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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86FE0E it is the complementary color #7901F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86FE0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86FE0E shade: #8BFE09, #9CFF1C, #ADFF2F, #BEFF42 and #CFFF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86FE0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86FE0E shade: #86FE0E, #75EC00, #64DA00, #53C800 and #42B600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86FE0E shade: #87FE10, #C7FE10, #FEF410, #FEB410 and #FE7410

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86FE0E shade: #87FE10, #47FE10, #10FE1A, #10FE5A and #10FE9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86FE0E shade matches the following richer shades: #87FE10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86FE0E shade: #87FE10, #87EA24, #87D737, #87C44B and #87B05E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86FE0E shade: #FEF610, #C6FE10, #87FE10, #48FE10 and #10FE18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86FE0E shade: #5EBB01, #73E401, #87FE10, #9CFE3A and #B0FE63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86FE0E shade: #86FE0E, #10FEB7 and #FE10E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86FE0E shade: #86FE0E, #1087FE and #FE1087

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86FE0E shade: #86FE0E, #10FEB7, #8710FE and #FE1058

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86FE0E shade: #86FE0E, #10FEFE, #8710FE and #FE1010

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 94 / 0

HEX #86FE0E

RGB 134 254 14

HSL 90, 0.99%, 0.53%

LAB 89.85, -65.54, 84.81

 

Complementary color

CMYK 50 / 100 / 0 / 5

HEX #7901F1

RGB 121 1 241

HSL 270, 0.99%, 0.47%

LAB 38.62, 79.61, -89.25

 

CMYK 45 / 0 / 96 / 0

HEX #8BFE09

RGB 139 254 9

HSL 88.16, 0.99%, 0.52%

LAB 90.04, -64.12, 85.44

 

CMYK 39 / 0 / 89 / 0

HEX #9CFF1C

RGB 156 255 28

HSL 86.17, 1%, 0.55%

LAB 91.09, -58.81, 84.5

 

CMYK 32 / 0 / 82 / 0

HEX #ADFF2F

RGB 173 255 47

HSL 83.65, 1%, 0.59%

LAB 91.96, -52.48, 81.87

 

CMYK 25 / 0 / 74 / 0

HEX #BEFF42

RGB 190 255 66

HSL 80.63, 1%, 0.63%

LAB 92.95, -45.58, 77.9

 

CMYK 19 / 0 / 67 / 0

HEX #CFFF55

RGB 207 255 85

HSL 76.94, 1%, 0.67%

LAB 94.07, -38.2, 72.85

 

CMYK 47 / 0 / 94 / 0

HEX #86FE0E

RGB 134 254 14

HSL 90, 0.99%, 0.53%

LAB 89.85, -65.54, 84.81

 

CMYK 50 / 0 / 100 / 7

HEX #75EC00

RGB 117 236 0

HSL 90.25, 1%, 0.46%

LAB 83.85, -64.21, 80.9

 

CMYK 54 / 0 / 100 / 15

HEX #64DA00

RGB 100 218 0

HSL 92.48, 1%, 0.43%

LAB 77.79, -62.59, 75.88

 

CMYK 59 / 0 / 100 / 22

HEX #53C800

RGB 83 200 0

HSL 95.1, 1%, 0.39%

LAB 71.66, -60.82, 70.81

 

CMYK 64 / 0 / 100 / 29

HEX #42B600

RGB 66 182 0

HSL 98.24, 1%, 0.36%

LAB 65.45, -58.84, 65.69

 

CMYK 47 / 0 / 94 / 0

HEX #87FE10

RGB 135 254 16

HSL 90, 0.99%, 0.53%

LAB 89.89, -65.22, 84.67

 

CMYK 22 / 0 / 94 / 0

HEX #C7FE10

RGB 199 254 16

HSL 73.87, 0.99%, 0.53%

LAB 93.04, -43.27, 88.5

 

CMYK 0 / 4 / 94 / 0

HEX #FEF410

RGB 254 244 16

HSL 57.48, 0.99%, 0.53%

LAB 94.23, -16.58, 91.1

 

CMYK 0 / 29 / 94 / 0

HEX #FEB410

RGB 254 180 16

HSL 41.34, 0.99%, 0.53%

LAB 78.32, 15.82, 79.39

 

CMYK 0 / 54 / 94 / 0

HEX #FE7410

RGB 254 116 16

HSL 25.21, 0.99%, 0.53%

LAB 64.64, 48.38, 69.96

 

CMYK 47 / 0 / 94 / 0

HEX #87FE10

RGB 135 254 16

HSL 90, 0.99%, 0.53%

LAB 89.89, -65.22, 84.67

 

CMYK 72 / 0 / 94 / 0

HEX #47FE10

RGB 71 254 16

HSL 106.13, 0.99%, 0.53%

LAB 88.09, -79.91, 82.46

 

CMYK 94 / 0 / 90 / 0

HEX #10FE1A

RGB 16 254 26

HSL 122.52, 0.99%, 0.53%

LAB 87.52, -84.97, 80.49

 

CMYK 94 / 0 / 65 / 0

HEX #10FE5A

RGB 16 254 90

HSL 138.66, 0.99%, 0.53%

LAB 87.84, -80.86, 62.49

 

CMYK 94 / 0 / 39 / 0

HEX #10FE9A

RGB 16 254 154

HSL 154.79, 0.99%, 0.53%

LAB 88.6, -71.59, 34.14

 

CMYK 47 / 0 / 94 / 0

HEX #87FE10

RGB 135 254 16

HSL 90, 0.99%, 0.53%

LAB 89.89, -65.22, 84.67

 

