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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8693EB3F it is the complementary color #796C143F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8693EB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8693EB3F shade: #8B93E63F, #9CA5F93F, #ADB7FF3F, #BEC9FF3F and #CFDBFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8693EB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8693EB3F shade: #8693EB3F, #7581D83F, #646FC53F, #535DB23F and #424B9F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8693EB3F shade: #8491EB, #9384EB, #AE84EB, #CA84EB and #E684EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8693EB3F shade: #8491EB and #8484EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8693EB3F shade matches the following richer shades: #8491EB and #7989F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8693EB3F shade: #8491EB, #909ADF, #9BA3D4, #A7ABC8 and #B2B4BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8693EB3F shade: #84C9EB, #84ADEB, #8492EB, #9284EB and #AD84EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8693EB3F shade: #3D52DF, #6172E5, #8491EB, #A8B1F1 and #CBD1F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8693EB3F shade: #8693EB, #EB84E4 and #BBEB84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8693EB3F shade: #8693EB, #EB8492 and #92EB84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8693EB3F shade: #8693EB, #EB84E4, #EBDD84 and #84EB8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8693EB3F shade: #8693EB, #EB84C5, #EBDD84 and #84EBAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 9 / 0 / 2

HEX #8693EB3F

RGBA 134 147 235 0.25

HSLA 232.28, 0.72%, 0.72%, 0.25

LABA 63.29, 17.51, -45.92, 0.25

 

Complementary color

CMYK 0 / 3 / 21 / 13

HEX #796C143F

RGBA 121 108 20 0.25

HSLA 52.28, 0.72%, 0.28%, 0.25

LABA 45.42, -4.66, 46.7, 0.25

 

CMYK 10 / 9 / 0 / 2

HEX #8B93E63F

RGBA 139 147 230 0.25

HSLA 234.73, 0.65%, 0.72%, 0.25

LABA 63.4, 17.38, -42.96, 0.25

 

CMYK 9 / 8 / 0 / 1

HEX #9CA5F93F

RGBA 156 165 249 0.25

HSLA 234.19, 0.89%, 0.79%, 0.25

LABA 70.05, 16.67, -42.86, 0.25

 

CMYK 8 / 7 / 0 / 0

HEX #ADB7FF3F

RGBA 173 183 255 0.25

HSLA 232.68, 1%, 0.84%, 0.25

LABA 76.05, 12.73, -36.66, 0.25

 

CMYK 6 / 5 / 0 / 0

HEX #BEC9FF3F

RGBA 190 201 255 0.25

HSLA 229.85, 1%, 0.87%, 0.25

LABA 81.81, 7.75, -27.7, 0.25

 

CMYK 5 / 4 / 0 / 0

HEX #CFDBFF3F

RGBA 207 219 255 0.25

HSLA 225, 1%, 0.91%, 0.25

LABA 87.56, 3.25, -18.86, 0.25

 

CMYK 11 / 9 / 0 / 2

HEX #8693EB3F

RGBA 134 147 235 0.25

HSLA 232.28, 0.72%, 0.72%, 0.25

LABA 63.29, 17.51, -45.92, 0.25

 

CMYK 11 / 10 / 0 / 4

HEX #7581D83F

RGBA 117 129 216 0.25

HSLA 232.73, 0.56%, 0.65%, 0.25

LABA 56.53, 18.41, -46.1, 0.25

 

CMYK 12 / 11 / 0 / 6

HEX #646FC53F

RGBA 100 111 197 0.25

HSLA 233.2, 0.46%, 0.58%, 0.25

LABA 49.63, 19.48, -46.33, 0.25

 

CMYK 13 / 12 / 0 / 8

HEX #535DB23F

RGBA 83 93 178 0.25

HSLA 233.68, 0.38%, 0.51%, 0.25

LABA 42.58, 20.75, -46.62, 0.25

 

