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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8645BC it is the complementary color #79BA43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8645BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8645BC shade: #8B45B7, #9C57CA, #AD69DD, #BE7BF0 and #CF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8645BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8645BC shade: #8645BC, #7533A9, #642196, #530F83 and #420070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8645BC shade: #8544BB, #A544BB, #BB44B1, #BB4491 and #BB4471

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8645BC shade: #8544BB, #6544BB and #4444BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8645BC shade matches the following richer shades: #8544BB, #872FD0, #891AE5 and #8B06F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8645BC shade: #8544BB, #8358A7, #816D92, #7F817E and #7D9669

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8645BC shade: #4444BB, #6444BB, #8344BB, #A344BB and #BB44B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8645BC shade: #5A2E7F, #70399D, #8544BB, #9962C6 and #AD80D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8645BC shade: #8645BC, #BB4464 and #44BB54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8645BC shade: #8645BC, #BB8344 and #44BB83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8645BC shade: #8645BC, #BB4464, #7CBB44 and #44BB9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8645BC shade: #8645BC, #BB4844, #7CBB44 and #44B7BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 63 / 0 / 26

HEX #8645BC

RGB 134 69 188

HSL 272.77, 0.47%, 0.5%

LAB 42.7, 49.45, -52.03

 

Complementary color

CMYK 35 / 0 / 64 / 27

HEX #79BA43

RGB 121 186 67

HSL 92.77, 0.47%, 0.5%

LAB 69.18, -40.67, 52.16

 

CMYK 24 / 62 / 0 / 28

HEX #8B45B7

RGB 139 69 183

HSL 276.84, 0.45%, 0.49%

LAB 43.01, 49.46, -48.57

 

CMYK 23 / 57 / 0 / 21

HEX #9C57CA

RGB 156 87 202

HSL 276, 0.52%, 0.57%

LAB 49.68, 48.73, -48.81

 

CMYK 22 / 52 / 0 / 13

HEX #AD69DD

RGB 173 105 221

HSL 275.17, 0.63%, 0.64%

LAB 56.3, 47.91, -48.96

 

CMYK 21 / 49 / 0 / 6

HEX #BE7BF0

RGB 190 123 240

HSL 274.36, 0.8%, 0.71%

LAB 62.85, 47.07, -49.06

 

CMYK 19 / 45 / 0 / 0

HEX #CF8DFF

RGB 207 141 255

HSL 274.74, 1%, 0.78%

LAB 69.14, 45.37, -47.25

 

CMYK 29 / 63 / 0 / 26

HEX #8645BC

RGB 134 69 188

HSL 272.77, 0.47%, 0.5%

LAB 42.7, 49.45, -52.03

 

CMYK 31 / 70 / 0 / 34

HEX #7533A9

RGB 117 51 169

HSL 273.56, 0.54%, 0.43%

LAB 36.01, 50.04, -51.69

 

CMYK 33 / 78 / 0 / 41

HEX #642196

RGB 100 33 150

HSL 274.36, 0.64%, 0.36%

LAB 29.41, 50.16, -51

 

CMYK 37 / 89 / 0 / 49

HEX #530F83

RGB 83 15 131

HSL 275.17, 0.79%, 0.29%

LAB 23.06, 49.22, -49.64

 

CMYK 41 / 100 / 0 / 56

HEX #420070

RGB 66 0 112

HSL 275.36, 1%, 0.22%

LAB 17.12, 46.69, -47.33

 

CMYK 29 / 64 / 0 / 27

HEX #8544BB

RGB 133 68 187

HSL 272.77, 0.47%, 0.5%

LAB 42.32, 49.49, -52.06

 

CMYK 12 / 64 / 0 / 27

HEX #A544BB

RGB 165 68 187

HSL 288.91, 0.47%, 0.5%

LAB 46.61, 57.01, -44.95

 

