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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86623A it is the complementary color #799DC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86623A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86623A shade: #8B6235, #9C7448, #AD865B, #BE986E and #CFAA81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86623A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86623A shade: #86623A, #755027, #643E14, #532C01 and #421A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86623A shade: #88633A, #884E3A and #883A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86623A shade: #88633A, #88783A, #83883A, #6E883A and #59883A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86623A shade matches the following richer shades: #88633A, #97642A, #A7651B and #B7650B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86623A shade: #88633A, #78624A, #686159, #596069 and #496079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86623A shade: #883A3B, #884E3A, #88623A, #88773A and #84883A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86623A shade: #4E3921, #6B4E2E, #88633A, #A57847 and #B98D5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86623A shade: #86623A, #50883A and #433A88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86623A shade: #86623A, #3A8862 and #623A88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86623A shade: #86623A, #50883A, #3A6088 and #723A88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86623A shade: #86623A, #3A883B, #3A6088 and #883A86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 57 / 47

HEX #86623A

RGB 134 98 58

HSL 31.58, 0.4%, 0.38%

LAB 44.39, 9.68, 28.28

 

Complementary color

CMYK 39 / 20 / 0 / 23

HEX #799DC5

RGB 121 157 197

HSL 211.58, 0.4%, 0.62%

LAB 63.52, -2.23, -24.52

 

CMYK 0 / 29 / 62 / 45

HEX #8B6235

RGB 139 98 53

HSL 31.4, 0.45%, 0.38%

LAB 44.92, 11.53, 31.83

 

CMYK 0 / 26 / 54 / 39

HEX #9C7448

RGB 156 116 72

HSL 31.43, 0.37%, 0.45%

LAB 51.87, 10.34, 30.27

 

CMYK 0 / 23 / 47 / 32

HEX #AD865B

RGB 173 134 91

HSL 31.46, 0.33%, 0.52%

LAB 58.69, 9.37, 28.81

 

CMYK 0 / 20 / 42 / 25

HEX #BE986E

RGB 190 152 110

HSL 31.5, 0.38%, 0.59%

LAB 65.38, 8.55, 27.47

 

CMYK 0 / 18 / 38 / 19

HEX #CFAA81

RGB 207 170 129

HSL 31.54, 0.45%, 0.66%

LAB 71.96, 7.85, 26.22

 

CMYK 0 / 27 / 57 / 47

HEX #86623A

RGB 134 98 58

HSL 31.58, 0.4%, 0.38%

LAB 44.39, 9.68, 28.28

 

CMYK 0 / 32 / 67 / 54

HEX #755027

RGB 117 80 39

HSL 31.54, 0.5%, 0.31%

LAB 37.24, 10.99, 29.89

 

CMYK 0 / 38 / 80 / 61

HEX #643E14

RGB 100 62 20

HSL 31.5, 0.67%, 0.24%

LAB 29.92, 12.67, 31.39

 

CMYK 0 / 47 / 99 / 67

HEX #532C01

RGB 83 44 1

HSL 31.46, 0.98%, 0.16%

LAB 22.45, 14.78, 31.62

 

CMYK 0 / 61 / 100 / 74

HEX #421A00

RGB 66 26 0

HSL 23.64, 1%, 0.13%

LAB 14.94, 17.62, 22.49

 

CMYK 0 / 27 / 57 / 47

HEX #88633A

RGB 136 99 58

HSL 31.54, 0.4%, 0.38%

LAB 44.89, 10, 28.94

 

CMYK 0 / 43 / 57 / 47

HEX #884E3A

RGB 136 78 58

HSL 15.38, 0.4%, 0.38%

LAB 39.56, 22.3, 22.29

 

CMYK 0 / 57 / 57 / 47

HEX #883A3A

RGB 136 58 58

HSL 0, 0.4%, 0.38%

LAB 35.13, 33.39, 16.54

 

CMYK 0 / 27 / 57 / 47

HEX #88633A

RGB 136 99 58

HSL 31.54, 0.4%, 0.38%

LAB 44.89, 10, 28.94

 

CMYK 0 / 12 / 57 / 47

HEX #88783A

RGB 136 120 58

HSL 47.69, 0.4%, 0.38%

LAB 50.66, -2.14, 35.82

 

CMYK 4 / 0 / 57 / 47

HEX #83883A

RGB 131 136 58

HSL 63.85, 0.4%, 0.38%

LAB 54.8, -13.2, 40.48

 

CMYK 19 / 0 / 57 / 47

HEX #6E883A

RGB 110 136 58

HSL 80, 0.4%, 0.38%

LAB 53.2, -22.2, 38.22

 

CMYK 35 / 0 / 57 / 47

HEX #59883A

RGB 89 136 58

HSL 96.15, 0.4%, 0.38%

LAB 51.88, -30.51, 36.35

 

CMYK 0 / 27 / 57 / 47

HEX #88633A

RGB 136 99 58

HSL 31.54, 0.4%, 0.38%

LAB 44.89, 10, 28.94

 

CMYK 0 / 34 / 72 / 41

HEX #97642A

RGB 151 100 42

HSL 31.93, 0.56%, 0.38%

LAB 46.79, 15.08, 40.06

 

CMYK 0 / 40 / 84 / 35

HEX #A7651B

RGB 167 101 27

HSL 31.71, 0.72%, 0.38%

LAB 49.01, 21.04, 49.49

 

CMYK 0 / 45 / 94 / 28

HEX #B7650B

RGB 183 101 11

HSL 31.4, 0.89%, 0.38%

LAB 51.15, 27.65, 56.86

 

