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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86B123 it is the complementary color #794EDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86B123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86B123 shade: #8BB11E, #9CC331, #ADD544, #BEE757 and #CFF96A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86B123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86B123 shade: #86B123, #759F10, #648D00, #537B00 and #426900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86B123 shade: #87B323, #AEB323, #B39123, #B36A23 and #B34423

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86B123 shade: #87B323, #61B323, #3AB323, #23B333 and #23B35A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86B123 shade matches the following richer shades: #87B323, #8EC412 and #95D601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86B123 shade: #87B323, #81A235, #7A9046, #737F57 and #6C6E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86B123 shade: #B39123, #AEB323, #88B323, #62B323 and #3BB323

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86B123 shade: #536E16, #6D901D, #87B323, #A1D52A and #B1DC4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86B123 shade: #86B123, #23B36B and #A523B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86B123 shade: #86B123, #2388B3 and #B32388

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86B123 shade: #86B123, #23B36B, #4E23B3 and #B3236B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86B123 shade: #86B123, #23B396, #4E23B3 and #B32340

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 80 / 31

HEX #86B123

RGB 134 177 35

HSL 78.17, 0.67%, 0.42%

LAB 67, -33.79, 61.86

 

Complementary color

CMYK 45 / 65 / 0 / 14

HEX #794EDC

RGB 121 78 220

HSL 258.17, 0.67%, 0.58%

LAB 45.19, 50.18, -66.53

 

CMYK 21 / 0 / 83 / 31

HEX #8BB11E

RGB 139 177 30

HSL 75.51, 0.71%, 0.41%

LAB 67.3, -31.97, 63.6

 

CMYK 20 / 0 / 75 / 24

HEX #9CC331

RGB 156 195 49

HSL 76.03, 0.6%, 0.48%

LAB 73.75, -32.7, 64.31

 

CMYK 19 / 0 / 68 / 16

HEX #ADD544

RGB 173 213 68

HSL 76.55, 0.63%, 0.55%

LAB 80.12, -33.25, 64.22

 

CMYK 18 / 0 / 62 / 9

HEX #BEE757

RGB 190 231 87

HSL 77.08, 0.75%, 0.62%

LAB 86.4, -33.67, 63.66

 

CMYK 17 / 0 / 57 / 2

HEX #CFF96A

RGB 207 249 106

HSL 77.62, 0.92%, 0.7%

LAB 92.6, -33.98, 62.85

 

CMYK 24 / 0 / 80 / 31

HEX #86B123

RGB 134 177 35

HSL 78.17, 0.67%, 0.42%

LAB 67, -33.79, 61.86

 

CMYK 26 / 0 / 90 / 38

HEX #759F10

RGB 117 159 16

HSL 77.62, 0.82%, 0.34%

LAB 60.44, -32.95, 60.33

 

CMYK 29 / 0 / 100 / 45

HEX #648D00

RGB 100 141 0

HSL 77.45, 1%, 0.28%

LAB 53.77, -31.86, 57.18

 

CMYK 33 / 0 / 100 / 52

HEX #537B00

RGB 83 123 0

HSL 79.51, 1%, 0.24%

LAB 46.98, -30.42, 51.53

 

CMYK 37 / 0 / 100 / 59

HEX #426900

RGB 66 105 0

HSL 82.29, 1%, 0.21%

LAB 40.02, -28.93, 45.74

 

CMYK 25 / 0 / 80 / 30

HEX #87B323

RGB 135 179 35

HSL 78.33, 0.67%, 0.42%

LAB 67.66, -34.31, 62.48

 

CMYK 3 / 0 / 80 / 30

HEX #AEB323

RGB 174 179 35

HSL 62.08, 0.67%, 0.42%

LAB 70.43, -18.02, 65.99

 

CMYK 0 / 19 / 80 / 30

HEX #B39123

RGB 179 145 35

HSL 45.83, 0.67%, 0.42%

LAB 61.62, 2.13, 58.38

 

