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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #870F83 it is the complementary color #78F07C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #870F83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #870F83 shade: #8C0F7E, #9D2191, #AE33A4, #BF45B7 and #D057CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #870F83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #870F83 shade: #870F83, #760070, #65005D, #54004A and #430037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #870F83 shade: #850F81, #850F61, #850F41, #850F21 and #850F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #870F83 shade: #850F81, #690F85, #490F85, #290F85 and #0F0F85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #870F83 shade matches the following richer shades: #850F81 and #91038C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #870F83 shade: #850F81, #791B76, #6D276B, #613360 and #553F54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #870F83 shade: #4A0F85, #6A0F85, #850F81, #850F62 and #850F42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #870F83 shade: #3B0739, #600B5D, #850F81, #AA13A5 and #CF17C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #870F83 shade: #870F83, #852A0F and #0F855A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #870F83 shade: #870F83, #81850F and #0F8185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #870F83 shade: #870F83, #852A0F, #0F8513 and #0F6A85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #870F83 shade: #870F83, #854E0F, #0F8513 and #0F4685

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 3 / 47

HEX #870F83

RGB 135 15 131

HSL 302, 0.8%, 0.29%

LAB 32.1, 58.33, -34.6

 

Complementary color

CMYK 50 / 0 / 48 / 6

HEX #78F07C

RGB 120 240 124

HSL 122, 0.8%, 0.71%

LAB 85.89, -56.71, 45.67

 

CMYK 0 / 89 / 10 / 45

HEX #8C0F7E

RGB 140 15 126

HSL 306.72, 0.81%, 0.3%

LAB 32.75, 58.57, -30.38

 

CMYK 0 / 79 / 8 / 38

HEX #9D2191

RGB 157 33 145

HSL 305.81, 0.65%, 0.37%

LAB 38.38, 60.82, -33.04

 

CMYK 0 / 71 / 6 / 32

HEX #AE33A4

RGB 174 51 164

HSL 304.88, 0.55%, 0.44%

LAB 44.3, 61.89, -34.97

 

CMYK 0 / 64 / 4 / 25

HEX #BF45B7

RGB 191 69 183

HSL 303.93, 0.49%, 0.51%

LAB 50.4, 62.23, -36.38

 

CMYK 0 / 58 / 3 / 18

HEX #D057CA

RGB 208 87 202

HSL 302.98, 0.56%, 0.58%

LAB 56.58, 62.12, -37.45

 

CMYK 0 / 89 / 3 / 47

HEX #870F83

RGB 135 15 131

HSL 302, 0.8%, 0.29%

LAB 32.1, 58.33, -34.6

 

CMYK 0 / 100 / 5 / 54

HEX #760070

RGB 118 0 112

HSL 303.05, 1%, 0.23%

LAB 26.8, 54.65, -31.2

 

CMYK 0 / 100 / 8 / 60

HEX #65005D

RGB 101 0 93

HSL 304.75, 1%, 0.2%

LAB 22.15, 48.51, -26.39

 

CMYK 0 / 100 / 12 / 67

HEX #54004A

RGB 84 0 74

HSL 307.14, 1%, 0.16%

LAB 17.36, 42.18, -21.36

 

CMYK 0 / 100 / 18 / 74

HEX #430037

RGB 67 0 55

HSL 310.75, 1%, 0.13%

LAB 12.41, 35.63, -16.03

 

CMYK 0 / 89 / 3 / 48

HEX #850F81

RGB 133 15 129

HSL 302.03, 0.8%, 0.29%

LAB 31.61, 57.63, -34.15

 

CMYK 0 / 89 / 27 / 48

HEX #850F61

RGB 133 15 97

HSL 318.31, 0.8%, 0.29%

LAB 29.89, 53.04, -16.43

 

CMYK 0 / 89 / 51 / 48

HEX #850F41

RGB 133 15 65

HSL 334.58, 0.8%, 0.29%

LAB 28.67, 49.62, 2.93

 

CMYK 0 / 89 / 75 / 48

HEX #850F21

RGB 133 15 33

HSL 350.85, 0.8%, 0.29%

LAB 27.95, 47.54, 23.4

 

CMYK 0 / 89 / 89 / 48

HEX #850F0F

RGB 133 15 15

HSL 0, 0.8%, 0.29%

LAB 27.74, 46.94, 34.05

 

CMYK 0 / 89 / 3 / 48

HEX #850F81

RGB 133 15 129

HSL 302.03, 0.8%, 0.29%

LAB 31.61, 57.63, -34.15

 

CMYK 21 / 89 / 0 / 48

HEX #690F85

RGB 105 15 133

HSL 285.76, 0.8%, 0.29%

LAB 26.84, 53.17, -44.59

 

CMYK 45 / 89 / 0 / 48

HEX #490F85

RGB 73 15 133

HSL 269.49, 0.8%, 0.29%

LAB 21.77, 48.3, -53.09

 

CMYK 69 / 89 / 0 / 48

HEX #290F85

RGB 41 15 133

HSL 253.22, 0.8%, 0.29%

LAB 17.95, 44.92, -59.52

 

CMYK 89 / 89 / 0 / 48

HEX #0F0F85

RGB 15 15 133

HSL 240, 0.8%, 0.29%

LAB 16.19, 43.49, -62.5

 

CMYK 0 / 89 / 3 / 48

HEX #850F81

RGB 133 15 129

HSL 302.03, 0.8%, 0.29%

LAB 31.61, 57.63, -34.15

 

CMYK 0 / 98 / 3 / 43

HEX #91038C

RGB 145 3 140

HSL 302.11, 0.96%, 0.29%

LAB 33.94, 63.35, -37.15

 