CMYK 15 / 13 / 0 / 9

HEX #424B9F3F

RGBA 66 75 159 0.25

HSLA 234.19, 0.41%, 0.44%, 0.25

LABA 35.39, 22.32, -46.95, 0.25

 

CMYK 44 / 38 / 0 / 8

HEX #8491EB

RGB 132 145 235

HSL 232.43, 0.72%, 0.72%

LAB 62.64, 18.18, -46.96

 

CMYK 37 / 44 / 0 / 8

HEX #9384EB

RGB 147 132 235

HSL 248.74, 0.72%, 0.72%

LAB 60.52, 29.51, -50.24

 

CMYK 26 / 44 / 0 / 8

HEX #AE84EB

RGB 174 132 235

HSL 264.47, 0.72%, 0.72%

LAB 62.93, 36.67, -46.27

 

CMYK 14 / 44 / 0 / 8

HEX #CA84EB

RGB 202 132 235

HSL 280.78, 0.72%, 0.72%

LAB 65.79, 44.52, -41.57

 

CMYK 2 / 44 / 0 / 8

HEX #E684EB

RGB 230 132 235

HSL 297.09, 0.72%, 0.72%

LAB 68.99, 52.55, -36.35

 

CMYK 44 / 38 / 0 / 8

HEX #8491EB

RGB 132 145 235

HSL 232.43, 0.72%, 0.72%

LAB 62.64, 18.18, -46.96

 

CMYK 44 / 44 / 0 / 8

HEX #8484EB

RGB 132 132 235

HSL 240, 0.72%, 0.72%

LAB 59.35, 25.8, -52.17

 

CMYK 44 / 38 / 0 / 8

HEX #8491EB

RGB 132 145 235

HSL 232.43, 0.72%, 0.72%

LAB 62.64, 18.18, -46.96

 

CMYK 51 / 45 / 0 / 3

HEX #7989F7

RGB 121 137 247

HSL 232.38, 0.89%, 0.72%

LAB 60.49, 23.9, -57.03

 

CMYK 44 / 38 / 0 / 8

HEX #8491EB

RGB 132 145 235

HSL 232.43, 0.72%, 0.72%

LAB 62.64, 18.18, -46.96

 

CMYK 35 / 31 / 0 / 13

HEX #909ADF

RGB 144 154 223

HSL 232.41, 0.55%, 0.72%

LAB 65.25, 12.79, -36.17

 

CMYK 27 / 23 / 0 / 17

HEX #9BA3D4

RGB 155 163 212

HSL 231.58, 0.4%, 0.72%

LAB 67.96, 8.05, -25.84

 

CMYK 17 / 15 / 0 / 22

HEX #A7ABC8

RGB 167 171 200

HSL 232.73, 0.23%, 0.72%

LAB 70.53, 4.57, -15.23

 

CMYK 6 / 5 / 0 / 26

HEX #B2B4BD

RGB 178 180 189

HSL 229.09, 0.08%, 0.72%

LAB 73.4, 1.04, -4.82

 

CMYK 44 / 14 / 0 / 8

HEX #84C9EB

RGB 132 201 235

HSL 199.81, 0.72%, 0.72%

LAB 77.68, -12.97, -23.62

 

CMYK 44 / 26 / 0 / 8

HEX #84ADEB

RGB 132 173 235

HSL 216.12, 0.72%, 0.72%

LAB 70.03, 2.17, -35.39

 

CMYK 44 / 38 / 0 / 8

HEX #8492EB

RGB 132 146 235

HSL 231.84, 0.72%, 0.72%

LAB 62.9, 17.6, -46.55

 

CMYK 38 / 44 / 0 / 8

HEX #9284EB

RGB 146 132 235

HSL 248.16, 0.72%, 0.72%

LAB 60.44, 29.25, -50.37

 

CMYK 26 / 44 / 0 / 8

HEX #AD84EB

RGB 173 132 235

HSL 263.88, 0.72%, 0.72%

LAB 62.83, 36.4, -46.43

 

