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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86EEC0 it is the complementary color #79113F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86EEC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86EEC0 shade: #8BEEBB, #9CFFCE, #ADFFE1, #BEFFF4 and #CFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86EEC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86EEC0 shade: #86EEC0, #75DCAD, #64CA9A, #53B887 and #42A674

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86EEC0 shade: #87EEC0, #87EEA4, #87EE88, #A0EE87 and #BCEE87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86EEC0 shade: #87EEC0, #87EEDC, #87E4EE, #87C8EE and #87ACEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86EEC0 shade matches the following richer shades: #87EEC0 and #7BF9C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86EEC0 shade: #87EEC0, #92E3BF, #9DD8BE, #A8CCBC and #B3C1BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86EEC0 shade: #87EE88, #87EEA4, #87EEBF, #87EEDB and #87E5EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86EEC0 shade: #3EE39A, #62E9AD, #87EEC0, #ABF3D3 and #CFF8E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86EEC0 shade: #86EEC0, #87A0EE and #EE9687

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86EEC0 shade: #86EEC0, #BF87EE and #EEBF87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86EEC0 shade: #86EEC0, #87A0EE, #EE87B5 and #EED487

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86EEC0 shade: #86EEC0, #8C87EE, #EE87B5 and #E9EE87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 19 / 7

HEX #86EEC0

RGB 134 238 192

HSL 153.46, 0.75%, 0.73%

LAB 87.01, -40.59, 12.95

 

Complementary color

CMYK 0 / 86 / 48 / 53

HEX #79113F

RGB 121 17 63

HSL 333.46, 0.75%, 0.27%

LAB 26.23, 45.73, 0.43

 

CMYK 42 / 0 / 21 / 7

HEX #8BEEBB

RGB 139 238 187

HSL 149.09, 0.74%, 0.74%

LAB 87.11, -40.29, 15.72

 

CMYK 39 / 0 / 19 / 0

HEX #9CFFCE

RGB 156 255 206

HSL 150.3, 1%, 0.81%

LAB 93.03, -39.6, 14.37

 

CMYK 32 / 0 / 12 / 0

HEX #ADFFE1

RGB 173 255 225

HSL 158.05, 1%, 0.84%

LAB 94.24, -31.12, 6.43

 

CMYK 25 / 0 / 4 / 0

HEX #BEFFF4

RGB 190 255 244

HSL 169.85, 1%, 0.87%

LAB 95.58, -22.38, -1.31

 

CMYK 19 / 0 / 0 / 0

HEX #CFFFFF

RGB 207 255 255

HSL 180, 1%, 0.91%

LAB 96.82, -15.12, -5.04

 

CMYK 44 / 0 / 19 / 7

HEX #86EEC0

RGB 134 238 192

HSL 153.46, 0.75%, 0.73%

LAB 87.01, -40.59, 12.95

 

CMYK 47 / 0 / 21 / 14

HEX #75DCAD

RGB 117 220 173

HSL 152.62, 0.6%, 0.66%

LAB 80.73, -40.78, 13.94

 

CMYK 50 / 0 / 24 / 21

HEX #64CA9A

RGB 100 202 154

HSL 151.76, 0.49%, 0.59%

LAB 74.37, -40.94, 15

 

CMYK 55 / 0 / 27 / 28

HEX #53B887

RGB 83 184 135

HSL 150.89, 0.42%, 0.52%

LAB 67.92, -41.04, 16.15

 

CMYK 60 / 0 / 30 / 35

HEX #42A674

RGB 66 166 116

HSL 150, 0.43%, 0.45%

LAB 61.39, -41.03, 17.41

 

CMYK 43 / 0 / 19 / 7

HEX #87EEC0

RGB 135 238 192

HSL 153.2, 0.75%, 0.73%

LAB 87.05, -40.33, 13.01

 

CMYK 43 / 0 / 31 / 7

HEX #87EEA4

RGB 135 238 164

HSL 136.89, 0.75%, 0.73%

LAB 86.49, -45.65, 26.7

 

