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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86E618 it is the complementary color #7919E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86E618. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86E618 shade: #8BE613, #9CF826, #ADFF39, #BEFF4C and #CFFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86E618. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86E618 shade: #86E618, #75D405, #64C200, #53B000 and #429E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86E618 shade: #87E718, #BEE718, #E7D818, #E7A018 and #E76818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86E618 shade: #87E718, #4FE718, #18E719, #18E751 and #18E789

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86E618 shade matches the following richer shades: #87E718 and #88FB04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86E618 shade: #87E718, #85D22D, #84BE41, #82A956 and #81946B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86E618 shade: #E7D618, #C1E718, #8AE718, #53E718 and #1CE718

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86E618 shade: #5B9C10, #71C114, #87E718, #9AEB3E and #AEEF63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86E618 shade: #86E618, #18E79E and #E718DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86E618 shade: #86E618, #188AE7 and #E7188A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86E618 shade: #86E618, #18E79E, #7518E7 and #E71861

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86E618 shade: #86E618, #18E7DC, #7518E7 and #E71823

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 90 / 10

HEX #86E618

RGB 134 230 24

HSL 87.96, 0.81%, 0.5%

LAB 82.77, -56.44, 77.82

 

Complementary color

CMYK 48 / 89 / 0 / 9

HEX #7919E7

RGB 121 25 231

HSL 267.96, 0.81%, 0.5%

LAB 38.78, 73.91, -83.31

 

CMYK 40 / 0 / 92 / 10

HEX #8BE613

RGB 139 230 19

HSL 85.88, 0.85%, 0.49%

LAB 82.98, -54.91, 78.8

 

CMYK 37 / 0 / 85 / 3

HEX #9CF826

RGB 156 248 38

HSL 86.29, 0.94%, 0.56%

LAB 89.08, -55.81, 81.03

 

CMYK 32 / 0 / 78 / 0

HEX #ADFF39

RGB 173 255 57

HSL 84.85, 1%, 0.61%

LAB 92, -52.08, 79.33

 

CMYK 25 / 0 / 70 / 0

HEX #BEFF4C

RGB 190 255 76

HSL 81.79, 1%, 0.65%

LAB 93.01, -45.04, 74.67

 

CMYK 19 / 0 / 63 / 0

HEX #CFFF5F

RGB 207 255 95

HSL 78, 1%, 0.69%

LAB 94.15, -37.53, 69.09

 

CMYK 42 / 0 / 90 / 10

HEX #86E618

RGB 134 230 24

HSL 87.96, 0.81%, 0.5%

LAB 82.77, -56.44, 77.82

 

CMYK 45 / 0 / 98 / 17

HEX #75D405

RGB 117 212 5

HSL 87.54, 0.95%, 0.43%

LAB 76.61, -55.34, 74.74

 

CMYK 48 / 0 / 100 / 24

HEX #64C200

RGB 100 194 0

HSL 89.07, 1%, 0.38%

LAB 70.38, -53.92, 70.07

 

CMYK 53 / 0 / 100 / 31

HEX #53B000

RGB 83 176 0

HSL 91.7, 1%, 0.35%

LAB 64.07, -52.31, 64.84

 

CMYK 58 / 0 / 100 / 38

HEX #429E00

RGB 66 158 0

HSL 94.94, 1%, 0.31%

LAB 57.67, -50.53, 59.54

 

CMYK 42 / 0 / 90 / 9

HEX #87E718

RGB 135 231 24

HSL 87.83, 0.81%, 0.5%

LAB 83.11, -56.5, 78.12

 

CMYK 18 / 0 / 90 / 9

HEX #BEE718

RGB 190 231 24

HSL 71.88, 0.81%, 0.5%

LAB 86.09, -36.48, 81.79

 

CMYK 0 / 6 / 90 / 9

HEX #E7D818

RGB 231 216 24

HSL 55.65, 0.81%, 0.5%

LAB 85.08, -12.39, 82.29

 

CMYK 0 / 31 / 90 / 9

HEX #E7A018

RGB 231 160 24

HSL 39.42, 0.81%, 0.5%

LAB 71.01, 16.65, 71.44

 

CMYK 0 / 55 / 90 / 9

HEX #E76818

RGB 231 104 24

HSL 23.19, 0.81%, 0.5%

LAB 58.93, 45.58, 62.38

 

CMYK 42 / 0 / 90 / 9

HEX #87E718

RGB 135 231 24

HSL 87.83, 0.81%, 0.5%

LAB 83.11, -56.5, 78.12

 

CMYK 66 / 0 / 90 / 9

HEX #4FE718

RGB 79 231 24

HSL 104.06, 0.81%, 0.5%

LAB 81.23, -71.37, 75.79

 

CMYK 90 / 0 / 89 / 9

HEX #18E719

RGB 24 231 25

HSL 120.29, 0.81%, 0.5%

LAB 80.41, -78.47, 74.61

 

CMYK 90 / 0 / 65 / 9

HEX #18E751

RGB 24 231 81

HSL 136.52, 0.81%, 0.5%

LAB 80.71, -74.75, 58.28

 

CMYK 90 / 0 / 41 / 9

HEX #18E789

RGB 24 231 137

HSL 152.75, 0.81%, 0.5%

LAB 81.38, -66.65, 33.11

 

CMYK 42 / 0 / 90 / 9

HEX #87E718

RGB 135 231 24

HSL 87.83, 0.81%, 0.5%

LAB 83.11, -56.5, 78.12

 

CMYK 46 / 0 / 98 / 2

HEX #88FB04

RGB 136 251 4

HSL 87.94, 0.97%, 0.5%

LAB 89.03, -63.99, 84.97

 

