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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #864962 it is the complementary color #79B69D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #864962. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #864962 shade: #8B495D, #9C5B70, #AD6D83, #BE7F96 and #CF91A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #864962. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #864962 shade: #864962, #75374F, #64253C, #531329 and #420116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #864962 shade: #874A63, #874A53 and #874A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #864962 shade: #874A63, #874A73, #874A84, #7A4A87 and #694A87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #864962 shade matches the following richer shades: #874A63, #983960, #A9285D, #BA175A and #CB0757

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #864962 shade: #874A63, #765B66, #656C69, #547D6C and #438E6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #864962 shade: #874A84, #874A74, #874A63, #874A53 and #87514A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #864962 shade: #522D3C, #6C3C50, #874A63, #A15977 and #B1728C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #864962 shade: #864962, #877A4A and #4A7C87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #864962 shade: #864962, #63874A and #4A6387

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #864962 shade: #864962, #877A4A, #4A876E and #4A5787

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #864962 shade: #864962, #82874A, #4A876E and #4F4A87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 27 / 47

HEX #864962

RGB 134 73 98

HSL 335.41, 0.29%, 0.41%

LAB 39.1, 29.18, -3.14

 

Complementary color

CMYK 34 / 0 / 14 / 29

HEX #79B69D

RGB 121 182 157

HSL 155.41, 0.29%, 0.59%

LAB 69.44, -25.21, 6.5

 

CMYK 0 / 47 / 33 / 45

HEX #8B495D

RGB 139 73 93

HSL 341.82, 0.31%, 0.42%

LAB 39.66, 30.34, 0.88

 

CMYK 0 / 42 / 28 / 39

HEX #9C5B70

RGB 156 91 112

HSL 340.62, 0.26%, 0.48%

LAB 46.6, 29.4, -0.36

 

CMYK 0 / 37 / 24 / 32

HEX #AD6D83

RGB 173 109 131

HSL 339.38, 0.28%, 0.55%

LAB 53.45, 28.51, -1.41

 

CMYK 0 / 33 / 21 / 25

HEX #BE7F96

RGB 190 127 150

HSL 338.1, 0.33%, 0.62%

LAB 60.18, 27.7, -2.33

 

CMYK 0 / 30 / 18 / 19

HEX #CF91A9

RGB 207 145 169

HSL 336.77, 0.39%, 0.69%

LAB 66.81, 26.95, -3.15

 

CMYK 0 / 46 / 27 / 47

HEX #864962

RGB 134 73 98

HSL 335.41, 0.29%, 0.41%

LAB 39.1, 29.18, -3.14

 

CMYK 0 / 53 / 32 / 54

HEX #75374F

RGB 117 55 79

HSL 336.77, 0.36%, 0.34%

LAB 31.99, 30.1, -1.83

 

CMYK 0 / 63 / 40 / 61

HEX #64253C

RGB 100 37 60

HSL 338.1, 0.46%, 0.27%

LAB 24.82, 30.92, -0.08

 

CMYK 0 / 77 / 51 / 67

HEX #531329

RGB 83 19 41

HSL 339.38, 0.63%, 0.2%

LAB 17.76, 31.26, 2.5

 

CMYK 0 / 98 / 67 / 74

HEX #420116

RGB 66 1 22

HSL 340.62, 0.97%, 0.13%

LAB 10.83, 31.07, 6.22

 

CMYK 0 / 45 / 27 / 47

HEX #874A63

RGB 135 74 99

HSL 335.41, 0.29%, 0.41%

LAB 39.49, 29.14, -3.16

 

CMYK 0 / 45 / 39 / 47

HEX #874A53

RGB 135 74 83

HSL 351.15, 0.29%, 0.41%

LAB 39.02, 26.9, 6.15

 

CMYK 0 / 45 / 45 / 47

HEX #874A4A

RGB 135 74 74

HSL 0, 0.29%, 0.41%

LAB 38.8, 25.8, 11.44

 

