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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86E460 it is the complementary color #791B9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86E460. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86E460 shade: #8BE45B, #9CF66E, #ADFF81, #BEFF94 and #CFFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86E460. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86E460 shade: #86E460, #75D24D, #64C03A, #53AE27 and #429C14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86E460 shade: #88E462, #ABE462, #CEE462, #E4D862 and #E4B562

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86E460 shade: #88E462, #64E462, #62E483, #62E4A6 and #62E4C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86E460 shade matches the following richer shades: #88E462 and #81F353

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86E460 shade: #88E462, #8ED671, #94C780, #9AB88F and #A1A99D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86E460 shade: #CFE462, #ACE462, #89E462, #66E462 and #62E480

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86E460 shade: #55D123, #6DDE3F, #88E462, #A2EA85 and #BDF0A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86E460 shade: #86E460, #62E4D7 and #E462BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86E460 shade: #86E460, #6289E4 and #E46289

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86E460 shade: #86E460, #62E4D7, #BD62E4 and #E4626F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86E460 shade: #86E460, #62CAE4, #BD62E4 and #E47C62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 58 / 11

HEX #86E460

RGB 134 228 96

HSL 102.73, 0.71%, 0.64%

LAB 82.59, -51.26, 54.75

 

Complementary color

CMYK 24 / 83 / 0 / 38

HEX #791B9F

RGB 121 27 159

HSL 282.73, 0.71%, 0.36%

LAB 32.6, 57.92, -51.17

 

CMYK 39 / 0 / 60 / 11

HEX #8BE45B

RGB 139 228 91

HSL 98.98, 0.72%, 0.63%

LAB 82.77, -50.17, 57.19

 

CMYK 37 / 0 / 55 / 4

HEX #9CF66E

RGB 156 246 110

HSL 99.71, 0.88%, 0.7%

LAB 88.97, -50.24, 56.2

 

CMYK 32 / 0 / 49 / 0

HEX #ADFF81

RGB 173 255 129

HSL 99.05, 1%, 0.75%

LAB 92.57, -46.44, 52.05

 

CMYK 25 / 0 / 42 / 0

HEX #BEFF94

RGB 190 255 148

HSL 96.45, 1%, 0.79%

LAB 93.71, -38.48, 44.66

 

CMYK 19 / 0 / 35 / 0

HEX #CFFFA7

RGB 207 255 167

HSL 92.73, 1%, 0.83%

LAB 94.98, -30.16, 37.2

 

CMYK 41 / 0 / 58 / 11

HEX #86E460

RGB 134 228 96

HSL 102.73, 0.71%, 0.64%

LAB 82.59, -51.26, 54.75

 

CMYK 44 / 0 / 63 / 18

HEX #75D24D

RGB 117 210 77

HSL 101.95, 0.6%, 0.56%

LAB 76.32, -51.11, 55.7

 

CMYK 48 / 0 / 70 / 25

HEX #64C03A

RGB 100 192 58

HSL 101.19, 0.54%, 0.49%

LAB 69.98, -50.78, 56.37

 

CMYK 52 / 0 / 78 / 32

HEX #53AE27

RGB 83 174 39

HSL 100.44, 0.63%, 0.42%

LAB 63.56, -50.2, 56.51

 

CMYK 58 / 0 / 87 / 39

HEX #429C14

RGB 66 156 20

HSL 99.71, 0.77%, 0.35%

LAB 57.06, -49.23, 55.65

 

CMYK 40 / 0 / 57 / 11

HEX #88E462

RGB 136 228 98

HSL 102.46, 0.71%, 0.64%

LAB 82.7, -50.43, 54.02

 

CMYK 25 / 0 / 57 / 11

HEX #ABE462

RGB 171 228 98

HSL 86.31, 0.71%, 0.64%

LAB 84.5, -38.51, 56.55

 

CMYK 10 / 0 / 57 / 11

HEX #CEE462

RGB 206 228 98

HSL 70.15, 0.71%, 0.64%

LAB 86.75, -25.2, 59.7

 

CMYK 0 / 5 / 57 / 11

HEX #E4D862

RGB 228 216 98

HSL 54.46, 0.71%, 0.64%

LAB 85.24, -10.47, 58.47

 

CMYK 0 / 21 / 57 / 11

HEX #E4B562

RGB 228 181 98

HSL 38.31, 0.71%, 0.64%

LAB 76.33, 7.6, 48.19

 

CMYK 40 / 0 / 57 / 11

HEX #88E462

RGB 136 228 98

HSL 102.46, 0.71%, 0.64%

LAB 82.7, -50.43, 54.02

 

CMYK 56 / 0 / 57 / 11

HEX #64E462

RGB 100 228 98

HSL 119.08, 0.71%, 0.64%

LAB 81.33, -60.47, 52.08

 

CMYK 57 / 0 / 43 / 11

HEX #62E483

RGB 98 228 131

HSL 135.23, 0.71%, 0.64%

LAB 81.69, -56.39, 36.77

 

CMYK 57 / 0 / 27 / 11

HEX #62E4A6

RGB 98 228 166

HSL 151.38, 0.71%, 0.64%

LAB 82.29, -50.03, 19.69

 

CMYK 57 / 0 / 12 / 11

HEX #62E4C9

RGB 98 228 201

HSL 167.54, 0.71%, 0.64%

LAB 83.07, -42.24, 2.41

 

CMYK 40 / 0 / 57 / 11

HEX #88E462

RGB 136 228 98

HSL 102.46, 0.71%, 0.64%

LAB 82.7, -50.43, 54.02

 

CMYK 47 / 0 / 66 / 5

HEX #81F353

RGB 129 243 83

HSL 102.75, 0.87%, 0.64%

LAB 86.7, -59.83, 64.66

 

