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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86B62C it is the complementary color #7949D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86B62C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86B62C shade: #8BB627, #9CC83A, #ADDA4D, #BEEC60 and #CFFE73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86B62C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86B62C shade: #86B62C, #75A419, #649206, #538000 and #426E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86B62C shade: #85B52C, #AAB52C, #B59A2C, #B5762C and #B5512C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86B62C shade: #85B52C, #60B52C, #3BB52C, #2CB541 and #2CB566

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86B62C shade matches the following richer shades: #85B52C, #8BC71A and #90D907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86B62C shade: #85B52C, #80A23E, #7A9050, #747E62 and #6F6C74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86B62C shade: #B5992C, #ACB52C, #87B52C, #63B52C and #3EB52C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86B62C shade: #54721C, #6D9324, #85B52C, #9CCF3A and #ACD75C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86B62C shade: #86B62C, #2CB575 and #AC2CB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86B62C shade: #86B62C, #2C87B5 and #B52C87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86B62C shade: #86B62C, #2CB575, #592CB5 and #B52C6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86B62C shade: #86B62C, #2CB59E, #592CB5 and #B52C43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 76 / 29

HEX #86B62C

RGB 134 182 44

HSL 80.87, 0.61%, 0.44%

LAB 68.54, -35.65, 60.51

 

Complementary color

CMYK 43 / 65 / 0 / 17

HEX #7949D3

RGB 121 73 211

HSL 260.87, 0.61%, 0.56%

LAB 43.56, 50.41, -64.04

 

CMYK 24 / 0 / 79 / 29

HEX #8BB627

RGB 139 182 39

HSL 78.04, 0.65%, 0.43%

LAB 68.82, -33.93, 62.46

 

CMYK 22 / 0 / 71 / 22

HEX #9CC83A

RGB 156 200 58

HSL 78.59, 0.56%, 0.51%

LAB 75.25, -34.51, 62.66

 

CMYK 21 / 0 / 65 / 15

HEX #ADDA4D

RGB 173 218 77

HSL 79.15, 0.66%, 0.58%

LAB 81.6, -34.94, 62.26

 

CMYK 19 / 0 / 59 / 7

HEX #BEEC60

RGB 190 236 96

HSL 79.71, 0.79%, 0.65%

LAB 87.86, -35.26, 61.52

 

CMYK 19 / 0 / 55 / 0

HEX #CFFE73

RGB 207 254 115

HSL 80.29, 0.99%, 0.72%

LAB 94.05, -35.49, 60.6

 

CMYK 26 / 0 / 76 / 29

HEX #86B62C

RGB 134 182 44

HSL 80.87, 0.61%, 0.44%

LAB 68.54, -35.65, 60.51

 

CMYK 29 / 0 / 85 / 36

HEX #75A419

RGB 117 164 25

HSL 80.29, 0.74%, 0.37%

LAB 62, -34.96, 59.7

 

CMYK 32 / 0 / 96 / 43

HEX #649206

RGB 100 146 6

HSL 79.71, 0.92%, 0.3%

LAB 55.36, -34.02, 57.42

 

CMYK 35 / 0 / 100 / 50

HEX #538000

RGB 83 128 0

HSL 81.09, 1%, 0.25%

LAB 48.61, -32.72, 52.78

 

CMYK 40 / 0 / 100 / 57

HEX #426E00

RGB 66 110 0

HSL 84, 1%, 0.22%

LAB 41.7, -31.24, 47.04

 

CMYK 27 / 0 / 76 / 29

HEX #85B52C

RGB 133 181 44

HSL 81.02, 0.61%, 0.44%

LAB 68.18, -35.58, 60.15

 

CMYK 6 / 0 / 76 / 29

HEX #AAB52C

RGB 170 181 44

HSL 64.82, 0.61%, 0.44%

LAB 70.72, -20.39, 63.44

 

CMYK 0 / 15 / 76 / 29

HEX #B59A2C

RGB 181 154 44

HSL 48.18, 0.61%, 0.44%

LAB 64.26, -1.51, 57.73

 

