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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86FB3D it is the complementary color #7904C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86FB3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86FB3D shade: #8BFB38, #9CFF4B, #ADFF5E, #BEFF71 and #CFFF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86FB3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86FB3D shade: #86FB3D, #75E92A, #64D717, #53C504 and #42B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86FB3D shade: #85FB3C, #B9FB3C, #ECFB3C, #FBD63C and #FBA33C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86FB3D shade: #85FB3C, #52FB3C, #3CFB5A, #3CFB8D and #3CFBC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86FB3D shade matches the following richer shades: #85FB3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86FB3D shade: #85FB3C, #89EB4C, #8DDB5C, #91CB6C and #94BB7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86FB3D shade: #EEFB3C, #BBFB3C, #88FB3C, #56FB3C and #3CFB56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86FB3D shade: #59E005, #6CFA14, #85FB3C, #9FFC65 and #B8FD8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86FB3D shade: #86FB3D, #3CFBD5 and #FB3CD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86FB3D shade: #86FB3D, #3C88FB and #FB3C88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86FB3D shade: #86FB3D, #3CFBD5, #AF3CFB and #FB3C62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86FB3D shade: #86FB3D, #3CE8FB, #AF3CFB and #FB4F3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 76 / 2

HEX #86FB3D

RGB 134 251 61

HSL 96.95, 0.96%, 0.61%

LAB 89.11, -62.87, 74.83

 

Complementary color

CMYK 38 / 98 / 0 / 24

HEX #7904C2

RGB 121 4 194

HSL 276.95, 0.96%, 0.39%

LAB 34.08, 69.48, -69.65

 

CMYK 45 / 0 / 78 / 2

HEX #8BFB38

RGB 139 251 56

HSL 94.46, 0.96%, 0.6%

LAB 89.28, -61.65, 76.52

 

CMYK 39 / 0 / 71 / 0

HEX #9CFF4B

RGB 156 255 75

HSL 93, 1%, 0.65%

LAB 91.28, -56.79, 72.71

 

CMYK 32 / 0 / 63 / 0

HEX #ADFF5E

RGB 173 255 94

HSL 90.56, 1%, 0.68%

LAB 92.23, -49.8, 66.86

 

CMYK 25 / 0 / 56 / 0

HEX #BEFF71

RGB 190 255 113

HSL 87.46, 1%, 0.72%

LAB 93.3, -42.27, 60.35

 

CMYK 19 / 0 / 48 / 0

HEX #CFFF84

RGB 207 255 132

HSL 83.41, 1%, 0.76%

LAB 94.5, -34.32, 53.45

 

CMYK 47 / 0 / 76 / 2

HEX #86FB3D

RGB 134 251 61

HSL 96.95, 0.96%, 0.61%

LAB 89.11, -62.87, 74.83

 

CMYK 50 / 0 / 82 / 9

HEX #75E92A

RGB 117 233 42

HSL 96.44, 0.81%, 0.54%

LAB 83.03, -62.14, 74.18

 

CMYK 53 / 0 / 89 / 16

HEX #64D717

RGB 100 215 23

HSL 95.94, 0.81%, 0.47%

LAB 76.9, -61.11, 72.54

 

CMYK 58 / 0 / 98 / 23

HEX #53C504

RGB 83 197 4

HSL 95.44, 0.96%, 0.39%

LAB 70.72, -59.72, 69.63

 

CMYK 63 / 0 / 100 / 30

HEX #42B300

RGB 66 179 0

HSL 97.88, 1%, 0.35%

LAB 64.48, -57.84, 64.93

 

CMYK 47 / 0 / 76 / 2

HEX #85FB3C

RGB 133 251 60

HSL 97.07, 0.96%, 0.61%

LAB 89.07, -63.22, 75.07

 

CMYK 26 / 0 / 76 / 2

HEX #B9FB3C

RGB 185 251 60

HSL 80.73, 0.96%, 0.61%

LAB 91.52, -45.99, 78.26

 

