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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #862F5B it is the complementary color #79D0A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #862F5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #862F5B shade: #8B2F56, #9C4169, #AD537C, #BE658F and #CF77A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #862F5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #862F5B shade: #862F5B, #751D48, #640B35, #530022 and #42000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #862F5B shade: #842E5A, #842E43 and #842E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #862F5B shade: #842E5A, #842E71, #802E84, #692E84 and #522E84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #862F5B shade matches the following richer shades: #842E5A, #93205A, #A1125A and #AF035A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #862F5B shade: #842E5A, #763D5A, #674B59, #595A59 and #4A6859

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #862F5B shade: #802E84, #842E72, #842E5B, #842E44 and #84302E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #862F5B shade: #471930, #662445, #842E5A, #A3396E and #BE4783

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #862F5B shade: #862F5B, #84692E and #2E7D84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #862F5B shade: #862F5B, #5B842E and #2E5B84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #862F5B shade: #862F5B, #84692E, #2E8458 and #2E4A84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #862F5B shade: #862F5B, #84832E, #2E8458 and #2E3084

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 32 / 47

HEX #862F5B

RGB 134 47 91

HSL 329.66, 0.48%, 0.35%

LAB 33.68, 41.71, -6.76

 

Complementary color

CMYK 42 / 0 / 21 / 18

HEX #79D0A4

RGB 121 208 164

HSL 149.66, 0.48%, 0.65%

LAB 77.2, -36.16, 13.75

 

CMYK 0 / 66 / 38 / 45

HEX #8B2F56

RGB 139 47 86

HSL 334.57, 0.49%, 0.36%

LAB 34.38, 42.7, -2.4

 

CMYK 0 / 58 / 33 / 39

HEX #9C4169

RGB 156 65 105

HSL 333.63, 0.41%, 0.43%

LAB 41.01, 42.21, -4.31

 

CMYK 0 / 52 / 28 / 32

HEX #AD537C

RGB 173 83 124

HSL 332.67, 0.35%, 0.5%

LAB 47.66, 41.49, -5.79

 

CMYK 0 / 47 / 25 / 25

HEX #BE658F

RGB 190 101 143

HSL 331.69, 0.41%, 0.57%

LAB 54.28, 40.68, -6.99

 

CMYK 0 / 43 / 22 / 19

HEX #CF77A2

RGB 207 119 162

HSL 330.68, 0.48%, 0.64%

LAB 60.84, 39.86, -8.01

 

CMYK 0 / 65 / 32 / 47

HEX #862F5B

RGB 134 47 91

HSL 329.66, 0.48%, 0.35%

LAB 33.68, 41.71, -6.76

 

CMYK 0 / 75 / 38 / 54

HEX #751D48

RGB 117 29 72

HSL 330.68, 0.6%, 0.29%

LAB 27.1, 41.67, -4.45

 

CMYK 0 / 89 / 47 / 61

HEX #640B35

RGB 100 11 53

HSL 331.69, 0.8%, 0.22%

LAB 20.85, 40.45, -1.07

 

CMYK 0 / 100 / 59 / 67

HEX #530022

RGB 83 0 34

HSL 335.42, 1%, 0.16%

LAB 15.25, 37.12, 4.01

 

CMYK 0 / 100 / 77 / 74

HEX #42000F

RGB 66 0 15

HSL 346.36, 1%, 0.13%

LAB 10.5, 31.07, 10.11

 

CMYK 0 / 65 / 32 / 48

HEX #842E5A

RGB 132 46 90

HSL 329.3, 0.48%, 0.35%

LAB 33.13, 41.4, -6.98

 

CMYK 0 / 65 / 49 / 48

HEX #842E43

RGB 132 46 67

HSL 345.35, 0.48%, 0.35%

LAB 32.4, 38.71, 6.9

 

CMYK 0 / 65 / 65 / 48

HEX #842E2E

RGB 132 46 46

HSL 0, 0.48%, 0.35%

LAB 31.94, 36.94, 19.87

 

CMYK 0 / 65 / 32 / 48

HEX #842E5A

RGB 132 46 90

HSL 329.3, 0.48%, 0.35%

LAB 33.13, 41.4, -6.98

 

CMYK 0 / 65 / 14 / 48

HEX #842E71

RGB 132 46 113

HSL 313.26, 0.48%, 0.35%

LAB 34.09, 44.8, -20.19

 

CMYK 3 / 65 / 0 / 48

HEX #802E84

RGB 128 46 132

HSL 297.21, 0.48%, 0.35%

LAB 34.41, 47.03, -31.62

 

CMYK 20 / 65 / 0 / 48

HEX #692E84

RGB 105 46 132

HSL 281.16, 0.48%, 0.35%

LAB 30.93, 41.12, -37.38

 

CMYK 38 / 65 / 0 / 48

HEX #522E84

RGB 82 46 132

HSL 265.12, 0.48%, 0.35%

LAB 27.88, 35.51, -42.44

 

CMYK 0 / 65 / 32 / 48

HEX #842E5A

RGB 132 46 90

HSL 329.3, 0.48%, 0.35%

LAB 33.13, 41.4, -6.98

 

CMYK 0 / 78 / 39 / 42

HEX #93205A

RGB 147 32 90

HSL 329.74, 0.64%, 0.35%

LAB 33.93, 51.3, -5.49

 

CMYK 0 / 89 / 44 / 37

HEX #A1125A

RGB 161 18 90

HSL 329.79, 0.8%, 0.35%

LAB 35.49, 58.42, -2.87

 

CMYK 0 / 98 / 49 / 31

HEX #AF035A

RGB 175 3 90

HSL 329.65, 0.97%, 0.35%

LAB 37.69, 63.75, 0.7

 

