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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #863AB8 it is the complementary color #79C547. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #863AB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #863AB8 shade: #8B3AB3, #9C4CC6, #AD5ED9, #BE70EC and #CF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #863AB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #863AB8 shade: #863AB8, #7528A5, #641692, #53047F and #42006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #863AB8 shade: #853AB6, #A63AB6, #B63AA4, #B63A83 and #B63A61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #863AB8 shade: #853AB6, #633AB6, #413AB6 and #3A3AB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #863AB8 shade matches the following richer shades: #853AB6, #8926CA and #8D13DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #863AB8 shade: #853AB6, #814DA3, #7D608F, #79747C and #758769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #863AB8 shade: #423AB6, #633AB6, #843AB6, #A63AB6 and #B63AA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #863AB8 shade: #572677, #6E3097, #853AB6, #9951C8 and #AB70D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #863AB8 shade: #863AB8, #B63A52 and #3AB652

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #863AB8 shade: #863AB8, #B6843A and #3AB684

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #863AB8 shade: #863AB8, #B63A52, #6BB63A and #3AB69D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #863AB8 shade: #863AB8, #B6463A, #6BB63A and #3AAAB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 68 / 0 / 28

HEX #863AB8

RGB 134 58 184

HSL 276.19, 0.52%, 0.47%

LAB 40.5, 53.84, -53.22

 

Complementary color

CMYK 39 / 0 / 64 / 23

HEX #79C547

RGB 121 197 71

HSL 96.19, 0.52%, 0.53%

LAB 72.53, -45.03, 54.12

 

CMYK 22 / 68 / 0 / 30

HEX #8B3AB3

RGB 139 58 179

HSL 280.17, 0.51%, 0.46%

LAB 40.85, 53.83, -49.68

 

CMYK 21 / 62 / 0 / 22

HEX #9C4CC6

RGB 156 76 198

HSL 279.34, 0.52%, 0.54%

LAB 47.38, 53.39, -50.17

 

CMYK 20 / 57 / 0 / 15

HEX #AD5ED9

RGB 173 94 217

HSL 278.54, 0.62%, 0.61%

LAB 53.92, 52.72, -50.48

 

CMYK 19 / 53 / 0 / 7

HEX #BE70EC

RGB 190 112 236

HSL 277.74, 0.77%, 0.68%

LAB 60.42, 51.96, -50.69

 

CMYK 19 / 49 / 0 / 0

HEX #CF82FF

RGB 207 130 255

HSL 276.96, 1%, 0.75%

LAB 66.86, 51.15, -50.83

 

CMYK 27 / 68 / 0 / 28

HEX #863AB8

RGB 134 58 184

HSL 276.19, 0.52%, 0.47%

LAB 40.5, 53.84, -53.22

 

CMYK 29 / 76 / 0 / 35

HEX #7528A5

RGB 117 40 165

HSL 276.96, 0.61%, 0.4%

LAB 34.02, 53.93, -52.52

 

CMYK 32 / 85 / 0 / 43

HEX #641692

RGB 100 22 146

HSL 277.74, 0.74%, 0.33%

LAB 27.73, 53.16, -51.27

 

CMYK 35 / 97 / 0 / 50

HEX #53047F

RGB 83 4 127

HSL 278.54, 0.94%, 0.26%

LAB 21.79, 51, -49.2

 

CMYK 39 / 100 / 0 / 58

HEX #42006C

RGB 66 0 108

HSL 276.67, 1%, 0.21%

LAB 16.7, 45.8, -45.41

 

CMYK 27 / 68 / 0 / 29

HEX #853AB6

RGB 133 58 182

HSL 276.29, 0.52%, 0.47%

LAB 40.23, 53.18, -52.49

 

CMYK 9 / 68 / 0 / 29

HEX #A63AB6

RGB 166 58 182

HSL 292.26, 0.52%, 0.47%

LAB 44.96, 60.51, -44.65

 

