 88 / 16 / 46

HEX #891073

RGB 137 16 115

HSL 310.91, 0.79%, 0.3%

LAB 31.64, 56.15, -25.22

 

CMYK 7 / 88 / 0 / 46

HEX #7F1089

RGB 127 16 137

HSL 295.04, 0.79%, 0.3%

LAB 31.09, 57.61, -40.04

 

CMYK 31 / 88 / 0 / 46

HEX #5E1089

RGB 94 16 137

HSL 278.68, 0.79%, 0.3%

LAB 25.43, 51.95, -49.47

 

CMYK 55 / 88 / 0 / 46

HEX #3D1089

RGB 61 16 137

HSL 262.31, 0.79%, 0.3%

LAB 20.71, 47.55, -57.41

 

CMYK 0 / 88 / 40 / 46

HEX #891052

RGB 137 16 82

HSL 327.27, 0.79%, 0.3%

LAB 30.15, 52.07, -6.12

 

CMYK 0 / 97 / 44 / 42

HEX #950453

RGB 149 4 83

HSL 327.31, 0.95%, 0.3%

LAB 32.04, 57, -3.7

 

CMYK 0 / 88 / 40 / 46

HEX #891052

RGB 137 16 82

HSL 327.27, 0.79%, 0.3%

LAB 30.15, 52.07, -6.12

 

CMYK 0 / 78 / 35 / 51

HEX #7D1C51

RGB 125 28 81

HSL 327.22, 0.63%, 0.3%

LAB 28.86, 45.45, -7.64

 

CMYK 0 / 63 / 29 / 56

HEX #702950

RGB 112 41 80

HSL 327.04, 0.46%, 0.3%

LAB 28.41, 35.84, -7.9

 

CMYK 0 / 47 / 21 / 61

HEX #64354F

RGB 100 53 79

HSL 326.81, 0.31%, 0.3%

LAB 28.95, 24.81, -6.62

 

CMYK 0 / 24 / 10 / 66

HEX #57424E

RGB 87 66 78

HSL 325.71, 0.14%, 0.3%

LAB 30.58, 11.33, -3.73

 

CMYK 7 / 88 / 0 / 46

HEX #7F1089

RGB 127 16 137

HSL 295.04, 0.79%, 0.3%

LAB 31.09, 57.61, -40.04

 

CMYK 0 / 88 / 16 / 46

HEX #891073

RGB 137 16 115

HSL 310.91, 0.79%, 0.3%

LAB 31.64, 56.15, -25.22

 

CMYK 0 / 88 / 39 / 46

HEX #891053

RGB 137 16 83

HSL 326.78, 0.79%, 0.3%

LAB 30.19, 52.18, -6.72

 

CMYK 0 / 88 / 64 / 46

HEX #891032

RGB 137 16 50

HSL 343.14, 0.79%, 0.3%

LAB 29.21, 49.37, 13.89

 

CMYK 0 / 88 / 87 / 46

HEX #891012

RGB 137 16 18

HSL 359.01, 0.79%, 0.3%

LAB 28.73, 47.96, 33.63

 

CMYK 0 / 89 / 40 / 75

HEX #3F0726

RGB 63 7 38

HSL 326.79, 0.8%, 0.14%

LAB 11.61, 29.2, -4.84

 

CMYK 0 / 88 / 40 / 61

HEX #640C3C

RGB 100 12 60

HSL 327.27, 0.79%, 0.22%

LAB 21.2, 40.95, -5.44

 

CMYK 0 / 88 / 40 / 46

HEX #891052

RGB 137 16 82

HSL 327.27, 0.79%, 0.3%

LAB 30.15, 52.07, -6.12

 

CMYK 0 / 89 / 40 / 32

HEX #AE1468

RGB 174 20 104

HSL 327.27, 0.79%, 0.38%

LAB 38.72, 62.53, -6.74

 

CMYK 0 / 88 / 40 / 17

HEX #D3197E

RGB 211 25 126

HSL 327.42, 0.79%, 0.46%

LAB 47.04, 72.36, -7.24

 

CMYK 0 / 88 / 40 / 47

HEX #871051

RGB 135 16 81

HSL 327.23, 0.79%, 0.3%

LAB 29.7, 51.46, -6.18

 

CMYK 0 / 31 / 88 / 46

HEX #895F10

RGB 137 95 16

HSL 39.17, 0.79%, 0.3%

LAB 43.57, 10.43, 47.1

 

CMYK 88 / 4 / 0 / 46

HEX #108389

RGB 16 131 137

HSL 182.98, 0.79%, 0.3%

LAB 49.68, -26.5, -11.62

 

CMYK 0 / 88 / 40 / 47

HEX #871051

RGB 135 16 81

HSL 327.23, 0.79%, 0.3%

LAB 29.7, 51.46, -6.18

 

CMYK 39 / 0 / 88 / 46

HEX #538910

RGB 83 137 16

HSL 86.78, 0.79%, 0.3%

LAB 51.57, -36.28, 52.07

 

CMYK 88 / 39 / 0 / 46

HEX #105389

RGB 16 83 137

HSL 206.78, 0.79%, 0.3%

LAB 34.2, 1.13, -35.63

 

CMYK 0 / 88 / 40 / 47

HEX #871051

RGB 135 16 81

HSL 327.23, 0.79%, 0.3%

LAB 29.7, 51.46, -6.18

 

CMYK 0 / 31 / 88 / 46

HEX #895F10

RGB 137 95 16

HSL 39.17, 0.79%, 0.3%

LAB 43.57, 10.43, 47.1

 

CMYK 88 / 0 / 49 / 46

HEX #108946

RGB 16 137 70

HSL 146.78, 0.79%, 0.3%

LAB 50.03, -46.5, 27.33

 

CMYK 88 / 58 / 0 / 46

HEX #103A89

RGB 16 58 137

HSL 219.17, 0.79%, 0.3%

LAB 26.57, 18.24, -47.9

 

CMYK 0 / 88 / 40 / 47

HEX #871051

RGB 135 16 81

HSL 327.23, 0.79%, 0.3%

LAB 29.7, 51.46, -6.18

 

CMYK 0 / 4 / 88 / 46

HEX #898310

RGB 137 131 16

HSL 57.02, 0.79%, 0.3%

LAB 53.59, -10.04, 55.31

 

CMYK 88 / 0 / 49 / 46

HEX #108946

RGB 16 137 70

HSL 146.78, 0.79%, 0.3%

LAB 50.03, -46.5, 27.33

 

CMYK 88 / 84 / 0 / 46

HEX #101689

RGB 16 22 137

HSL 237.02, 0.79%, 0.3%

LAB 17.87, 41.54, -62.21

 

Description

Color code: HEX #871051 | qconv.com Color code: HEX #871051 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 16 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 16 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 40 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 40% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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