CMYK 6 / 0 / 76 / 2

HEX #ECFB3C

RGB 236 251 60

HSL 64.71, 0.96%, 0.61%

LAB 94.8, -26.27, 82.48

 

CMYK 0 / 15 / 76 / 2

HEX #FBD63C

RGB 251 214 60

HSL 48.38, 0.96%, 0.61%

LAB 86.47, -1.96, 75.31

 

CMYK 0 / 35 / 76 / 2

HEX #FBA33C

RGB 251 163 60

HSL 32.36, 0.96%, 0.61%

LAB 74.21, 24.51, 63.75

 

CMYK 47 / 0 / 76 / 2

HEX #85FB3C

RGB 133 251 60

HSL 97.07, 0.96%, 0.61%

LAB 89.07, -63.22, 75.07

 

CMYK 67 / 0 / 76 / 2

HEX #52FB3C

RGB 82 251 60

HSL 113.09, 0.96%, 0.61%

LAB 87.54, -75.41, 73.07

 

CMYK 76 / 0 / 64 / 2

HEX #3CFB5A

RGB 60 251 90

HSL 129.42, 0.96%, 0.61%

LAB 87.34, -76.41, 62.06

 

CMYK 76 / 0 / 44 / 2

HEX #3CFB8D

RGB 60 251 141

HSL 145.45, 0.96%, 0.61%

LAB 87.91, -69.58, 39.71

 

CMYK 76 / 0 / 23 / 2

HEX #3CFBC1

RGB 60 251 193

HSL 161.78, 0.96%, 0.61%

LAB 88.83, -59.33, 14.73

 

CMYK 47 / 0 / 76 / 2

HEX #85FB3C

RGB 133 251 60

HSL 97.07, 0.96%, 0.61%

LAB 89.07, -63.22, 75.07

 

CMYK 47 / 0 / 76 / 2

HEX #85FB3C

RGB 133 251 60

HSL 97.07, 0.96%, 0.61%

LAB 89.07, -63.22, 75.07

 

CMYK 42 / 0 / 68 / 8

HEX #89EB4C

RGB 137 235 76

HSL 96.98, 0.8%, 0.61%

LAB 84.62, -54.89, 65.25

 

CMYK 36 / 0 / 58 / 14

HEX #8DDB5C

RGB 141 219 92

HSL 96.85, 0.64%, 0.61%

LAB 80.23, -45.66, 53.91

 

CMYK 29 / 0 / 47 / 20

HEX #91CB6C

RGB 145 203 108

HSL 96.63, 0.48%, 0.61%

LAB 75.96, -35.47, 41.33

 

CMYK 21 / 0 / 34 / 27

HEX #94BB7C

RGB 148 187 124

HSL 97.14, 0.32%, 0.61%

LAB 71.75, -24.63, 27.77

 

CMYK 5 / 0 / 76 / 2

HEX #EEFB3C

RGB 238 251 60

HSL 64.08, 0.96%, 0.61%

LAB 94.95, -25.47, 82.67

 

CMYK 25 / 0 / 76 / 2

HEX #BBFB3C

RGB 187 251 60

HSL 80.1, 0.96%, 0.61%

LAB 91.63, -45.25, 78.4

 

CMYK 46 / 0 / 76 / 2

HEX #88FB3C

RGB 136 251 60

HSL 96.13, 0.96%, 0.61%

LAB 89.18, -62.34, 75.22

 

CMYK 66 / 0 / 76 / 2

HEX #56FB3C

RGB 86 251 60

HSL 111.83, 0.96%, 0.61%

LAB 87.63, -74.66, 73.19

 

CMYK 76 / 0 / 66 / 2

HEX #3CFB56

RGB 60 251 86

HSL 128.17, 0.96%, 0.61%

LAB 87.3, -76.8, 63.61

 