CMYK 42 / 0 / 90 / 9

HEX #87E718

RGB 135 231 24

HSL 87.83, 0.81%, 0.5%

LAB 83.11, -56.5, 78.12

 

CMYK 37 / 0 / 79 / 18

HEX #85D22D

RGB 133 210 45

HSL 88, 0.65%, 0.5%

LAB 76.84, -48.07, 67.98

 

CMYK 31 / 0 / 66 / 25

HEX #84BE41

RGB 132 190 65

HSL 87.84, 0.49%, 0.5%

LAB 70.95, -38.63, 55.08

 

CMYK 23 / 0 / 49 / 34

HEX #82A956

RGB 130 169 86

HSL 88.19, 0.33%, 0.5%

LAB 64.8, -27.6, 38.35

 

CMYK 13 / 0 / 28 / 42

HEX #81946B

RGB 129 148 107

HSL 87.8, 0.16%, 0.5%

LAB 58.89, -14.43, 19.5

 

CMYK 0 / 7 / 90 / 9

HEX #E7D618

RGB 231 214 24

HSL 55.07, 0.81%, 0.5%

LAB 84.56, -11.39, 81.88

 

CMYK 16 / 0 / 90 / 9

HEX #C1E718

RGB 193 231 24

HSL 71.01, 0.81%, 0.5%

LAB 86.28, -35.29, 82.02

 

CMYK 40 / 0 / 90 / 9

HEX #8AE718

RGB 138 231 24

HSL 86.96, 0.81%, 0.5%

LAB 83.24, -55.52, 78.29

 

CMYK 64 / 0 / 90 / 9

HEX #53E718

RGB 83 231 24

HSL 102.9, 0.81%, 0.5%

LAB 81.32, -70.55, 75.91

 

CMYK 88 / 0 / 90 / 9

HEX #1CE718

RGB 28 231 24

HSL 118.84, 0.81%, 0.5%

LAB 80.44, -78.24, 74.81

 

CMYK 42 / 0 / 90 / 39

HEX #5B9C10

RGB 91 156 16

HSL 87.86, 0.81%, 0.34%

LAB 58.07, -41.51, 57.77

 

CMYK 41 / 0 / 90 / 24

HEX #71C114

RGB 113 193 20

HSL 87.75, 0.81%, 0.42%

LAB 70.66, -48.95, 68.02

 

CMYK 42 / 0 / 90 / 9

HEX #87E718

RGB 135 231 24

HSL 87.83, 0.81%, 0.5%

LAB 83.11, -56.5, 78.12

 

CMYK 34 / 0 / 74 / 8

HEX #9AEB3E

RGB 154 235 62

HSL 88.09, 0.81%, 0.58%

LAB 85.32, -50.21, 71.15

 

CMYK 27 / 0 / 59 / 6

HEX #AEEF63

RGB 174 239 99

HSL 87.86, 0.81%, 0.66%

LAB 87.79, -42.21, 59.9

 

CMYK 42 / 0 / 90 / 10

HEX #86E618

RGB 134 230 24

HSL 87.96, 0.81%, 0.5%

LAB 82.77, -56.44, 77.82

 

CMYK 90 / 0 / 32 / 9

HEX #18E79E

RGB 24 231 158

HSL 158.84, 0.81%, 0.5%

LAB 81.74, -62.48, 22.88

 

CMYK 0 / 90 / 5 / 9

HEX #E718DC

RGB 231 24 220

HSL 303.19, 0.81%, 0.5%

LAB 54.88, 87.63, -50.15

 

CMYK 42 / 0 / 90 / 10

HEX #86E618

RGB 134 230 24

HSL 87.96, 0.81%, 0.5%

LAB 82.77, -56.44, 77.82

 

CMYK 90 / 40 / 0 / 9

HEX #188AE7

RGB 24 138 231

HSL 206.96, 0.81%, 0.5%

LAB 56.23, 4.21, -55.19

 

CMYK 0 / 90 / 40 / 9

HEX #E7188A

RGB 231 24 138

HSL 326.96, 0.81%, 0.5%

LAB 51.24, 78.09, -7.84

 

CMYK 42 / 0 / 90 / 10

HEX #86E618

RGB 134 230 24

HSL 87.96, 0.81%, 0.5%

LAB 82.77, -56.44, 77.82

 

CMYK 90 / 0 / 32 / 9

HEX #18E79E

RGB 24 231 158

HSL 158.84, 0.81%, 0.5%

LAB 81.74, -62.48, 22.88

 

CMYK 49 / 90 / 0 / 9

HEX #7518E7

RGB 117 24 231

HSL 266.96, 0.81%, 0.5%

LAB 38.21, 73.74, -84.27

 

CMYK 0 / 90 / 58 / 9

HEX #E71861

RGB 231 24 97

HSL 338.84, 0.81%, 0.5%

LAB 50.1, 74.95, 15.46

 

CMYK 42 / 0 / 90 / 10

HEX #86E618

RGB 134 230 24

HSL 87.96, 0.81%, 0.5%

LAB 82.77, -56.44, 77.82

 

CMYK 90 / 0 / 5 / 9

HEX #18E7DC

RGB 24 231 220

HSL 176.81, 0.81%, 0.5%

LAB 83.19, -47.08, -7.61

 

CMYK 49 / 90 / 0 / 9

HEX #7518E7

RGB 117 24 231

HSL 266.96, 0.81%, 0.5%

LAB 38.21, 73.74, -84.27

 

CMYK 0 / 90 / 85 / 9

HEX #E71823

RGB 231 24 35

HSL 356.81, 0.81%, 0.5%

LAB 49.21, 72.42, 50.4

 

Description

Color code: HEX #86E618 | qconv.com Color code: HEX #86E618 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 230 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 230 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 90 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 90% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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