CMYK 0 / 35 / 76 / 29

HEX #B5762C

RGB 181 118 44

HSL 32.41, 0.61%, 0.44%

LAB 55.03, 18.35, 48.79

 

CMYK 0 / 55 / 76 / 29

HEX #B5512C

RGB 181 81 44

HSL 16.2, 0.61%, 0.44%

LAB 46.83, 38.27, 40.4

 

CMYK 27 / 0 / 76 / 29

HEX #85B52C

RGB 133 181 44

HSL 81.02, 0.61%, 0.44%

LAB 68.18, -35.58, 60.15

 

CMYK 47 / 0 / 76 / 29

HEX #60B52C

RGB 96 181 44

HSL 97.23, 0.61%, 0.44%

LAB 66.3, -48.68, 57.69

 

CMYK 67 / 0 / 76 / 29

HEX #3BB52C

RGB 59 181 44

HSL 113.43, 0.61%, 0.44%

LAB 65.09, -58.29, 56.09

 

CMYK 76 / 0 / 64 / 29

HEX #2CB541

RGB 44 181 65

HSL 129.2, 0.61%, 0.44%

LAB 64.93, -59, 47.59

 

CMYK 76 / 0 / 44 / 29

HEX #2CB566

RGB 44 181 102

HSL 145.4, 0.61%, 0.44%

LAB 65.39, -53.62, 30.19

 

CMYK 27 / 0 / 76 / 29

HEX #85B52C

RGB 133 181 44

HSL 81.02, 0.61%, 0.44%

LAB 68.18, -35.58, 60.15

 

CMYK 30 / 0 / 87 / 22

HEX #8BC71A

RGB 139 199 26

HSL 80.81, 0.77%, 0.44%

LAB 73.81, -41.99, 70.09

 

CMYK 34 / 0 / 97 / 15

HEX #90D907

RGB 144 217 7

HSL 80.86, 0.94%, 0.44%

LAB 79.37, -48.13, 77.27

 

CMYK 27 / 0 / 76 / 29

HEX #85B52C

RGB 133 181 44

HSL 81.02, 0.61%, 0.44%

LAB 68.18, -35.58, 60.15

 

CMYK 21 / 0 / 62 / 36

HEX #80A23E

RGB 128 162 62

HSL 80.4, 0.45%, 0.44%

LAB 62.32, -27.4, 46.95

 

CMYK 15 / 0 / 44 / 44

HEX #7A9050

RGB 122 144 80

HSL 80.63, 0.29%, 0.44%

LAB 56.75, -18.93, 31.37

 

CMYK 8 / 0 / 22 / 51

HEX #747E62

RGB 116 126 98

HSL 81.43, 0.13%, 0.44%

LAB 51.29, -9.05, 14.03

 

CMYK 4 / 7 / 0 / 55

HEX #6F6C74

RGB 111 108 116

HSL 262.5, 0.04%, 0.44%

LAB 46.13, 2.82, -4.04

 

CMYK 0 / 15 / 76 / 29

HEX #B5992C

RGB 181 153 44

HSL 47.74, 0.61%, 0.44%

LAB 63.99, -0.97, 57.48

 

CMYK 5 / 0 / 76 / 29

HEX #ACB52C

RGB 172 181 44

HSL 63.94, 0.61%, 0.44%

LAB 70.87, -19.54, 63.64

 

CMYK 25 / 0 / 76 / 29

HEX #87B52C

RGB 135 181 44

HSL 80.15, 0.61%, 0.44%

LAB 68.3, -34.8, 60.31

 

CMYK 45 / 0 / 76 / 29

HEX #63B52C

RGB 99 181 44

HSL 95.91, 0.61%, 0.44%

LAB 66.43, -47.73, 57.86

 

CMYK 66 / 0 / 76 / 29

HEX #3EB52C

RGB 62 181 44

HSL 112.12, 0.61%, 0.44%

LAB 65.16, -57.67, 56.19

 