CMYK 73 / 63 / 0 / 13

HEX #3D52DF

RGB 61 82 223

HSL 232.22, 0.72%, 0.56%

LAB 41.77, 39.49, -74.01

 

CMYK 58 / 50 / 0 / 10

HEX #6172E5

RGB 97 114 229

HSL 232.27, 0.72%, 0.64%

LAB 52.1, 27.21, -60.55

 

CMYK 44 / 38 / 0 / 8

HEX #8491EB

RGB 132 145 235

HSL 232.43, 0.72%, 0.72%

LAB 62.64, 18.18, -46.96

 

CMYK 30 / 27 / 0 / 5

HEX #A8B1F1

RGB 168 177 241

HSL 232.6, 0.72%, 0.8%

LAB 73.62, 11.17, -32.9

 

CMYK 18 / 15 / 0 / 3

HEX #CBD1F7

RGB 203 209 247

HSL 231.82, 0.73%, 0.88%

LAB 84.49, 5.59, -19.29

 

CMYK 43 / 37 / 0 / 8

HEX #8693EB

RGB 134 147 235

HSL 232.28, 0.72%, 0.72%

LAB 63.29, 17.51, -45.92

 

CMYK 0 / 44 / 3 / 8

HEX #EB84E4

RGB 235 132 228

HSL 304.08, 0.72%, 0.72%

LAB 69.3, 52.77, -31.95

 

CMYK 20 / 0 / 44 / 8

HEX #BBEB84

RGB 187 235 132

HSL 87.96, 0.72%, 0.72%

LAB 87.8, -32.36, 44.9

 

CMYK 43 / 37 / 0 / 8

HEX #8693EB

RGB 134 147 235

HSL 232.28, 0.72%, 0.72%

LAB 63.29, 17.51, -45.92

 

CMYK 0 / 44 / 38 / 8

HEX #EB8492

RGB 235 132 146

HSL 351.84, 0.72%, 0.72%

LAB 66.7, 40.86, 10.07

 

CMYK 38 / 0 / 44 / 8

HEX #92EB84

RGB 146 235 132

HSL 111.84, 0.72%, 0.72%

LAB 85.6, -46.15, 41.67

 

CMYK 43 / 37 / 0 / 8

HEX #8693EB

RGB 134 147 235

HSL 232.28, 0.72%, 0.72%

LAB 63.29, 17.51, -45.92

 

CMYK 0 / 44 / 3 / 8

HEX #EB84E4

RGB 235 132 228

HSL 304.08, 0.72%, 0.72%

LAB 69.3, 52.77, -31.95

 

CMYK 0 / 6 / 44 / 8

HEX #EBDD84

RGB 235 221 132

HSL 51.84, 0.72%, 0.72%

LAB 87.5, -7.25, 45.27

 

CMYK 44 / 0 / 41 / 8

HEX #84EB8B

RGB 132 235 139

HSL 124.08, 0.72%, 0.72%

LAB 85.09, -49.29, 37.44

 

CMYK 43 / 37 / 0 / 8

HEX #8693EB

RGB 134 147 235

HSL 232.28, 0.72%, 0.72%

LAB 63.29, 17.51, -45.92

 

CMYK 0 / 44 / 16 / 8

HEX #EB84C5

RGB 235 132 197

HSL 322.14, 0.72%, 0.72%

LAB 68.16, 47.7, -16.48

 

CMYK 0 / 6 / 44 / 8

HEX #EBDD84

RGB 235 221 132

HSL 51.84, 0.72%, 0.72%

LAB 87.5, -7.25, 45.27

 

CMYK 44 / 0 / 28 / 8

HEX #84EBAA

RGB 132 235 170

HSL 142.14, 0.72%, 0.72%

LAB 85.62, -44.08, 22.4

 

Description

Color code: HEX #8693EB3F | qconv.com Color code: HEX #8693EB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 147 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 147 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 9 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 9% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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