CMYK 0 / 41 / 80 / 30

HEX #B36A23

RGB 179 106 35

HSL 29.58, 0.67%, 0.42%

LAB 51.85, 23.77, 49.49

 

CMYK 0 / 62 / 80 / 30

HEX #B34423

RGB 179 68 35

HSL 13.75, 0.67%, 0.42%

LAB 44, 43.46, 42.01

 

CMYK 25 / 0 / 80 / 30

HEX #87B323

RGB 135 179 35

HSL 78.33, 0.67%, 0.42%

LAB 67.66, -34.31, 62.48

 

CMYK 46 / 0 / 80 / 30

HEX #61B323

RGB 97 179 35

HSL 94.17, 0.67%, 0.42%

LAB 65.67, -48.08, 59.93

 

CMYK 68 / 0 / 80 / 30

HEX #3AB323

RGB 58 179 35

HSL 110.42, 0.67%, 0.42%

LAB 64.37, -58.41, 58.25

 

CMYK 80 / 0 / 72 / 30

HEX #23B333

RGB 35 179 51

HSL 126.67, 0.67%, 0.42%

LAB 64.03, -60.99, 52.33

 

CMYK 80 / 0 / 50 / 30

HEX #23B35A

RGB 35 179 90

HSL 142.92, 0.67%, 0.42%

LAB 64.43, -56.1, 35.1

 

CMYK 25 / 0 / 80 / 30

HEX #87B323

RGB 135 179 35

HSL 78.33, 0.67%, 0.42%

LAB 67.66, -34.31, 62.48

 

CMYK 28 / 0 / 91 / 23

HEX #8EC412

RGB 142 196 18

HSL 78.2, 0.83%, 0.42%

LAB 73.07, -39.74, 70.95

 

CMYK 30 / 0 / 100 / 16

HEX #95D601

RGB 149 214 1

HSL 78.31, 0.99%, 0.42%

LAB 78.74, -45.12, 77.46

 

CMYK 25 / 0 / 80 / 30

HEX #87B323

RGB 135 179 35

HSL 78.33, 0.67%, 0.42%

LAB 67.66, -34.31, 62.48

 

CMYK 20 / 0 / 67 / 36

HEX #81A235

RGB 129 162 53

HSL 78.17, 0.51%, 0.42%

LAB 62.31, -27.7, 50.85

 

CMYK 15 / 0 / 51 / 44

HEX #7A9046

RGB 122 144 70

HSL 77.84, 0.35%, 0.42%

LAB 56.61, -20.09, 36.42

 

CMYK 9 / 0 / 31 / 50

HEX #737F57

RGB 115 127 87

HSL 78, 0.19%, 0.42%

LAB 51.28, -11.76, 20.33

 

CMYK 2 / 0 / 5 / 57

HEX #6C6E69

RGB 108 110 105

HSL 84, 0.02%, 0.42%

LAB 46.12, -1.78, 2.51

 

CMYK 0 / 19 / 80 / 30

HEX #B39123

RGB 179 145 35

HSL 45.83, 0.67%, 0.42%

LAB 61.62, 2.13, 58.38

 

CMYK 3 / 0 / 80 / 30

HEX #AEB323

RGB 174 179 35

HSL 62.08, 0.67%, 0.42%

LAB 70.43, -18.02, 65.99

 

CMYK 24 / 0 / 80 / 30

HEX #88B323

RGB 136 179 35

HSL 77.92, 0.67%, 0.42%

LAB 67.72, -33.91, 62.56

 

CMYK 45 / 0 / 80 / 30

HEX #62B323

RGB 98 179 35

HSL 93.75, 0.67%, 0.42%

LAB 65.72, -47.76, 59.99

 

CMYK 67 / 0 / 80 / 30

HEX #3BB323

RGB 59 179 35

HSL 110, 0.67%, 0.42%

LAB 64.4, -58.2, 58.28

 

