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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #862882 it is the complementary color #79D77D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #862882. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #862882 shade: #8B287D, #9C3A90, #AD4CA3, #BE5EB6 and #CF70C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #862882. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #862882 shade: #862882, #75166F, #64045C, #530049 and #420036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #862882 shade: #862882, #862868, #86284F, #862836 and #862828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #862882 shade: #862882, #702886, #572886, #3E2886 and #282886

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #862882 shade matches the following richer shades: #862882, #941A8E and #A20C9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #862882 shade: #862882, #773675, #694468, #5B525B and #4D604E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #862882 shade: #572886, #702886, #862882, #862869 and #862850

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #862882 shade: #461544, #661E63, #862882, #A531A0 and #C53BBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #862882 shade: #862882, #863E28 and #288663

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #862882 shade: #862882, #828628 and #288286

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #862882 shade: #862882, #863E28, #28862B and #287086

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #862882 shade: #862882, #865A28, #28862B and #285486

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 3 / 47

HEX #862882

RGB 134 40 130

HSL 302.55, 0.54%, 0.34%

LAB 34.39, 50.69, -30.35

 

Complementary color

CMYK 44 / 0 / 42 / 16

HEX #79D77D

RGB 121 215 125

HSL 122.55, 0.54%, 0.66%

LAB 78.55, -46.15, 35.89

 

CMYK 0 / 71 / 10 / 45

HEX #8B287D

RGB 139 40 125

HSL 308.48, 0.55%, 0.35%

LAB 34.98, 51.12, -26.26

 

CMYK 0 / 63 / 8 / 39

HEX #9C3A90

RGB 156 58 144

HSL 307.35, 0.46%, 0.42%

LAB 41.39, 51.31, -27.72

 

CMYK 0 / 56 / 6 / 32

HEX #AD4CA3

RGB 173 76 163

HSL 306.19, 0.39%, 0.49%

LAB 47.88, 51.02, -28.78

 

CMYK 0 / 51 / 4 / 25

HEX #BE5EB6

RGB 190 94 182

HSL 305, 0.42%, 0.56%

LAB 54.38, 50.48, -29.59

 

CMYK 0 / 46 / 3 / 19

HEX #CF70C9

RGB 207 112 201

HSL 303.79, 0.5%, 0.63%

LAB 60.84, 49.82, -30.24

 

CMYK 0 / 70 / 3 / 47

HEX #862882

RGB 134 40 130

HSL 302.55, 0.54%, 0.34%

LAB 34.39, 50.69, -30.35

 

CMYK 0 / 81 / 5 / 54

HEX #75166F

RGB 117 22 111

HSL 303.79, 0.68%, 0.27%

LAB 28.12, 49.67, -28.46

 

CMYK 0 / 96 / 8 / 61

HEX #64045C

RGB 100 4 92

HSL 305, 0.92%, 0.2%

LAB 22.19, 47.24, -25.67

 

CMYK 0 / 100 / 12 / 67

HEX #530049

RGB 83 0 73

HSL 307.23, 1%, 0.16%

LAB 17.08, 41.82, -21.12

 

CMYK 0 / 100 / 18 / 74

HEX #420036

RGB 66 0 54

HSL 310.91, 1%, 0.13%

LAB 12.12, 35.26, -15.78

 

CMYK 0 / 70 / 3 / 47

HEX #862882

RGB 134 40 130

HSL 302.55, 0.54%, 0.34%

LAB 34.39, 50.69, -30.35

 

CMYK 0 / 70 / 22 / 47

HEX #862868

RGB 134 40 104

HSL 319.15, 0.54%, 0.34%

LAB 33.1, 46.55, -15.97

 

CMYK 0 / 70 / 41 / 47

HEX #86284F

RGB 134 40 79

HSL 335.11, 0.54%, 0.34%

LAB 32.15, 43.31, -1.26

 

CMYK 0 / 70 / 60 / 47

HEX #862836

RGB 134 40 54

HSL 351.06, 0.54%, 0.34%

LAB 31.47, 40.93, 14.16

 

CMYK 0 / 70 / 70 / 47

HEX #862828

RGB 134 40 40

HSL 0, 0.54%, 0.34%

LAB 31.21, 39.99, 22.85

 

CMYK 0 / 70 / 3 / 47

HEX #862882

RGB 134 40 130

HSL 302.55, 0.54%, 0.34%

LAB 34.39, 50.69, -30.35

 

CMYK 16 / 70 / 0 / 47

HEX #702886

RGB 112 40 134

HSL 285.96, 0.54%, 0.34%

LAB 31.08, 46.12, -38.33

 

CMYK 35 / 70 / 0 / 47

HEX #572886

RGB 87 40 134

HSL 270, 0.54%, 0.34%

LAB 27.48, 40.43, -44.32

 

CMYK 54 / 70 / 0 / 47

HEX #3E2886

RGB 62 40 134

HSL 254.04, 0.54%, 0.34%

LAB 24.52, 35.4, -49.25

 

CMYK 70 / 70 / 0 / 47

HEX #282886

RGB 40 40 134

HSL 240, 0.54%, 0.34%

LAB 22.62, 31.93, -52.45

 

CMYK 0 / 70 / 3 / 47

HEX #862882

RGB 134 40 130

HSL 302.55, 0.54%, 0.34%

LAB 34.39, 50.69, -30.35

 

CMYK 0 / 82 / 4 / 42

HEX #941A8E

RGB 148 26 142

HSL 302.95, 0.7%, 0.34%

LAB 35.96, 60.29, -35.13

 

CMYK 0 / 93 / 4 / 36

HEX #A20C9B

RGB 162 12 155

HSL 302.8, 0.86%, 0.34%

LAB 38.39, 67.56, -39.04

 