CMYK 60 / 0 / 98 / 12

HEX #59E005

RGB 89 224 5

HSL 96.99, 0.96%, 0.45%

LAB 79.3, -67.32, 76.47

 

CMYK 57 / 0 / 92 / 2

HEX #6CFA14

RGB 108 250 20

HSL 97.04, 0.96%, 0.53%

LAB 87.78, -71.09, 82.12

 

CMYK 47 / 0 / 76 / 2

HEX #85FB3C

RGB 133 251 60

HSL 97.07, 0.96%, 0.61%

LAB 89.07, -63.22, 75.07

 

CMYK 37 / 0 / 60 / 1

HEX #9FFC65

RGB 159 252 101

HSL 96.95, 0.96%, 0.69%

LAB 90.75, -52.61, 62.17

 

CMYK 27 / 0 / 44 / 1

HEX #B8FD8D

RGB 184 253 141

HSL 96.96, 0.97%, 0.77%

LAB 92.74, -40.48, 46.72

 

CMYK 47 / 0 / 76 / 2

HEX #86FB3D

RGB 134 251 61

HSL 96.95, 0.96%, 0.61%

LAB 89.11, -62.87, 74.83

 

CMYK 76 / 0 / 15 / 2

HEX #3CFBD5

RGB 60 251 213

HSL 168.06, 0.96%, 0.61%

LAB 89.28, -54.6, 5.02

 

CMYK 0 / 76 / 15 / 2

HEX #FB3CD5

RGB 251 60 213

HSL 311.94, 0.96%, 0.61%

LAB 60.38, 83.39, -37.27

 

CMYK 47 / 0 / 76 / 2

HEX #86FB3D

RGB 134 251 61

HSL 96.95, 0.96%, 0.61%

LAB 89.11, -62.87, 74.83

 

CMYK 76 / 46 / 0 / 2

HEX #3C88FB

RGB 60 136 251

HSL 216.13, 0.96%, 0.61%

LAB 57.59, 15.8, -64.04

 

CMYK 0 / 76 / 46 / 2

HEX #FB3C88

RGB 251 60 136

HSL 336.13, 0.96%, 0.61%

LAB 57.58, 74.97, 3.09

 

CMYK 47 / 0 / 76 / 2

HEX #86FB3D

RGB 134 251 61

HSL 96.95, 0.96%, 0.61%

LAB 89.11, -62.87, 74.83

 

CMYK 76 / 0 / 15 / 2

HEX #3CFBD5

RGB 60 251 213

HSL 168.06, 0.96%, 0.61%

LAB 89.28, -54.6, 5.02

 

CMYK 30 / 76 / 0 / 2

HEX #AF3CFB

RGB 175 60 251

HSL 276.13, 0.96%, 0.61%

LAB 51.05, 75.12, -74.2

 

CMYK 0 / 76 / 61 / 2

HEX #FB3C62

RGB 251 60 98

HSL 348.06, 0.96%, 0.61%

LAB 56.71, 72.24, 24.39

 

CMYK 47 / 0 / 76 / 2

HEX #86FB3D

RGB 134 251 61

HSL 96.95, 0.96%, 0.61%

LAB 89.11, -62.87, 74.83

 

CMYK 76 / 8 / 0 / 2

HEX #3CE8FB

RGB 60 232 251

HSL 185.97, 0.96%, 0.61%

LAB 84.81, -36, -21.5

 

CMYK 30 / 76 / 0 / 2

HEX #AF3CFB

RGB 175 60 251

HSL 276.13, 0.96%, 0.61%

LAB 51.05, 75.12, -74.2

 

CMYK 0 / 69 / 76 / 2

HEX #FB4F3C

RGB 251 79 60

HSL 5.97, 0.96%, 0.61%

LAB 58.44, 64.14, 47.89

 

Description

Color code: HEX #86FB3D | qconv.com Color code: HEX #86FB3D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 251 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 251 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 76 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 76% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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