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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #865F84 it is the complementary color #79A07B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #865F84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #865F84: #8B5F7F, #9C7192, #AD83A5, #BE95B8 and #CFA7CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #865F84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #865F84: #865F84, #754D71, #643B5E, #53294B and #421738

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 1 / 47

HEX #865F84

RGB 134 95 132

HSL 303.08, 0.17%, 0.45%

LAB 45.52, 22.42, -14.33

 

Complementary color

CMYK 24 / 0 / 23 / 37

HEX #79A07B

RGB 121 160 123

HSL 123.08, 0.17%, 0.55%

LAB 62.2, -20.9, 15.05

 

CMYK 0 / 32 / 9 / 45

HEX #8B5F7F

RGB 139 95 127

HSL 316.36, 0.19%, 0.46%

LAB 45.91, 23.26, -10.67

 

CMYK 0 / 28 / 6 / 39

HEX #9C7192

RGB 156 113 146

HSL 313.95, 0.18%, 0.53%

LAB 52.9, 22.54, -11.25

 

CMYK 0 / 24 / 5 / 32

HEX #AD83A5

RGB 173 131 165

HSL 311.43, 0.2%, 0.6%

LAB 59.74, 21.89, -11.79

 

CMYK 0 / 22 / 3 / 25

HEX #BE95B8

RGB 190 149 184

HSL 308.78, 0.24%, 0.66%

LAB 66.45, 21.3, -12.29

 

CMYK 0 / 19 / 2 / 19

HEX #CFA7CB

RGB 207 167 203

HSL 306, 0.29%, 0.73%

LAB 73.03, 20.75, -12.78

 

CMYK 0 / 29 / 1 / 47

HEX #865F84

RGB 134 95 132

HSL 303.08, 0.17%, 0.45%

LAB 45.52, 22.42, -14.33

 

CMYK 0 / 34 / 3 / 54

HEX #754D71

RGB 117 77 113

HSL 306, 0.21%, 0.38%

LAB 38.34, 23.18, -13.84

 

CMYK 0 / 41 / 6 / 61

HEX #643B5E

RGB 100 59 94

HSL 308.78, 0.26%, 0.31%

LAB 30.99, 24.01, -13.27

 

CMYK 0 / 51 / 10 / 67

HEX #53294B

RGB 83 41 75

HSL 311.43, 0.34%, 0.24%

LAB 23.45, 24.87, -12.56

 

CMYK 0 / 65 / 15 / 74

HEX #421738

RGB 66 23 56

HSL 313.95, 0.48%, 0.17%

LAB 15.78, 25.58, -11.5

 

CMYK 0 / 29 / 1 / 47

HEX #865F84

RGB 134 95 132

HSL 303.08, 0.17%, 0.45%

LAB 45.52, 22.42, -14.33

 

CMYK 0 / 29 / 7 / 47

HEX #865F7D

RGB 134 95 125

HSL 313.85, 0.17%, 0.45%

LAB 45.27, 21.04, -10.5

 

CMYK 0 / 29 / 11 / 47

HEX #865F77

RGB 134 95 119

HSL 323.08, 0.17%, 0.45%

LAB 45.06, 19.92, -7.18

 

CMYK 0 / 29 / 16 / 47

HEX #865F70

RGB 134 95 112

HSL 333.85, 0.17%, 0.45%

LAB 44.83, 18.66, -3.28

 

CMYK 0 / 29 / 21 / 47

HEX #865F6A

RGB 134 95 106

HSL 343.08, 0.17%, 0.45%

LAB 44.65, 17.64, 0.09

 

CMYK 0 / 29 / 1 / 47

HEX #865F84

RGB 134 95 132

HSL 303.08, 0.17%, 0.45%

LAB 45.52, 22.42, -14.33

 

CMYK 0 / 29 / 2 / 27

HEX #B983B6

RGB 185 131 182

HSL 303.33, 0.28%, 0.62%

LAB 61.59, 29.22, -18.55

 

CMYK 0 / 29 / 2 / 7

HEX #ECA7E8

RGB 236 167 232

HSL 303.48, 0.64%, 0.79%

LAB 76.86, 35.64, -22.54

 

CMYK 0 / 28 / 0 / 87

HEX #201720

RGB 32 23 32

HSL 300, 0.16%, 0.11%

LAB 9.19, 6.63, -4.54

 

CMYK 0 / 29 / 1 / 67

HEX #533B52

RGB 83 59 82

HSL 302.5, 0.17%, 0.28%

LAB 28.32, 15.05, -9.76

 

CMYK 0 / 29 / 1 / 47

HEX #865F84

RGB 134 95 132

HSL 303.08, 0.17%, 0.45%

LAB 45.52, 22.42, -14.33

 

CMYK 0 / 22 / 29 / 47

HEX #86685F

RGB 134 104 95

HSL 13.85, 0.17%, 0.45%

LAB 46.7, 10.59, 9.66

 

CMYK 29 / 0 / 10 / 47

HEX #5F8678

RGB 95 134 120

HSL 158.46, 0.17%, 0.45%

LAB 52.77, -16.76, 3.18

 

CMYK 0 / 29 / 1 / 47

HEX #865F84

RGB 134 95 132

HSL 303.08, 0.17%, 0.45%

LAB 45.52, 22.42, -14.33

 

CMYK 1 / 0 / 29 / 47

HEX #84865F

RGB 132 134 95

HSL 63.08, 0.17%, 0.45%

LAB 54.85, -7.45, 20.81

 

CMYK 29 / 1 / 0 / 47

HEX #5F8486

RGB 95 132 134

HSL 183.08, 0.17%, 0.45%

LAB 52.57, -12.35, -5.26

 

CMYK 0 / 29 / 1 / 47

HEX #865F84

RGB 134 95 132

HSL 303.08, 0.17%, 0.45%

LAB 45.52, 22.42, -14.33

 

CMYK 0 / 22 / 29 / 47

HEX #86685F

RGB 134 104 95

HSL 13.85, 0.17%, 0.45%

LAB 46.7, 10.59, 9.66

 

CMYK 29 / 0 / 28 / 47

HEX #5F8661

RGB 95 134 97

HSL 123.08, 0.17%, 0.45%

LAB 52.23, -21.48, 15.68

 

CMYK 29 / 7 / 0 / 47

HEX #5F7C86

RGB 95 124 134

HSL 195.38, 0.17%, 0.45%

LAB 50.18, -7.86, -8.83

 

CMYK 0 / 29 / 1 / 47

HEX #865F84

RGB 134 95 132

HSL 303.08, 0.17%, 0.45%

LAB 45.52, 22.42, -14.33

 

CMYK 0 / 13 / 29 / 47

HEX #86745F

RGB 134 116 95

HSL 32.31, 0.17%, 0.45%

LAB 49.96, 3.58, 14.2

 

CMYK 29 / 0 / 28 / 47

HEX #5F8661

RGB 95 134 97

HSL 123.08, 0.17%, 0.45%

LAB 52.23, -21.48, 15.68

 

CMYK 29 / 16 / 0 / 47

HEX #5F7086

RGB 95 112 134

HSL 213.85, 0.17%, 0.45%

LAB 46.63, -0.88, -14.17

 

Description

Color code: HEX #865F84 | qconv.com Color code: HEX #865F84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 95 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 95 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 1 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 1% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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