CMYK 43 / 0 / 43 / 7

HEX #87EE88

RGB 135 238 136

HSL 120.58, 0.75%, 0.73%

LAB 86.05, -50.12, 40.17

 

CMYK 33 / 0 / 43 / 7

HEX #A0EE87

RGB 160 238 135

HSL 105.44, 0.75%, 0.73%

LAB 87.18, -42.61, 42.34

 

CMYK 21 / 0 / 43 / 7

HEX #BCEE87

RGB 188 238 135

HSL 89.13, 0.75%, 0.73%

LAB 88.73, -33.03, 44.63

 

CMYK 43 / 0 / 19 / 7

HEX #87EEC0

RGB 135 238 192

HSL 153.2, 0.75%, 0.73%

LAB 87.05, -40.33, 13.01

 

CMYK 43 / 0 / 8 / 7

HEX #87EEDC

RGB 135 238 220

HSL 169.51, 0.75%, 0.73%

LAB 87.71, -34.24, -0.66

 

CMYK 43 / 4 / 0 / 7

HEX #87E4EE

RGB 135 228 238

HSL 185.83, 0.75%, 0.73%

LAB 85.41, -25.13, -13.54

 

CMYK 43 / 16 / 0 / 7

HEX #87C8EE

RGB 135 200 238

HSL 202.14, 0.75%, 0.73%

LAB 77.66, -10.91, -25.25

 

CMYK 43 / 28 / 0 / 7

HEX #87ACEE

RGB 135 172 238

HSL 218.45, 0.75%, 0.73%

LAB 70.06, 4.31, -36.97

 

CMYK 43 / 0 / 19 / 7

HEX #87EEC0

RGB 135 238 192

HSL 153.2, 0.75%, 0.73%

LAB 87.05, -40.33, 13.01

 

CMYK 51 / 0 / 22 / 2

HEX #7BF9C1

RGB 123 249 193

HSL 153.33, 0.91%, 0.73%

LAB 89.77, -47.84, 16.27

 

CMYK 43 / 0 / 19 / 7

HEX #87EEC0

RGB 135 238 192

HSL 153.2, 0.75%, 0.73%

LAB 87.05, -40.33, 13.01

 

CMYK 36 / 0 / 16 / 11

HEX #92E3BF

RGB 146 227 191

HSL 153.33, 0.59%, 0.73%

LAB 84.39, -32.53, 9.81

 

CMYK 27 / 0 / 12 / 15

HEX #9DD8BE

RGB 157 216 190

HSL 153.56, 0.43%, 0.73%

LAB 81.84, -24.22, 6.76

 

CMYK 18 / 0 / 8 / 20

HEX #A8CCBC

RGB 168 204 188

HSL 153.33, 0.26%, 0.73%

LAB 79.12, -15.13, 4

 

CMYK 7 / 0 / 3 / 24

HEX #B3C1BB

RGB 179 193 187

HSL 154.29, 0.1%, 0.73%

LAB 76.87, -5.94, 1.36

 

CMYK 43 / 0 / 43 / 7

HEX #87EE88

RGB 135 238 136

HSL 120.58, 0.75%, 0.73%

LAB 86.05, -50.12, 40.17

 

CMYK 43 / 0 / 31 / 7

HEX #87EEA4

RGB 135 238 164

HSL 136.89, 0.75%, 0.73%

LAB 86.49, -45.65, 26.7

 

CMYK 43 / 0 / 20 / 7

HEX #87EEBF

RGB 135 238 191

HSL 152.62, 0.75%, 0.73%

LAB 87.03, -40.54, 13.5

 

CMYK 43 / 0 / 8 / 7

HEX #87EEDB

RGB 135 238 219

HSL 168.93, 0.75%, 0.73%

LAB 87.69, -34.47, -0.18

 

CMYK 43 / 4 / 0 / 7

HEX #87E5EE

RGB 135 229 238

HSL 185.24, 0.75%, 0.73%

LAB 85.69, -25.62, -13.12

 

