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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86FB36 it is the complementary color #7904C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86FB36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86FB36 shade: #8BFB31, #9CFF44, #ADFF57, #BEFF6A and #CFFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86FB36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86FB36 shade: #86FB36, #75E923, #64D710, #53C500 and #42B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86FB36 shade: #86FA37, #BBFA37, #F0FA37, #FAD037 and #FA9B37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86FB36 shade: #86FA37, #51FA37, #37FA51, #37FA85 and #37FABA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86FB36 shade matches the following richer shades: #86FA37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86FB36 shade: #86FA37, #89EA47, #8CD958, #8FC968 and #93B879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86FB36 shade: #F1FA37, #BCFA37, #88FA37, #54FA37 and #37FA4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86FB36 shade: #5BDB04, #6EFA0E, #86FA37, #9EFB5F and #B7FC87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86FB36 shade: #86FB36, #37FAD0 and #FA37D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86FB36 shade: #86FB36, #3788FA and #FA3788

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86FB36 shade: #86FB36, #37FAD0, #A937FA and #FA3761

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86FB36 shade: #86FB36, #37EAFA, #A937FA and #FA4737

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 78 / 2

HEX #86FB36

RGB 134 251 54

HSL 95.63, 0.96%, 0.6%

LAB 89.08, -63.24, 76.82

 

Complementary color

CMYK 40 / 98 / 0 / 21

HEX #7904C9

RGB 121 4 201

HSL 275.63, 0.96%, 0.4%

LAB 34.74, 70.91, -72.66

 

CMYK 45 / 0 / 80 / 2

HEX #8BFB31

RGB 139 251 49

HSL 93.27, 0.96%, 0.59%

LAB 89.25, -61.98, 78.37

 

CMYK 39 / 0 / 73 / 0

HEX #9CFF44

RGB 156 255 68

HSL 91.76, 1%, 0.63%

LAB 91.24, -57.22, 75.01

 

CMYK 32 / 0 / 66 / 0

HEX #ADFF57

RGB 173 255 87

HSL 89.29, 1%, 0.67%

LAB 92.17, -50.33, 69.53

 

CMYK 25 / 0 / 58 / 0

HEX #BEFF6A

RGB 190 255 106

HSL 86.17, 1%, 0.71%

LAB 93.24, -42.89, 63.29

 

CMYK 19 / 0 / 51 / 0

HEX #CFFF7D

RGB 207 255 125

HSL 82.15, 1%, 0.75%

LAB 94.43, -35.02, 56.57

 

CMYK 47 / 0 / 78 / 2

HEX #86FB36

RGB 134 251 54

HSL 95.63, 0.96%, 0.6%

LAB 89.08, -63.24, 76.82

 

CMYK 50 / 0 / 85 / 9

HEX #75E923

RGB 117 233 35

HSL 95.15, 0.82%, 0.53%

LAB 83.01, -62.41, 75.75

 

CMYK 53 / 0 / 93 / 16

HEX #64D710

RGB 100 215 16

HSL 94.67, 0.86%, 0.45%

LAB 76.89, -61.28, 73.56

 

CMYK 58 / 0 / 100 / 23

HEX #53C500

RGB 83 197 0

HSL 94.72, 1%, 0.39%

LAB 70.71, -59.79, 70.07

 

CMYK 63 / 0 / 100 / 30

HEX #42B300

RGB 66 179 0

HSL 97.88, 1%, 0.35%

LAB 64.48, -57.84, 64.93

 

CMYK 46 / 0 / 78 / 2

HEX #86FA37

RGB 134 250 55

HSL 95.69, 0.95%, 0.6%

LAB 88.79, -62.82, 76.27

 

CMYK 25 / 0 / 78 / 2

HEX #BBFA37

RGB 187 250 55

HSL 79.38, 0.95%, 0.6%

LAB 91.33, -45.04, 79.54

 

CMYK 4 / 0 / 78 / 2

HEX #F0FA37

RGB 240 250 55

HSL 63.08, 0.95%, 0.6%

LAB 94.81, -24.37, 83.98

 

CMYK 0 / 17 / 78 / 2

HEX #FAD037

RGB 250 208 55

HSL 47.08, 0.95%, 0.6%

LAB 84.85, 0.49, 75.41

 

CMYK 0 / 38 / 78 / 2

HEX #FA9B37

RGB 250 155 55

HSL 30.77, 0.95%, 0.6%

LAB 72.26, 28.09, 63.83

 

CMYK 46 / 0 / 78 / 2

HEX #86FA37

RGB 134 250 55

HSL 95.69, 0.95%, 0.6%

LAB 88.79, -62.82, 76.27

 

CMYK 68 / 0 / 78 / 2

HEX #51FA37

RGB 81 250 55

HSL 112, 0.95%, 0.6%

LAB 87.19, -75.58, 74.2

 

CMYK 78 / 0 / 68 / 2

HEX #37FA51

RGB 55 250 81

HSL 128, 0.95%, 0.6%

LAB 86.89, -77.59, 65.06

 

CMYK 78 / 0 / 47 / 2

HEX #37FA85

RGB 55 250 133

HSL 144, 0.95%, 0.6%

LAB 87.43, -71.12, 42.95

 

CMYK 78 / 0 / 26 / 2

HEX #37FABA

RGB 55 250 186

HSL 160.31, 0.95%, 0.6%

LAB 88.32, -61.04, 17.6

 

CMYK 46 / 0 / 78 / 2

HEX #86FA37

RGB 134 250 55

HSL 95.69, 0.95%, 0.6%

LAB 88.79, -62.82, 76.27

 

CMYK 46 / 0 / 78 / 2

HEX #86FA37

RGB 134 250 55

HSL 95.69, 0.95%, 0.6%

LAB 88.79, -62.82, 76.27

 