CMYK 0 / 45 / 27 / 47

HEX #874A63

RGB 135 74 99

HSL 335.41, 0.29%, 0.41%

LAB 39.49, 29.14, -3.16

 

CMYK 0 / 45 / 15 / 47

HEX #874A73

RGB 135 74 115

HSL 319.67, 0.29%, 0.41%

LAB 40.06, 31.74, -12.25

 

CMYK 0 / 45 / 2 / 47

HEX #874A84

RGB 135 74 132

HSL 302.95, 0.29%, 0.41%

LAB 40.76, 34.87, -21.62

 

CMYK 10 / 45 / 0 / 47

HEX #7A4A87

RGB 122 74 135

HSL 287.21, 0.29%, 0.41%

LAB 39.21, 31.29, -25.98

 

CMYK 22 / 45 / 0 / 47

HEX #694A87

RGB 105 74 135

HSL 270.49, 0.29%, 0.41%

LAB 37.21, 25.93, -29.27

 

CMYK 0 / 45 / 27 / 47

HEX #874A63

RGB 135 74 99

HSL 335.41, 0.29%, 0.41%

LAB 39.49, 29.14, -3.16

 

CMYK 0 / 63 / 37 / 40

HEX #983960

RGB 152 57 96

HSL 335.37, 0.45%, 0.41%

LAB 38.63, 43.57, -2.26

 

CMYK 0 / 76 / 45 / 34

HEX #A9285D

RGB 169 40 93

HSL 335.35, 0.62%, 0.41%

LAB 39.14, 55.16, 0.75

 

CMYK 0 / 88 / 52 / 27

HEX #BA175A

RGB 186 23 90

HSL 335.34, 0.78%, 0.41%

LAB 40.88, 63.68, 5.58

 

CMYK 0 / 97 / 57 / 20

HEX #CB0757

RGB 203 7 87

HSL 335.51, 0.93%, 0.41%

LAB 43.56, 69.61, 11.75

 

CMYK 0 / 45 / 27 / 47

HEX #874A63

RGB 135 74 99

HSL 335.41, 0.29%, 0.41%

LAB 39.49, 29.14, -3.16

 

CMYK 0 / 23 / 14 / 54

HEX #765B66

RGB 118 91 102

HSL 335.56, 0.13%, 0.41%

LAB 41.68, 12.97, -2.04

 

CMYK 6 / 0 / 3 / 58

HEX #656C69

RGB 101 108 105

HSL 154.29, 0.03%, 0.41%

LAB 44.96, -3.3, 0.75

 

CMYK 33 / 0 / 14 / 51

HEX #547D6C

RGB 84 125 108

HSL 155.12, 0.2%, 0.41%

LAB 49.05, -18.25, 4.74

 

CMYK 53 / 0 / 22 / 44

HEX #438E6F

RGB 67 142 111

HSL 155.2, 0.36%, 0.41%

LAB 53.69, -31.06, 9.5

 

CMYK 0 / 45 / 2 / 47

HEX #874A84

RGB 135 74 132

HSL 302.95, 0.29%, 0.41%

LAB 40.76, 34.87, -21.62

 

CMYK 0 / 45 / 14 / 47

HEX #874A74

RGB 135 74 116

HSL 318.69, 0.29%, 0.41%

LAB 40.1, 31.92, -12.81

 

CMYK 0 / 45 / 27 / 47

HEX #874A63

RGB 135 74 99

HSL 335.41, 0.29%, 0.41%

LAB 39.49, 29.14, -3.16

 

CMYK 0 / 45 / 39 / 47

HEX #874A53

RGB 135 74 83

HSL 351.15, 0.29%, 0.41%

LAB 39.02, 26.9, 6.15

 

CMYK 0 / 40 / 45 / 47

HEX #87514A

RGB 135 81 74

HSL 6.89, 0.29%, 0.41%

LAB 40.46, 21.76, 13.73

 