CMYK 0 / 64 / 5 / 27

HEX #BB44B1

RGB 187 68 177

HSL 305.04, 0.47%, 0.5%

LAB 49.34, 60.65, -34.57

 

CMYK 0 / 64 / 22 / 27

HEX #BB4491

RGB 187 68 145

HSL 321.18, 0.47%, 0.5%

LAB 47.94, 55.8, -17.79

 

CMYK 0 / 64 / 40 / 27

HEX #BB4471

RGB 187 68 113

HSL 337.31, 0.47%, 0.5%

LAB 46.83, 51.83, -0.09

 

CMYK 29 / 64 / 0 / 27

HEX #8544BB

RGB 133 68 187

HSL 272.77, 0.47%, 0.5%

LAB 42.32, 49.49, -52.06

 

CMYK 46 / 64 / 0 / 27

HEX #6544BB

RGB 101 68 187

HSL 256.64, 0.47%, 0.5%

LAB 38.71, 42.58, -58.08

 

CMYK 64 / 64 / 0 / 27

HEX #4444BB

RGB 68 68 187

HSL 240, 0.47%, 0.5%

LAB 35.89, 36.7, -62.79

 

CMYK 29 / 64 / 0 / 27

HEX #8544BB

RGB 133 68 187

HSL 272.77, 0.47%, 0.5%

LAB 42.32, 49.49, -52.06

 

CMYK 35 / 77 / 0 / 18

HEX #872FD0

RGB 135 47 208

HSL 272.8, 0.63%, 0.5%

LAB 40.8, 64, -66.73

 

CMYK 40 / 89 / 0 / 10

HEX #891AE5

RGB 137 26 229

HSL 272.81, 0.8%, 0.5%

LAB 40.76, 74.98, -78.83

 

CMYK 44 / 98 / 0 / 2

HEX #8B06F9

RGB 139 6 249

HSL 272.84, 0.95%, 0.5%

LAB 41.94, 82.22, -88.2

 

CMYK 29 / 64 / 0 / 27

HEX #8544BB

RGB 133 68 187

HSL 272.77, 0.47%, 0.5%

LAB 42.32, 49.49, -52.06

 

CMYK 22 / 47 / 0 / 35

HEX #8358A7

RGB 131 88 167

HSL 272.66, 0.31%, 0.5%

LAB 45.07, 33.27, -35.92

 

CMYK 12 / 25 / 0 / 43

HEX #816D92

RGB 129 109 146

HSL 272.43, 0.15%, 0.5%

LAB 49.11, 15.33, -17.26

 

CMYK 2 / 0 / 2 / 49

HEX #7F817E

RGB 127 129 126

HSL 100, 0.01%, 0.5%

LAB 53.73, -1.34, 1.36

HEX #7F817E

CMYK 17 / 0 / 30 / 41

HEX #7D9669

RGB 125 150 105

HSL 93.33, 0.18%, 0.5%

LAB 59.15, -17.34, 20.92

HEX #7D9669

CMYK 64 / 64 / 0 / 27

HEX #4444BB

RGB 68 68 187

HSL 240, 0.47%, 0.5%

LAB 35.89, 36.7, -62.79

 

CMYK 47 / 64 / 0 / 27

HEX #6444BB

RGB 100 68 187

HSL 256.13, 0.47%, 0.5%

LAB 38.61, 42.38, -58.24

 

CMYK 30 / 64 / 0 / 27

HEX #8344BB

RGB 131 68 187

HSL 271.76, 0.47%, 0.5%

LAB 42.07, 49.03, -52.47

 

CMYK 13 / 64 / 0 / 27

HEX #A344BB

RGB 163 68 187

HSL 287.9, 0.47%, 0.5%

LAB 46.32, 56.53, -45.42

 

CMYK 0 / 64 / 4 / 27

HEX #BB44B3

RGB 187 68 179

HSL 304.03, 0.47%, 0.5%

LAB 49.44, 60.98, -35.59

 

