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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #863E2B it is the complementary color #79C1D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #863E2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #863E2B shade: #8B3E26, #9C5039, #AD624C, #BE745F and #CF8672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #863E2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #863E2B shade: #863E2B, #752C18, #641A05, #530800 and #420000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #863E2B shade: #873F2C and #872C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #863E2B shade: #873F2C, #87572C, #87702C, #85872C and #6D872C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #863E2B shade matches the following richer shades: #873F2C, #95361D, #A42E0F and #B22600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #863E2B shade: #873F2C, #78473A, #6A5049, #5B5857 and #4D6065

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #863E2B shade: #872C4A, #872C32, #873E2C, #87562C and #876E2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #863E2B shade: #482218, #683022, #873F2C, #A64D36 and #C25E43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #863E2B shade: #863E2B, #62872C and #2C3E87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #863E2B shade: #863E2B, #2C873E and #3E2C87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #863E2B shade: #863E2B, #62872C, #2C7587 and #502C87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #863E2B shade: #863E2B, #47872C, #2C7587 and #6B2C87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 68 / 47

HEX #863E2B

RGB 134 62 43

HSL 12.53, 0.51%, 0.35%

LAB 35.38, 29.31, 26.03

 

Complementary color

CMYK 43 / 9 / 0 / 17

HEX #79C1D4

RGB 121 193 212

HSL 192.53, 0.51%, 0.65%

LAB 74.16, -17.6, -16.59

 

CMYK 0 / 55 / 73 / 45

HEX #8B3E26

RGB 139 62 38

HSL 14.26, 0.57%, 0.35%

LAB 36.13, 31.07, 30.04

 

CMYK 0 / 49 / 63 / 39

HEX #9C5039

RGB 156 80 57

HSL 13.94, 0.46%, 0.42%

LAB 42.91, 29.51, 27.7

 

CMYK 0 / 43 / 56 / 32

HEX #AD624C

RGB 173 98 76

HSL 13.61, 0.39%, 0.49%

LAB 49.67, 28.1, 25.67

 

CMYK 0 / 39 / 50 / 25

HEX #BE745F

RGB 190 116 95

HSL 13.26, 0.42%, 0.56%

LAB 56.35, 26.85, 23.91

 

CMYK 0 / 35 / 45 / 19

HEX #CF8672

RGB 207 134 114

HSL 12.9, 0.49%, 0.63%

LAB 62.95, 25.73, 22.36

 

CMYK 0 / 54 / 68 / 47

HEX #863E2B

RGB 134 62 43

HSL 12.53, 0.51%, 0.35%

LAB 35.38, 29.31, 26.03

 

CMYK 0 / 62 / 79 / 54

HEX #752C18

RGB 117 44 24

HSL 12.9, 0.66%, 0.28%

LAB 28.51, 30.88, 28.67

 

CMYK 0 / 74 / 95 / 61

HEX #641A05

RGB 100 26 5

HSL 13.26, 0.9%, 0.21%

LAB 21.8, 32.25, 30.24

 

CMYK 0 / 90 / 100 / 67

HEX #530800

RGB 83 8 0

HSL 5.78, 1%, 0.16%

LAB 15.55, 32.75, 24.01

 

CMYK 0 / 100 / 100 / 74

HEX #420000

RGB 66 0 0

HSL 0, 1%, 0.13%

LAB 10.25, 30.37, 16.16

 

CMYK 0 / 53 / 67 / 47

HEX #873F2C

RGB 135 63 44

HSL 12.53, 0.51%, 0.35%

LAB 35.77, 29.25, 25.94

 

CMYK 0 / 67 / 67 / 47

HEX #872C2C

RGB 135 44 44

HSL 0, 0.51%, 0.35%

LAB 32.11, 38.83, 21.47

 

CMYK 0 / 53 / 67 / 47

HEX #873F2C

RGB 135 63 44

HSL 12.53, 0.51%, 0.35%

LAB 35.77, 29.25, 25.94

 

CMYK 0 / 36 / 67 / 47

HEX #87572C

RGB 135 87 44

HSL 28.35, 0.51%, 0.35%

LAB 41.45, 15.5, 32.58

 

CMYK 0 / 17 / 67 / 47

HEX #87702C

RGB 135 112 44

HSL 44.84, 0.51%, 0.35%

LAB 48.16, 0.9, 40

 

CMYK 1 / 0 / 67 / 47

HEX #85872C

RGB 133 135 44

HSL 61.32, 0.51%, 0.35%

LAB 54.55, -12.81, 46.67

 

CMYK 19 / 0 / 67 / 47

HEX #6D872C

RGB 109 135 44

HSL 77.14, 0.51%, 0.35%

LAB 52.69, -23.33, 44.15

 

CMYK 0 / 53 / 67 / 47

HEX #873F2C

RGB 135 63 44

HSL 12.53, 0.51%, 0.35%

LAB 35.77, 29.25, 25.94

 

CMYK 0 / 64 / 81 / 42

HEX #95361D

RGB 149 54 29

HSL 12.5, 0.67%, 0.35%

LAB 36.21, 38.62, 35.64

 

CMYK 0 / 72 / 91 / 36

HEX #A42E0F

RGB 164 46 15

HSL 12.48, 0.83%, 0.35%

LAB 37.63, 47.05, 44.56

 

CMYK 0 / 79 / 100 / 30

HEX #B22600

RGB 178 38 0

HSL 12.81, 1%, 0.35%

LAB 39.33, 54.14, 52.29

 

CMYK 0 / 53 / 67 / 47

HEX #873F2C

RGB 135 63 44

HSL 12.53, 0.51%, 0.35%

LAB 35.77, 29.25, 25.94

 