CMYK 0 / 68 / 10 / 29

HEX #B63AA4

RGB 182 58 164

HSL 308.71, 0.52%, 0.47%

LAB 46.51, 61.26, -31.4

 

CMYK 0 / 68 / 28 / 29

HEX #B63A83

RGB 182 58 131

HSL 324.68, 0.52%, 0.47%

LAB 45.1, 56.6, -13.74

 

CMYK 0 / 68 / 47 / 29

HEX #B63A61

RGB 182 58 97

HSL 341.13, 0.52%, 0.47%

LAB 43.99, 52.81, 5.54

 

CMYK 27 / 68 / 0 / 29

HEX #853AB6

RGB 133 58 182

HSL 276.29, 0.52%, 0.47%

LAB 40.23, 53.18, -52.49

 

CMYK 46 / 68 / 0 / 29

HEX #633AB6

RGB 99 58 182

HSL 259.84, 0.52%, 0.47%

LAB 36.09, 46.28, -59.39

 

CMYK 64 / 68 / 0 / 29

HEX #413AB6

RGB 65 58 182

HSL 243.39, 0.52%, 0.47%

LAB 32.98, 40.67, -64.61

 

CMYK 68 / 68 / 0 / 29

HEX #3A3AB6

RGB 58 58 182

HSL 240, 0.52%, 0.47%

LAB 32.49, 39.74, -65.43

 

CMYK 27 / 68 / 0 / 29

HEX #853AB6

RGB 133 58 182

HSL 276.29, 0.52%, 0.47%

LAB 40.23, 53.18, -52.49

 

CMYK 32 / 81 / 0 / 21

HEX #8926CA

RGB 137 38 202

HSL 276.22, 0.68%, 0.47%

LAB 39.53, 66.11, -65.31

 

CMYK 36 / 91 / 0 / 13

HEX #8D13DD

RGB 141 19 221

HSL 276.24, 0.84%, 0.47%

LAB 40.16, 75.13, -75.22

 

CMYK 27 / 68 / 0 / 29

HEX #853AB6

RGB 133 58 182

HSL 276.29, 0.52%, 0.47%

LAB 40.23, 53.18, -52.49

 

CMYK 21 / 53 / 0 / 36

HEX #814DA3

RGB 129 77 163

HSL 276.28, 0.36%, 0.47%

LAB 42.18, 38.02, -38.13

 

CMYK 13 / 33 / 0 / 44

HEX #7D608F

RGB 125 96 143

HSL 277.02, 0.2%, 0.47%

LAB 45.23, 21.04, -21.45

 

CMYK 2 / 6 / 0 / 51

HEX #79747C

RGB 121 116 124

HSL 277.5, 0.03%, 0.47%

LAB 49.51, 3.53, -3.71

 

CMYK 13 / 0 / 22 / 47

HEX #758769

RGB 117 135 105

HSL 96, 0.13%, 0.47%

LAB 54.16, -12.41, 14.01

 

CMYK 64 / 68 / 0 / 29

HEX #423AB6

RGB 66 58 182

HSL 243.87, 0.52%, 0.47%

LAB 33.05, 40.81, -64.48

 

CMYK 46 / 68 / 0 / 29

HEX #633AB6

RGB 99 58 182

HSL 259.84, 0.52%, 0.47%

LAB 36.09, 46.28, -59.39

 

CMYK 27 / 68 / 0 / 29

HEX #843AB6

RGB 132 58 182

HSL 275.81, 0.52%, 0.47%

LAB 40.1, 52.96, -52.71

 

CMYK 9 / 68 / 0 / 29

HEX #A63AB6

RGB 166 58 182

HSL 292.26, 0.52%, 0.47%

LAB 44.96, 60.51, -44.65

 

CMYK 0 / 68 / 9 / 29

HEX #B63AA6

RGB 182 58 166

HSL 307.74, 0.52%, 0.47%

LAB 46.61, 61.58, -32.43

 