CMYK 0 / 45 / 27 / 68

HEX #522D3C

RGB 82 45 60

HSL 335.68, 0.29%, 0.25%

LAB 23.66, 19.27, -2.13

 

CMYK 0 / 44 / 26 / 58

HEX #6C3C50

RGB 108 60 80

HSL 335, 0.29%, 0.33%

LAB 31.8, 23.92, -2.9

 

CMYK 0 / 45 / 27 / 47

HEX #874A63

RGB 135 74 99

HSL 335.41, 0.29%, 0.41%

LAB 39.49, 29.14, -3.16

 

CMYK 0 / 45 / 26 / 37

HEX #A15977

RGB 161 89 119

HSL 335, 0.29%, 0.49%

LAB 47.04, 33.38, -3.87

 

CMYK 0 / 36 / 21 / 31

HEX #B1728C

RGB 177 114 140

HSL 335.24, 0.29%, 0.57%

LAB 55.35, 28.59, -3.83

 

CMYK 0 / 46 / 27 / 47

HEX #864962

RGB 134 73 98

HSL 335.41, 0.29%, 0.41%

LAB 39.1, 29.18, -3.14

 

CMYK 0 / 10 / 45 / 47

HEX #877A4A

RGB 135 122 74

HSL 47.21, 0.29%, 0.41%

LAB 51.34, -2.14, 28.04

 

CMYK 45 / 8 / 0 / 47

HEX #4A7C87

RGB 74 124 135

HSL 190.82, 0.29%, 0.41%

LAB 49.03, -13.73, -11.26

 

CMYK 0 / 46 / 27 / 47

HEX #864962

RGB 134 73 98

HSL 335.41, 0.29%, 0.41%

LAB 39.1, 29.18, -3.14

 

CMYK 27 / 0 / 45 / 47

HEX #63874A

RGB 99 135 74

HSL 95.41, 0.29%, 0.41%

LAB 52.37, -24.22, 28.75

 

CMYK 45 / 27 / 0 / 47

HEX #4A6387

RGB 74 99 135

HSL 215.41, 0.29%, 0.41%

LAB 41.42, 0.93, -22.89

 

CMYK 0 / 46 / 27 / 47

HEX #864962

RGB 134 73 98

HSL 335.41, 0.29%, 0.41%

LAB 39.1, 29.18, -3.14

 

CMYK 0 / 10 / 45 / 47

HEX #877A4A

RGB 135 122 74

HSL 47.21, 0.29%, 0.41%

LAB 51.34, -2.14, 28.04

 

CMYK 45 / 0 / 19 / 47

HEX #4A876E

RGB 74 135 110

HSL 155.41, 0.29%, 0.41%

LAB 51.73, -26.01, 7.34

 

CMYK 45 / 36 / 0 / 47

HEX #4A5787

RGB 74 87 135

HSL 227.21, 0.29%, 0.41%

LAB 37.88, 8.47, -28.41

 

CMYK 0 / 46 / 27 / 47

HEX #864962

RGB 134 73 98

HSL 335.41, 0.29%, 0.41%

LAB 39.1, 29.18, -3.14

 

CMYK 4 / 0 / 45 / 47

HEX #82874A

RGB 130 135 74

HSL 64.92, 0.29%, 0.41%

LAB 54.62, -11.52, 32.05

 

CMYK 45 / 0 / 19 / 47

HEX #4A876E

RGB 74 135 110

HSL 155.41, 0.29%, 0.41%

LAB 51.73, -26.01, 7.34

 

CMYK 41 / 45 / 0 / 47

HEX #4F4A87

RGB 79 74 135

HSL 244.92, 0.29%, 0.41%

LAB 34.62, 18.22, -33.53

 

Description

Color code: HEX #864962 | qconv.com Color code: HEX #864962 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 73 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 73 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 27 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 27% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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