CMYK 73 / 0 / 32 / 11

HEX #3EE39A

RGB 62 227 154

HSL 153.45, 0.75%, 0.57%

LAB 80.9, -58.32, 23.88

 

CMYK 58 / 0 / 26 / 9

HEX #62E9AD

RGB 98 233 173

HSL 153.33, 0.75%, 0.65%

LAB 83.91, -50.66, 18.3

 

CMYK 43 / 0 / 19 / 7

HEX #87EEC0

RGB 135 238 192

HSL 153.2, 0.75%, 0.73%

LAB 87.05, -40.33, 13.01

 

CMYK 30 / 0 / 13 / 5

HEX #ABF3D3

RGB 171 243 211

HSL 153.33, 0.75%, 0.81%

LAB 90.53, -28.85, 8.33

 

CMYK 17 / 0 / 7 / 3

HEX #CFF8E6

RGB 207 248 230

HSL 153.66, 0.75%, 0.89%

LAB 94.36, -16.58, 4.26

 

CMYK 44 / 0 / 19 / 7

HEX #86EEC0

RGB 134 238 192

HSL 153.46, 0.75%, 0.73%

LAB 87.01, -40.59, 12.95

 

CMYK 43 / 33 / 0 / 7

HEX #87A0EE

RGB 135 160 238

HSL 225.44, 0.75%, 0.73%

LAB 66.87, 11.11, -41.93

 

CMYK 0 / 37 / 43 / 7

HEX #EE9687

RGB 238 150 135

HSL 8.74, 0.75%, 0.73%

LAB 70.69, 31.41, 21.81

 

CMYK 44 / 0 / 19 / 7

HEX #86EEC0

RGB 134 238 192

HSL 153.46, 0.75%, 0.73%

LAB 87.01, -40.59, 12.95

 

CMYK 20 / 43 / 0 / 7

HEX #BF87EE

RGB 191 135 238

HSL 272.62, 0.75%, 0.73%

LAB 65.42, 40.43, -43.89

 

CMYK 0 / 20 / 43 / 7

HEX #EEBF87

RGB 238 191 135

HSL 32.62, 0.75%, 0.73%

LAB 80.29, 9.72, 34.59

 

CMYK 44 / 0 / 19 / 7

HEX #86EEC0

RGB 134 238 192

HSL 153.46, 0.75%, 0.73%

LAB 87.01, -40.59, 12.95

 

CMYK 43 / 33 / 0 / 7

HEX #87A0EE

RGB 135 160 238

HSL 225.44, 0.75%, 0.73%

LAB 66.87, 11.11, -41.93

 

CMYK 0 / 43 / 24 / 7

HEX #EE87B5

RGB 238 135 181

HSL 333.2, 0.75%, 0.73%

LAB 68.64, 44.82, -6.77

 

CMYK 0 / 11 / 43 / 7

HEX #EED487

RGB 238 212 135

HSL 44.85, 0.75%, 0.73%

LAB 85.51, -1.19, 41.32

 

CMYK 44 / 0 / 19 / 7

HEX #86EEC0

RGB 134 238 192

HSL 153.46, 0.75%, 0.73%

LAB 87.01, -40.59, 12.95

 

CMYK 41 / 43 / 0 / 7

HEX #8C87EE

RGB 140 135 238

HSL 242.91, 0.75%, 0.73%

LAB 60.85, 26.84, -51.41

 

CMYK 0 / 43 / 24 / 7

HEX #EE87B5

RGB 238 135 181

HSL 333.2, 0.75%, 0.73%

LAB 68.64, 44.82, -6.77

 

CMYK 2 / 0 / 43 / 7

HEX #E9EE87

RGB 233 238 135

HSL 62.91, 0.75%, 0.73%

LAB 91.78, -16.19, 49.1

 

Description

Color code: HEX #86EEC0 | qconv.com Color code: HEX #86EEC0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 238 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 238 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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