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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86D64F it is the complementary color #7929B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86D64F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86D64F shade: #8BD64A, #9CE85D, #ADFA70, #BEFF83 and #CFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86D64F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86D64F shade: #86D64F, #75C43C, #64B229, #53A016 and #428E03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86D64F shade: #85D54D, #A9D54D, #CED54D, #D5B84D and #D5934D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86D64F shade: #85D54D, #60D54D, #4DD55F, #4DD584 and #4DD5A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86D64F shade matches the following richer shades: #85D54D, #81E73C and #7EF92A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86D64F shade: #85D54D, #88C45F, #8BB271, #8FA083 and #928E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86D64F shade: #CFD54D, #AAD54D, #86D54D, #62D54D and #4DD55D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86D64F shade: #5CA928, #6ECA2F, #85D54D, #9CDD6F and #B3E590

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86D64F shade: #86D64F, #4DD5B8 and #D54DBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86D64F shade: #86D64F, #4D86D5 and #D54D86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86D64F shade: #86D64F, #4DD5B8, #9D4DD5 and #D54D6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86D64F shade: #86D64F, #4DCAD5, #9D4DD5 and #D5594D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 63 / 16

HEX #86D64F

RGB 134 214 79

HSL 95.56, 0.62%, 0.57%

LAB 78.3, -47.11, 57.25

 

Complementary color

CMYK 31 / 77 / 0 / 31

HEX #7929B0

RGB 121 41 176

HSL 275.56, 0.62%, 0.43%

LAB 35.57, 56.73, -56.56

 

CMYK 35 / 0 / 65 / 16

HEX #8BD64A

RGB 139 214 74

HSL 92.14, 0.63%, 0.56%

LAB 78.51, -45.83, 59.6

 

CMYK 33 / 0 / 60 / 9

HEX #9CE85D

RGB 156 232 93

HSL 92.81, 0.75%, 0.64%

LAB 84.78, -46.01, 58.82

 

CMYK 31 / 0 / 55 / 2

HEX #ADFA70

RGB 173 250 112

HSL 93.48, 0.93%, 0.71%

LAB 90.97, -46.1, 57.86

 

CMYK 25 / 0 / 49 / 0

HEX #BEFF83

RGB 190 255 131

HSL 91.45, 1%, 0.76%

LAB 93.5, -40.46, 52.46

 

CMYK 19 / 0 / 41 / 0

HEX #CFFF96

RGB 207 255 150

HSL 87.43, 1%, 0.79%

LAB 94.73, -32.31, 45.2

 

CMYK 37 / 0 / 63 / 16

HEX #86D64F

RGB 134 214 79

HSL 95.56, 0.62%, 0.57%

LAB 78.3, -47.11, 57.25

 

CMYK 40 / 0 / 69 / 23

HEX #75C43C

RGB 117 196 60

HSL 94.85, 0.54%, 0.5%

LAB 71.95, -46.84, 57.88

 

CMYK 44 / 0 / 77 / 30

HEX #64B229

RGB 100 178 41

HSL 94.16, 0.63%, 0.43%

LAB 65.52, -46.38, 57.99

 

CMYK 48 / 0 / 86 / 37

HEX #53A016

RGB 83 160 22

HSL 93.48, 0.76%, 0.36%

LAB 59.01, -45.62, 57.14

 

CMYK 54 / 0 / 98 / 44

HEX #428E03

RGB 66 142 3

HSL 92.81, 0.96%, 0.28%

LAB 52.41, -44.48, 54.87

 

CMYK 38 / 0 / 64 / 16

HEX #85D54D

RGB 133 213 77

HSL 95.29, 0.62%, 0.57%

LAB 77.94, -47.19, 57.68

 

CMYK 21 / 0 / 64 / 16

HEX #A9D54D

RGB 169 213 77

HSL 79.41, 0.62%, 0.57%

LAB 79.93, -34.19, 60.41

 