CMYK 26 / 0 / 75 / 55

HEX #54721C

RGB 84 114 28

HSL 80.93, 0.61%, 0.28%

LAB 44.24, -24.53, 41.62

 

CMYK 26 / 0 / 76 / 42

HEX #6D9324

RGB 109 147 36

HSL 80.54, 0.61%, 0.36%

LAB 56.33, -29.74, 51.01

 

CMYK 27 / 0 / 76 / 29

HEX #85B52C

RGB 133 181 44

HSL 81.02, 0.61%, 0.44%

LAB 68.18, -35.58, 60.15

 

CMYK 25 / 0 / 72 / 19

HEX #9CCF3A

RGB 156 207 58

HSL 80.54, 0.61%, 0.52%

LAB 77.28, -37.69, 64.67

 

CMYK 20 / 0 / 57 / 16

HEX #ACD75C

RGB 172 215 92

HSL 80.98, 0.61%, 0.6%

LAB 80.82, -32.76, 55.03

 

CMYK 26 / 0 / 76 / 29

HEX #86B62C

RGB 134 182 44

HSL 80.87, 0.61%, 0.44%

LAB 68.54, -35.65, 60.51

 

CMYK 76 / 0 / 35 / 29

HEX #2CB575

RGB 44 181 117

HSL 151.97, 0.61%, 0.44%

LAB 65.65, -50.74, 22.59

 

CMYK 5 / 76 / 0 / 29

HEX #AC2CB5

RGB 172 44 181

HSL 296.06, 0.61%, 0.44%

LAB 44.1, 66.57, -45.37

 

CMYK 26 / 0 / 76 / 29

HEX #86B62C

RGB 134 182 44

HSL 80.87, 0.61%, 0.44%

LAB 68.54, -35.65, 60.51

 

CMYK 76 / 25 / 0 / 29

HEX #2C87B5

RGB 44 135 181

HSL 200.15, 0.61%, 0.44%

LAB 53.17, -10.77, -31.74

 

CMYK 0 / 76 / 25 / 29

HEX #B52C87

RGB 181 44 135

HSL 320.15, 0.61%, 0.44%

LAB 43.32, 61.77, -18.9

 

CMYK 26 / 0 / 76 / 29

HEX #86B62C

RGB 134 182 44

HSL 80.87, 0.61%, 0.44%

LAB 68.54, -35.65, 60.51

 

CMYK 76 / 0 / 35 / 29

HEX #2CB575

RGB 44 181 117

HSL 151.97, 0.61%, 0.44%

LAB 65.65, -50.74, 22.59

 

CMYK 51 / 76 / 0 / 29

HEX #592CB5

RGB 89 44 181

HSL 259.71, 0.61%, 0.44%

LAB 32.39, 51.38, -64.89

 

CMYK 0 / 76 / 40 / 29

HEX #B52C6C

RGB 181 44 108

HSL 331.97, 0.61%, 0.44%

LAB 42.32, 58.67, -3.76

 

CMYK 26 / 0 / 76 / 29

HEX #86B62C

RGB 134 182 44

HSL 80.87, 0.61%, 0.44%

LAB 68.54, -35.65, 60.51

 

CMYK 76 / 0 / 13 / 29

HEX #2CB59E

RGB 44 181 158

HSL 169.93, 0.61%, 0.44%

LAB 66.56, -41, 1.46

 

CMYK 51 / 76 / 0 / 29

HEX #592CB5

RGB 89 44 181

HSL 259.71, 0.61%, 0.44%

LAB 32.39, 51.38, -64.89

 

CMYK 0 / 76 / 63 / 29

HEX #B52C43

RGB 181 44 67

HSL 349.93, 0.61%, 0.44%

LAB 41.26, 55.3, 20.46

 

Description

Color code: HEX #86B62C | qconv.com Color code: HEX #86B62C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 182 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 182 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 76 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 76% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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