CMYK 29 / 64 / 0 / 50

HEX #5A2E7F

RGB 90 46 127

HSL 272.59, 0.47%, 0.34%

LAB 28.54, 36.13, -38.2

 

CMYK 29 / 64 / 0 / 38

HEX #70399D

RGB 112 57 157

HSL 273, 0.47%, 0.42%

LAB 35.61, 43.06, -45.16

 

CMYK 29 / 64 / 0 / 27

HEX #8544BB

RGB 133 68 187

HSL 272.77, 0.47%, 0.5%

LAB 42.32, 49.49, -52.06

 

CMYK 23 / 51 / 0 / 22

HEX #9962C6

RGB 153 98 198

HSL 273, 0.47%, 0.58%

LAB 51.36, 41.13, -43.85

 

CMYK 17 / 39 / 0 / 18

HEX #AD80D1

RGB 173 128 209

HSL 273.33, 0.47%, 0.66%

LAB 60.72, 32.63, -35.25

 

CMYK 29 / 63 / 0 / 26

HEX #8645BC

RGB 134 69 188

HSL 272.77, 0.47%, 0.5%

LAB 42.7, 49.45, -52.03

 

CMYK 0 / 64 / 47 / 27

HEX #BB4464

RGB 187 68 100

HSL 343.87, 0.47%, 0.5%

LAB 46.47, 50.49, 7.34

 

CMYK 64 / 0 / 55 / 27

HEX #44BB54

RGB 68 187 84

HSL 128.07, 0.47%, 0.5%

LAB 67.58, -54.42, 42.07

 

CMYK 29 / 63 / 0 / 26

HEX #8645BC

RGB 134 69 188

HSL 272.77, 0.47%, 0.5%

LAB 42.7, 49.45, -52.03

 

CMYK 0 / 30 / 64 / 27

HEX #BB8344

RGB 187 131 68

HSL 31.76, 0.47%, 0.5%

LAB 59.17, 15.1, 41.98

 

CMYK 64 / 0 / 30 / 27

HEX #44BB83

RGB 68 187 131

HSL 151.76, 0.47%, 0.5%

LAB 68.32, -46.32, 18.79

 

CMYK 29 / 63 / 0 / 26

HEX #8645BC

RGB 134 69 188

HSL 272.77, 0.47%, 0.5%

LAB 42.7, 49.45, -52.03

 

CMYK 0 / 64 / 47 / 27

HEX #BB4464

RGB 187 68 100

HSL 343.87, 0.47%, 0.5%

LAB 46.47, 50.49, 7.34

 

CMYK 34 / 0 / 64 / 27

HEX #7CBB44

RGB 124 187 68

HSL 91.76, 0.47%, 0.5%

LAB 69.64, -39.95, 52.29

 

CMYK 64 / 0 / 17 / 27

HEX #44BB9B

RGB 68 187 155

HSL 163.87, 0.47%, 0.5%

LAB 68.85, -40.86, 6.49

 

CMYK 29 / 63 / 0 / 26

HEX #8645BC

RGB 134 69 188

HSL 272.77, 0.47%, 0.5%

LAB 42.7, 49.45, -52.03

 

CMYK 0 / 61 / 64 / 27

HEX #BB4844

RGB 187 72 68

HSL 2.02, 0.47%, 0.5%

LAB 46.47, 46.13, 26.73

 

CMYK 34 / 0 / 64 / 27

HEX #7CBB44

RGB 124 187 68

HSL 91.76, 0.47%, 0.5%

LAB 69.64, -39.95, 52.29

 

CMYK 64 / 2 / 0 / 27

HEX #44B7BB

RGB 68 183 187

HSL 182.02, 0.47%, 0.5%

LAB 68.52, -30.49, -11.59

 

Description

Color code: HEX #8645BC | qconv.com Color code: HEX #8645BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 69 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 69 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 63 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 63% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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