CMYK 0 / 89 / 3 / 48

HEX #850F81

RGB 133 15 129

HSL 302.03, 0.8%, 0.29%

LAB 31.61, 57.63, -34.15

 

CMYK 0 / 78 / 2 / 53

HEX #791B76

RGB 121 27 118

HSL 301.91, 0.64%, 0.29%

LAB 29.8, 50.2, -30.22

 

CMYK 0 / 64 / 2 / 57

HEX #6D276B

RGB 109 39 107

HSL 301.71, 0.47%, 0.29%

LAB 28.81, 40.41, -24.9

 

CMYK 0 / 47 / 1 / 62

HEX #613360

RGB 97 51 96

HSL 301.3, 0.31%, 0.29%

LAB 28.78, 28.13, -17.99

 

CMYK 0 / 26 / 1 / 67

HEX #553F54

RGB 85 63 84

HSL 302.73, 0.15%, 0.29%

LAB 29.73, 13.71, -8.9

 

CMYK 44 / 89 / 0 / 48

HEX #4A0F85

RGB 74 15 133

HSL 270, 0.8%, 0.29%

LAB 21.91, 48.43, -52.85

 

CMYK 20 / 89 / 0 / 48

HEX #6A0F85

RGB 106 15 133

HSL 286.27, 0.8%, 0.29%

LAB 27.02, 53.34, -44.3

 

CMYK 0 / 89 / 3 / 48

HEX #850F81

RGB 133 15 129

HSL 302.03, 0.8%, 0.29%

LAB 31.61, 57.63, -34.15

 

CMYK 0 / 89 / 26 / 48

HEX #850F62

RGB 133 15 98

HSL 317.8, 0.8%, 0.29%

LAB 29.94, 53.17, -17

 

CMYK 0 / 89 / 50 / 48

HEX #850F42

RGB 133 15 66

HSL 334.07, 0.8%, 0.29%

LAB 28.7, 49.71, 2.3

 

CMYK 0 / 88 / 3 / 77

HEX #3B0739

RGB 59 7 57

HSL 302.31, 0.79%, 0.13%

LAB 11.8, 31.16, -18.54

 

CMYK 0 / 89 / 3 / 62

HEX #600B5D

RGB 96 11 93

HSL 302.12, 0.79%, 0.21%

LAB 22, 44.97, -26.68

 

CMYK 0 / 89 / 3 / 48

HEX #850F81

RGB 133 15 129

HSL 302.03, 0.8%, 0.29%

LAB 31.61, 57.63, -34.15

 

CMYK 0 / 89 / 3 / 33

HEX #AA13A5

RGB 170 19 165

HSL 301.99, 0.8%, 0.37%

LAB 40.78, 69.53, -41.18

 

CMYK 0 / 89 / 3 / 19

HEX #CF17C9

RGB 207 23 201

HSL 301.96, 0.8%, 0.45%

LAB 49.61, 80.89, -47.9

 

CMYK 0 / 89 / 3 / 47

HEX #870F83

RGB 135 15 131

HSL 302, 0.8%, 0.29%

LAB 32.1, 58.33, -34.6

 

CMYK 0 / 68 / 89 / 48

HEX #852A0F

RGB 133 42 15

HSL 13.73, 0.8%, 0.29%

LAB 31.06, 37.73, 36.84

 

CMYK 89 / 0 / 32 / 48

HEX #0F855A

RGB 15 133 90

HSL 158.14, 0.8%, 0.29%

LAB 49.03, -40.9, 14.85

 

CMYK 0 / 89 / 3 / 47

HEX #870F83

RGB 135 15 131

HSL 302, 0.8%, 0.29%

LAB 32.1, 58.33, -34.6

 

CMYK 3 / 0 / 89 / 48

HEX #81850F

RGB 129 133 15

HSL 62.03, 0.8%, 0.29%

LAB 53.47, -14.83, 55.15

 

CMYK 89 / 3 / 0 / 48

HEX #0F8185

RGB 15 129 133

HSL 182.03, 0.8%, 0.29%

LAB 48.88, -26.87, -10.48

 

CMYK 0 / 89 / 3 / 47

HEX #870F83

RGB 135 15 131

HSL 302, 0.8%, 0.29%

LAB 32.1, 58.33, -34.6

 

CMYK 0 / 68 / 89 / 48

HEX #852A0F

RGB 133 42 15

HSL 13.73, 0.8%, 0.29%

LAB 31.06, 37.73, 36.84

 

CMYK 89 / 0 / 86 / 48

HEX #0F8513

RGB 15 133 19

HSL 122.03, 0.8%, 0.29%

LAB 48.16, -51.21, 47.5

 

CMYK 89 / 20 / 0 / 48

HEX #0F6A85

RGB 15 106 133

HSL 193.73, 0.8%, 0.29%

LAB 41.38, -14.6, -21.92

 

CMYK 0 / 89 / 3 / 47

HEX #870F83

RGB 135 15 131

HSL 302, 0.8%, 0.29%

LAB 32.1, 58.33, -34.6

 

CMYK 0 / 41 / 89 / 48

HEX #854E0F

RGB 133 78 15

HSL 32.03, 0.8%, 0.29%

LAB 38.67, 18.5, 43.17

 

CMYK 89 / 0 / 86 / 48

HEX #0F8513

RGB 15 133 19

HSL 122.03, 0.8%, 0.29%

LAB 48.16, -51.21, 47.5

 

CMYK 89 / 47 / 0 / 48

HEX #0F4685

RGB 15 70 133

HSL 212.03, 0.8%, 0.29%

LAB 29.85, 8.1, -40.12

 

Description

Color code: HEX #870F83 | qconv.com Color code: HEX #870F83 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 15 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 15 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 3 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 3% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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