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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #861E72 it is the complementary color #79E18D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #861E72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #861E72 shade: #8B1E6D, #9C3080, #AD4293, #BE54A6 and #CF66B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #861E72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #861E72 shade: #861E72, #750C5F, #64004C, #530039 and #420026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #861E72 shade: #851E71, #851E56, #851E3A and #851E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #861E72 shade: #851E71, #7D1E85, #611E85, #461E85 and #2A1E85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #861E72 shade matches the following richer shades: #851E71, #921179 and #9F0481

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #861E72 shade: #851E71, #782B69, #6B3961, #5D4659 and #505351

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #861E72 shade: #611E85, #7C1E85, #851E72, #851E57 and #851E3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #861E72 shade: #420F38, #631755, #851E71, #A7268E and #C82DAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #861E72 shade: #861E72, #85461E and #1E856F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #861E72 shade: #861E72, #72851E and #1E7285

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #861E72 shade: #861E72, #85461E, #1E8531 and #1E5E85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #861E72 shade: #861E72, #85641E, #1E8531 and #1E3F85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 15 / 47

HEX #861E72

RGB 134 30 114

HSL 311.54, 0.63%, 0.32%

LAB 32.28, 51.67, -23.61

 

Complementary color

CMYK 46 / 0 / 37 / 12

HEX #79E18D

RGB 121 225 141

HSL 131.54, 0.63%, 0.68%

LAB 81.75, -47.84, 31.97

 

CMYK 0 / 78 / 22 / 45

HEX #8B1E6D

RGB 139 30 109

HSL 316.51, 0.64%, 0.33%

LAB 32.97, 52.19, -19.3

 

CMYK 0 / 69 / 18 / 39

HEX #9C3080

RGB 156 48 128

HSL 315.56, 0.53%, 0.4%

LAB 39.14, 52.95, -21.42

 

CMYK 0 / 62 / 15 / 32

HEX #AD4293

RGB 173 66 147

HSL 314.58, 0.45%, 0.47%

LAB 45.48, 52.99, -22.96

 

CMYK 0 / 56 / 13 / 25

HEX #BE54A6

RGB 190 84 166

HSL 313.58, 0.45%, 0.54%

LAB 51.88, 52.64, -24.14

 

CMYK 0 / 51 / 11 / 19

HEX #CF66B9

RGB 207 102 185

HSL 312.57, 0.52%, 0.61%

LAB 58.29, 52.08, -25.07

 

CMYK 0 / 78 / 15 / 47

HEX #861E72

RGB 134 30 114

HSL 311.54, 0.63%, 0.32%

LAB 32.28, 51.67, -23.61

 

CMYK 0 / 90 / 19 / 54

HEX #750C5F

RGB 117 12 95

HSL 312.57, 0.81%, 0.25%

LAB 26.36, 49.71, -20.85

 

CMYK 0 / 100 / 24 / 61

HEX #64004C

RGB 100 0 76

HSL 314.4, 1%, 0.2%

LAB 20.95, 45.84, -16.86

 

CMYK 0 / 100 / 31 / 67

HEX #530039

RGB 83 0 57

HSL 318.8, 1%, 0.16%

LAB 16.18, 39.55, -11.32

 

CMYK 0 / 100 / 42 / 74

HEX #420026

RGB 66 0 38

HSL 325.45, 1%, 0.13%

LAB 11.26, 33.08, -5.3

 

CMYK 0 / 77 / 15 / 48

HEX #851E71

RGB 133 30 113

HSL 311.65, 0.63%, 0.32%

LAB 32.05, 51.28, -23.36

 

CMYK 0 / 77 / 35 / 48

HEX #851E56

RGB 133 30 86

HSL 327.38, 0.63%, 0.32%

LAB 30.85, 47.62, -7.79

 

CMYK 0 / 77 / 56 / 48

HEX #851E3A

RGB 133 30 58

HSL 343.69, 0.63%, 0.32%

LAB 29.96, 44.81, 9.44

 

CMYK 0 / 77 / 77 / 48

HEX #851E1E

RGB 133 30 30

HSL 0, 0.63%, 0.32%

LAB 29.43, 43.09, 27

 

CMYK 0 / 77 / 15 / 48

HEX #851E71

RGB 133 30 113

HSL 311.65, 0.63%, 0.32%

LAB 32.05, 51.28, -23.36

 

CMYK 6 / 77 / 0 / 48

HEX #7D1E85

RGB 125 30 133

HSL 295.34, 0.63%, 0.32%

LAB 31.77, 52.75, -36.49

 

CMYK 27 / 77 / 0 / 48

HEX #611E85

RGB 97 30 133

HSL 279.03, 0.63%, 0.32%

LAB 27.2, 46.89, -44.08

 

CMYK 47 / 77 / 0 / 48

HEX #461E85

RGB 70 30 133

HSL 263.3, 0.63%, 0.32%

LAB 23.42, 41.88, -50.4

 

CMYK 68 / 77 / 0 / 48

HEX #2A1E85

RGB 42 30 133

HSL 246.99, 0.63%, 0.32%

LAB 20.5, 37.86, -55.31

 

CMYK 0 / 77 / 15 / 48

HEX #851E71

RGB 133 30 113

HSL 311.65, 0.63%, 0.32%

LAB 32.05, 51.28, -23.36

 

CMYK 0 / 88 / 17 / 43

HEX #921179

RGB 146 17 121

HSL 311.63, 0.79%, 0.32%

LAB 33.76, 58.73, -25.57

 

CMYK 0 / 97 / 19 / 38

HEX #9F0481

RGB 159 4 129

HSL 311.61, 0.95%, 0.32%

LAB 36.07, 64.31, -26.78

 

