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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #863ACF it is the complementary color #79C530. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #863ACF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #863ACF shade: #8B3ACA, #9C4CDD, #AD5EF0, #BE70FF and #CF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #863ACF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #863ACF shade: #863ACF, #7528BC, #6416A9, #530496 and #420083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #863ACF shade: #863ACF, #AE3ACF, #CF3AC8, #CF3AA0 and #CF3A77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #863ACF shade: #863ACF, #5E3ACF and #3A3ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #863ACF shade matches the following richer shades: #863ACF, #8626E3 and #8712F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #863ACF shade: #863ACF, #864EBB, #8562A8, #857594 and #858980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #863ACF shade: #3A3FCF, #5D3ACF, #853ACF, #AC3ACF and #CF3ACA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #863ACF shade: #5C2493, #712CB4, #863ACF, #9A5BD7 and #AF7CDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #863ACF shade: #863ACF, #CF3A67 and #3ACF49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #863ACF shade: #863ACF, #CF853A and #3ACF85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #863ACF shade: #863ACF, #CF3A67, #85CF3A and #3ACFA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #863ACF shade: #863ACF, #CF3A3A, #85CF3A and #3ACFCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 72 / 0 / 19

HEX #863ACF

RGB 134 58 207

HSL 270.6, 0.61%, 0.52%

LAB 42.15, 59.13, -63.95

 

Complementary color

CMYK 39 / 0 / 76 / 23

HEX #79C530

RGB 121 197 48

HSL 90.6, 0.61%, 0.48%

LAB 72.37, -46.69, 62.63

 

CMYK 31 / 71 / 0 / 21

HEX #8B3ACA

RGB 139 58 202

HSL 273.75, 0.58%, 0.51%

LAB 42.43, 58.92, -60.58

 

CMYK 29 / 66 / 0 / 13

HEX #9C4CDD

RGB 156 76 221

HSL 273.1, 0.68%, 0.58%

LAB 48.83, 58.5, -61.02

 

CMYK 28 / 61 / 0 / 6

HEX #AD5EF0

RGB 173 94 240

HSL 272.47, 0.83%, 0.65%

LAB 55.26, 57.82, -61.27

 

CMYK 25 / 56 / 0 / 0

HEX #BE70FF

RGB 190 112 255

HSL 272.73, 1%, 0.72%

LAB 61.44, 56.12, -59.56

 

CMYK 19 / 49 / 0 / 0

HEX #CF82FF

RGB 207 130 255

HSL 276.96, 1%, 0.75%

LAB 66.86, 51.15, -50.83

 

CMYK 35 / 72 / 0 / 19

HEX #863ACF

RGB 134 58 207

HSL 270.6, 0.61%, 0.52%

LAB 42.15, 59.13, -63.95

 

CMYK 38 / 79 / 0 / 26

HEX #7528BC

RGB 117 40 188

HSL 271.22, 0.65%, 0.45%

LAB 35.85, 59.17, -63.24

 

CMYK 41 / 87 / 0 / 34

HEX #6416A9

RGB 100 22 169

HSL 271.84, 0.77%, 0.37%

LAB 29.78, 58.31, -61.94

 

CMYK 45 / 97 / 0 / 41

HEX #530496

RGB 83 4 150

HSL 272.47, 0.95%, 0.3%

LAB 24.09, 56.07, -59.81

 

CMYK 50 / 100 / 0 / 49

HEX #420083

RGB 66 0 131

HSL 270.23, 1%, 0.26%

LAB 19.21, 51.04, -56.07

 

CMYK 35 / 72 / 0 / 19

HEX #863ACF

RGB 134 58 207

HSL 270.6, 0.61%, 0.52%

LAB 42.15, 59.13, -63.95

 

CMYK 16 / 72 / 0 / 19

HEX #AE3ACF

RGB 174 58 207

HSL 286.71, 0.61%, 0.52%

LAB 47.66, 66.9, -54.78

 

CMYK 0 / 72 / 3 / 19

HEX #CF3AC8

RGB 207 58 200

HSL 302.82, 0.61%, 0.52%

LAB 52.36, 72.64, -42.96

 

CMYK 0 / 72 / 23 / 19

HEX #CF3AA0

RGB 207 58 160

HSL 318.93, 0.61%, 0.52%

LAB 50.49, 66.92, -22.53

 

CMYK 0 / 72 / 43 / 19

HEX #CF3A77

RGB 207 58 119

HSL 335.44, 0.61%, 0.52%

LAB 49.04, 62.27, -0.11

 

CMYK 35 / 72 / 0 / 19

HEX #863ACF

RGB 134 58 207

HSL 270.6, 0.61%, 0.52%

LAB 42.15, 59.13, -63.95

 

CMYK 55 / 72 / 0 / 19

HEX #5E3ACF

RGB 94 58 207

HSL 254.5, 0.61%, 0.52%

LAB 37.68, 52.47, -71.44

 

CMYK 72 / 72 / 0 / 19

HEX #3A3ACF

RGB 58 58 207

HSL 240, 0.61%, 0.52%

LAB 34.86, 48.05, -76.17

 

CMYK 35 / 72 / 0 / 19

HEX #863ACF

RGB 134 58 207

HSL 270.6, 0.61%, 0.52%

LAB 42.15, 59.13, -63.95

 

CMYK 41 / 83 / 0 / 11

HEX #8626E3

RGB 134 38 227

HSL 270.48, 0.77%, 0.52%

LAB 41.22, 71.11, -76.96

 

CMYK 45 / 93 / 0 / 3

HEX #8712F7

RGB 135 18 247

HSL 270.66, 0.93%, 0.52%

LAB 41.69, 80.02, -87.5

 