CMYK 3 / 0 / 64 / 16

HEX #CED54D

RGB 206 213 77

HSL 63.09, 0.62%, 0.57%

LAB 82.51, -19.41, 63.92

 

CMYK 0 / 14 / 64 / 16

HEX #D5B84D

RGB 213 184 77

HSL 47.21, 0.62%, 0.57%

LAB 75.43, -1.75, 56.57

 

CMYK 0 / 31 / 64 / 16

HEX #D5934D

RGB 213 147 77

HSL 30.88, 0.62%, 0.57%

LAB 66.17, 18.02, 46.28

 

CMYK 38 / 0 / 64 / 16

HEX #85D54D

RGB 133 213 77

HSL 95.29, 0.62%, 0.57%

LAB 77.94, -47.19, 57.68

 

CMYK 55 / 0 / 64 / 16

HEX #60D54D

RGB 96 213 77

HSL 111.62, 0.62%, 0.57%

LAB 76.44, -58.19, 55.61

 

CMYK 64 / 0 / 55 / 16

HEX #4DD55F

RGB 77 213 95

HSL 127.94, 0.62%, 0.57%

LAB 76.06, -60.53, 47.06

 

CMYK 64 / 0 / 38 / 16

HEX #4DD584

RGB 77 213 132

HSL 144.26, 0.62%, 0.57%

LAB 76.58, -54.79, 29.46

 

CMYK 64 / 0 / 21 / 16

HEX #4DD5A9

RGB 77 213 169

HSL 160.59, 0.62%, 0.57%

LAB 77.3, -47.16, 11.02

 

CMYK 38 / 0 / 64 / 16

HEX #85D54D

RGB 133 213 77

HSL 95.29, 0.62%, 0.57%

LAB 77.94, -47.19, 57.68

 

CMYK 44 / 0 / 74 / 9

HEX #81E73C

RGB 129 231 60

HSL 95.79, 0.78%, 0.57%

LAB 82.99, -56.91, 69.15

 

CMYK 49 / 0 / 83 / 2

HEX #7EF92A

RGB 126 249 42

HSL 95.65, 0.95%, 0.57%

LAB 88.14, -65.34, 78.86

 

CMYK 38 / 0 / 64 / 16

HEX #85D54D

RGB 133 213 77

HSL 95.29, 0.62%, 0.57%

LAB 77.94, -47.19, 57.68

 

CMYK 31 / 0 / 52 / 23

HEX #88C45F

RGB 136 196 95

HSL 95.64, 0.46%, 0.57%

LAB 73.25, -37, 44.24

 

CMYK 22 / 0 / 37 / 30

HEX #8BB271

RGB 139 178 113

HSL 96, 0.3%, 0.57%

LAB 68.4, -25.09, 29.06

 

CMYK 11 / 0 / 18 / 37

HEX #8FA083

RGB 143 160 131

HSL 95.17, 0.13%, 0.57%

LAB 63.85, -11.52, 13.13

 

CMYK 1 / 4 / 0 / 42

HEX #928E94

RGB 146 142 148

HSL 280, 0.03%, 0.57%

LAB 59.52, 2.64, -2.66

 

CMYK 3 / 0 / 64 / 16

HEX #CFD54D

RGB 207 213 77

HSL 62.65, 0.62%, 0.57%

LAB 82.59, -19, 64.02

 

CMYK 20 / 0 / 64 / 16

HEX #AAD54D

RGB 170 213 77

HSL 78.97, 0.62%, 0.57%

LAB 79.99, -33.8, 60.49

 

CMYK 37 / 0 / 64 / 16

HEX #86D54D

RGB 134 213 77

HSL 94.85, 0.62%, 0.57%

LAB 77.99, -46.86, 57.74

 

CMYK 54 / 0 / 64 / 16

HEX #62D54D

RGB 98 213 77

HSL 110.74, 0.62%, 0.57%

LAB 76.51, -57.67, 55.7

 

CMYK 64 / 0 / 56 / 16

HEX #4DD55D

RGB 77 213 93

HSL 127.06, 0.62%, 0.57%

LAB 76.04, -60.79, 47.96

 