CMYK 27 / 68 / 0 / 53

HEX #572677

RGB 87 38 119

HSL 276.3, 0.52%, 0.31%

LAB 25.99, 37.69, -37.26

 

CMYK 27 / 68 / 0 / 41

HEX #6E3097

RGB 110 48 151

HSL 276.12, 0.52%, 0.39%

LAB 33.27, 45.72, -45.29

 

CMYK 27 / 68 / 0 / 29

HEX #853AB6

RGB 133 58 182

HSL 276.29, 0.52%, 0.47%

LAB 40.23, 53.18, -52.49

 

CMYK 24 / 60 / 0 / 22

HEX #9951C8

RGB 153 81 200

HSL 276.3, 0.52%, 0.55%

LAB 48.04, 50.62, -50.29

 

CMYK 19 / 47 / 0 / 18

HEX #AB70D2

RGB 171 112 210

HSL 276.12, 0.52%, 0.63%

LAB 56.98, 41.15, -41.69

 

CMYK 27 / 68 / 0 / 28

HEX #863AB8

RGB 134 58 184

HSL 276.19, 0.52%, 0.47%

LAB 40.5, 53.84, -53.22

 

CMYK 0 / 68 / 55 / 29

HEX #B63A52

RGB 182 58 82

HSL 348.39, 0.52%, 0.47%

LAB 43.63, 51.51, 14.32

 

CMYK 68 / 0 / 55 / 29

HEX #3AB652

RGB 58 182 82

HSL 131.61, 0.52%, 0.47%

LAB 65.72, -54.87, 40.73

 

CMYK 27 / 68 / 0 / 28

HEX #863AB8

RGB 134 58 184

HSL 276.19, 0.52%, 0.47%

LAB 40.5, 53.84, -53.22

 

CMYK 0 / 27 / 68 / 29

HEX #B6843A

RGB 182 132 58

HSL 35.81, 0.52%, 0.47%

LAB 58.75, 11.72, 46.25

 

CMYK 68 / 0 / 27 / 29

HEX #3AB684

RGB 58 182 132

HSL 155.81, 0.52%, 0.47%

LAB 66.54, -45.83, 15.75

 

CMYK 27 / 68 / 0 / 28

HEX #863AB8

RGB 134 58 184

HSL 276.19, 0.52%, 0.47%

LAB 40.5, 53.84, -53.22

 

CMYK 0 / 68 / 55 / 29

HEX #B63A52

RGB 182 58 82

HSL 348.39, 0.52%, 0.47%

LAB 43.63, 51.51, 14.32

 

CMYK 41 / 0 / 68 / 29

HEX #6BB63A

RGB 107 182 58

HSL 96.29, 0.52%, 0.47%

LAB 67.19, -44.52, 53.56

 

CMYK 68 / 0 / 14 / 29

HEX #3AB69D

RGB 58 182 157

HSL 167.9, 0.52%, 0.47%

LAB 67.12, -39.81, 2.86

 

CMYK 27 / 68 / 0 / 28

HEX #863AB8

RGB 134 58 184

HSL 276.19, 0.52%, 0.47%

LAB 40.5, 53.84, -53.22

 

CMYK 0 / 62 / 68 / 29

HEX #B6463A

RGB 182 70 58

HSL 5.81, 0.52%, 0.47%

LAB 45.12, 44.66, 30.77

 

CMYK 41 / 0 / 68 / 29

HEX #6BB63A

RGB 107 182 58

HSL 96.29, 0.52%, 0.47%

LAB 67.19, -44.52, 53.56

 

CMYK 68 / 7 / 0 / 29

HEX #3AAAB6

RGB 58 170 182

HSL 185.81, 0.52%, 0.47%

LAB 64.18, -27.13, -15.37

 

Description

Color code: HEX #863AB8 | qconv.com Color code: HEX #863AB8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 58 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 58 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 68 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 68% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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