CMYK 0 / 77 / 15 / 48

HEX #851E71

RGB 133 30 113

HSL 311.65, 0.63%, 0.32%

LAB 32.05, 51.28, -23.36

 

CMYK 0 / 64 / 13 / 53

HEX #782B69

RGB 120 43 105

HSL 311.69, 0.47%, 0.32%

LAB 31.21, 41.35, -19.74

 

CMYK 0 / 47 / 9 / 58

HEX #6B3961

RGB 107 57 97

HSL 312, 0.3%, 0.32%

LAB 31.61, 28.3, -14.15

 

CMYK 0 / 25 / 4 / 64

HEX #5D4659

RGB 93 70 89

HSL 310.43, 0.14%, 0.32%

LAB 32.76, 13.47, -7.45

 

CMYK 4 / 0 / 2 / 67

HEX #505351

RGB 80 83 81

HSL 140, 0.02%, 0.32%

LAB 34.98, -1.64, 0.75

 

CMYK 27 / 77 / 0 / 48

HEX #611E85

RGB 97 30 133

HSL 279.03, 0.63%, 0.32%

LAB 27.2, 46.89, -44.08

 

CMYK 7 / 77 / 0 / 48

HEX #7C1E85

RGB 124 30 133

HSL 294.76, 0.63%, 0.32%

LAB 31.59, 52.53, -36.77

 

CMYK 0 / 77 / 14 / 48

HEX #851E72

RGB 133 30 114

HSL 311.07, 0.63%, 0.32%

LAB 32.1, 51.43, -23.91

 

CMYK 0 / 77 / 35 / 48

HEX #851E57

RGB 133 30 87

HSL 326.8, 0.63%, 0.32%

LAB 30.89, 47.74, -8.38

 

CMYK 0 / 77 / 56 / 48

HEX #851E3B

RGB 133 30 59

HSL 343.11, 0.63%, 0.32%

LAB 29.99, 44.9, 8.81

 

CMYK 0 / 77 / 15 / 74

HEX #420F38

RGB 66 15 56

HSL 311.76, 0.63%, 0.16%

LAB 14.32, 29.61, -13.77

 

CMYK 0 / 77 / 14 / 61

HEX #631755

RGB 99 23 85

HSL 311.05, 0.62%, 0.24%

LAB 23.41, 40.63, -19.1

 

CMYK 0 / 77 / 15 / 48

HEX #851E71

RGB 133 30 113

HSL 311.65, 0.63%, 0.32%

LAB 32.05, 51.28, -23.36

 

CMYK 0 / 77 / 15 / 35

HEX #A7268E

RGB 167 38 142

HSL 311.63, 0.63%, 0.4%

LAB 40.5, 61.18, -27.75

 

CMYK 0 / 78 / 15 / 22

HEX #C82DAA

RGB 200 45 170

HSL 311.61, 0.63%, 0.48%

LAB 48.33, 70.58, -31.88

 

CMYK 0 / 78 / 15 / 47

HEX #861E72

RGB 134 30 114

HSL 311.54, 0.63%, 0.32%

LAB 32.28, 51.67, -23.61

 

CMYK 0 / 47 / 77 / 48

HEX #85461E

RGB 133 70 30

HSL 23.3, 0.63%, 0.32%

LAB 36.86, 23.68, 34.92

 

CMYK 77 / 0 / 17 / 48

HEX #1E856F

RGB 30 133 111

HSL 167.18, 0.63%, 0.32%

LAB 49.74, -33.97, 3.71

 

CMYK 0 / 78 / 15 / 47

HEX #861E72

RGB 134 30 114

HSL 311.54, 0.63%, 0.32%

LAB 32.28, 51.67, -23.61

 

CMYK 14 / 0 / 77 / 48

HEX #72851E

RGB 114 133 30

HSL 71.07, 0.63%, 0.32%

LAB 52.34, -21.03, 49.43

 

CMYK 77 / 14 / 0 / 48

HEX #1E7285

RGB 30 114 133

HSL 191.07, 0.63%, 0.32%

LAB 44.24, -17.58, -17.5

 

CMYK 0 / 78 / 15 / 47

HEX #861E72

RGB 134 30 114

HSL 311.54, 0.63%, 0.32%

LAB 32.28, 51.67, -23.61

 

CMYK 0 / 47 / 77 / 48

HEX #85461E

RGB 133 70 30

HSL 23.3, 0.63%, 0.32%

LAB 36.86, 23.68, 34.92

 

CMYK 77 / 0 / 63 / 48

HEX #1E8531

RGB 30 133 49

HSL 131.07, 0.63%, 0.32%

LAB 48.6, -46.6, 36.39

 

CMYK 77 / 29 / 0 / 48

HEX #1E5E85

RGB 30 94 133

HSL 202.72, 0.63%, 0.32%

LAB 37.8, -5.93, -27.47

 

CMYK 0 / 78 / 15 / 47

HEX #861E72

RGB 134 30 114

HSL 311.54, 0.63%, 0.32%

LAB 32.28, 51.67, -23.61

 

CMYK 0 / 25 / 77 / 48

HEX #85641E

RGB 133 100 30

HSL 40.78, 0.63%, 0.32%

LAB 44.51, 6.12, 42.57

 

CMYK 77 / 0 / 63 / 48

HEX #1E8531

RGB 30 133 49

HSL 131.07, 0.63%, 0.32%

LAB 48.6, -46.6, 36.39

 

CMYK 77 / 53 / 0 / 48

HEX #1E3F85

RGB 30 63 133

HSL 220.78, 0.63%, 0.32%

LAB 28.18, 14.53, -42.79

 

Description

Color code: HEX #861E72 | qconv.com Color code: HEX #861E72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 30 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 30 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 15 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 15% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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