CMYK 47 / 0 / 94 / 0

HEX #87FE10

RGB 135 254 16

HSL 90, 0.99%, 0.53%

LAB 89.89, -65.22, 84.67

 

CMYK 42 / 0 / 85 / 8

HEX #87EA24

RGB 135 234 36

HSL 90, 0.83%, 0.53%

LAB 84.03, -57.31, 76.7

 

CMYK 37 / 0 / 74 / 16

HEX #87D737

RGB 135 215 55

HSL 90, 0.67%, 0.53%

LAB 78.48, -48.91, 66.48

 

CMYK 31 / 0 / 62 / 23

HEX #87C44B

RGB 135 196 75

HSL 90.25, 0.51%, 0.53%

LAB 72.98, -39.37, 53.11

 

CMYK 23 / 0 / 47 / 31

HEX #87B05E

RGB 135 176 94

HSL 90, 0.34%, 0.53%

LAB 67.28, -28.13, 37.44

 

CMYK 0 / 3 / 94 / 0

HEX #FEF610

RGB 254 246 16

HSL 57.98, 0.99%, 0.53%

LAB 94.75, -17.54, 91.48

 

CMYK 22 / 0 / 94 / 0

HEX #C6FE10

RGB 198 254 16

HSL 74.12, 0.99%, 0.53%

LAB 92.98, -43.65, 88.43

 

CMYK 47 / 0 / 94 / 0

HEX #87FE10

RGB 135 254 16

HSL 90, 0.99%, 0.53%

LAB 89.89, -65.22, 84.67

 

CMYK 72 / 0 / 94 / 0

HEX #48FE10

RGB 72 254 16

HSL 105.88, 0.99%, 0.53%

LAB 88.11, -79.75, 82.48

 

CMYK 94 / 0 / 91 / 0

HEX #10FE18

RGB 16 254 24

HSL 122.02, 0.99%, 0.53%

LAB 87.51, -85.02, 80.77

 

CMYK 50 / 0 / 99 / 27

HEX #5EBB01

RGB 94 187 1

HSL 90, 0.99%, 0.37%

LAB 67.96, -53.1, 67.95

 

CMYK 50 / 0 / 100 / 11

HEX #73E401

RGB 115 228 1

HSL 89.87, 0.99%, 0.45%

LAB 81.37, -61.91, 78.83

 

CMYK 47 / 0 / 94 / 0

HEX #87FE10

RGB 135 254 16

HSL 90, 0.99%, 0.53%

LAB 89.89, -65.22, 84.67

 

CMYK 39 / 0 / 77 / 0

HEX #9CFE3A

RGB 156 254 58

HSL 90, 0.99%, 0.61%

LAB 90.9, -57.36, 77.73

 

CMYK 31 / 0 / 61 / 0

HEX #B0FE63

RGB 176 254 99

HSL 90.19, 0.99%, 0.69%

LAB 92.14, -47.95, 64.78

 

CMYK 47 / 0 / 94 / 0

HEX #86FE0E

RGB 134 254 14

HSL 90, 0.99%, 0.53%

LAB 89.85, -65.54, 84.81

 

CMYK 94 / 0 / 28 / 0

HEX #10FEB7

RGB 16 254 183

HSL 162.1, 0.99%, 0.53%

LAB 89.12, -65.71, 20.21

 

CMYK 0 / 94 / 9 / 0

HEX #FE10E6

RGB 254 16 230

HSL 306.05, 0.99%, 0.53%

LAB 59.12, 93.74, -48.82

 

CMYK 47 / 0 / 94 / 0

HEX #86FE0E

RGB 134 254 14

HSL 90, 0.99%, 0.53%

LAB 89.85, -65.54, 84.81

 

CMYK 94 / 47 / 0 / 0

HEX #1087FE

RGB 16 135 254

HSL 210, 0.99%, 0.53%

LAB 56.68, 14.47, -67.2

 

CMYK 0 / 94 / 47 / 0

HEX #FE1087

RGB 254 16 135

HSL 330, 0.99%, 0.53%

LAB 55.27, 83.75, 0.4

 

CMYK 47 / 0 / 94 / 0

HEX #86FE0E

RGB 134 254 14

HSL 90, 0.99%, 0.53%

LAB 89.85, -65.54, 84.81

 

CMYK 94 / 0 / 28 / 0

HEX #10FEB7

RGB 16 254 183

HSL 162.1, 0.99%, 0.53%

LAB 89.12, -65.71, 20.21

 

CMYK 47 / 94 / 0 / 0

HEX #8710FE

RGB 135 16 254

HSL 270, 0.99%, 0.53%

LAB 42.27, 81.78, -90.46

 

CMYK 0 / 94 / 65 / 0

HEX #FE1058

RGB 254 16 88

HSL 341.85, 0.99%, 0.53%

LAB 54.18, 80.79, 27.15

 

CMYK 47 / 0 / 94 / 0

HEX #86FE0E

RGB 134 254 14

HSL 90, 0.99%, 0.53%

LAB 89.85, -65.54, 84.81

 

CMYK 94 / 0 / 0 / 0

HEX #10FEFE

RGB 16 254 254

HSL 180, 0.99%, 0.53%

LAB 90.85, -47.6, -14.02

 

CMYK 47 / 94 / 0 / 0

HEX #8710FE

RGB 135 16 254

HSL 270, 0.99%, 0.53%

LAB 42.27, 81.78, -90.46

 

CMYK 0 / 94 / 94 / 0

HEX #FE1010

RGB 254 16 16

HSL 0, 0.99%, 0.53%

LAB 53.47, 78.82, 63.18

 

Description

Color code: HEX #86FE0E | qconv.com Color code: HEX #86FE0E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 254 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 254 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 94 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 94% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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