CMYK 0 / 65 / 32 / 48

HEX #842E5A

RGB 132 46 90

HSL 329.3, 0.48%, 0.35%

LAB 33.13, 41.4, -6.98

 

CMYK 0 / 48 / 24 / 54

HEX #763D5A

RGB 118 61 90

HSL 329.47, 0.32%, 0.35%

LAB 33.83, 28.77, -6.16

 

CMYK 0 / 27 / 14 / 60

HEX #674B59

RGB 103 75 89

HSL 330, 0.16%, 0.35%

LAB 35.28, 14.34, -3.59

 

CMYK 1 / 0 / 1 / 65

HEX #595A59

RGB 89 90 89

HSL 120, 0.01%, 0.35%

LAB 38.12, -0.61, 0.43

 

CMYK 29 / 0 / 14 / 59

HEX #4A6859

RGB 74 104 89

HSL 150, 0.17%, 0.35%

LAB 41.34, -14.48, 4.94

 

CMYK 3 / 65 / 0 / 48

HEX #802E84

RGB 128 46 132

HSL 297.21, 0.48%, 0.35%

LAB 34.41, 47.03, -31.62

 

CMYK 0 / 65 / 14 / 48

HEX #842E72

RGB 132 46 114

HSL 312.56, 0.48%, 0.35%

LAB 34.14, 44.96, -20.75

 

CMYK 0 / 65 / 31 / 48

HEX #842E5B

RGB 132 46 91

HSL 328.6, 0.48%, 0.35%

LAB 33.17, 41.53, -7.56

 

CMYK 0 / 65 / 48 / 48

HEX #842E44

RGB 132 46 68

HSL 344.65, 0.48%, 0.35%

LAB 32.43, 38.81, 6.29

 

CMYK 0 / 64 / 65 / 48

HEX #84302E

RGB 132 48 46

HSL 1.4, 0.48%, 0.35%

LAB 32.3, 35.98, 20.32

 

CMYK 0 / 65 / 32 / 72

HEX #471930

RGB 71 25 48

HSL 330, 0.48%, 0.19%

LAB 16.74, 24.9, -4.27

 

CMYK 0 / 65 / 32 / 60

HEX #662445

RGB 102 36 69

HSL 330, 0.48%, 0.27%

LAB 25.31, 33.35, -5.4

 

CMYK 0 / 65 / 32 / 48

HEX #842E5A

RGB 132 46 90

HSL 329.3, 0.48%, 0.35%

LAB 33.13, 41.4, -6.98

 

CMYK 0 / 65 / 33 / 36

HEX #A3396E

RGB 163 57 110

HSL 330, 0.48%, 0.43%

LAB 40.96, 48.79, -7.37

 

CMYK 0 / 63 / 31 / 25

HEX #BE4783

RGB 190 71 131

HSL 329.75, 0.48%, 0.51%

LAB 48.38, 53.56, -8.66

 

CMYK 0 / 65 / 32 / 47

HEX #862F5B

RGB 134 47 91

HSL 329.66, 0.48%, 0.35%

LAB 33.68, 41.71, -6.76

 

CMYK 0 / 20 / 65 / 48

HEX #84692E

RGB 132 105 46

HSL 41.16, 0.48%, 0.35%

LAB 45.91, 3.69, 36.46

 

CMYK 65 / 5 / 0 / 48

HEX #2E7D84

RGB 46 125 132

HSL 184.88, 0.48%, 0.35%

LAB 48.15, -21.4, -10.92

 

CMYK 0 / 65 / 32 / 47

HEX #862F5B

RGB 134 47 91

HSL 329.66, 0.48%, 0.35%

LAB 33.68, 41.71, -6.76

 

CMYK 31 / 0 / 65 / 48

HEX #5B842E

RGB 91 132 46

HSL 88.6, 0.48%, 0.35%

LAB 50.6, -29.06, 40.67

 

CMYK 65 / 31 / 0 / 48

HEX #2E5B84

RGB 46 91 132

HSL 208.6, 0.48%, 0.35%

LAB 37.35, -1.79, -27.52

 

CMYK 0 / 65 / 32 / 47

HEX #862F5B

RGB 134 47 91

HSL 329.66, 0.48%, 0.35%

LAB 33.68, 41.71, -6.76

 

CMYK 0 / 20 / 65 / 48

HEX #84692E

RGB 132 105 46

HSL 41.16, 0.48%, 0.35%

LAB 45.91, 3.69, 36.46

 

CMYK 65 / 0 / 33 / 48

HEX #2E8458

RGB 46 132 88

HSL 149.3, 0.48%, 0.35%

LAB 49.24, -36.51, 16.38

 

CMYK 65 / 44 / 0 / 48

HEX #2E4A84

RGB 46 74 132

HSL 220.47, 0.48%, 0.35%

LAB 32.13, 9.25, -35.78

 

CMYK 0 / 65 / 32 / 47

HEX #862F5B

RGB 134 47 91

HSL 329.66, 0.48%, 0.35%

LAB 33.68, 41.71, -6.76

 

CMYK 0 / 1 / 65 / 48

HEX #84832E

RGB 132 131 46

HSL 59.3, 0.48%, 0.35%

LAB 53.31, -10.97, 44.48

 

CMYK 65 / 0 / 33 / 48

HEX #2E8458

RGB 46 132 88

HSL 149.3, 0.48%, 0.35%

LAB 49.24, -36.51, 16.38

 

CMYK 65 / 64 / 0 / 48

HEX #2E3084

RGB 46 48 132

HSL 238.6, 0.48%, 0.35%

LAB 24.83, 26.88, -47.56

 

Description

Color code: HEX #862F5B | qconv.com Color code: HEX #862F5B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 47 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 47 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 32 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 32% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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