CMYK 46 / 0 / 76 / 34

HEX #5CA928

RGB 92 169 40

HSL 95.81, 0.62%, 0.41%

LAB 62.34, -45.41, 55.13

 

CMYK 46 / 0 / 77 / 21

HEX #6ECA2F

RGB 110 202 47

HSL 95.61, 0.62%, 0.49%

LAB 73.39, -52.36, 63.76

 

CMYK 38 / 0 / 64 / 16

HEX #85D54D

RGB 133 213 77

HSL 95.29, 0.62%, 0.57%

LAB 77.94, -47.19, 57.68

 

CMYK 29 / 0 / 50 / 13

HEX #9CDD6F

RGB 156 221 111

HSL 95.45, 0.62%, 0.65%

LAB 81.8, -39.4, 47.19

 

CMYK 22 / 0 / 37 / 10

HEX #B3E590

RGB 179 229 144

HSL 95.29, 0.62%, 0.73%

LAB 85.82, -30.89, 36.35

 

CMYK 37 / 0 / 63 / 16

HEX #86D64F

RGB 134 214 79

HSL 95.56, 0.62%, 0.57%

LAB 78.3, -47.11, 57.25

 

CMYK 64 / 0 / 14 / 16

HEX #4DD5B8

RGB 77 213 184

HSL 167.21, 0.62%, 0.57%

LAB 77.65, -43.58, 3.52

 

CMYK 0 / 64 / 12 / 16

HEX #D54DBC

RGB 213 77 188

HSL 311.03, 0.62%, 0.57%

LAB 55.16, 65.37, -31.58

 

CMYK 37 / 0 / 63 / 16

HEX #86D64F

RGB 134 214 79

HSL 95.56, 0.62%, 0.57%

LAB 78.3, -47.11, 57.25

 

CMYK 64 / 37 / 0 / 16

HEX #4D86D5

RGB 77 134 213

HSL 214.85, 0.62%, 0.57%

LAB 55.51, 5.99, -46.16

 

CMYK 0 / 64 / 37 / 16

HEX #D54D86

RGB 213 77 134

HSL 334.85, 0.62%, 0.57%

LAB 53.14, 58.29, -2.98

 

CMYK 37 / 0 / 63 / 16

HEX #86D64F

RGB 134 214 79

HSL 95.56, 0.62%, 0.57%

LAB 78.3, -47.11, 57.25

 

CMYK 64 / 0 / 14 / 16

HEX #4DD5B8

RGB 77 213 184

HSL 167.21, 0.62%, 0.57%

LAB 77.65, -43.58, 3.52

 

CMYK 26 / 64 / 0 / 16

HEX #9D4DD5

RGB 157 77 213

HSL 275.29, 0.62%, 0.57%

LAB 48.61, 56.44, -56.81

 

CMYK 0 / 64 / 50 / 16

HEX #D54D6B

RGB 213 77 107

HSL 346.76, 0.62%, 0.57%

LAB 52.42, 55.63, 12.1

 

CMYK 37 / 0 / 63 / 16

HEX #86D64F

RGB 134 214 79

HSL 95.56, 0.62%, 0.57%

LAB 78.3, -47.11, 57.25

 

CMYK 64 / 5 / 0 / 16

HEX #4DCAD5

RGB 77 202 213

HSL 184.85, 0.62%, 0.57%

LAB 75.22, -30.77, -15.7

 

CMYK 26 / 64 / 0 / 16

HEX #9D4DD5

RGB 157 77 213

HSL 275.29, 0.62%, 0.57%

LAB 48.61, 56.44, -56.81

 

CMYK 0 / 58 / 64 / 16

HEX #D5594D

RGB 213 89 77

HSL 5.29, 0.62%, 0.57%

LAB 53.84, 48.06, 31.62

 

Description

Color code: HEX #86D64F | qconv.com Color code: HEX #86D64F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 214 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 214 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 63 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 63% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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