CMYK 35 / 72 / 0 / 19

HEX #863ACF

RGB 134 58 207

HSL 270.6, 0.61%, 0.52%

LAB 42.15, 59.13, -63.95

 

CMYK 28 / 58 / 0 / 27

HEX #864EBB

RGB 134 78 187

HSL 270.83, 0.44%, 0.52%

LAB 44.38, 44.5, -48.74

 

CMYK 21 / 42 / 0 / 34

HEX #8562A8

RGB 133 98 168

HSL 270, 0.29%, 0.52%

LAB 47.69, 28.28, -32.39

 

CMYK 10 / 21 / 0 / 42

HEX #857594

RGB 133 117 148

HSL 270.97, 0.13%, 0.52%

LAB 51.66, 12.43, -14.51

 

CMYK 3 / 0 / 7 / 46

HEX #858980

RGB 133 137 128

HSL 86.67, 0.04%, 0.52%

LAB 56.52, -3.22, 4.31

 

CMYK 72 / 70 / 0 / 19

HEX #3A3FCF

RGB 58 63 207

HSL 237.99, 0.61%, 0.52%

LAB 35.91, 45.17, -74.46

 

CMYK 55 / 72 / 0 / 19

HEX #5D3ACF

RGB 93 58 207

HSL 254.09, 0.61%, 0.52%

LAB 37.59, 52.33, -71.6

 

CMYK 36 / 72 / 0 / 19

HEX #853ACF

RGB 133 58 207

HSL 270.2, 0.61%, 0.52%

LAB 42.03, 58.95, -64.16

 

CMYK 17 / 72 / 0 / 19

HEX #AC3ACF

RGB 172 58 207

HSL 285.91, 0.61%, 0.52%

LAB 47.37, 66.49, -55.27

 

CMYK 0 / 72 / 2 / 19

HEX #CF3ACA

RGB 207 58 202

HSL 302.01, 0.61%, 0.52%

LAB 52.46, 72.95, -43.95

 

CMYK 37 / 76 / 0 / 42

HEX #5C2493

RGB 92 36 147

HSL 270.27, 0.61%, 0.36%

LAB 28.5, 46.68, -50.69

 

CMYK 37 / 76 / 0 / 29

HEX #712CB4

RGB 113 44 180

HSL 270.44, 0.61%, 0.44%

LAB 35.22, 55.02, -59.56

 

CMYK 35 / 72 / 0 / 19

HEX #863ACF

RGB 134 58 207

HSL 270.6, 0.61%, 0.52%

LAB 42.15, 59.13, -63.95

 

CMYK 28 / 58 / 0 / 16

HEX #9A5BD7

RGB 154 91 215

HSL 270.48, 0.61%, 0.6%

LAB 50.99, 49.15, -54.16

 

CMYK 22 / 44 / 0 / 13

HEX #AF7CDF

RGB 175 124 223

HSL 270.91, 0.61%, 0.68%

LAB 60.66, 38.6, -43.18

 

CMYK 35 / 72 / 0 / 19

HEX #863ACF

RGB 134 58 207

HSL 270.6, 0.61%, 0.52%

LAB 42.15, 59.13, -63.95

 

CMYK 0 / 72 / 50 / 19

HEX #CF3A67

RGB 207 58 103

HSL 341.88, 0.61%, 0.52%

LAB 48.6, 60.82, 9.01

 

CMYK 72 / 0 / 65 / 19

HEX #3ACF49

RGB 58 207 73

HSL 126.04, 0.61%, 0.52%

LAB 73.55, -64.52, 53.81

 

CMYK 35 / 72 / 0 / 19

HEX #863ACF

RGB 134 58 207

HSL 270.6, 0.61%, 0.52%

LAB 42.15, 59.13, -63.95

 

CMYK 0 / 36 / 72 / 19

HEX #CF853A

RGB 207 133 58

HSL 30.2, 0.61%, 0.52%

LAB 61.95, 21.99, 50.56

 

CMYK 72 / 0 / 36 / 19

HEX #3ACF85

RGB 58 207 133

HSL 150.2, 0.61%, 0.52%

LAB 74.33, -55.51, 25.87

 

CMYK 35 / 72 / 0 / 19

HEX #863ACF

RGB 134 58 207

HSL 270.6, 0.61%, 0.52%

LAB 42.15, 59.13, -63.95

 

CMYK 0 / 72 / 50 / 19

HEX #CF3A67

RGB 207 58 103

HSL 341.88, 0.61%, 0.52%

LAB 48.6, 60.82, 9.01

 

CMYK 36 / 0 / 72 / 19

HEX #85CF3A

RGB 133 207 58

HSL 89.8, 0.61%, 0.52%

LAB 76.02, -46.1, 63

 

CMYK 72 / 0 / 22 / 19

HEX #3ACFA2

RGB 58 207 162

HSL 161.88, 0.61%, 0.52%

LAB 74.91, -49.24, 11.31

 

CMYK 35 / 72 / 0 / 19

HEX #863ACF

RGB 134 58 207

HSL 270.6, 0.61%, 0.52%

LAB 42.15, 59.13, -63.95

 

CMYK 0 / 72 / 72 / 19

HEX #CF3A3A

RGB 207 58 58

HSL 0, 0.61%, 0.52%

LAB 47.75, 57.95, 34.96

 

CMYK 36 / 0 / 72 / 19

HEX #85CF3A

RGB 133 207 58

HSL 89.8, 0.61%, 0.52%

LAB 76.02, -46.1, 63

 

CMYK 72 / 0 / 0 / 19

HEX #3ACFCF

RGB 58 207 207

HSL 180, 0.61%, 0.52%

LAB 76.09, -37.46, -11.19

 

Description

Color code: HEX #863ACF | qconv.com Color code: HEX #863ACF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 58 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 58 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 72 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 72% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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