CMYK 0 / 27 / 57 / 47

HEX #88633A

RGB 136 99 58

HSL 31.54, 0.4%, 0.38%

LAB 44.89, 10, 28.94

 

CMYK 0 / 18 / 38 / 53

HEX #78624A

RGB 120 98 74

HSL 31.3, 0.24%, 0.38%

LAB 43.1, 5.17, 17

 

CMYK 0 / 7 / 14 / 59

HEX #686159

RGB 104 97 89

HSL 32, 0.08%, 0.38%

LAB 41.55, 1.26, 5.56

 

CMYK 15 / 9 / 0 / 59

HEX #596069

RGB 89 96 105

HSL 213.75, 0.08%, 0.38%

LAB 40.43, -0.65, -6.04

 

CMYK 40 / 21 / 0 / 53

HEX #496079

RGB 73 96 121

HSL 211.25, 0.25%, 0.38%

LAB 39.85, -1.74, -16.81

 

CMYK 0 / 57 / 57 / 47

HEX #883A3B

RGB 136 58 59

HSL 359.23, 0.4%, 0.38%

LAB 35.16, 33.47, 15.93

 

CMYK 0 / 43 / 57 / 47

HEX #884E3A

RGB 136 78 58

HSL 15.38, 0.4%, 0.38%

LAB 39.56, 22.3, 22.29

 

CMYK 0 / 28 / 57 / 47

HEX #88623A

RGB 136 98 58

HSL 30.77, 0.4%, 0.38%

LAB 44.62, 10.59, 28.62

 

CMYK 0 / 13 / 57 / 47

HEX #88773A

RGB 136 119 58

HSL 46.92, 0.4%, 0.38%

LAB 50.37, -1.57, 35.5

 

CMYK 3 / 0 / 57 / 47

HEX #84883A

RGB 132 136 58

HSL 63.08, 0.4%, 0.38%

LAB 54.89, -12.76, 40.59

 

CMYK 0 / 27 / 58 / 69

HEX #4E3921

RGB 78 57 33

HSL 32, 0.41%, 0.22%

LAB 25.73, 5.96, 18.48

 

CMYK 0 / 27 / 57 / 58

HEX #6B4E2E

RGB 107 78 46

HSL 31.48, 0.4%, 0.3%

LAB 35.54, 8.08, 23.57

 

CMYK 0 / 27 / 57 / 47

HEX #88633A

RGB 136 99 58

HSL 31.54, 0.4%, 0.38%

LAB 44.89, 10, 28.94

 

CMYK 0 / 27 / 57 / 35

HEX #A57847

RGB 165 120 71

HSL 31.28, 0.4%, 0.46%

LAB 53.91, 11.92, 33.56

 

CMYK 0 / 24 / 51 / 27

HEX #B98D5B

RGB 185 141 91

HSL 31.91, 0.4%, 0.54%

LAB 61.76, 10.56, 32.99

 

CMYK 0 / 27 / 57 / 47

HEX #86623A

RGB 134 98 58

HSL 31.58, 0.4%, 0.38%

LAB 44.39, 9.68, 28.28

 

CMYK 41 / 0 / 57 / 47

HEX #50883A

RGB 80 136 58

HSL 103.08, 0.4%, 0.38%

LAB 51.4, -33.74, 35.67

 

CMYK 51 / 57 / 0 / 47

HEX #433A88

RGB 67 58 136

HSL 246.92, 0.4%, 0.38%

LAB 29.4, 25.87, -42.55

 

CMYK 0 / 27 / 57 / 47

HEX #86623A

RGB 134 98 58

HSL 31.58, 0.4%, 0.38%

LAB 44.39, 9.68, 28.28

 

CMYK 57 / 0 / 28 / 47

HEX #3A8862

RGB 58 136 98

HSL 150.77, 0.4%, 0.38%

LAB 51.14, -33.42, 13.33

 

CMYK 28 / 57 / 0 / 47

HEX #623A88

RGB 98 58 136

HSL 270.77, 0.4%, 0.38%

LAB 32.7, 33.7, -37.08

 

CMYK 0 / 27 / 57 / 47

HEX #86623A

RGB 134 98 58

HSL 31.58, 0.4%, 0.38%

LAB 44.39, 9.68, 28.28

 

CMYK 41 / 0 / 57 / 47

HEX #50883A

RGB 80 136 58

HSL 103.08, 0.4%, 0.38%

LAB 51.4, -33.74, 35.67

 

CMYK 57 / 29 / 0 / 47

HEX #3A6088

RGB 58 96 136

HSL 210.77, 0.4%, 0.38%

LAB 39.65, -0.95, -26.31

 

CMYK 16 / 57 / 0 / 47

HEX #723A88

RGB 114 58 136

HSL 283.08, 0.4%, 0.38%

LAB 34.76, 38.12, -33.67

 

CMYK 0 / 27 / 57 / 47

HEX #86623A

RGB 134 98 58

HSL 31.58, 0.4%, 0.38%

LAB 44.39, 9.68, 28.28

 

CMYK 57 / 0 / 57 / 47

HEX #3A883B

RGB 58 136 59

HSL 120.77, 0.4%, 0.38%

LAB 50.48, -40.42, 33.84

 

CMYK 57 / 29 / 0 / 47

HEX #3A6088

RGB 58 96 136

HSL 210.77, 0.4%, 0.38%

LAB 39.65, -0.95, -26.31

 

CMYK 0 / 57 / 1 / 47

HEX #883A86

RGB 136 58 134

HSL 301.54, 0.4%, 0.38%

LAB 37.81, 43.96, -27.43

 

Description

Color code: HEX #86623A | qconv.com Color code: HEX #86623A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 98 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 98 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 57 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 57% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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