CMYK 0 / 41 / 52 / 53

HEX #78473A

RGB 120 71 58

HSL 12.58, 0.35%, 0.35%

LAB 35.61, 19.46, 16.72

 

CMYK 0 / 25 / 31 / 58

HEX #6A5049

RGB 106 80 73

HSL 12.73, 0.18%, 0.35%

LAB 36.52, 9.77, 8.33

 

CMYK 0 / 3 / 4 / 64

HEX #5B5857

RGB 91 88 87

HSL 15, 0.02%, 0.35%

LAB 37.65, 1, 1

 

CMYK 24 / 5 / 0 / 60

HEX #4D6065

RGB 77 96 101

HSL 192.5, 0.13%, 0.35%

LAB 39.38, -5.93, -5.23

 

CMYK 0 / 67 / 45 / 47

HEX #872C4A

RGB 135 44 74

HSL 340.22, 0.51%, 0.35%

LAB 32.8, 41.37, 2.98

 

CMYK 0 / 67 / 63 / 47

HEX #872C32

RGB 135 44 50

HSL 356.04, 0.51%, 0.35%

LAB 32.22, 39.23, 17.78

 

CMYK 0 / 54 / 67 / 47

HEX #873E2C

RGB 135 62 44

HSL 11.87, 0.51%, 0.35%

LAB 35.55, 29.79, 25.68

 

CMYK 0 / 36 / 67 / 47

HEX #87562C

RGB 135 86 44

HSL 27.69, 0.51%, 0.35%

LAB 41.2, 16.09, 32.29

 

CMYK 0 / 19 / 67 / 47

HEX #876E2C

RGB 135 110 44

HSL 43.52, 0.51%, 0.35%

LAB 47.6, 2.05, 39.4

 

CMYK 0 / 53 / 67 / 72

HEX #482218

RGB 72 34 24

HSL 12.5, 0.5%, 0.19%

LAB 18.31, 17.01, 14.85

 

CMYK 0 / 54 / 67 / 59

HEX #683022

RGB 104 48 34

HSL 12, 0.51%, 0.27%

LAB 27.22, 23.83, 20.55

 

CMYK 0 / 53 / 67 / 47

HEX #873F2C

RGB 135 63 44

HSL 12.53, 0.51%, 0.35%

LAB 35.77, 29.25, 25.94

 

CMYK 0 / 54 / 67 / 35

HEX #A64D36

RGB 166 77 54

HSL 12.32, 0.51%, 0.43%

LAB 43.77, 34.95, 30.83

 

CMYK 0 / 52 / 65 / 24

HEX #C25E43

RGB 194 94 67

HSL 12.76, 0.51%, 0.51%

LAB 51.7, 37.94, 33.98

 

CMYK 0 / 54 / 68 / 47

HEX #863E2B

RGB 134 62 43

HSL 12.53, 0.51%, 0.35%

LAB 35.38, 29.31, 26.03

 

CMYK 27 / 0 / 67 / 47

HEX #62872C

RGB 98 135 44

HSL 84.4, 0.51%, 0.35%

LAB 51.96, -27.89, 43.16

 

CMYK 67 / 54 / 0 / 47

HEX #2C3E87

RGB 44 62 135

HSL 228.13, 0.51%, 0.35%

LAB 28.72, 18.16, -43.12

 

CMYK 0 / 54 / 68 / 47

HEX #863E2B

RGB 134 62 43

HSL 12.53, 0.51%, 0.35%

LAB 35.38, 29.31, 26.03

 

CMYK 67 / 0 / 54 / 47

HEX #2C873E

RGB 44 135 62

HSL 131.87, 0.51%, 0.35%

LAB 49.75, -42.95, 31.32

 

CMYK 54 / 67 / 0 / 47

HEX #3E2C87

RGB 62 44 135

HSL 251.87, 0.51%, 0.35%

LAB 25.49, 33.33, -48.31

 

CMYK 0 / 54 / 68 / 47

HEX #863E2B

RGB 134 62 43

HSL 12.53, 0.51%, 0.35%

LAB 35.38, 29.31, 26.03

 

CMYK 27 / 0 / 67 / 47

HEX #62872C

RGB 98 135 44

HSL 84.4, 0.51%, 0.35%

LAB 51.96, -27.89, 43.16

 

CMYK 67 / 13 / 0 / 47

HEX #2C7587

RGB 44 117 135

HSL 191.87, 0.51%, 0.35%

LAB 45.64, -16.47, -16.51

 

CMYK 41 / 67 / 0 / 47

HEX #502C87

RGB 80 44 135

HSL 263.74, 0.51%, 0.35%

LAB 27.45, 37.02, -45.02

 

CMYK 0 / 54 / 68 / 47

HEX #863E2B

RGB 134 62 43

HSL 12.53, 0.51%, 0.35%

LAB 35.38, 29.31, 26.03

 

CMYK 47 / 0 / 67 / 47

HEX #47872C

RGB 71 135 44

HSL 102.2, 0.51%, 0.35%

LAB 50.51, -37.84, 41.18

 

CMYK 67 / 13 / 0 / 47

HEX #2C7587

RGB 44 117 135

HSL 191.87, 0.51%, 0.35%

LAB 45.64, -16.47, -16.51

 

CMYK 21 / 67 / 0 / 47

HEX #6B2C87

RGB 107 44 135

HSL 281.54, 0.51%, 0.35%

LAB 31.06, 43.29, -39.02

 

Description

Color code: HEX #863E2B | qconv.com Color code: HEX #863E2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 62 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 62 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 68 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 68% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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