CMYK 0 / 70 / 3 / 47

HEX #862882

RGB 134 40 130

HSL 302.55, 0.54%, 0.34%

LAB 34.39, 50.69, -30.35

 

CMYK 0 / 55 / 2 / 53

HEX #773675

RGB 119 54 117

HSL 301.85, 0.38%, 0.34%

LAB 33.66, 37.75, -23.55

 

CMYK 0 / 35 / 1 / 59

HEX #694468

RGB 105 68 104

HSL 301.62, 0.21%, 0.34%

LAB 34.27, 22.42, -14.57

 

CMYK 0 / 10 / 0 / 64

HEX #5B525B

RGB 91 82 91

HSL 300, 0.05%, 0.34%

LAB 36.01, 5.55, -3.9

 

CMYK 20 / 0 / 19 / 62

HEX #4D604E

RGB 77 96 78

HSL 123.16, 0.11%, 0.34%

LAB 38.71, -11.21, 7.93

 

CMYK 35 / 70 / 0 / 47

HEX #572886

RGB 87 40 134

HSL 270, 0.54%, 0.34%

LAB 27.48, 40.43, -44.32

 

CMYK 16 / 70 / 0 / 47

HEX #702886

RGB 112 40 134

HSL 285.96, 0.54%, 0.34%

LAB 31.08, 46.12, -38.33

 

CMYK 0 / 70 / 3 / 47

HEX #862882

RGB 134 40 130

HSL 302.55, 0.54%, 0.34%

LAB 34.39, 50.69, -30.35

 

CMYK 0 / 70 / 22 / 47

HEX #862869

RGB 134 40 105

HSL 318.51, 0.54%, 0.34%

LAB 33.15, 46.69, -16.54

 

CMYK 0 / 70 / 40 / 47

HEX #862850

RGB 134 40 80

HSL 334.47, 0.54%, 0.34%

LAB 32.18, 43.43, -1.86

 

CMYK 0 / 70 / 3 / 73

HEX #461544

RGB 70 21 68

HSL 302.45, 0.54%, 0.18%

LAB 16.78, 30.25, -18.32

 

CMYK 0 / 71 / 3 / 60

HEX #661E63

RGB 102 30 99

HSL 302.5, 0.55%, 0.26%

LAB 25.73, 41.04, -24.66

 

CMYK 0 / 70 / 3 / 47

HEX #862882

RGB 134 40 130

HSL 302.55, 0.54%, 0.34%

LAB 34.39, 50.69, -30.35

 

CMYK 0 / 70 / 3 / 35

HEX #A531A0

RGB 165 49 160

HSL 302.59, 0.54%, 0.42%

LAB 42.36, 59.85, -35.74

 

CMYK 0 / 70 / 3 / 23

HEX #C53BBF

RGB 197 59 191

HSL 302.61, 0.54%, 0.5%

LAB 50.41, 68.69, -40.95

 

CMYK 0 / 70 / 3 / 47

HEX #862882

RGB 134 40 130

HSL 302.55, 0.54%, 0.34%

LAB 34.39, 50.69, -30.35

 

CMYK 0 / 54 / 70 / 47

HEX #863E28

RGB 134 62 40

HSL 14.04, 0.54%, 0.34%

LAB 35.33, 29.12, 27.76

 

CMYK 70 / 0 / 26 / 47

HEX #288663

RGB 40 134 99

HSL 157.66, 0.54%, 0.34%

LAB 49.98, -36.01, 11.06

 

CMYK 0 / 70 / 3 / 47

HEX #862882

RGB 134 40 130

HSL 302.55, 0.54%, 0.34%

LAB 34.39, 50.69, -30.35

 

CMYK 3 / 0 / 70 / 47

HEX #828628

RGB 130 134 40

HSL 62.55, 0.54%, 0.34%

LAB 53.97, -13.87, 47.67

 

CMYK 70 / 3 / 0 / 47

HEX #288286

RGB 40 130 134

HSL 182.55, 0.54%, 0.34%

LAB 49.66, -24.36, -9.84

 

CMYK 0 / 70 / 3 / 47

HEX #862882

RGB 134 40 130

HSL 302.55, 0.54%, 0.34%

LAB 34.39, 50.69, -30.35

 

CMYK 0 / 54 / 70 / 47

HEX #863E28

RGB 134 62 40

HSL 14.04, 0.54%, 0.34%

LAB 35.33, 29.12, 27.76

 

CMYK 70 / 0 / 68 / 47

HEX #28862B

RGB 40 134 43

HSL 121.91, 0.54%, 0.34%

LAB 49.1, -45.86, 39.78

 

CMYK 70 / 16 / 0 / 47

HEX #287086

RGB 40 112 134

HSL 194.04, 0.54%, 0.34%

LAB 43.89, -14.68, -18.61

 

CMYK 0 / 70 / 3 / 47

HEX #862882

RGB 134 40 130

HSL 302.55, 0.54%, 0.34%

LAB 34.39, 50.69, -30.35

 

CMYK 0 / 33 / 70 / 47

HEX #865A28

RGB 134 90 40

HSL 31.91, 0.54%, 0.34%

LAB 42.05, 13.02, 35.33

 

CMYK 70 / 0 / 68 / 47

HEX #28862B

RGB 40 134 43

HSL 121.91, 0.54%, 0.34%

LAB 49.1, -45.86, 39.78

 

CMYK 70 / 37 / 0 / 47

HEX #285486

RGB 40 84 134

HSL 211.91, 0.54%, 0.34%

LAB 35.03, 2.31, -32.42

 

Description

Color code: HEX #862882 | qconv.com Color code: HEX #862882 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 40 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 40 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 3 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 3% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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