CMYK 25 / 0 / 80 / 57

HEX #536E16

RGB 83 110 22

HSL 78.41, 0.67%, 0.26%

LAB 42.84, -23.3, 42.49

 

CMYK 24 / 0 / 80 / 44

HEX #6D901D

RGB 109 144 29

HSL 78.26, 0.66%, 0.34%

LAB 55.37, -28.68, 52.46

 

CMYK 25 / 0 / 80 / 30

HEX #87B323

RGB 135 179 35

HSL 78.33, 0.67%, 0.42%

LAB 67.66, -34.31, 62.48

 

CMYK 24 / 0 / 80 / 16

HEX #A1D52A

RGB 161 213 42

HSL 78.25, 0.67%, 0.5%

LAB 79.23, -39.23, 71.56

 

CMYK 20 / 0 / 65 / 14

HEX #B1DC4D

RGB 177 220 77

HSL 78.04, 0.67%, 0.58%

LAB 82.42, -34.32, 63.2

 

CMYK 24 / 0 / 80 / 31

HEX #86B123

RGB 134 177 35

HSL 78.17, 0.67%, 0.42%

LAB 67, -33.79, 61.86

 

CMYK 80 / 0 / 40 / 30

HEX #23B36B

RGB 35 179 107

HSL 150, 0.67%, 0.42%

LAB 64.69, -53.08, 26.62

 

CMYK 8 / 80 / 0 / 30

HEX #A523B3

RGB 165 35 179

HSL 294.17, 0.67%, 0.42%

LAB 41.93, 67.44, -47.73

 

CMYK 24 / 0 / 80 / 31

HEX #86B123

RGB 134 177 35

HSL 78.17, 0.67%, 0.42%

LAB 67, -33.79, 61.86

 

CMYK 80 / 24 / 0 / 30

HEX #2388B3

RGB 35 136 179

HSL 197.92, 0.67%, 0.42%

LAB 53.19, -13.06, -30.58

 

CMYK 0 / 80 / 24 / 30

HEX #B32388

RGB 179 35 136

HSL 317.92, 0.67%, 0.42%

LAB 42.1, 64, -21.43

 

CMYK 24 / 0 / 80 / 31

HEX #86B123

RGB 134 177 35

HSL 78.17, 0.67%, 0.42%

LAB 67, -33.79, 61.86

 

CMYK 80 / 0 / 40 / 30

HEX #23B36B

RGB 35 179 107

HSL 150, 0.67%, 0.42%

LAB 64.69, -53.08, 26.62

 

CMYK 56 / 80 / 0 / 30

HEX #4E23B3

RGB 78 35 179

HSL 257.92, 0.67%, 0.42%

LAB 29.6, 53.42, -68.33

 

CMYK 0 / 80 / 40 / 30

HEX #B3236B

RGB 179 35 107

HSL 330, 0.67%, 0.42%

LAB 40.97, 60.7, -5.17

 

CMYK 24 / 0 / 80 / 31

HEX #86B123

RGB 134 177 35

HSL 78.17, 0.67%, 0.42%

LAB 67, -33.79, 61.86

 

CMYK 80 / 0 / 16 / 30

HEX #23B396

RGB 35 179 150

HSL 167.92, 0.67%, 0.42%

LAB 65.59, -43.22, 4.47

 

CMYK 56 / 80 / 0 / 30

HEX #4E23B3

RGB 78 35 179

HSL 257.92, 0.67%, 0.42%

LAB 29.6, 53.42, -68.33

 

CMYK 0 / 80 / 64 / 30

HEX #B32340

RGB 179 35 64

HSL 347.92, 0.67%, 0.42%

LAB 39.84, 57.28, 20.41

 

Description

Color code: HEX #86B123 | qconv.com Color code: HEX #86B123 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 177 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 177 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 80 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 80% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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