CMYK 40 / 0 / 57 / 11

HEX #88E462

RGB 136 228 98

HSL 102.46, 0.71%, 0.64%

LAB 82.7, -50.43, 54.02

 

CMYK 34 / 0 / 47 / 16

HEX #8ED671

RGB 142 214 113

HSL 102.77, 0.55%, 0.64%

LAB 79.06, -40.82, 42.7

 

CMYK 26 / 0 / 36 / 22

HEX #94C780

RGB 148 199 128

HSL 103.1, 0.39%, 0.64%

LAB 75.27, -29.85, 30.33

 

CMYK 16 / 0 / 22 / 28

HEX #9AB88F

RGB 154 184 143

HSL 103.9, 0.22%, 0.64%

LAB 71.65, -17.96, 17.53

 

CMYK 5 / 0 / 7 / 34

HEX #A1A99D

RGB 161 169 157

HSL 100, 0.07%, 0.64%

LAB 68.31, -5.1, 5.21

 

CMYK 9 / 0 / 57 / 11

HEX #CFE462

RGB 207 228 98

HSL 69.69, 0.71%, 0.64%

LAB 86.82, -24.81, 59.8

 

CMYK 25 / 0 / 57 / 11

HEX #ACE462

RGB 172 228 98

HSL 85.85, 0.71%, 0.64%

LAB 84.56, -38.15, 56.63

 

CMYK 40 / 0 / 57 / 11

HEX #89E462

RGB 137 228 98

HSL 102, 0.71%, 0.64%

LAB 82.75, -50.11, 54.08

 

CMYK 55 / 0 / 57 / 11

HEX #66E462

RGB 102 228 98

HSL 118.15, 0.71%, 0.64%

LAB 81.4, -59.98, 52.17

 

CMYK 57 / 0 / 44 / 11

HEX #62E480

RGB 98 228 128

HSL 133.85, 0.71%, 0.64%

LAB 81.64, -56.86, 38.21

 

CMYK 59 / 0 / 83 / 18

HEX #55D123

RGB 85 209 35

HSL 102.76, 0.71%, 0.48%

LAB 74.61, -62.47, 67.91

 

CMYK 51 / 0 / 72 / 13

HEX #6DDE3F

RGB 109 222 63

HSL 102.64, 0.71%, 0.56%

LAB 79.53, -59.19, 64.42

 

CMYK 40 / 0 / 57 / 11

HEX #88E462

RGB 136 228 98

HSL 102.46, 0.71%, 0.64%

LAB 82.7, -50.43, 54.02

 

CMYK 31 / 0 / 43 / 8

HEX #A2EA85

RGB 162 234 133

HSL 102.77, 0.71%, 0.72%

LAB 86.12, -40.45, 41.99

 

CMYK 21 / 0 / 30 / 6

HEX #BDF0A9

RGB 189 240 169

HSL 103.1, 0.7%, 0.8%

LAB 89.86, -29.04, 29.17

 

CMYK 41 / 0 / 58 / 11

HEX #86E460

RGB 134 228 96

HSL 102.73, 0.71%, 0.64%

LAB 82.59, -51.26, 54.75

 

CMYK 57 / 0 / 6 / 11

HEX #62E4D7

RGB 98 228 215

HSL 174, 0.71%, 0.64%

LAB 83.44, -38.78, -4.46

 

CMYK 0 / 57 / 17 / 11

HEX #E462BD

RGB 228 98 189

HSL 318, 0.71%, 0.64%

LAB 60.7, 60.69, -23.41

 

CMYK 41 / 0 / 58 / 11

HEX #86E460

RGB 134 228 96

HSL 102.73, 0.71%, 0.64%

LAB 82.59, -51.26, 54.75

 

CMYK 57 / 40 / 0 / 11

HEX #6289E4

RGB 98 137 228

HSL 222, 0.71%, 0.64%

LAB 58.12, 13.15, -50.36

 

CMYK 0 / 57 / 40 / 11

HEX #E46289

RGB 228 98 137

HSL 342, 0.71%, 0.64%

LAB 59.01, 54.11, 4.09

 

CMYK 41 / 0 / 58 / 11

HEX #86E460

RGB 134 228 96

HSL 102.73, 0.71%, 0.64%

LAB 82.59, -51.26, 54.75

 

CMYK 57 / 0 / 6 / 11

HEX #62E4D7

RGB 98 228 215

HSL 174, 0.71%, 0.64%

LAB 83.44, -38.78, -4.46

 

CMYK 17 / 57 / 0 / 11

HEX #BD62E4

RGB 189 98 228

HSL 282, 0.71%, 0.64%

LAB 57.23, 57.05, -51.3

 

CMYK 0 / 57 / 51 / 11

HEX #E4626F

RGB 228 98 111

HSL 354, 0.71%, 0.64%

LAB 58.39, 51.62, 18.37

 

CMYK 41 / 0 / 58 / 11

HEX #86E460

RGB 134 228 96

HSL 102.73, 0.71%, 0.64%

LAB 82.59, -51.26, 54.75

 

CMYK 57 / 11 / 0 / 11

HEX #62CAE4

RGB 98 202 228

HSL 192, 0.71%, 0.64%

LAB 76.34, -22.81, -22.03

 

CMYK 17 / 57 / 0 / 11

HEX #BD62E4

RGB 189 98 228

HSL 282, 0.71%, 0.64%

LAB 57.23, 57.05, -51.3

 

CMYK 0 / 46 / 57 / 11

HEX #E47C62

RGB 228 124 98

HSL 12, 0.71%, 0.64%

LAB 63.17, 37.79, 32.05

 

Description

Color code: HEX #86E460 | qconv.com Color code: HEX #86E460 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 228 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 228 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 58 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 58% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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