CMYK 41 / 0 / 70 / 8

HEX #89EA47

RGB 137 234 71

HSL 95.71, 0.8%, 0.6%

LAB 84.29, -54.86, 66.76

 

CMYK 35 / 0 / 59 / 15

HEX #8CD958

RGB 140 217 88

HSL 95.81, 0.63%, 0.6%

LAB 79.56, -45.54, 54.89

 

CMYK 29 / 0 / 48 / 21

HEX #8FC968

RGB 143 201 104

HSL 95.88, 0.47%, 0.6%

LAB 75.21, -35.74, 42.35

 

CMYK 20 / 0 / 34 / 28

HEX #93B879

RGB 147 184 121

HSL 95.24, 0.31%, 0.6%

LAB 70.78, -23.96, 28.05

 

CMYK 4 / 0 / 78 / 2

HEX #F1FA37

RGB 241 250 55

HSL 62.77, 0.95%, 0.6%

LAB 94.89, -23.96, 84.07

 

CMYK 25 / 0 / 78 / 2

HEX #BCFA37

RGB 188 250 55

HSL 79.08, 0.95%, 0.6%

LAB 91.39, -44.67, 79.62

 

CMYK 46 / 0 / 78 / 2

HEX #88FA37

RGB 136 250 55

HSL 95.08, 0.95%, 0.6%

LAB 88.87, -62.23, 76.37

 

CMYK 66 / 0 / 78 / 2

HEX #54FA37

RGB 84 250 55

HSL 111.08, 0.95%, 0.6%

LAB 87.26, -75.02, 74.28

 

CMYK 78 / 0 / 69 / 2

HEX #37FA4D

RGB 55 250 77

HSL 126.77, 0.95%, 0.6%

LAB 86.86, -77.94, 66.52

 

CMYK 58 / 0 / 98 / 14

HEX #5BDB04

RGB 91 219 4

HSL 95.72, 0.96%, 0.44%

LAB 77.81, -65.2, 75.4

 

CMYK 56 / 0 / 94 / 2

HEX #6EFA0E

RGB 110 250 14

HSL 95.59, 0.96%, 0.52%

LAB 87.83, -70.7, 82.83

 

CMYK 46 / 0 / 78 / 2

HEX #86FA37

RGB 134 250 55

HSL 95.69, 0.95%, 0.6%

LAB 88.79, -62.82, 76.27

 

CMYK 37 / 0 / 62 / 2

HEX #9EFB5F

RGB 158 251 95

HSL 95.77, 0.95%, 0.68%

LAB 90.36, -53.06, 64.21

 

CMYK 27 / 0 / 46 / 1

HEX #B7FC87

RGB 183 252 135

HSL 95.38, 0.95%, 0.76%

LAB 92.33, -41.1, 49.06

 

CMYK 47 / 0 / 78 / 2

HEX #86FB36

RGB 134 251 54

HSL 95.63, 0.96%, 0.6%

LAB 89.08, -63.24, 76.82

 

CMYK 78 / 0 / 17 / 2

HEX #37FAD0

RGB 55 250 208

HSL 167.08, 0.95%, 0.6%

LAB 88.8, -55.92, 6.91

 

CMYK 0 / 78 / 14 / 2

HEX #FA37D7

RGB 250 55 215

HSL 310.77, 0.95%, 0.6%

LAB 59.85, 84.73, -39.24

 

CMYK 47 / 0 / 78 / 2

HEX #86FB36

RGB 134 251 54

HSL 95.63, 0.96%, 0.6%

LAB 89.08, -63.24, 76.82

 

CMYK 78 / 46 / 0 / 2

HEX #3788FA

RGB 55 136 250

HSL 215.08, 0.95%, 0.6%

LAB 57.39, 14.91, -63.82

 

CMYK 0 / 78 / 46 / 2

HEX #FA3788

RGB 250 55 136

HSL 335.08, 0.95%, 0.6%

LAB 56.91, 76.09, 2.11

 

CMYK 47 / 0 / 78 / 2

HEX #86FB36

RGB 134 251 54

HSL 95.63, 0.96%, 0.6%

LAB 89.08, -63.24, 76.82

 

CMYK 78 / 0 / 17 / 2

HEX #37FAD0

RGB 55 250 208

HSL 167.08, 0.95%, 0.6%

LAB 88.8, -55.92, 6.91

 

CMYK 32 / 78 / 0 / 2

HEX #A937FA

RGB 169 55 250

HSL 275.08, 0.95%, 0.6%

LAB 49.58, 75.65, -76.07

 

CMYK 0 / 78 / 61 / 2

HEX #FA3761

RGB 250 55 97

HSL 347.08, 0.95%, 0.6%

LAB 56.01, 73.31, 24.02

 

CMYK 47 / 0 / 78 / 2

HEX #86FB36

RGB 134 251 54

HSL 95.63, 0.96%, 0.6%

LAB 89.08, -63.24, 76.82

 

CMYK 78 / 6 / 0 / 2

HEX #37EAFA

RGB 55 234 250

HSL 184.92, 0.95%, 0.6%

LAB 85.28, -37.68, -20.27

 

CMYK 32 / 78 / 0 / 2

HEX #A937FA

RGB 169 55 250

HSL 275.08, 0.95%, 0.6%

LAB 49.58, 75.65, -76.07

 

CMYK 0 / 72 / 78 / 2

HEX #FA4737

RGB 250 71 55

HSL 4.92, 0.95%, 0.6%

LAB 57.18, 66.52, 49.11

 

Description

Color code: HEX #86FB36 | qconv.com Color code: HEX #86FB36 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 251 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 251 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 78 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 78% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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